Images at Librifly

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Portrait of Bartolomaeus Spranger with an Allegory of the Death of His Wife, Christina Müller, 1600, Aegidius Sadeler, Flemish, c. 1570-1629, Holland, Engraving with etching in black on ivory laid paper, 293 x 416 mm (image/sheet, trimmed

Urania, Muse of Astronomy, plate 15 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 220 × 139 mm

The Nooning, published August 16, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 231 x 349 mm (image), 280 x 400 mm (sheet

Virgin and Child by the Window, n.d., Barthel Beham, German, 1502-1540, Germany, Engraving in black on cream laid paper, 105 × 84 mm (plate), 108 × 87 (sheet

The Age of Gold, 1608, Johann Theodor de Bry (German, 1561-1623), after Abraham Bloemaert (Dutch, 1566-1651), Germany, Engraving in black on cream laid paper, 163 x 167 mm (plate), 166 x 168 mm (sheet

Watch-Tower, Corner of Spring and Varick Streets, New York, published February 28, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 350 x 233 mm

The Little Toilette, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1781–1783, Pietro Antonio Martini (Italian, 1738-1797), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François Prault

The Shrimp Girl, from Old English Masters, 1896, printed 1902, Timothy Cole (American, born England, 1852-1931), after William Hogarth (English, 1697-1764), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

The Battle of Bunker Hill—Watching the Fight from Copp’s Hill, in Boston, published June 26, 1875, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x

Abraham’s Sacrifice of Isaac, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish),

Innocence in Danger, c. 1785, Jean Gabriel Caquet (French, 1749-1802), after Nicolas Lavreince (Swedish, 1737-1807), France, Engraving on ivory laid paper, 370 × 251 mm (image), 387 × 269 mm (plate), 401 × 284 mm (sheet

Portrait of a Woman Facing Right, 1798, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 387 x 276 mm (image), 431 x 315 mm (plate), 540 x 405 mm

Nathanael Dilgerus, 1683, Gérard Edelinck, French, born Flanders, 1640-1707, France, Engraving on paper, 301 × 218 mm (sheet, trimmed within platemark

Knight, 1512/1515, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 89 x 48 mm (image/plate

Juno Sending Psyche Away, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in warm brown

March, August 20, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 304 x 253 mm (image),

Head of Flora, July 3, 1769, Louis-Marin Bonnet (French, 1736-1793), after François Boucher (French, 1703-1770), France, Color pastel-manner engraving and crayon-manner engraving on cream laid paper, 407 × 325 mm (image), 428 × 345 mm

The Fall of the Clyde, plate 18 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving on ivory paper, laid down on

Madonna with the Monkey, c. 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 190 x 122 mm

Wimple in the County of Cambridge, plate 32 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with

Orpheus Charming the Animals, 1490/1510, Peregrino da Cesena, Italian, active c. 1490-1520, Italy, Engraving in black, from a niello plate, on ivory laid paper, 53 × 31 mm (plate), 55 × 34 mm (sheet

Topographic, Geographic and Music Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), music engraved by Madame de Lusse (French, active 1760-1770), published by André le Breton (French, 1708-1779),

Elshie, the Black Dwarf, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching, engraving, and roulette on off-white wove paper laid down on ivory wove card, 82 × 121 mm (image), 104 × 137 mm (primary support), 247 × 298 mm

A White Bird Telling Venus of Cupid’s Illness, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy,

Game of Cupids, 1533, Master of the Die (Italian, active c. 1530-1560), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving, printed in black, on paper, 186 x 286 mm

Faith, plate 40 from Genii and Virtues, 1470/80, Master of the S-Series Tarocchi, Italian, active c. 1470, Italy, Engraving in black on buff laid paper, 172 x 92 mm (image/plate), 173 x 94 (sheet

An Ambush, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching, engraving, drypoint and roulette on cream China paper laid down on ivory wove paper, 95 × 141 mm (image), 134 × 181 mm (chine), 203 × 260 mm (plate), 283 ×

The Bath, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine Louis Romanet (French, 1742-c. 1810), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

Thesis-Sheet showing Saint Ignatius of Loyola, November 15, 1696, Christoph Elias Heiss (German, 1660-1731), after Johann Andreas Wolf (German, 1652-1715), Germany, Mezzotint, with burnishing and engraving, in black on pale pink satin, 970

Plate Three, from Marriage à la Mode, 1746, Bernard Baron (French, 1696-1762), after William Hogarth (English, 1697-1764), France, Etching and engraving in black on ivory laid paper, 354 × 443 mm (image), 388 × 466 mm (plate), 401 ×

The Virgin and Child with Saint Anne at the Cradle, 1515/20, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 63 × 55 mm (image/plate

Erycius Puteanus, 17th century, Peeter de Jode, the younger, Dutch, 1606-1674, Holland, Engraving on paper, 226 x 171 mm (plate), 276 x 208 mm (sheet

Water, plate three from The Four Elements, 1622, Jan van de Velde II (Dutch, c.1593-1641), after Willem Buytewech (Dutch, 1591/92-1624), Holland, Etching and engraving on ivory laid paper, 173 × 285 mm (image), 190 × 290 mm (sheet

Grave! Grave! Très-Grave!, 1862, Charles Émile Jacque (French, 1813-1894), after Gustave Doré (French, 1832-1883), France, Etching, engraving, drypoint and roulette on light gray China paper laid down on ivory wove paper, 105 × 142 mm

The Happy Accident of the Swing, 1792, Nicolas Delaunay (French, 1739-1792), after Jean Honoré Fragonard (French, 1732-1806), France, Engraving in black ink on ivory laid paper, 510 × 420 mm (image/plate), 591 × 443 mm (sheet

Dancing Couple, plate seven from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 117 x 78 mm (image/plate/image

Going to Bed, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine-Jean Duclos (French, 1742-1795) and Louis Bosse (French, 18th century), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri

Johann Matthias, Count von Schulenburg., n.d., Giovanni Marco Pitteri (Italian, 1702-1786), after Francesco Carlo Rusca (Italian, 1696-1769), Italy, Engraving on paper, 399 x 320 mm (image), 462 x 320 mm (sheet

Hamlet, Horatio, Marcellus and the Ghost, 1796, Robert Thew (English, 1758-1802), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William Shakespeare (English,

The Pleasures of the Ball, 1730, Jean-Baptiste Gérard Scotin (French, 1698-1745), after Jean Antoine Watteau (French, 1684-1721), France, Etching and engraving on paper, 555 × 680 mm

Cicho Sgarra, Collo Francisco, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand

The Ball, 1500, Master M.Z., German, active 1500-1550, Germany, Engraving on ivory laid paper, 220 × 316 mm (sheet trimmed within plate mark

Africae Tabula XII, 1588, reprinted 1889, Unknown Artist (English, 19th century), after Livio Sanuto (Italian, 1520-1576), England, Engraving in black on cream laid paper, 255 × 322 mm

The Annunciation, 1553, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 108 x 68 mm (image/plate

Titus Manlius Beheading his Son, 1553, Heinrich Aldegrever, German, 1502-c. 1560, Germany, Engraving in black on ivory laid paper, 113 x 72 mm (image/plate/sheet

The King Drinks, 1766, Jacques Claude Danzel (French, 1737-1809), after Gillis Van Tilborgh, the Younger (Flemish, c. 1625-c. 1678), coat of arms etched by Baisiez (French, active in 1764 and 1768), France, Etching with engraving on ivory

Temperance, from the Virtues, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 104 x 62 mm (image/plate

Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts, published July 20, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 279 x

Fire, plate four from The Four Elements, 1622, Jan van de Velde II (Dutch, c.1593-1641), after Willem Buytewech (Dutch, 1591/92-1624), Holland, Etching and engraving on ivory laid paper, 171 × 288 mm (image), 186 × 293 mm (sheet

Ornament with the Tree of Jesse, 1480–90, Israhel van Meckenem the Younger, German, c. 1440/45-1503, Germany, Engraving on paper, 121 x 268 mm

Geometry, plate 24 from Arts and Sciences, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on cream laid paper, 178 x 100 mm (plate), 180 x 103 mm (sheet

Le Maréchal de la Meilleraye, 1662, Robert Nanteuil (French, 1623-1678), after Justus van Egmont (Flemish, 1601-1674), France, Engraving on paper, 360 × 267 mm (trimmed within plate mark

The Agony in the Garden, plate two from The Passion of Christ, 1597, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on cream laid paper, 196 x 130 mm (image), 202 x 135 mm (plate), 318 x 247 mm (sheet

Evening, plate three from The Four Times of the Day, May 1738, Bernard Baron (French, 1696-1762), after William Hogarth (English, 1697-1764), France, Etching and engraving in black on ivory laid paper, 453 × 374 mm (image), 485 × 405 mm

Sweet is Evening’s Tranquil Time (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving with hand-coloring on ivory card, 40 x 70 mm

The Committee, plate ten from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge, mounted on cream wove paper, 239 × 336 mm (image), 270 × 352 mm (plate), 271 ×

Remember Me (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving in blue ink with hand-coloring and traces of graphite on ivory card, 59 x 91 mm (card

Three Peasants in Conversation, c. 1497, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 108 x 78 mm (image/sheet

Depend on my Promises, 1789, Augustin de Saint-Aubin, French, 1736–1807, France, Etching and engraving on ivory laid paper, 337 × 247 mm (image), 367 × 264 mm (plate), 406 × 319 mm (sheet

The Smoker, 1882, Jozef Israëls, Dutch, 1824-1911, Holland, Engraving on tan wove paper, 404 x 278 mm (plate), 500 x 320 mm (sheet

Terpsichore, plate thirteen from Apollo and the Muses, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 178 x 100 mm (plate), 184 x 105 mm (sheet

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum, published February 11, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory paper, 180 × 263 mm (image), 210 × 291 mm (plate),

Letter A, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 263 x 214 mm

Ornamental Design for Knife Handle with Water, from The Four Elements, c. 1590, After Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

The Virgin and Child Seated on a Grassy Bank, 1553, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 107 x 68 mm (image/plate/sheet

The Circle of the Traitors, Dante’s Foot Striking Bocca degli Abbate. Inferno, canto XXXII, 1827, printed c. 1892, William Blake, English, 1757-1827, England, Hand-colored engraving on India paper, laid down on wove paper (chine collé),

Throne of Neptune, 1519, Marco Dente da Ravenna, Italian, about 1486–1527, Italy, Engraving in black on cream laid paper, 175 x 355 mm

Ornament with a Male Half-Length Between Two Genii, n.d., Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 52 x 37 mm (image/sheet, trimmed within plate mark

The Fall of Icarus, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders,

Design: Legs and Feet, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Bouchardon (probably Edme), (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David

The Morning Bell, published December 13, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 231 x 342 mm (image), 281 x 400 mm (sheet

Ville de Thun, plate 59 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by Tho. Hodgetts, England, Etching and engraving in brown on ivory laid paper, 179 × 265 mm (image), 209

Esau Selling His Birthright, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on ivory laid paper, 53 × 75 mm (image/sheet, cut within platemark

Plate One, from Marriage à la Mode, 1745, Gérard Scotin II (French, 1698-1755), after WIlliam Hogarth (English, 1697-1764), France, Etching and engraving in black on ivory laid paper, 353 × 440 mm (image), 384 × 465 mm (plate), 402 ×

Portrait of Philippe V, King of Spain, 1702, Pierre Drevet (French, 1663-1738), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on ivory laid paper, 534 × 371 mm (image/sheet, cut within plate

Court Lady, August 1, 1799, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 290 x 249 mm (image), 329 x 249 mm (plate), 474 x 350 mm (sheet

The Entombment, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Jacopo Robusti, called Tintoretto (Italian, 1519-1594), Holland, Engraving on paper

East Gate, Winchelsea, plate 67 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by S.W. Reynolds, England, Etching and engraving in brown on ivory paper laid down on off-white

Pompone de Bellièvre, 1657, Robert Nanteuil (French, 1623-1678), after Charles Le Brun (French, 1619-1690), France, Engraving on paper, 327 × 251 mm

Plate Five, from Book of Ornament, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 132 × 207 mm (image/plate), 233 × 296 mm (sheet

The Resurrection, plate twelve from The Passion of Christ, 1596, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on cream laid paper, 197 x 131 mm (image), 201 x 136 mm (plate), 318 x 244 mm (sheet

Woman Sealing a Letter, 1738, Étienne Fessard (French, 1714-1777), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Engraving in black on cream laid paper, 248 × 230 mm (image), 285 × 237 mm (sheet, trimmed within

The Advance Guard of the Grand Army of the United States Crossing the Long Bridge over the Potomac at 2 A.M. on May 24, 1861, published June 8, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916),

Execution of Arminians in The Hague, 1623, Claes Jansz. Visscher, II, Dutch, 1586–1652, Netherlands, Etching with touches of engraving and letterpress in black on ivory laid paper (pieced), 276 x 320 mm (image), 402 x 320 mm (sheet,

The Straw Yard, plate 7 from Liber Studiorum, published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 193

Tramp with a Sling, 1634/38, Pieter Jansz Quast, Dutch, 1606-1647, The Netherlands, Engraving, with etching, on cream laid paper, 170 x 160 mm (image), 210 x 162 mm (plate), 268 x 175 mm (sheet

Mars, 1529, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 81 x 57 mm (image/plate/plate

Hercules, plate 16 from Parnassus Biceps, 1601, Robert Boissard (French, c. 1570–after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 251 × 180 mm (image), 274 ×

The Dragon Devouring the Companions of Cadmus, 1588, Hendrick Goltzius (Dutch, 1558-1617), after Cornelis Cornelisz. van Haarlem (Dutch, 1562-1638), Netherlands, Engraving of black in on Ivory laid paper, 240 x 317 mm (image), 251 x 321

Cardinal Richelieu, 1657, Robert Nanteuil (French, 1623-1678), after Philippe de Champaigne (French, 1602-1674), France, Engraving on paper, 348 × 271 mm (plate), 377 × 295 mm (sheet

Man of Sorrows by the Column, frontispiece from The Engraved Passion, 1509, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 119 x 74 mm (image/plate), 122 x 77 mm (sheet

The Artist in the Country, published June 19, 1869, Winslow Homer (American, 1836-1910), published by Appletons’ Journal (American, 1869-1881), United States, Wood engraving on paper, 159 x 168 mm (image), 272 x 193 mm (sheet

King David, plate five from The Nine Worthies, 1594, Nicolaes de Bruyn (Flemish, 1571-1656), published by Assuerus van Londerseel (Flemish, 1572-1635), Flanders, Engraving in black on cream laid paper, 118 × 91 mm (image), 125 × 92 mm

Charles Brandon, 1798, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Color stipple engraving on paper, 72 × 66 mm (image), 188 × 173 mm (sheet

The Four Naked Women, 1497, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 189 × 134 mm (image/plate), 190 × 135 mm (sheet

Portrait of Stéphane Mallarmé, 1891, printed 1919, Paul Gauguin, French, 1848-1903, France, Etching, drypoint and engraving in brown-black on cream Japanese laid paper, 183 × 145 mm (plate), 330 × 240 mm (sheet

From Spenser’s Fairy Queene, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts (English), England, Etching and engraving in brown on ivory laid paper, 182 × 264 mm (image), 210 × 290 mm

The Nativity, from Life of the Virgin, 1470/75, Martin Schongauer, German, c. 1450-1491, Germany, Engraving in black on cream laid paper, 255 × 166 mm (image/sheet, cut to platemark

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