Images at Librifly

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Ganymede, 1500/03, Giulio Campagnola, Italian, c. 1482-1515/18, Italy, Engraving on ivory laid paper, 168 x 125 mm (bottom), 122 mm (top

Portrait of a Woman, December 10, 1799, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 383 x 258 mm (image), 430 x 301 mm (plate), 540 x 412 mm

The Queen’s Lady-in-Waiting, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1777, Pietro Antonio Martini (Italian, 1738-1797), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François

Giovanni Baglione, 1625, Ottavio Mario Leoni, Italian, 1578-1630, Italy, Engraving on ivory laid paper, 144 x 113 mm (plate), 173 x 139 mm (sheet

Le Tambourin, 1789/94, Charles-Melchior Descourtis (French, 1753-1820), after Nicolas-Antoine Taunay (French, 1755-1830), France, Color aquatint (ash manner), with etching and engraving, on ivory wove paper, 307 × 235 mm (image), 390 ×

Ornament with Women Fighting, c. 1460, Master E. S., German, active c. 1450-1467, Germany, Engraving on cream laid paper, 95 x 136 mm (sheet trimmed within plate mark

Venus, plate 43 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 180 x 100 mm (plate), 187 x 105 mm (sheet

The Director, n.d., Nicolas-Joseph Voyez, French, 1742-1806, France, Etching and engraving in black on ivory laid paper, 297 × 216 mm (image), 405 × 294 mm (plate/sheet

The Dinner Horn, published June 11, 1870, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 346 x 228 mm (image), 397 x 269 mm (sheet

Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude

Furness Abbey, c.1853/58, William Henry Fox Talbot, English, 1800–1877, England, Photoglyphic engraving, 7.3 × 6.9 cm (image), 13.5 × 10.7 cm (paper

Acklam in Cleveland in the County of Yorke, plate 64 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching,

Anne of Austria, Queen of France, 1660, Robert Nanteuil (French, 1623-1678), after Pierre Mignard I (French, 1612-1695), France, Engraving on paper, 327 × 250 mm (plate), 382 × 302 mm (sheet

The Love Letter, n.d., Nicolas Delaunay (French, 1739-1792), after Nicolas Lavrince (Swedish, 1737-1807), France, Engraving in black ink on paper, 450 × 305 mm (image), 455 × 330 mm (plate), 467 × 333 mm (sheet

Evening Walk, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, François Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published

Saint George and the Dragon, n.d., Master of the Nuremberg Passion (German, active before 1450), after The Master of the Playing Cards (German, active c.1425-1450), Germany, Engraving on ivory laid paper, 156 x 134 mm (plate), 168 x 135 mm

Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 54 x 77.5 mm (image/plate), 55 x 78 mm (sheet

The Clock Tower, Paris, 1852, Charles Meryon, French, 1821-1868, France, Etching and engraving in warm black on verdâtre (greenish) laid chine tipped onto ivory laid paper, 256 × 184 mm (image), 256 × 184 mm (plate), 287 × 209 mm

The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof, 1766, Bernardo Bellotto, Italian, 1721-1780, Italy, Etching with engraving in black on ivory laid paper, 468 x 630 mm (image), 527 x 637 mm (image plate mark), 542 x 647 mm

The Lion Hunt, 1621/29, Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659), after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Engraving in black on cream laid paper, tipped onto cream laid paper, 409 × 586 mm

The Music Making Couple, 1470/80, Master bxg, German, active ca. 1470–90, Germany, Round engraving on ivory laid paper, 89 mm (plate), 95 x 92 mm (sheet

St. Matthias, plate 12 from The Twelve Apostles, 1545, Sebald Beham, German, 1500-1550, Germany, Engraving in black on white wove paper, 45 x 30 mm (image/plate), 305 x 240 mm (sheet

Dancing Couple, plate eight from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 118 x 78 mm (image/plate/sheet

Portrait of Jean-Féry Rebel, Composer to the King, 1726/31, Jean Moyreau (French, 1690-1762), after Jean Antoine Watteau (French, 1684-1721), France, Etching and engraving in black on cream laid paper, 333 × 254 mm (image), 365 × 261 mm

A Merry Christmas and a Happy New Year, published December 24, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 352 x 511 mm (image), 395 x 544 mm

Francois Servien, 1656, Robert Nanteuil (French, 1623-1678), after Philippe de Champaigne (French, 1602-1674), France, Engraving on paper, 344 × 261 mm (image), 350 × 266 mm (sheet

The Coquette, 1656/58, Jeremias Falck (Polish, 1619-1677), after Bernardo Strozzi (Italian, 1581-1644), Poland, Engraving on cream laid paper, 400 x 317 mm

Ornament with an Eagle and Two Genii, from Four Vignettes, c. 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 22 x 52 mm (image/plate), 23 x 53 mm (sheet

Louis XIV, 1663, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 405 × 334 mm (plate), 515 × 401 mm (sheet

Pietà, c. 1550, Unknown artist, Netherlandish, 16th century, Netherlands, Engraving with etching in black on cream laid paper, 133 x 95 mm (image/sheet, trimmed within plate mark

The Galliot of Jean de Vyl of Rotterdam, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, engraving and roulette on ivory laid paper, 58.5 × 115 mm (image), 65 × 118 mm (sheet

Proserpina Gives Psyche the Box of Beauty, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving

Bacchanal, c. 1550, Giulio Sanuto, Italian, active 1540-1580, Italy, Engraving in black on two sheets of ivory laid paper, joined through the center, 451 x 554 mm (image), 455 x 558 mm (plate), 465 x 574 mm (sheets

Bal Paré (The Jewel Ball), 1774, Antoine-Jean Duclos (French, 1742-1795), after Augustin de Saint-Aubin (French, 1736-1807), France, Etching and engraving on ivory laid paper, 295 × 418 mm (image), 365 × 480 (plate), 384 × 501 (sheet

Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Joshua, plate four from The Nine Worthies, 1594, reworked second state, Nicolaes de Bruyn (Flemish, 1571-1656), published by Assuerus van Londerseel (Flemish, 1572-1635), Flanders, Engraving in black on cream laid paper, tipped to cream

Spring, from The Four Seasons, 1570, Pieter van der Heyden (Flemish, c. 1530–after 1584), after Pieter Bruegel, the elder (Flemish, 1525/30–1569), published by Hieronymus Cock (Flemish, c. 1510–1570), Flanders, Engraving with etching

Arithmetic, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 75 × 54 mm (image/sheet, cut within platemark

The Waterfall of Velino Near Terni, Rome, 1795, Friedrich Wilhelm Gmelin, German, 1760-1820, Germany, Etching and engraving on cream wove paper, 607 x 411 mm (plate), 675 x 477 mm (sheet

Crucifixion, 1547, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 117 x 78 mm (sheet

Christ at Gethsemane, n.d., Pierre-Imbert Drevet (French, 1697-1739), after Jean Restout the Younger (French, 1692-1768), France, Engraving with etching on ivory laid paper, 572 × 409 mm (image/sheet, cut within plate

The Entombment, 1563, Giulio di Antonio Bonasone (Italian, about 1510–after 1576), after Titian (Italian, c. 1488-1576), Italy, Engraving on paper, 292 x 178 mm (plate), 296 x 183 mm (sheet

Jupiter, plate 46 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 185 x 105 mm (sheet), 180 x 100 mm (plate

Family Party Playing at Fox and Geese, published November 28, 1857, Winslow Homer (American, 1836-1910), published by Ballou’s Pictorial Drawing Room Companion (American, 1851-1859), United States, Wood engraving on paper, 137 x 239 mm

Crayon-Manner Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Coat of Arms of Sebald Beham, 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 69 x 59 mm (sheet, trimmed to image

John Colet, August 24, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 270 x 200 mm (image), 327 x 238 mm (plate), 470 x 238 mm (sheet

Louis XVI, 1790, Charles Clément Bervic (French, 1756-1822), after Antoine Francois Callet (French, 1741-1823), France, Engraving on paper, 634 × 480 mm (image), 750 × 570 mm (sheet

The Abduction of Helen, n.d., Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 24 x 116 (image/plate), 26 x 119 mm (sheet

The Annunciation to the Shepherds, 1599, Jan Saenredam (Netherlandish, 1565-1607), after Abraham Bloemaert (Dutch, 1566-1651), Holland, Engraving on ivory laid paper, 559 x 403 mm

Thomas Howard, Earl of Surrey, December 16, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 191 x 139 mm (image), 227 x 176 mm (plate), 388

Mercury, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 70 × 55 mm (image), 83 × 69 mm (sheet, cut within platemark

Le Palais Royal Garden Walk, 1787, Louis Le Coeur, French, active 1780-1806, France, Engraving on paper

Design: Draped Figures, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after de la Hire (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

The Palais Royal Garden Walk, 1787, Louis Le Coeur (French, active 1780-1806), after Claude Louis Desrais (French, 1746-1816), France, Color etching and wash manner, with engraving, on ivory laid paper, 288 × 547 mm (image), 378 × 566 mm

Emperor Maximilian I, 1520, Attributed to Jan Müller (Dutch, 1540-1617), after Lucas van Leyden (Netherlandish, c. 1494-1533), Netherlands, Engraving in black on cream laid paper, 256 x 193 mm (image/sheet, trimmed within plate mark

Ornament Panels with Birds: Plate 3, 1617, Adrian Muntink, Dutch, active 1597-1617, Netherlands, Engraving in black on paper, 51 x 98 mm (plate

The Drawing Room, 1783, François Dequevauviller (French, 1745-1807), after Nicolas Lavreince (Swedish, 1737-1807), France, Engraving on paper, 407 × 500 mm (plate), 417 × 525 mm (sheet

The Cumean Sibyl, 1480/90, Attributed to Francesco Rosselli, Italian, 1448-before 1513, Italy, Engraving on paper, 179 x 105 mm (plate), 180 x 106 mm (sheet

Hedging and Ditching, plate 47 from Liber Studiorum, published May 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by J.C. Easling, England, Etching and engraving in brown on ivory laid paper, 186 × 261 mm (image),

Adam and Eve and the Expulsion from Paradise, 1564, Cornelis Cort, Netherlandish, 1533-before 1578, Holland, Engraving on ivory laid paper, 185 x 241 mm (trimmed within platemark

A Fruit Market, from The Houghton Gallery, 1775, Richard Earlom (British, 1743–1822), after Frans Snyders (Flemish, 1579-1657), intermediary drawing by Joseph Farington (British, 1747-1821), published by John Boydell (British, 1719-1804),

1860-1870, published January 8, 1870, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 340 x 519 mm (image), 389 x 559 mm (sheet

Announcement of Pregnancy, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1776, Pietro Antonio Martini (Italian, 1738-1797), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François Prault

The Two Gladiators, n.d., Master of the Die (Italian, active c. 1530–1560), After Giulio Romano (Italian, c. 1499–1546), Italy, Engraving in black on cream laid paper, 207 x 232 mm

The Invention of Copper Engraving, c. 1591, Theodor Galle (Flemish, 1571-1633), after Joannes Stradanus (Flemish, 1523-1605), Flanders, Engraving in black on ivory laid paper, 202 × 273 mm (image/sheet, trimmed within plate mark

Calais Boats in Vlissingen, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, drypoint, engraving and roulette on tan laid paper, hinged to ivory laid paper, 67 × 121 mm (image), 67

The Shadow of Death, 1878, Frederick Stacpoole (English, 1813-1907), after William Holman Hunt (English, 1827-1910), United Kingdom, Mixed method engraving on ivory chine laid down on off-white plate paper, 1, 023 x 790 mm (chine), 1, 300 x

The Pier with Chains, plate 16 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 409 x 550 mm (image), 409 x 550 mm (plate), 585 x 778 mm (sheet

It’s a Boy!, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1776, Jean Charles Baquoy (French, 1721-1777), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François Prault (French

Scene in the Campagna, plate 38 from Liber Studiorum, Published February 1, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory paper, 180

Combat, 1620/50, Antoine Jacquard, French, active 1620-1650, France, Engraving on cream laid paper, 62 × 52 mm (image/sheet, trimmed within plate mark

Autumn, from The Four Seasons, 1570, Pieter van der Heyden (Flemish, c. 1530–after 1584), after Hans Bol (Netherlandish, 1534–1593), published by Hieronymus Cock (Flemish, c. 1510–1570), Flanders, Engraving with etching in black on

Charles Brandon, Duke of Suffolk, December 1, 1797, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 207 x 205 mm (image), 309 x 242 mm (plate),

The Death of Hercules, from The Labors of Hercules, 1548, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 52 x 77 (image/plate), 55 x 79 mm (sheet

The Boys of Amsterdam, n.d., Jacobus Houbraken (Dutch, 1698-1780), after Cornelis Troost (Dutch, 1679-1740), Holland, Engraving on ivory laid paper

Proclamation of the Treaty of Münster, 1648, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching and engraving on ivory laid paper, 215 × 331 mm (image/sheet

Sampler, 1801, Denmark, Copenhagen, Denmark, Linen, plain weave, embroidered with two-ply twisted silk in cross, tent, linen darning, "chain" darning (resembling knitting), folded ribbon border and hem stitching, 27.3 × 36.2 cm (10 3/4

Creusa Pleads with Aeneas as He Leaves for War, 1803, Jean Michel Moreau, French, 1741-1814, France, Pen and brown ink, brush and brown wash, on cream wove paper, 226 × 155 mm (image), 322 × 231 mm (sheet), Shepherd Chases Away Wolf,

Caricatures of Two Women (recto), Praying Judas (verso), n.d., Attributed to Pier Francesco Mola, Italian, 1612-1666, Italy, Pen and brown ink with brush and brown wash (recto) and engraving in black (verso) on ivory laid paper, 185 x 207 mm

Halt of a Wagon Train, published February 6, 1864, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 341 x 517 mm (image), 392 x 555 mm (sheet

Woman Reclining in a Landscape, 1508/09, Giulio Campagnola, Italian, c. 1482-1515/18, Italy, Engraving on paper, 119 x 182 mm (sheet

Cupid and the Three Graces, 1518/19, Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on cream laid paper, 310 x 206 mm

Willem de Vos, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching and engraving in black on ivory laid paper, 239 × 139 mm (image), 242 × 155 mm (plate), 403 × 272 mm (sheet

July, July 10, 1789, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 306 x 255 mm (image), 355

The Guard Near the Powder Casks, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 45.5 x 30 mm (image/plate), 46 x 31 mm (sheet

Coat of Arms with Lion and Rooster, 1503, printed after 1550, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 182 x 119 mm (image), 182 x 120 mm (sheet

On the Bluff at Long Branch, at the Bathing Hour, published August 6, 1870, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 226 x 350 mm (image), 288 x 408

The Periwinkle of Java, from Collection of Usual, Curious, and Foreign Plants, 1767, Jacques Fabien Gautier D’Agoty, French, 1710-1781, France, Color etching, stipple engraving, and roulette, with watercolor (hand coloring), on ivory

Mercury, plate 42 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 179 x 100 mm (plate), 185 x 106 mm (sheet

Saul and the Witch of Endor, 1788, William Sharp (English, 1749-1824), after Benjamin West (American, 1738-1820), United States, Engraving on paper, 490 x 515 mm

St. James Major, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 89 × 43 mm (plate), 90 × 46 mm (sheet

A Philosopher Shewing an Experiment on the Air Pump, 1769, Valentine Green (English, 1739-1813), after Joseph Wright of Derby (English, 1734-1797), printed by John Boydell (English, 1719-1804), England, Mezzotint with traces of engraving in

The World That Is (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving with hand-coloring and traces of graphite on ivory card, 113 x 72 mm (card

Combats and Triumphs: Battle of the Naked Men, 1550/1572, Etienne Delaune, French, 1518/19-c.1583, France, Engraving on ivory laid paper, 65 × 220 mm

Petrus Proclius, n.d., Jan Visscher (Dutch, 1634-1692), after Jan van Noordt (Dutch, active 1645-1675), Holland, Engraving on paper, 295 x 208 mm

The Vision of Ezekiel, 1554, Giorgio Ghisi (Italian, 1520–1582), after Giovanni Battista Bertani (Italian, 1516 –1576), published by Antoine Lafréry (French, active Italy, 1512–1577), Italy, Engraving in black on ivory laid paper,

Arrest of Christ, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish, 1550-1600), after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590), Flanders, Engraving in black on ivory laid paper, 152 × 112 mm (plate, oval

Shepherd and Old Warrior, 1517, Domenico Campagnola, Italian, c. 1500-1564, Italy, Engraving, on paper, 133 x 95 mm

Apollo on Parnassus, 1517/20, Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving on ivory laid paper, 357 x 472 mm

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