Images at Librifly

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Marie Jeanne Baptiste de Savoye, 1678, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 394 × 252 mm (plate), 488 × 325 mm (sheet

Moonlit Harbor Scene with Ferry, 1753/54, Adrien Manglard, French, 1695-1760, France, Etching with touches of engraving and burnishing, on paper, 209 × 305 mm (image), 222 × 312 mm (plate), 238 × 325 mm (sheet

The Circumcision, plate four from The Birth and Early Life of Christ, 1594, Hendrick Goltzius (Dutch, 1558-1617), text written by Cornelius Schonaeus, Netherlands, Engraving on off-white laid paper, 464 x mm 353 mm (image), 480 x 354 mm

Pageant in Honor of Pope Pius VI, 1782/83, J. G. Freling, German, 18th Century, Germany, Engraving with handcoloring on ivory laid paper, 322 × 402 mm (image), 323 × 402 mm (plate), 333 × 412 mm (sheet

Lock of the Canal Saint-Martin, 1890, published 1910, Louis Auguste Lepère, French, 1849-1918, France, Wood engraving in black on cream Japanese tissue, 87 × 100 mm (image), 196 × 239 mm (sheet

Urania, plate twelve from Apollo and the Muses, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 178 x 101 mm (plate), 183 x 105 mm (sheet

Landscape with Gypsy Women Near a Farm Building, c. 1610, Andries Stock (Dutch, c. 1580-after 1648), after Jacques de Gheyn II (Dutch, 1565-1629), Netherlands, Engraving and etching on ivory paper, 99 x 173 mm

Design: Proportions of the Laocoon statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French,

Sapper of the Swiss Guards, 1779, Johann Georg Wille, German, 1715-1808, Germany, Engraving in black on ivory laid paper, 228 x 187 mm (image), 257 x 193 mm (plate), 262 x 198 mm (sheet

Bear Hunt, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders, Engraving in

Noon, plate two from The Four Times of the Day, May 1738, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 450 × 380 mm (image), 488 × 402 mm (plate), 660 × 497 mm (sheet

Lieven van Coppenol, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 292 x 235 mm (plate, sight

The Willow Song, plate nine from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, roulette, and drypoint on paper, 293 × 229 mm (image), 368 × 263 mm (plate), 638 × 445 mm (appro×. sheet

Hercules and Telephos, plate two from Three Famous Antique Sculptures, c. 1592, printed c. 1617, Hendrick Goltzius (Dutch, 1558-1617), text written by Theodorus Schrevelius, Netherlands, Engraving on ivory laid paper, 404 x 292 mm (image),

Laöcoon, 1540/1565, Nicolas Beatrizet, French, 1515-after 1565, France, Engraving in black on pieced, cream laid paper, 412 × 294 mm

Francis Russell, February 19, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 259 x 175 mm (image), 329 x 240 mm (plate), 468 x 346 mm

The Virgin on a Crescent with a Crown of Stars and a Scepter, 1516, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 117 x 73 mm (image/sheet

The Giant Wheel, plate 9 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 545 x 400 mm (image), 553 x 408 mm (plate), 781 x 590 mm (sheet

Ferdinand de Neufville, 1657, Robert Nanteuil (French, 1623-1678), after Philippe de Champaigne (French, 1602-1674), France, Engraving on paper, 363 × 268 mm (plate), 368 × 273 mm (sheet

The Woman and Tambourine, plate 3 from Liber Studiorum, published 1807, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory wove paper, laid

The Leader Sea Piece, plate 20 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory paper, 176 × 258 mm (image), 209 × 289 mm (plate), 267 ×

Roger de Piles, 1704, Bernard Picart, French, 1673-1733, France, Etching and engraving in black on paper, 290 × 204 mm (plate), 299 × 311 mm (sheet

The Morning Walk—Young Ladies’ School Promenading the Avenue, published March 28, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 230 x 347 mm

October, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 302 x 250 mm

Virgin and Child with Saint John, 1575, Diana Scultori (Italian, c. 1536-c. 1590), after Raffaellino da Reggio (Italian, 1550-1578), Italy, Engraving in black on ivory laid paper, 275 x 204 mm (plate/sheet

The Adoration of the Magi, 1460–65, Master E. S., German, active c. 1450-1467, Germany, Engraving on paper, 147 x 102 mm (sheet trimmed within plate mark

Fortune-Teller, c. 1608, Andries Stock (Dutch, c. 1580-after 1648), after Jacques de Gheyn II (Dutch, 1565-1629), Netherlands, Engraving on cream laid paper, 292 x 203 mm (sheet, trimmed within plate mark

Madonna on a Grassy Bank, 1566, After Albrecht Dürer (German, 1471-1528), Germany, Engraving on ivory laid paper, 113 x 72 mm (image/plate/sheet

Triumph of the Unicorn, 1540–50, Jean Duvet, French, 1485-after 1561, France, Engraving on paper, 232 × 386 mm

Frontispiece for Athalie, Act V, Scene VI, from Racine’s Oeuvres, 1760 or 1767, Jean-Jacques Flipart (French, 1719-1782), after Jacques de Sève (French, active 1742-1788), France, Etching with engraving and stipple on cream laid paper,

The Castle Above the Meadows, published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 178 × 262 mm

Thresher, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on off-white wove paper (chine collé),

Memento Mori, 1500/02, Master M.Z., German, active 1500-1550, Germany, Engraving in black on ivory laid paper, 180 x 128 mm

Cybele in her Chariot, c. 1532, Master of the Die (Italian, active c. 1530-1560), after Giulio Pippi, called Giulio Romano (Italian, c. 1499-1546), Italy, Engraving on paper, 246 x 182 mm

London from Greenwich, plate 26 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (english 1773-1857), England, Etching and engraving in brown on ivory wove paper,

A Horse Frightened by a Lion, 1777, George Stubbs, English, 1724-1806, England, Etching with engraving on paper, 345 × 460 mm (image), 374 × 480 mm (plate), 385 × 500 mm (sheet

Triumphal Procession of the Noble Glorious Women, 1549, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 22 x 134 mm (image/plate), 25 x 135 mm (sheet

Big Fish Eat Little Fish, 1557, Pieter van der Heyden (Flemish, c. 1530–after 1584), after Pieter Bruegel, the elder (Flemish, 1525/30–1569), published by Hieronymus Cock (Flemish, c. 1510–1570), Flanders, Etching and engraving in

Tenth Plague of Egypt, plate 61 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (1768-1834), England, Etching and engraving in brown on cream paper, 178 × 260 mm

Hon. Abraham Lincoln, Born in Kentucky, February 12, 1809, published November 10, 1860, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 276 x 234 mm

Grotesque Battle, from Combats and Triumphs, 1561/72, Etienne Delaune, French, c. 1519-1583, France, Engraving in black on ivory paper, 71 × 223 mm

Rebus: Here Lies the Ancient Vendetta, 1862, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), France, Etching with engraving in warm black with the title printed à la poupée in red ink on cream laid paper, 63

Psyche’s Sisters…Persuade Her that a Serpent is Sleeping with Her, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian,

Fragment, Edo period (1615–1868), 1775/1800, Japan, Silk, plain wave with supplementary patterning wefts, 20.3 × 15 cm (8 × 5 7/8 in.), Bearing of the Cross, 1512, Albrecht Dürer, German, 1471-1528, Germany, Engraving on paper

Faith plate 40 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 186 x106 mm (sheet), 180 x 100 mm (plate

Wood Engraving, Tools, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Venus Complains to Jupiter, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in warm brown

Adoration of the Shepherds, 1620, Lucas Vorsterman (Flemish, 1595-1675), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 278 × 438 mm (image), 285 × 443 mm (plate), 299 × mm 456 (sheet

Therefore be merry, Cassio, plate six from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, roulette, and drypoint on paper, 268 × 215 mm (image), 318 × 245 mm (plate), 638 × 445 mm (appro×.

Spring Farm Work—Grafting, published April 30, 1870, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 176 x 232 mm (image), 212 x 275 mm (sheet

Cosimo I, 1666, published 1761, Adriaen Haelwegh (Dutch, born 1637), published by Giuseppe Allegrini, Florence, 1761, Holland, Engraving on ivory laid paper, 358 x 253 mm (plate), 431 x 322 mm (sheet

Robert Junius, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper

Judith, 1525, Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 54 x 36 mm (image/plate/sheet

Charles Brandon, March 26, 1798, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 71 x 65 mm (image), 174 x 153 mm (plate), 271 x 283 mm (sheet

Menalcas Watching Women Dance, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 34 × 77 mm (image/block), 5 × 79 mm (sheet

Ornament Panels with Birds: Plate 7, 1617, Adrian Muntink, Dutch, active 1597-1617, Netherlands, Engraving in black on paper, 51 x 97 mm (plate

Lady Elyot, May 1, 1792, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 274 x 205 mm (image), 306 x 231 mm (plate), 456 x 336 mm (sheet

Our Watering Places—Horse-Racing at Saratoga, published August 26, 1865, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 353 mm (image), 385 x 408 mm

Valerian Through Volkamenia, from The Illuminated Language of Flowers, published 1884, probably Edmund Evans (English, 1826-1905), after Kate Greenaway (English, 1846-1901), printed by Edmund Evans, England, Color wood engraving

The Market Peasant, c. 1542, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 39.5 x 26 mm (image/sheet, trimmed within plate mark

Artemisia, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 197 x 137 mm (image/plate/sheet

The Large Einsiedeln Madonna, 1466, Master E. S., German, active c. 1450-1467, Germany, Engraving in black on ivory laid paper, 206 x 122 mm (plate), 209 x 125 mm (sheet

Any Thing for Me, If You Please?—Post-Office of the Brooklyn Fair in Aid of the Sanitary Commission, published March 5, 1864, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood

Kuks Baden, Bohemia, c. 1725, Unknown Artist (German, 18th century), printed and published by Johann Christian Müller (German, 18th century), Germany, Engraving and etching (recto) and woodblock print (verso) in black on cream laid paper,

The Madonna on the Crescent Crowned by Two Angels, 1470–75, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 173 × 110 mm (sheet trimmed to plate mark

The River Seine and the Corner of the Mall, Paris, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, engraving and roulette on ivory laid card, 119 × 239 mm (image), 135 × 245 mm

Prudence, plate 35 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 180 x 100 mm

Cutting a Figure, published February 4, 1871, Winslow Homer (American, 1836-1910), published by Every Saturday (American, 1866-1874), United States, Wood engraving on paper, 324 x 500 mm (image), 370 x 564 mm (sheet

Bellona, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 70 × 53 mm (image), 83 × 67 mm (sheet, cut within platemark

Cap. Cardoni, Maramao, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

The Virtuoso, n.d., Cornelis Visscher (Dutch, c. 1629-1658), after Correggio (Italian, c. 1489-1534), Holland, Engraving on paper

The Good Mother, 1779, Nicolas Delaunay (French, 1739-1792), after Jean Honoré Fragonard (French, 1732-1806), France, Engraving on ivory laid paper, 570 × 430 mm (image), 588 × 445 mm (plate), 610 × 460 mm (sheet

Hector of Troy, plate one from The Nine Worthies, 1594, Nicolaes de Bruyn (Flemish, 1571-1656), published by Assuerus van Londerseel (Flemish, 1572-1635), Flanders, Engraving in black on cream laid paper, 117 × 88 mm (image), 124 × 91 mm

The Last Judgment, 1599, Barbara van den Broeck (Flemish, born c. 1558/60), after Crispin van den Broeck (Flemish, 1524–c. 1590), published by Hendrik Hondius (Dutch, 1573–1650), Flanders, Engraving in black on ivory laid paper, 408 ×

Sir Philip Hobby, August 25, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 305 x 219 mm (image), 354 x 275 mm (plate), 469 x 322 mm

Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude

King Henry Condemning Cambridge, Scroop and Northumberland, 1798, Robert Thew (English, 1758-1802), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William Shakespeare

The Lady Henegham, January 1, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 308 x 206 mm (image), 355 x 238 mm (plate), 461 x 311 mm

The Adoration of the Magi, plate five from The Birth and Early Life of Christ, c. 1593, Hendrick Goltzius (Dutch, 1558-1617), text written by Franco Estius, Netherlands, Engraving on paper, 465 x 352 mm (image), 478 x 356 mm (plate/sheet

The Duke of Gloucester (Henry Stuart), n.d., Cornelis van Dalen II, Dutch, seventeenth century, Netherlands, Engraving on ivory laid paper, 398 x 288 mm

Gluttony, from the Vices, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 103 x 62 mm (image/plate

Plate Seven, from Book of Ornament, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 132 × 203 mm (image/plate), 233 × 295 mm (sheet

The Mousetrap, c. 1654, Claude Mellan, French, 1598-1688, France, Engraving and drypoint in black on ivory laid paper, 227 × 309 mm (image/plate), 234 × 314 mm (sheet

St. James Major, from Christ and the Apostles, n.d., Israhel van Meckenem the Younger (German, c. 1440/45-1503), after Martin Schongauer (German, c. 1450-1491), Germany, Engraving on ivory laid paper, 87 × 50 mm

Flirting on the Sea-Shore and on the Meadow, published September 19, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 345 mm (image), 273 x 397 mm

The Great Russian Ball at the Academy of Music, November 5, 1863, published November 21, 1863, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 334

The Sleighing Season—the Upset, published January 14, 1860, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 350 mm (image), 282 x 400 mm (sheet

Pierre Poncet, 1660, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 327 × 256 mm (plate), 344 × 268 mm (sheet

The Noon Recess, published June 28, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 230 x 347 mm (image), 290 x 424 mm (sheet

Mnemosine (Memory), plate 3 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 236 × 140 mm (image), 259

Village Musicians, 1648/58, Cornelis Visscher (Dutch, c. 1629-1658), after Adriaen van Ostade (Dutch, 1610-1685), Holland, Engraving on paper, 380 x 322 mm

St. George on Foot, 1502, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on cream laid paper, 111 x 70 mm (image/sheet

The Reed Offered to Christ, 1630/40, Anthony van Dyck (Flemish, 1599-1641), Lucas Vorsterman I (Flemish, 1595-1675), Flanders, Etching and engraving in black on ivory laid paper, 261 × 212 mm (image/sheet, cut within platemark

John Fisher, Évêque de Rochester, November 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 328 x 228 mm (image), 360 x 271 mm (plate),

Rest on the Flight into Egypt, 1583, Bernardino Passeri, Italian, c.1540-1591, Italy, Engraving in black on paper, 430 x 281 mm

Portrait of Mary Wollstonecraft, from Old English Masters, 1899, printed 1902, Timothy Cole (American, born England, 1852-1931), after John Opie (English, 1761-1807), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Avarice, from the Vices, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 103 x 62 mm (image/plate

Dancing Couple, plate five from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 117 x 77 mm (image/image/plate

Coat of Arms of Rohrbach and Eilge von Holzhausen, after 1470, Master bxg (German, active ca. 1470–90), after Master of the Housebook (German, active c. 1470-1500), Bayern, Engraving in black on buff laid paper, 96 × 92 mm (plate), 99 ×

Illustration to Pope’s Odyssey, 1793, Tommaso Piroli, Italian, c. 1752-1824, Italy, Engraving in black on paper

search results: Engraving clear search