Images at Librifly

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The Discovery of Holofernes’s Corpse, plate eight from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in black on ivory laid paper,

Contest for the Prize for the Study of Heads and Expression, 1763, based on a drawing from 1761, Jean-Jacques Flipart (French, 1719-1782), after Charles-Nicholas Cochin (French, 1715-1790), France, Etching and engraving on off-white laid

The Organ Player and His Wife, 1495/1503, Israhel van Meckenem the Younger, German, c. 1440/45-1503, Germany, Engraving on buff laid paper, 165 × 109 mm

Enterpe, Muse of Music, plate 10 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), or Robert Boissard (French, c. 1570-after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in

Letter F, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 217 x 174 mm

The Massacre of the Innocents, n.d., Marco Dente da Ravenna (Italian, about 1486–1527), after Baccio Bandinelli (Italian, 1488-1560), Italy, Engraving on paper, 412 x 574 mm

The Crucifixion (Coup de Lance), 1631, Boëtius Adamsz. Bolswert (Dutch, active in Flanders, 1580-1663), after Peter Paul Rubens (Flemish, 1577-1640), Netherlands, Engraving in black on ivory laid paper, 590 x 430 mm (plate), 620 x 450 mm

The Noble Painter, 1642, Abraham Bosse, French, 1602-1676, France, Engraving, with etching, on ivory laid paper, 252 × 323 mm (image, with te×t/plate), 271 × 340 mm (sheet

Duchess of Devonshire and child, from Old English Masters, 1897, printed 1902, Timothy Cole (American, born England, 1852-1931), after Sir Joshua Reynolds (English, 1723-1792), United States, Wood engraving on chine paper, 435 x 345 mm

Bookplate of Willibald Pirckheimer, 1529, Master I.B. (possibly Georg Pencz, German, c. 1500-1550), after Albrecht Dürer (German, 1471-1528), Germany, Engraving in black on ivory laid paper, 150 x 85 mm (image/plate/sheet

Colinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 36 × 74 mm (image/block), 40 × 78 mm (sheet

Winter—A Skating Scene, published January 25, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on ivory wove paper, 228 x 346 mm (image), 278 x 406 mm (sheet

Panel of Ornament with a Birdcage, c. 1507, Nicoletto da Modena, Italian, active c. 1500-c. 1520, Italy, Engraving on paper

The Chinese in New York—Scene in a Baxter Street Club-House, published March 7, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 347 x 226 mm (image),

A Night Reconnaissance, published October 26, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 151 x 234 mm (image), 409 x 281 mm (sheet

Saint Mark, plate two from The Four Evangelists, 1588, Jacob de Gheyn II (Dutch, 1565-1629), after Hendrick Goltzius (Dutch, 1558-1617), Netherlands, Engraving in black on laid paper, 150 mm diameter (image), 170 mm diameter (plate), 179 x

Letter P, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 244 x 163 mm

Anna Maria Luisa, 1730, published 1761, Georg Martin Preissler (German, 1700-1754), after Giovanni Domenico Campiglia (Italian, 1692-1768), published by Giuseppe Allegrini, Florence, 1761, Germany, Engraving on ivory laid paper, 359 ×

Melpomene, plate seventeen from Apollo and the Muses, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 179 x 100 mm (plate), 183 x 104 mm (sheet

Knife Handle (Lucretia), c. 1588, Theodor de Bry, Flemish, 1538–1598, Flanders, Engraving in black on ivory laid paper, 84 × 23 mm (image/sheet, trimmed within plate mark

The Triumph of Death, plate five from The Triumphs of Petrarch, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 150 x 219 mm (sheet

The Temptation of Saint Anthony, c. 1635, Jacques Callot, French, 1592-1635, France, Engraving on paper, 355 × 465 mm (plate), 367 × 477 mm (sheet

Elector John Frederick the Magnanimous of Saxony, 1543, Georg Pencz, German, c.1500-1550, Germany, Engraving in black on ivory laid paper, 400 × 309 mm (image), 404 × 312 mm (sheet

Lock of the Canal Saint-Martin, plate six from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black

Ecce Homo, plate eight from The Passion of Christ, 1597, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on cream laid paper, 197 x 130 mm (image), 202 x 135 mm (plate), 316 x 247 mm (sheet

The Watering Place, from Old English Masters, 1897, printed 1902, Timothy Cole (American, born England, 1852-1931), after Thomas Gainsborough (English, 1727-1788), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Title Page from the Iconography, 1645, Jacob Neeffs (Flemish, 1610-c. 1660), after Anthony van Dyck (Flemish, 1599-1641), Flanders, Etching and engraving in black on ivory laid paper, 242 × 151 mm (image), 245 × 157 mm (plate), 425 × 279

The Precautions, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1777, Pietro Antonio Martini (Italian, 1738-1797), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François Prault (French

Harrowing of Hell, Christ in Limbo, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 75 mm (image/plate), 119 x 77 mm (sheet

Medal Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after André-Jean-Baptiste Boucher d’Argis (French, 1750-1794), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Plate Four, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 317 × 390 mm (image), 359 × 410 mm (plate), 487 × 615 mm (sheet

Nero (54-68 A.D.), 1638, Paulus Pontius (Flemish, 1603-1658), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 316 × 204 mm (image/plate/sheet

Interior, called The Skaters, c. 1655, Cornelis Visscher (Dutch, c. 1629-1658), after Adriaen van Ostade (Dutch, 1610-1685), Holland, Etching and engraving on cream laid paper, 427 x 345 mm (image), 436 x 352 mm (plate), 456 x 371 mm

Our Next President, published October 31, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 277 x 233 mm (image), 410 x 281 mm (sheet

Christ before Caiaphas, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 117 x 74 mm (image/plate), 119 x 76 mm (sheet

Thalia, plate sixteen from Apollo and the Muses, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 179 x 100 mm (plate), 185 x 105 mm (sheet

Portrait of Jacques Bénigne Bossuet, Bishop of Meaux, 1723, Pierre-Imbert Drevet (French, 1697-1739), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on ivory laid paper, 502 × 331 mm (image), 510 × 348 mm (plate), 521 ×

Boar Hunt, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders, Engraving in

On the Beach, published March 10, 1860, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 395 x 265 mm

Venus and Cupid, n.d., Jacopo Francia, Italian, before 1486-1557, Italy, Engraving on paper, 229 × 148 mm (plate), 230 × 150 mm (sheet

The Skating Season, published January 18, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 230 x 349 mm (image), 278 x 400 mm (sheet

Madame Bouthillier, 1658, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 350 × 269 mm (sheet, cut within platemark

The Merchant, plate four from The Ranks and Conditions of Men, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 170 x 100 mm (plate), 185 x 105 mm (sheet

The Bag-Piper, 1514, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 114 x 71 mm (image/sheet

Summer, c. 1865, Charles Émile Jacque (French, 1813-1894), printed by Sarazin (French, 19th century), France, Etching, engraving and roulette on cream China paper laid down on ivory wove paper, 130 × 97 mm (image), 140 × 108 mm (chine),

Solway Moss, plate 52 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by Tho. Lupton, England, Etching and engraving in brown on ivory laid paper, 185 × 269 mm (image), 211 ×

Earth, n.d., Johann Esaias Nilson, German, 1721-1788, Germany, Etching and engraving on ivory laid paper, 244 x 170 mm (plate), 378 x 259 mm (sheet

Studies of Heads, 1860, after Jean Baptiste Carpeaux, French, 1827-1875, France, Engraving on paper, 229 × 285 mm

Knight, Death, and Devil, 1564, Jan Wierix (Flemish, 1549-c. 1620), after Albrecht Dürer (German, 1471-1528), Flanders, Engraving in black on paper, 245 × 187 mm (image/sheet

Calliope, Muse of Epic Poetry, plate 12 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 223 × 140 mm

The Enraged Musician, November 1741, William Hogarth, English, 1697-1764, England, Engraving in black on ivory laid paper, 332 × 397 mm (image), 363 × 410 mm (plate), 425 × 555 mm (sheet

Cucorongna-Pernoualla, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Philips Galle(1537-1612), Pupil of Coornhert from Haarlem, Engraver and Publisher in Antwerp from 1570, The Baptism of the Eunuch in Background Left, 1582, Hendrick Goltzius (Dutch, 1558-1617), written by Janus Dousa (Dutch, 1545-1604),

The Trojan Horse Being Dragged into the City of Troy, 1545, Giulio di Antonio Bonasone, Italian, about 1510–after 1576, Italy, Engraving on ivory laid paper, 407 x 634 mm

Portrait of the Poet Pietro Aretino, n.d., Cornelis van Dalen, II (Dutch, seventeenth century), after Titian (Italian, c. 1488-1576), Netherlands, Engraving on paper, 375 x 278 mm (image), 410 x 293 mm (plate), 466 x 354 mm (sheet

The Persian Sibyl, 1570/75, Giorgio Ghisi (Italian, 1520-1582), after Michelangelo Buonarroti (Italian, 1475-1564), Italy, Engraving on ivory laid paper, 569 x 437 mm

Map of the Mercator Projection, 1595, reprinted 1889, Unknown Artist, English, 19th century, England, Engraving in black on cream laid paper, 256 × 329 mm

Paris and Oenone, from Greek Heroines, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 117 x 77 mm (sheet

Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr, 1549, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 104 × 41 mm (image/plate/sheet

Fishermen Catching a Sea Monster, 1560/70, Adamo Scultori (Italian, c. 1530-1587), after Giulio Romano (Italian, c. 1499-1546), Italy, Engraving in black on ivory laid paper, 210 x 314 mm

Letter K, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 260 x 210 mm

Danck-Predikatien, Gedaen over de laste slach by Worcheseter, op den 18 September 1651, 1651, Unknown Artist, Dutch, 17th century, Netherlands, Engraving in black on ivory laid paper and letterpress in black on ivory laid paper, laid down on

Plate One, from A New Book of Ornaments, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on ivory laid paper, 196 × 161 mm (image/plate), 195 × 233 mm (sheet

A Horse Affrighted by a Lion, September 25, 1777, George Stubbs, English, 1724-1806, England, Etching and engraving on cream laid paper, 341 × 459 mm (image), 365 × 477 mm (sheet

The Farm Yard with the Cock, plate 17 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1847), England, Etching and engraving in brown on ivory

The Farm Yard with the Cock, plate 17 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1847), England, Etching and engraving in brown on iovry laid

The Drawing Lesson, 1749, Jacques Philippe Le Bas (French, 1707-1783), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Engraving in black on cream laid paper, 251 × 309 mm (image), 294 × 329 mm (plate), 455 × 624 mm

Don’t Be Afraid, My Friend, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1776, Isidor-Stanislas Helman (French, 1743-1806 or 1809), after Jean Michel Moreau (French, 1741-1814), published by

Fall Games—the Apple-Bee, published November 26, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 243 x 352 mm (image), 276 x 393 mm (sheet

Sir William Sherington, February 10, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 296 x 195 mm (image), 354 x 232 mm (plate), 389 x 357

The Magpie, 1843, Charles François Daubigny, French, 1817-1878, France, Etching and engraving on white wove paper, 170 × 125 mm (image), 300 × 195 mm (sheet

Venus Receiving Gifts, c. 1588, Aegidius Sadeler (Flemish, 1570-1629), after Bartholomaeus Spranger (Flemish, 1546-1611), Flanders, Engraving in black on ivory laid paper, 278 × 186 mm (image/sheet, sight), cut within platemark

He Smothers Her, plate thirteen from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, roulette, and drypoint on paper, 250 × 227 mm (image), 347 × 248 mm (plate), 638 × 445 mm (appro×. sheet

Two Children Wearing Helmets, plate three of Twelve Ornament Panels, c. 1505–20, Giovanni Pietro da Birago, Italian, active 1470-1513, Italy, Engraving in black on ivory laid paper, 528 x 88 mm (plate), 536 x 114 mm (sheet

Fire Works on the Night of the Fourth of July, published July 11, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 353 mm (image), 287 x 409 mm

Demitasse Cup and Saucer, c. 1888, Austria, Vienna, J.L. Lobmeyr (Austrian, founded 1823), Vienna, Glass, Cup: 5.4 x 7.3 cm (2 1/8 x 2 7/8 in.), Saucer: 13 x 13.2 cm (5 1/8 x 5 3/16 in.), The Concert, 1651/58, Cornelis Visscher (Dutch,

Duke Charles Louis of the Palatinate, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Gerrit van Honthorst (Dutch, 1590-1656), Holland, Engraving on paper

Pembury Mill, Kent, plate 12 from Liber Studiorum, published June 10, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper,

Naked Child, Seen From Back Seated in Front of a Vessel, n.d., Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 50 x 37 mm (image/plate), 53 x 39 mm (sheet

Scene in the Campagna, plate 38 from Liber Studiorum, published February 1, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove paper,

The Massacre of the Innocents, 1520/69, Jacob Binck, German, c. 1500-1569, Germany, Engraving in black on ivory laid paper, 92 x 67 mm (image/plate

Third Tapestry: The Siege of Douai, 1667, Sébastien Le Clerc, the Elder, French, 1637-1714, France, Engraving and etching on paper, 401 × 560 mm (plate), 403 × 561 mm (sheet

Elements of Wood Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Judith Slaying Holofernes, plate six from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in black on ivory laid paper, 202 x 248 mm

Marie Anne Charlotte Corday d’Armans, from Tableaux historiques de la Révolution francaise, volume III, 1793, Jean Duplessi-Bertaux (French, 1747-1819) and, Charles François Gabriel Levachez (French, active 1780-1820), France, Engraving

Combat of the Lapiths and Centaurs, 1542, Enea Vico, Italian, 1523-1567, Italy, Engraving in black on ivory laid paper, 292 x 416 mm

Justice, plate 37 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on tan laid paper, 178 x 99 mm

The Market-Woman, c. 1542, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 39 x 26 mm (image/sheet, trimmed to plate mark

Genius of the Sun, plate 31 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 179 x 100 mm (plate), 184 x 106 mm (sheet

Betrayal of Christ, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish, 1550-1600), after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590), Flanders, Engraving in black on ivory laid paper, 154 × 110 mm (plate,

Hudibras Catechized, plate nine from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge, mounted on cream wove paper, 241 × 342 mm (image), 269 × 351 mm (plate),

Temperance, plate 34 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on ivory laid paper, 180 x 100 mm (plate), 187 x 104 mm (sheet

On the Road to Lake George, published July 24, 1869, Winslow Homer (American, 1836-1910), published by Appletons’ Journal (American, 1869-1881), United States, Wood engraving on paper, 156 x 168 mm (image), 274 x 193 mm (sheet

Ingleby Mannor, plate 60 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with engraving, in black on

Letter E, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 255 x 173 mm

Matthew, from The Four Evangelists, 1539, Heinrich Aldegrever (German, 1502-c. 1560), after Georg Pencz (c. 1500-1550), Germany, Engraving in black on ivory laid paper, 116 x 75 mm (sheet

Portrait of Hyacinthe Rigaud, 1700, printed posthumously after 1780, Pierre Drevet (French, 1663-1738), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on ivory wove paper, 455 × 338 mm (image), 501 × 353 mm (sheet, cut

Franca Trippa, Fritellino, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet

Wittenberg Reliquary Book (Wittenberger Heiligthumsbuch), 1510, Lucas Cranach the Elder (German, 1472-1553), printed by Johannes Grunenberg (German, active 1508-1525), Germany, Woodcut engraving and letterpress on cream laid paper, in

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