Images at Librifly

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Hudibras Vanquished by Trulla, plate five from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge mounted on cream wove paper, 235 × 335 mm (image), 266 × 346 mm

Hedging and Ditching, plate 47 from Liber Studiorum, published May 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by J.C. Easling, England, Etching and engraving in brown on off-white paper, 185 × 260 mm (image),

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

The Approach of the British Pirate Alabama, published April 25, 1863, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 350 x 233 mm (image), 414 x 289 mm

Wrath, from the Vices, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 103 x 62 mm (image/plate

Ornamental Design for Knife Handle with Air, from The Four Elements, c. 1590, After Johann Theodor de Bry, German, 1561–1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

Cupid Begging Jupiter for Mercy for Psyche, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy,

Port de St. Paul, Paris, 1783, Charles-Melchior Descourtis (French, 1753-1820), after Pierre Antoine de Machy (French, 1723-1807), France, Etching and engraving printed in color from at least four plates on paper, 398 × 615 mm

The Windmill, from Old English Masters, 1899, printed 1902, Timothy Cole (American, born England, 1852-1931), after John Crome (English, 1768-1821), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

At Least be Discreet, 1789, Augustin de Saint-Aubin, French, 1736–1807, France, Etching and engraving on ivory laid paper, 337 × 246 mm (image), 365 × 264 mm (plate), 426 × 318 mm (sheet

Madonna and Child with Saints Elizabeth and John the Baptist, 1606, Annibale Carracci, Italian, 1560-1609, Italy, Engraving and etching in black on ivory laid paper, 125 x 162 mm (image/plate), 135 x 169 mm (sheet

Plate Three, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 315 × 390 mm (image), 360 × 408 mm (plate), 490 × 602 mm (sheet

An Allegory of Relations between the Generations, 1608, Pieter Serwouters (Flemish, 1586-1657), After David Vinckboons (Flemish, 1576-1632), Netherlands, Etching and engraving on paper, 257 x 349 mm (image), 258 x 351 mm (plate), 275 x 356

Near Blair Athol, plate 30 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving on ivory wove paper, 180 × 265 mm

Joseph and Potipher’s Wife, n.d., Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on paper, 206 x 241 mm (sheet

Dies, 1645, Jeremias Falck, Polish, 1619-1677, After Joachim von Sandrart I, German, 1606-1688, Poland, Engraving on ivory laid paper, 341 x 248 mm

The Original Sin, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on ivory laid paper, 53 × 75 mm (image/sheet, cut within platemark

A King Receiving a Present, n.d., Jean Duvet, French, 1485-after 1561, France, Engraving on paper, 223 × 399 mm (plate), 227 × 402 mm (sheet

Portrait of Alexis Rouart, 1897, Paul-César Helleu, French, 1859-1927, France, Drypoint with engraving in black on cream laid paper, 336 × 298 mm (image/plate), 575 × 415 mm (sheet

Clio, Muse of History, plate 7 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), or Robert Boissard (French, c. 1570-after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in

The Prophet Jeremiah, early 1570s, Giorgio Ghisi (Italian, 1520-1582), after Michelangelo Buonarroti (Italian, 1475-1564), Italy, Engraving in black on ivory laid paper, 569 x 439 mm

Francesco de Medici, Prince of Tuscany, 1634, Stefano della Bella, Italian, 1610-1664, Italy, Etching and engraving on cream laid paper, 171 x 120 mm (plate), 203 x 132 mm (sheet

School Mistress, c. 1740, François Bernard Lépicié (French, 1698-1755), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Engraving in black on ivory laid paper, 168 × 201 mm (image), 217 × 210 mm (image/plate), 385 ×

Portrait of Emperor Matthias, 1614, Aegidius Sadeler, Flemish, c. 1570-1629, Flanders, Engraving in black on ivory laid paper, 652 × 417 mm (image), 682 × 426 mm (plate), 683 × 467 mm (sheet

The Army of the Potomac—A Sharp-Shooter on Picket Duty, published November 15, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 231 x 349 mm (image),

Nereid Ridden by Two Children, plate six of Twelve Ornament Panels, 1505/15, Giovanni Pietro da Birago, Italian, c. 1470-1513, Italy, Engraving on grayish ivory laid paper, 550 x 89 mm (plate), 552 x 106 mm (sheet

The Sacrifice of Iphigenia, 1553, Nicolas Beatrizet, French, 1515-after 1565, France, Engraving on paper, 320 × 445 mm

Fracischina, Gian Farina, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Garzia de’ Medici, 1666, published 1761, Adriaen Haelwegh (Dutch, born 1637), published by Giuseppe Allegrini, Florence, 1761, Holland, Engraving on ivory laid paper, 351 x 250 mm (plate), 416 x 324 mm (sheet

The Flight into Egypt, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders,

An Old Man Standing: Saint Paul, c. 1545, Nicolas Beatrizet, French, 1515-1565, France, Engraving on ivory laid paper, 382 × 310 mm (image/plate), 436 × 341 mm (sheet

Londesburgh, plate 31 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with engraving, in black on

Milton Dictating to Ellwood the Quaker, 1804/05, James Barry, Irish, 1741-1806, Ireland, Etching and engraving with some aquatint on ivory wove paper, 578 x 423 mm (plate), 674 x 526 mm (sheet

Perspective, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 54 × 73 mm (image/sheet, cut within platemark

Saint Matthew, plate one from The Four Evangelists, 1588, Jacob de Gheyn II (Dutch, 1565-1629), after Hendrick Goltzius (Dutch, 1558-1617), Netherlands, Engraving in black on laid paper, 150 mm diameter (image), 170 mm diameter (plate),

The Sudarium of Saint Veronica, 1649, Claude Mellan, French, 1598-1688, France, Engraving in black on buff laid paper, 433 × 316 mm (plate), 436 × 319 mm (sheet

The Pietà, c. 1512, Marcantonio Raimondi(Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on paper, 308 x 219 mm

Remember the Giver (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving with hand-coloring on ivory card, 39 x 69 mm

The Virgin and Child on a Crescent Moon, 1553, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 117 x 75 mm (image/plate/sheet

Letter W, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 235 x 198 mm

The Circle of the Lustful: Paolo and Francesca. Inferno, canto V, 1827, printed c. 1892, William Blake, English, 1757-1827, England, Hand-colored engraving on India paper, laid down on wove paper (chine collé), 241 337 mm (image), 276 ×

Edward, Lord Thurlow, 1782, Francesco Bartolozzi (Italian, 1727-1815), after Sir Joshua Reynolds (English, 1723-1792), Italy, Etching, engraving, and stipple engraving on off-white paper, 428 x 343 mm (image), 483 x 343 mm(sheet, cut

The Staircase with Trophies, plate 8 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 543 x 394 mm (image), 550 x 403 mm (plate), 789 x 584 mm (sheet

Saint Luke, plate three from The Four Evangelists, 1588, Jacob de Gheyn II (Dutch, 1565-1629), after Hendrick Goltzius (Dutch, 1558-1617), Netherlands, Engraving in black on laid paper, 150 mm diameter (image), 170 diameter (plate), 180 x

Bishop’s Crosier, 1475/80, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on ivory laid paper, 282 x 110 mm (sheet

The Judgment of Paris, 1555, Giorgio Ghisi, Italian, 1520-1582, Italy, Engraving on cream laid paper, 395 x 525 mm (image), 419 x 532 mm (sheet

Plate Eight, from Book of Ornament, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 133 × 206 mm (image/plate), 232 × 295 mm (sheet

Plate one, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving in black on ivory laid paper, 300 × 375 mm (image), 320 × 392 mm (plate), 434 × 537 mm (sheet

News from the War, published June 14, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 339 x 516 mm (image), 397 x 566 mm (sheet

St. John, from The Four Evangelists, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 43 x 28 mm (image/plate), 45 x 30 mm (sheet

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black on cream

Allegory on the Futility of Peace Talks with Spain, 1608, Unknown Artist, Dutch, 17th century, Holland, Engraving in black on cream laid paper, 303 x 213 mm (image/sheet, trimmed within plate mark

Portrait of Hendrick Goltzius, c. 1617, Jan Harmensz Muller (Dutch, 1571-1628), after Hendrick Goltzius (Dutch, 1558-1617), Holland, Engraving in black on buff laid paper, 577 x 421 mm (image), 580 x 429 mm (plate), 600 x 440 mm (sheet

Holiday in Camp—Soldiers Playing Foot-Ball, published July 15, 1865, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 236 x 351 mm (image), 285 x 398 mm

The Fountain, 1739, Charles-Nicholas Cochin (French, 1715-1790), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Engraving on paper, 280 × 312 mm (plate), 389 × 514 mm (sheet

The Happy Accident of the Swing, 1792, Nicolas Delaunay (French, 1739-1792), after Jean Honoré Fragonard (French, 1732-1806), France, Engraving in black ink on ivory laid paper, 582 × 425 mm (image/plate), 602 × 445 mm (sheet

Green Apples, published August 1868, Winslow Homer (American, 1836-1910), published by Our Young Folks (American, 1865-1873), United States, Wood engraving on paper, 150 x 93 mm (image), 211 x 127 mm (sheet

Portrait of Adrien-Maurice, Duke of Noailles, 1721, printed posthumously after 1780, Pierre Drevet (French, 1663-1738), after François de Troy (French, 1645-1730), France, Engraving on tan wove paper, 445 × 360 mm (image/sheet, cut

Lady Vaux, March 25, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on buff laid paper, 279 x 216 mm (image), 335 x 263 mm (plate), 365 x 288 mm (sheet

The Smoking Fire, plate 6 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 537 x 394 mm (image), 544 x 401 mm (plate), 787 x 577 mm (sheet

The Standard-Bearer, 1520/69, Jacob Binck, German, c. 1500-1569, Germany, Engraving in black on ivory laid paper, 54 x 36 mm (image/plate/sheet

St. Peter, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 89 × 43 mm (plate), 91 × 46 mm (sheet

The Halt, from Old English Masters, 1900, printed 1902, Timothy Cole (American, born England, 1852-1931), after George Morland (English, 1763-1804), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

The Suicide of Lucretia, 1500–03, Israhel van Meckenem the Younger, German, c. 1440/45-1503, Germany, Engraving printed in black on buff laid paper, 266 x 189 mm

Paris, Viewed from the Pavillon de Flore, plate eleven from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood

Paperweight, c. 1846–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 7.6 cm (3 in.), Vondel, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 266.7 x 215.9 mm

Wealth, plate five from Virtues and Vices, 1549, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 71.1? x 50 mm (image/plate

Young Couple Threatened by Death (The Promenade), about 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 198 x 123 mm

Paris Under Snow, Viewed from the Tower of Saint-Gervais, 1890, Louis Auguste Lepère, French, 1849-1918, France, Wood engraving in black on cream Japanese tissue, 302 × 453 mm (image), 454 × 607 mm (sheet

Coast of Yorkshire, plate 24 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown ink on ivory wove paper,

Jacob and Rachel, 1833, Christian Ernst Stözel (German, 1792–1837), after August Richter (German, 1803–1884), Germany, Engraving in black on ivory wove paper, 179 × 249 mm (image), 222 × 284 mm (plate), 333 × 506 mm (sheet

Peasant Couple Dancing, 1524, Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 56 x 39 mm (image/plate/sheet

The Penance of St. John Chrysostom, c. 1497, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 182 x 119 mm (image/plate), 187 x 124 mm (sheet

The Sawhorse, plate 12 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 408 x 550 mm (image), 414 x 556 mm (plate), 587 x 769 mm (sheet

Letter R, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 243 x 199 mm

Three Putti with Shield and Helmet, c. 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on cream laid paper, 115 x 72 mm (image/sheet

Lichas Bringing the Garment of Nessus to Hercules, from The Labors of Hercules, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 52 x 77 mm (image/plate), 53 x 78 mm (sheet

Scene on the French Coast, plate 4 from Liber Studiorum, published 1807, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 182 ×

St. Anthony the Hermit, 1490/1500, Master F.V.B., Netherlandish, active 1475-1500, Bruges, Engraving on paper, 169 × 98 mm

Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769),

Hercules and Nessus, from The Labors of Hercules, 1542, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 50 x 78 mm (image/plate), 52 x 79 mm (sheet

Ornamental Design for Knife Handle with Fire, from The Four Elements, about 1590, Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

The Battle around the Shield and Lance, c. 1527, Giovanni Jacopo Caraglio (Italian, 1500/05–1565), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on ivory laid paper, 341 × 485 mm

The Songs of the War, published November 23, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 350 x 509 mm (image), 400 x 552 mm (sheet

Psyche Embarks in Charon’s Boat, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in warm

Bol, Hans (1534-1593) painter of Malines, from 1591 in Amsterdam, 1593, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on ivory laid paper, 264 x 180 mm (image/plate), 274 x 194 mm (sheet

Water Mill, plate 37 from Liber Studiorum, Published February 1, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory wove paper, 182 × 263 mm (image), 209.5 × 290 mm (plate), 302 ×

Le Pont Saint-Michel, 1890, Louis Auguste Lepère, French, 1849-1918, France, Wood engraving in black on cream laid Japanese tissue, 235 × 162 mm (image), 429 × 315 mm (sheet, folded

Siege of Tourney MDCLXVII, 1681, Sébastien Le Clerc the elder (French, 1637-1714), after Charles Le Brun French, 1619-1690, France, Engraving and etching on paper, 396 × 562 mm (plate), 399 × 563 mm (sheet

The Gothic Arch, plate 14 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 407 x 540 mm (image), 415 x 548 mm (plate), 590 x 785 mm (sheet

Aaron Ogden, 1834, Asher Brown Durand, American, 1796-1886, United States, Engraving on ivory wove paper, 102 x 91 mm (plate), 256 x 176 mm (sheet

Plate four, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving in black on ivory laid paper, 302 × 379 mm (image), 315 × 388 mm (plate), 436 × 536 mm (sheet

Design: Mannequin, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769),

Moses and Aaron, 1526, Sebald Beham, German, 1500-1550, Germany, Engraving in black on cream laid paper, 77 x 112 mm (image/plate), 78 x 115 mm (sheet

Lot and His Family Fleeing from Sodom, from The Story of Lot, 1555, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 115 x 80 mm (plate), 124 x 80 mm (sheet

The Peasant and His Wife at Market, 1519, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 115 x 72 mm (image), 118 x 74 mm (sheet

The Torn Bouquet, c. 1795, Antoine-Jean Duclos (French, 1742-1795), after Sigmund Freudeberg (Swiss, 1745-1801), published chez Martinet (French, 18th-19th c.), France, Etching with engraving on ivory laid paper, 172 × 121 mm (image), 216

Renewal of the Alliance Between the French and the Swiss in 1663 (after LeBrun), 1680, Sébastien Le Clerc, the Elder, French, 1637-1714, France, Engraving and etching on paper, 397 × 551 mm (plate), 401 × 554 mm (sheet

Le Petit Pont, Paris, 1850, Charles Meryon, French, 1821-1868, France, Etching and engraving in dark brown on ivory laid paper, 246 × 186 mm (image), 261 × 190 mm (plate), 391 × 275 mm (sheet

Ismael, the Persian Ambassador of Tahmasp, King of Persia, 1569, Melchior Lorichs, Danish, 1526/27-after 1588, Denmark, Engraving in black on cream laid paper, 395 × 265 mm (image/plate), 408 × 310 mm (sheet

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