Images at Librifly

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Coat of Arms with a Rampant Lion, 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 69 x 59 mm (sheet, trimmed to image

Erato, Muse of Lyric Poetry, plate 11 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 237 × 142 mm

The Betrayal of Christ, plate three from The Passion of Christ, 1598, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black ink on cream paper, 197 x 130 mm (image), 202 x 135 mm (plate), 318 x 245 mm (sheet

The Beggar, plate one from The Ranks and Conditions of Men, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 180 x 100 mm

The Raising of Lazarus, c. 1507, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on cream laid paper, 280 x 200 mm (image), 283 x 203 mm (sheet, trimmed within plate mark

Philippe Le Roy, 1630/40, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching and engraving in black on ivory laid paper, 242 × 155 mm (image/plate), 254 × 164 mm (sheet

Bust of a Young Man with a Fur-Collared Coat, c. 1750, Giovanni Marco Pitteri (Italian, 1702-1786), Giovanni Battista Piazzetta (Italian, 1682-1754), Italy, Engraving on ivory laid paper, 454 x 354 mm (plate), 492 x 396 mm (sheet

Branch of a Fern, c. 1853/58, William Henry Fox Talbot, English, 1800–1877, England, Photoglyphic engraving made without a gauze or resin ground screen, 8 × 11 cm (image), 10.5 × 14.2 cm (paper

Head of Negro (profile), n.d., Anne Claude Philippe Caylus, French, 1692-1765, France, Etching and engraving on paper, 178 × 130 mm (image), 189 × 136 mm (plate), 218 × 159 mm (sheet

Bathsheba at the Bath, 1532, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 145 x 99 mm (image/plate/sheet

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

Lamentation of Christ, from The Engraved Passion, 1507, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 70 mm (image/plate), 118 x 73 mm (sheet

Backgammon Players, c. 1630, Lucas Emil Vorsterman (Flemish, 1595-1675), after Adam de Coster (Flemish, c.1586-1643), Flanders, Engraving on ivory paper, 255 × 344 mm (image), 277 × 357 mm (sheet, trimmed within plate mark

Small Standing Madonna and Child, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 89 × 56 mm

Two Lovers, c. 1500, Master M.Z., German, active 1500-1550, Germany, Engraving in black on ivory laid paper, 149 x 121 mm (sheet trimmed within plate mark

Pilgrimage to the Island of Cythera, c. 1733, Nicolas Henri Tardieu (French, 1674-1749), after Jean Antoine Watteau (French, 1684-1721), France, Etching and engraving on ivory laid paper, 545 × 760 mm

Peasant Couple Dancing, 1514, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 118 × 75 mm (image/sheet

Invitation to Mr. Whistler’s Ten O’clock, 1885, James McNeill Whistler, American, 1834-1903, United States, Engraving in black with additions in pen and black ink and watercolor on tan card, with metal grommet, 204 x 306 mm

Guillaume de Brisacier, 1664, Antoine Masson (French, 1636-1700), after Nicolas Mignard (French, 1606-1668), France, Engraving on paper, 349 × 265 mm (image), 358 × 275 mm (sheet

The Circle of the Thieves, Buoso Donati Attacked by the Serpent. Inferno, canto XXV, 1827, printed c. 1892, William Blake, English, 1757-1827, England, Hand-colored engraving on India paper, laid down on wove paper (chine collé), 239 ×

A Farm Cottage, 1766, Johann Georg Wille, German, 1715-1808, Germany, Engraving on off-white wove paper, 140 x 204 mm (image), 158 x 218 mm (plate), 164 x 223 mm (sheet

Strawberries, Scarlet Strawberries, Plate 9 from The Cries of London, 1799, After Francis Wheatley, English, 1747-1801, England, Stipple engraving in brown, with hand-colored additions, on cream wove paper, 405 × 306 mm (plate

Combat of Men and Animals, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 68 × 220 mm

Saint Christopher, c. 1500, Master M.Z., German, flourished 1500-1550, Germany, Engraving on ivory laid paper, 186 x 129 mm (sheet trimmed within plate mark

Camping Out in the Adirondack Mountains, published November 7, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 350 mm (image), 269 x 398 mm

Moses Striking the Rock, 1555, Jan Collaert, I, (Flemish, c. 1530-1581), after Lambert Lombard (Flemish, 1506-1566), Flanders, Engraving on ivory laid paper, 366 × 493 mm

Frederic Henry of Nassau, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Gerrit van Honthorst (Dutch, 1590-1656), Holland, Engraving on paper

Dedication, plate one from A Love, 1887, Max Klinger, German, 1857-1920, Germany, Etching and engraving on ivory wove paper, 459 x 357 mm (plate), 675 x 470 mm (sheet

Maria, Wife of Willem II of Orange, n.d., Jacobus Houbraken (Dutch, 1698-1780), after Gerrit van Honthorst (Dutch, 1590-1656), Holland, Engraving Engraving on paper

The Circle of the Corrupt Officials, the Devils Mauling Each Other. Inferno, canto XXII., 1827, printed c. 1892, William Blake, English, 1757-1827, England, Hand-colored engraving on India paper, laid down on wove paper (chine collé), 240

The Artisan, plate three from The Ranks and Conditions of Men, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 180 x 101 mm (plate), 184 x 104 mm (sheet

Clio, plate nineteen from Apollo and the Muses, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 181 x 100 mm

Polyhymnia, Muse of Hymns, plate 13 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), or Robert Boissard (French, c. 1570-after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving

The Eritrean Sibyl, c. 1570, Giorgio Ghisi (Italian, 1520-1582), after Michelangelo Buonarroti (Italian, 1475-1564), Italy, Engraving on ivory laid paper, 572 x 436 mm

Ornamental Design for Knife Handle, c. 1588, Theodor de Bry, Flemish, 1538–1598, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

The Round Tower, plate 3 from the second edition of Carceri d’invenzione (Imaginary Prisons), 1750, reworked 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching, engraving, sulphur tint, and burnishing in black on ivory

Jeremiah, 1547, Nicolas Beatrizet (French, 1515-after 1565), after Michelangelo Buonarroti (Italian, 1475-1564), France, Engraving on paper, 428 × 295 mm (sheet, trimmed to platemark

Knives, Scissars, and Rotors to Grind, January 1795, Giovanni Vendramini (Italian, 1769-1839), after Francis Wheatley (English, 1747-1801), Italy, Stipple engraving in brown on cream laid paper, 360 x 283 mm (image), 411 x 315 mm (sheet,

Design: Mannequin Parts, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Presenté et dedié a la convention National l’an 2 de la Republique, 1793, A. Duplessis, French, 18th century, France, Etching and stipple engraving, roulette and burnishing in black on off-white laid paper, 410 × 608 mm (image), 524 ×

Crucifixion, from The Engraved Passion, 1511, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 118 x 75 mm (image/plate), 120 x 78 mm (sheet

Norham Castle, plate 57 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory wove paper, laid

Dumblain Abbey, plate 56 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on off-white laid paper, 187 × 268 mm (image), 210

Fountain with Silenus in the Garden of the Cesi Palace near Rome, 1581, Pieter Perret (Flemish, 1555–1639), published by Claudio Duchetti, Flanders, Engraving in black on ivory laid paper, 332 × 239 mm (image), 351 × 239 mm (plate), 541

A Rolling Stone is Ever Bare of Moss, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 33 × 76 mm (image/block), 53 × 92 mm (sheet

All in the Gay and Golden Weather, published June 12, 1869, Winslow Homer (American, 1836-1910), published by Appletons’ Journal (American, 1869-1881), United States, Wood engraving on paper, 140 x 165 mm (image), 279 x 194 mm (sheet

Design: Camera Obscura, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Judith Preparing Herself to Leave for the Enemies’ Camp, plate four from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in black on

Judith Addressing the Elders of Bethulia, plate three from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in black on ivory laid

Mrs. Souch, September 1, 1797, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 298 x 206 mm (image), 344 x 266 mm (plate), 454 x 310 mm (sheet

Winter, from The Four Seasons, 1570, Pieter van der Heyden (Flemish, c. 1530–after 1584), after Hans Bol (Netherlandish, 1534–1593), published by Hieronymus Cock (Flemish, c. 1510–1570), Flanders, Engraving with etching in black on

Ornament with Armor and Two Genii, from Four Vignettes, 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 22 x 53 mm (image/plate), 23 x 54 mm (sheet

Colinet’s Journey: Milestone Marked LXII Miles to London, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 37 × 74 mm (image/block), 39 × 76 mm (sheet

Prince Hal and Poins Surprise Falstaff with Doll Tearsheet, 1795, William Satchwell Leney (English, 1769-1831), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William

Letter S, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 240 x 176 mm

Jason and Medea, n.d., Master I.B., German, died 1525/30, Germany, Engraving in black on paper, 118 x 74 mm (sheet

Letter Engraving, 1762/77, Aubin (French, c. 1701-1800), published by J. A. Defehrt (French, c. 1701-1800), France, Etching with engraving on cream laid paper, 330 × 212 mm (image), 360 × 230 mm (plate), 390 × 255 mm (sheet

Last Supper, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish, 1550-1600), after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590), Flanders, Engraving in black on ivory laid paper, 152 × 111 mm (plate, oval

Christ Before Pilate, plate five from The Passion of Christ, 1596, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black in on cream laid paper, 197 x 130 mm (image), 202 x 135 mm (plate), 318 x 247 mm (sheet

The Weather-Peasant Es Ist Kalt Weter, 1542, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 43 x 29 mm (image/plate), 44 x 30 mm (sheet

Isis, plate 68 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 180 × 263 mm (image), 108 × 292 mm (plate), 167 × 388 mm

Holy Family With a Bird, 1633, Simon Vouet, French, 1590-1649, France, Etching with engraving on ivory laid paper, 216 × 261 mm (image), 236 × 262 mm (sheet, trimmed within plate mark

Oedipus and the Sphinx, 1867, Claude Ferdinand Gaillard (French, 1834-1887), after Jean–Auguste–Dominique Ingres (French, 1780–1867), France, Engraving on ivory China paper, laid down on ivory wove paper, 255 × 180 mm (plate), 404 ×

Man’s Head (with hat and ruff), n.d., Anne Claude Philippe Caylus, French, 1692-1765, France, Etching and engraving on paper, 175 × 125 mm (image), 189 × 136 mm (plate), 216 × 157 mm (sheet

Circular Design with Saturn, 1583, Jonas Silber (Master J.S.), German, active 1572-1590, Germany, Punched engraving on buff laid paper, 120 x 120 mm

Cupid Bringing and Honeycomb to Venus, 1541, Hans Brosamer, German, c. 1500-1554, Germany, Engraving in black on cream laid paper, 92 x 56 mm (sheet

Albertine Agnes of Nassau, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Gerrit van Honthorst (Dutch, 1590-1656), Holland, Engraving on paper, 419 x 308 mm

Portrait of a Young Man, January 18, 1799, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 358 x 233 mm (image), 406 x 280 mm (plate), 486 x 336

St. Catherine’s Hill Near Guilford, plate 33 from Liber Studiorum, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by J. C. Easling, England, Etching and engraving in brown on ivory wove paper, 181 × 260

Twelve Cupids Playing, c. 1477, Giovanni Pietro da Birago, Italian, 1471/4-1513, Italy, Engraving in black on paper, 127 × 279 mm

Astrology, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 75 × 53 mm (image/sheet, cut within platemark

The Unicorn Purifying a Source, n.d., Jean Duvet, French, 1485-after 1561, France, Etching and engraving on paper, 223 × 399 mm (plate), 227 × 402 mm (sheet

Rebecca Receiving Gifts from Eliezar, n.d., Pierre-Imbert Drevet (French, 1697-1739), after Antoine Coypel (French, 1661-1722), France, Engraving on ivory laid paper, 573 × 435 mm (plate), 590 × 448 mm (sheet

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown ink on buff wove

The Star of the Kings: A Night Piece, c. 1651, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching, drypoint, and engraving on ivory laid paper, 93 x 142 mm (image/plate), 95 x 144 mm (sheet

Julius Caesar, Perpetual Dictator, from Twelve Famous Greek and Roman Men, c. 1633, Boëtius Adamsz. Bolswert (Dutch, active in Flanders, 1580-1663), after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Engraving on buff laid paper, 270

Lady Derby, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after George Romney (English, 1734-1802), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Rebecca and Eliezer at the Well, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish),

Trajan’s Justice, 1537, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 109 x 78 mm (image/sheet, trimmed within plate mark

The Israelites Finding Achior Tied to a Tree, plate two from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in black on ivory laid

Cranial Dissection, plate five from Anatomy of the Head, in Printed Paintings, 1748, Jacques Fabien Gautier D’Agoty, French, 1710-1781, France, Color mezzotint, with touches of engraving on cream laid paper, varnished, 320 × 400 mm

Countess of Oxford, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after John Hoppner (English, 1758-1810), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Bookplate of Hieronymous Baumgärtner, 1522/40, Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 86 x 70 mm (image/sheet, trimmed within plate mark

Peter Scriverius, from Quatuor Personae, 1649, Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Pieter Claesz Soutman (Flemish, 1580-1657), Holland, Engraving and etching on paper

The Frontspiece to Liber Studiorum, published May 23, 1812, Joseph Mallord William Turner (English, 1775-1851), border engraved by J.C. Easling (British, active 19th century), England, Etching and engraving in brown on ivory laid paper, 188

Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 55 x 78 mm (image/plate), 57 x 80 mm (sheet

The Entombment, published September 1877, Timothy Cole (American, born England, 1852-1931), after Giotto (Italian, 1266-1337), published by Harper and Brothers (American, 1833-1962), United States, Wood engraving on Japanese paper, 185 x

The Last Days of Harvest, published December 6, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 335 mm (image), 273 x 398 mm (sheet

Retour du Bois, place de l’Etoile, plate nineteen from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood

March Winds, published April 2, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 200 x 280 mm

Satyr Trying to Wake Silenus with a Grapevine, c. 1540, Giorgio Ghisi, Italian, 1520-1582, Italy, Engraving in black on ivory laid paper, 202 x 310 mm (plate), 215 x 315 mm (sheet

Psyche Enters the Underworld, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in warm

Betrayal of Christ, from The Engraved Passion, 1508, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 117 x 74 mm (image/plate), 119 x 77 mm (sheet

Rising, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine Louis Romanet (French, 1742-c. 1810), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by

A Cadet Hop at West Point, published September 3, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 234 x 352 mm (image), 286 x 408 mm (sheet

Mercury and the Graces, 1589, Agostino Carracci (Italian, 1557-1602), after Jacopo Robusti, called Tintoretto (Italian, 1519-1594), Italy, Engraving with etching in black ink on ivory laid paper, 202 x 258 mm (image), 205 x 258 mm (plate),

Woman Shearing Sheep, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine

Sir Thomas Parry, May 12, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 256 x 185 mm (image), 305 x 216 mm (plate), 457 x 329 mm (sheet

Combats and Triumphs, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

The Phrygian Sibyl, 1480/90, Attributed to Francesco Rosselli, Italian, 1448-before 1513, Italy, Engraving in gray on buff laid paper, 177 x 105 mm (plate), 177 x 106 mm (sheet

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