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Letter I, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 226 x 155 mm (sheet

Jacob’s Dream, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders, Engraving

The Holy Family with Saints, 1540/55, Léon Davent (French, active 1540-1560), after Parmigianino (Italian, 1503-1540), France, Etching in black with engraving on ivory laid paper, tipped onto cream wove paper, 241 × 194 mm (image), 254 ×

Isabella Clara Eugenia (1566-1633), 1625/33, Paulus Pontius (Flemish, 1603-1658), after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Engraving in black on cream laid paper, 590 × 432 mm (image/sheet, trimmed within platemark

Morning, 1803/05, Phillip Otto Runge, German, 1777-1810, Germany, Etching and engraving on cream wove paper, 689 x 463 mm (image), 709 x 483 mm (plate), 762 x 580 mm (sheet

From Spenser’s Fairy Queen, plate 36 from Liber Studiorum, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts (English), England, Etching and engraving in brown on ivory wove paper, 182 × 264

Woman Pulling Flax, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine

Woman’s Head (turned to right), n.d., Anne Claude Philippe Caylus, French, 1692-1765, France, Etching and engraving on paper, 180 × 130 mm (image), 190 × 135 mm (plate), 217 × 157 mm (sheet

Design: Sketch, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Music, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 75 × 55 mm (image/sheet, cut within platemark

Young Couple Threatened by Death (The Promenade), c. 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 196 × 120 mm (image/sheet

St. Matthias, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 88 × 50 mm (plate), 88 × 53 mm (sheet

Woman Crushing Flax, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on off-white wove paper

Crispin, 1682, Gérard Edelinck (French, born Flanders, 1640-1707), after Theodorus Netscher (Dutch, born France, 1661-1732), France, Engraving on ivory laid paper, 482 × 370 mm (plate), 497 × 382 mm (sheet

Sir John Godsalve, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 377 x 285 mm (Image), 428 x 324 mm (plate), 540 x 401 mm (sheet

Basle, plate 5 from Liber Studiorum, published 1807, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 185 × 260 mm (image),

Judith Presented to Holofernes, plate five from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in black on ivory laid paper, 203 x

Copper-Plate Etching, from Encyclopédie, 1765, Claude-Antoine Littret de Montigny (French, c. 1735-1775), after Prévost (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Portrait of Elizabeth de Gouy, 1743, Johann Georg Wille (German, 1715-1808), after Hyacinthe Rigaud (French, 1659-1743), Germany, Engraving in black on ivory laid paper, 453 x 340 mm (image), 457 x 341 mm (sheet

Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand), 1642,

The Cat’s Repast, 1778/79, Gilles-Antoine Demarteau (French, c. 1750-1802), after Jean-Baptiste Huet (French, 1745-1811), France, Color crayon-manner engraving, with hand-coloring, on ivory laid paper, 215 × 168 mm (image), 222 × 170

Woman’s Head, n.d., Anne Claude Philippe Caylus, French, 1692-1765, France, Etching and engraving on paper, 176 × 134 mm (image), 181 × 137 mm (plate), 208 × 159 mm (sheet

Marriage à la mode (detail), from Old English Masters, 1897, printed 1902, Timothy Cole (American, born England, 1852-1931), after William Hogarth (English 1697-1764), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Cardinal de Retz, 1650, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 320 × 243 mm (plate), 335 × 255 mm (sheet

Charlemagne, plate seven from The Nine Worthies, 1594, Nicolaes de Bruyn (Flemish, 1571-1656), published by Assuerus van Londerseel (Flemish, 1572-1635), Flanders, Engraving in black on cream laid paper, 118.5 × 91 mm (image), 123 × 92 mm

Titian and His Mistress, c. 1620, Lucas Vorsterman (Dutch, 1595-1675), after Anthony van Dyck (Flemish, 1599-1641), Flanders, Etching and engraving in black on ivory laid paper, 304 × 303 mm (image/plate), 345 × 275 mm (sheet

Peat Bog, Scotland, plate 45 from Liber Studiorum, published April 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by G. Clint (English, 1770-1854), England, Etching and engraving in brown on ivory laid paper, 178 ×

Dancing Couple, plate nine from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 118 x 78 mm (image/sheet

The Boudoir, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Pierre Maleuvre (French, 1740-1803), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by

The Wreck of the Atlantic—Cast Up by the Sea, published April 26, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 352 mm (image), 279 x 403 mm

Seneca, 1638, Lucas Vorsterman (Flemish, 1595-1675), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 297 × 203 mm (image/plate/sheet

Woodblock for The Swallow, from A History of British Birds, c. 1797, Thomas Bewick, English, 1753-1828, England, Wood engraving block

Reskimer, March 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 302 x 204 mm (image), 330 x 229 mm (plate), 459 x 306 mm (sheet

Pole Screen with Venus and Cupid, Late 18th century, England, Mahogany, hand colored engraving, gilding, and metal mounts, 52.1 × 21.3 cm (20 1/2 × 8 3/8 in

The Standard Bearer, Turned to Left, 1587, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on ivory laid paper, 273 x 191 (image), 285 x 194 mm (plate/sheet

The Lady and Death, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 76 x 49.5 mm (image/plate), 78 x 51 mm (sheet

Morning, Crossroads of the Forts de Marlotte, 1889, Louis Auguste Lepère, French, 1849-1918, France, Wood engraving in black on cream laid Japanese paper, 233 × 152 mm (image), 281 × 184 mm (sheet

Mohammed and the Monk Sergius, 1508, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 288 x 218 mm (image/sheet, trimmed within plate mark

The Temptation of the Idler (The Dream of the Doctor), c. 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 188 x 119 mm

The Cockpit, November 1759, William Hogarth, English, 1697-1764, England, Engraving in black on tan wove paper, 296 × 370 mm (image), 321 × 385 mm (plate), 471 × 629 mm (sheet

Philip IV, King of Spain, 1632, Paulus Pontius, Flemish, 1603-1658, Flanders, Engraving in black on ivory laid paper, 450 × 330 mm (image), 450 × 334 mm (plate), 456 × 338 mm (sheet

St. Peter and St. John Healing the Cripple, from The Engraved Passion, 1513, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 73 mm (image/plate), 119 x 75 mm (sheet

Queen Elizabeth I, 1732, George Vertue (English, 1684-1756), after Issac Oliver, the elder (French, before 1568-1617), England, Engraving in black on ivory laid paper, 279 × 177 mm (image), 289 × 187 mm (plate), 385 × 241 mm (sheet

Basle, plate 5 from Liber Studiorum, published 1807, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory paper, 184 × 260 mm (image), 209 ×

St. Matthew, from The Four Evangelists, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 43 x 29 mm (image/plate), 45 x 31 mm (sheet

Le mercure de France, c. 1780, Heinrich Guttenberg (German, 1749-1818), after Nicolas Lavrince (Swedish, 1737-1807), Germany, Engraving on paper

The Night, 1795, Charles-Melchior Descourtis, French, 1753-1820, France, Etching and engraving printed in yellow, blue, red, and black inks on paper, 375 × 412 mm (image), 420 × 470 mm (sheet, cut within platemark

Plate Four, from Book of Ornament, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 194 × 158 mm (image/plate), 296 × 232 mm (sheet

Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet

Margaret, Countess of Carlisle, May 10, 1773, James Watson (Irish, c. 1740-1790), after Sir Joshua Reynolds (English, 1723-1792), Ireland, Mezzotint with engraving in black on ivory laid paper, 452 x 353 mm (image), 501 x 354 mm (plate),

Lust, from the Vices, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 102 x 61 mm (image/plate

Cupid and Psyche Together in the Nuptial Bed, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy,

Luidewijk Boisot, Admiral of Zeeland, plate four from Quatuor Personae, 1649, Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on ivory laid paper

Forest Crossed by a Stream, from The Small Landscapes, c. 1638, Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659), after Peter Paul Rubens (Flemish, c. 1577-1640), Flanders, Engraving on cream laid paper, 304 × 443 mm

The Two Sisters of Psyche are Married to Kings, …Psyche is Presented to a King, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael

Snap-the-Whip, published September 20, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 344 x 524 mm (image), 401 x 565 mm (sheet

Four Children with a Cat and a Dog, plate nine from Twelve Ornament Panels, c. 1505–15, Giovanni Pietro da Birago, Italian, active 1470-1513, Italy, Engraving in black on ivory laid paper, 537 x 86 mm

An Iron Forge, 1773, Richard Earlom (British, 1743-1822), after Joseph Wright of Derby (British, 1734-1797), England, Mezzotint with traces of engraving in black on cream laid paper, 478 × 590 mm (image/plate), 514 × 619 mm (sheet

Trajan Crowned by Victory, 1520/25, Marcantonio Raimondi, Italian, c. 1480-1534, Italy, Engraving printed in black on paper, 293 x 441 mm

The Sheep of this Pasture, n.d., Edward Calvert, English, 1799-1883, England, Engraving on paper, 41 × 78 mm (image), 43 × 80 mm (plate), 72 × 108 mm (sheet

Ornamental Design for Knife Handle with Earth, from The Four Elements, c. 1590, Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

Fritters, n.d., Nicolas Delaunay (French, 1739-1792), after Jean Honoré Fragonard (French, 1732-1806), France, Engraving in black ink on ivory laid paper, 269 × 305 mm (image), 290 × 325 mm (plate), 370 × 414 mm (sheet

The Drawbridge, plate 7 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 549 x 408 mm (image), 555 x 411 mm (plate), 792 x 590 mm (sheet

Phrosine and Mélidore, 1797, Pierre-Paul Prud’hon (French, 1758-1823), finished with engraving by Barthélemy Roger (French, 1767-1841), France, Etching, engraving, stipple, and roulette in black on ivory wove paper, 212 × 145 mm

To Bury the Dead, from The Works of Mercy, 1656–57, Sébastien Bourdon, French, 1616-1671, France, Engraving in black on cream laid paper, 422 × 575 mm (image/sheet, trimmed within platemark

Windmill and Lock, plate 27 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove paper, 178 ×

Portrait of Henri de Lorraine, Comte d’Harcourt, Horsemaster of France, 1667, Antoine Masson (French, 1636-1700), after Nicolas Mignard (French, 1608-1668), France, Engraving on paper

The Flood, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on ivory laid paper, 52 × 75 mm (image/sheet, cut within platemark

Abigail Before David, c. 1507, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 273 x 196 mm (image/sheet, trimmed to plate mark

Gellius de Bouma, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper, 403 x 289 mm

Portrait of René François de Beauveau du Rivau, 1727, Pierre Drevet (French, 1663-1738) and Pierre-Imbert Drevet (French, 1697-1739), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on ivory laid paper, 441 × 352 mm (image),

General Beauregard, published April 27, 1861, Winslow Homer (American, 1836-1910), after E. D. Anthony (American, 1818-1888), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 170 x 127 mm

The Late Mrs. Morris, 1828, David Claypoole Johnston, American, 1798–1865, United States, Engraving and stipple on ivory wove paper, 168 x 106 mm (plate), 235 x 161 mm (sheet

Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia, 1650, Cornelis Visscher, Dutch, c. 1629-1658, Holland, Etching and engraving on ivory laid paper

The Circle of the Thieves, Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV, 1827, printed c. 1892, William Blake, English, 1757-1827, England, Hand-colored engraving on India paper, laid down on wove paper (chine

The Dog’s Repast, 1778/79, Gilles-Antoine Demarteau (French, c. 1750-1802), after Jean-Baptiste Huet (French, 1745-1811), France, Color crayon-manner engraving, with hand-coloring, on ivory laid paper, 215 × 169 mm (image), 222 × 172

À la cour d’assises: L’avocat, debout, s’entretenant avec l’accusé, 1878, Burn Smeeton (British, 19th century) and Auguste Tilly (French, died 1898), after Honoré Victorin Daumier (French, 1808-1879), published by L’Art,

Portrait of Charles Frederick de Heincken, 1770, Augustin de Saint-Aubin, French, 1736–1807, France, Etching and engraving on ivory laid paper, 180 × 125 mm (image), 195 × 140 mm (sheet

Portrait of Jean-Victor, Baron de Besenval, n.d., Claude Drevet (French, 1697-1781), after Justin Aurèle Meissonnier (French, 1675-1750), France, Engraving on ivory laid paper, 229 × 170 mm (image/sheet, cut within platemark

Paris: la Rue de la Montagne-Ste-Geneviève, 1886, Louis Auguste Lepère, French, 1849-1918, France, Wood engraving in black on grayish-ivory China paper, 313 × 145 mm (image), 367 × 203 mm (sheet

A Resting Herd, n.d., Cornelis Visscher (Dutch, c. 1629-1658), after Pieter van Laer (Dutch, c. 1599-1642), Holland, Engraving on ivory laid paper, 365.125 x 295.275 mm (plate

Ben Arthur, plate 69 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on ivory laid paper, 183 × 268 mm (image), 209 × 290

Nativity, 1504, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 184 × 118 mm (image), 185 × 119 mm (sheet

On the Beach—Two Are Company, Three Are None, published August 17, 1872, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 351 mm (image), 277 x 407

Johann Wolfert van Brederode, 1644, Cornelis Visscher, the Elder (Netherlandish, c. 1520-86), after a drawing by Pieter Claesz. Soutman (Dutch, c. 1580–1657), after a painting by Gerrit van Dutch Honthorst (Dutch, 1590-1656), Holland,

Sign.a Lucia, Trastullo, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Lady Buts, June 17, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 381 x 260 mm (image), 438 x 321 mm (plate), 539 x 397 mm (sheet

Making Hay, published July 6, 1872, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 234 x 353 mm (image), 280 x 407 mm (sheet

Right Honorable William Pitt, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after John Hoppner (English, 1758-1810), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

November and December, plate 6 from The Peasants’ Feast, or The Twelve Months, 1546, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 49 x 71 mm (image/sheet, trimmed to plate mark

The Boston Common, published May 22, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 234 x 352 mm (image), 280 x 395 mm (sheet

The Knight, plate six from The Ranks and Conditions of Men, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 180 x 101 mm (plate), 183 x 104 mm (sheet

The Annunciation, 1660/71, Gérard Edelinck (French, born Flanders, 1640-1707), after Nicolas Poussin (French, 1594-1665), published by Nicolas Pitau (French, born Flanders, 1632-1671), France, Engraving on ivory laid paper, laid down

Three Children Blowing Horns, plate eight of Twelve Ornament Panels, c. 1505–15, Giovanni Pietro da Birago, Italian, active 1470-1513, Italy, Engraving in black on ivory laid paper, 525 x 84 mm (plate), 556 x 100 mm (sheet

Lot, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on ivory laid paper, 54 × 75 mm (image/sheet, cut within platemark

Lanscape with Peasant Dwelling, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching, engraving and drypoint on cream China paper laid down on ivory wove paper, 106 × 170 mm (image/chine), 157 × 223 mm (plate), 243 × 320 mm

Alexander the Great, plate two from The Nine Worthies, 1594, Nicolaes de Bruyn (Flemish, 1571-1656), published by Assuerus van Londerseel (Flemish, 1572-1635), Flanders, Engraving in black on cream laid paper, 114 × 86 mm (image), 124 ×

Peter Scriverius, from Quatuor Personae, 1649, Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Pieter Claesz. Soutman (Dutch, c. 1580–1657), Holland, Engraving and etching on cream laid paper

Compassion, from the Virtues, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 104 x 62 mm (image/plate

King Arthur, plate eight from The Nine Worthies, 1594, Nicolaes de Bruyn (Flemish, 1571-1656), published by Assuerus van Londerseel (Flemish, 1572-1635), Flanders, Engraving in black on cream laid paper, 117.5 × 86.5 mm (image), 124 × 91

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