Images at Librifly

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Pride, from the Vices, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 101 x 61 mm (image/plate

The Adoration of the Shepherds, plate three from The Birth and Early Life of Christ, 1594, Hendrick Goltzius (Dutch, 1558-1617), text written by Franco Estius, Netherlands, Engraving on paper, 464 x 350 mm (image), 476 x 352 mm (plate/sheet

Sea-Side Sketches—A Clam Bake, published August 23, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 239 x 353 mm (image), 277 x 397 mm (sheet

The Moon, plate 41 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 179 x 100 mm

Seal Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Abraham’s Arrival at Sichem, n.d., Cornelis Visscher (Dutch, c. 1629-1658), after Jacopo Bassano (Italian, 1510-1592), Holland, Engraving on paper

Hudibras Sallying Forth, plate two from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge mounted on cream wove paper, 246 × 336 mm (image), 270 × 345 mm (plate),

The Enemy Sowing Tares Among the Wheat, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish),

The Conversion of Saint Paul, 1621/33, Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659), after Peter Paul Rubens (Flemish, 1577–1640), Netherlands, Engraving in black on cream laid paper, 430 x 595 mm (image), plate

A Snow Slide in the City, published January 14, 1860, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 351 mm (image), 281 x 400 mm (sheet

Plate, 18th century, engraving probably 19th century, A. Karst, Austria, Vienna, Pewter, 4.5 x 30.8 cm (12 1/8 x 1 3/4 in

Ornament Panels with Birds: Plate 6, 1617, Adrian Muntink, Dutch, active 1597-1617, Netherlands, Engraving in black on paper, 49 x 97 mm (plate

Horrible Murder!, 1890s, José Guadalupe Posada, Mexican, 1852-1913, México, Relief engraving or photo relief etching on tan wove paper, 300 x 197 mm

The Surgeon at Work at the Rear During an Engagement, published July 12, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 351 mm (image), 286 x

A Herb Market, from The Houghton Gallery, 1779, Richard Earlom (English, 1743–1822), after Frans Snyders (Flemish, 1579–1657), intermediary drawing by Joseph Farington (English, 1747–1821), published by John Boydell (English,

Thomas Earl of Surrey, April 1, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 253 x 202 mm (image), 286 x 228 mm (plate), 410 x 303 mm

Entrance of Calais Harbour, plate 55 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, English, 1775-1851, England, Etching, engraving, and mezzotint in brown on cream paper, 180 × 266 mm (image), 214 × 303

The Farnesian Hercules, plate one from Three Famous Antique Sculptures, c. 1592, Hendrick Goltzius (Dutch, 1558-1617), text written by Theodorus Schrevelius, Netherlands, Engraving on paper, 398 × 293 mm (image), 415 × 300 mm (plate), 450

David Playing the Harp Before Saul, c. 1508, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 253 x 183 mm (image), 254 x 184 mm (sheet, trimmed within plate mark

The Boston Massacre, 1770, Paul Revere, II, American, 1735-1818, United States, Wood engraving, with hand coloring, on tan laid paper, 202 x 219 mm (image), 262 x 230 mm (block), 276 x 240 mm (sheet

Mary Queen of Scots, published January 26, 1779, Francesco Bartolozzi (Italian, 1727-1815), after Frederico Zuccaro (Italian, c. 1542-1609), published by John Boydell (English, 1719-1804), Italy, Engraving on ivory wove paper, 383 x 288 mm

Venus and Cupid Pleading Their Cause in the Presence of Jupiter and Other Gods, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael

Shame, plate nine from A Love, 1887, Max Klinger, German, 1857-1920, Germany, Etching, engraving, and aquatint on cream wove paper, 455 x 309 mm (plate), 587 x 439 mm (sheet

Design: Academic Figure, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Jean Honoré Fragonard (French, 1732-1806), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

A Parisian Ball—Dancing at the Casino, published November 23, 1867, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 234 x 350 mm (image), 279 x 406 mm

Philadelphia Centennial Exhibition Quilt, 1876/1900, United States, Pieced quilt, dyed and printed cotton and wool plain and patterned weave fabrics, printed cotton handkerchief, 220.4 x 224.2 cm (86 3/4 x 88 1/4 in.), Old Man and Woman,

The Army of The Potomac—Our Outlying Picket in the Woods, published June 7, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 174 x 236 mm (image), 209

The Girl Offers Her Coin in Payment, c. 1757, Sèvres Porcelain Manufactory, French, founded 1740, Modeled by Etienne-Maurice Falconet, French, 1716-1791, After an engraving of a painting by François Boucher, French, 1703-1770, Sèvres,

St. Christopher Facing to the Left, 1521, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 118 x 75 mm (image/plate), 120 x 76 mm (sheet

Hudibras and the Skimmington, plate seven from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Engraving in black on cream paper edge mounted on cream wove paper, 246 × 500 mm (image), 270 × 511 mm (plate), 271

Venus Wounded by Cupid’s Dart, 1516, Agostino Veneziano (Italian, active 1514–1536), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on cream laid paper, 181 x 134 mm (image/sheet, trimmed within

The Crowning with Thorns, plate seven from The Passion of Christ, 1597, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on cream laid paper, 196 x 130 mm (image), 201 x 135 mm (plate), 318 x 248 mm (sheet

Hudibras’ First Adventure, plate three from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge mounted on cream wove paper, 246 × 334 mm (image), 273 × 345 mm

Death of Abel, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on ivory laid paper, 52 × 74 mm (image/sheet, cut within platemark

Jurors Listening to Counsel, Supreme Court, New City Hall, New York, published February 20, 1869, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 230 x 348

Psyche, Thinking to Appear More Beautiful…, Opens the Fateful Box, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian,

Dagger Sheath with a Warrior, 1528, Master I.B., German, active 1523–30, Germany, Engraving in black on ivory laid paper, 163 x 23 mm (image/plate), 167 x 27 mm (sheet

Olivier Le Fèvre d’Ormesson, 1665, Antoine Masson, French, 1636-1700, France, Engraving on paper, 367 × 268 mm (plate), 388 × 288 mm (sheet

Bridge and Cows, plate 2 from Liber Studiorum, published June 11, 1807, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory paper, 182 × 263

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

Coat of Arms with an Eagle, 1543, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 72 x 50 mm (image/sheet, trimmed to platemark

Agony in the Garden, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish, 1550-1600), after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590), Flanders, Engraving in black on ivory laid paper, 152 × 111 mm (plate,

Frontispiece, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

The Improvement of Morals, 1786, Daniel Nikolaus Chodowiecki, German, 1726-1801, Germany, Etching and engraving on ivory laid paper, 212 x 335 mm (plate), 220 x 345 mm (sheet

Have you pray’d tonight, Desdemona?, plate twelve fom Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, roulette, and drypoint on paper, 276 × 229 mm (image), 320 × 246 mm (plate), 638 × 445 mm

Design: Camera Obscura, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

The Gentleman, plate five from The Ranks and Conditions of Men, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on ivory wove paper, 178 x 100 mm (plate), 184 x 104 mm (sheet

Morpeth, plate 21 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving on ivory laid paper, 177 × 260 mm

Raid on a Sand Swallow Colony—How Many Eggs?, published June 13, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 342 x 230 mm (image), 379

The War for the Union, 1862—A Cavalry Charge, published July 5, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 346 x 523 mm (image), 407 x 582 mm

Bernard Knipperdolling, 1536, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 305 x 228 mm (trimmed within plate

Ludovicus Delphinus, 1684, Pierre Louis van Schuppen (Flemish, 1627-1702), after François de Troy (French, 1645-1730), Flanders, Engraving on paper, 441 × 379 mm (plate), 525 × 412 mm (sheet

St. Ildefonso before the Virgin, 1638, Hans Witdoeck (Flemish, 1615-after 1642), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 513 × 373 mm (image), 535 × 377 mm (plate), 543 × 383 mm

Tamiris, from Greek Heroines, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 118 x 74 mm (sheet

Panel (Dress Fabric), 18th century, Qing dynasty (1644–1911), Made in China for the European/American market, China, Silk, plain weave, painted, 53.4 × 78 cm (21 × 30 3/4 in.), The Little Fortune Teller: 38 Riddles, Notebook 3 (El

Portrait of a Peasant Woman, August 1, 1799, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 377 x 241 mm (image), 429 x 280 mm (plate), 541 x 413

Lady Audley, October 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 287 x 207 mm (image), 360 x 254 mm (plate), 394 x 303 mm (sheet

The Last Supper, 1615/1620, Jan Harmensz Muller (Dutch, 1571-1628), after Lucas van Leyden (Netherlandish, c. 1494-1533), Holland, Engraving in black on ivory laid paper, 117 x 77 mm (image), 118 x 80 mm (plate/sheet, trimmed to plate mark

Winchelsea, Sussex, plate 42 from LIber Studiorum, published April 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by I. C. Easling, England, Etching and engraving in brown on ivory laid paper, 182 × 263 mm (image),

Plaster Unloaders, plate three from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black on cream

St. John, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 90 × 50 mm (plate), 91 × 51 mm (sheet

Psyche Taken… to a Deserted Mountain, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in

The Morbetto, or The Plague of Phrygia, 1515/16, Marcantonio Raimondi (Italian, c. 1480–1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on ivory laid paper, 198 x 252 mm (image), 199 x 253 mm

The Victory of Scipion over Syphax, c. 1532, Master of the Die, Italian, active c. 1530–1560, Italy, Engraving on paper, 211 x 246 mm

Grammar, plate 21 from Arts and Sciences, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on cream laid paper, 182 x 100 mm

Punch Cures the Gout, the Colic, and the ‘Tisick, published July 13, 1799, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching with engraving on ivory wove paper, 258 ×

Amaliey of Solms, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper

Berry Pomeroy Castle, plate 58 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, (English, 1775-1851), England, Engraving in brown on buff wove paper, 195 × 271 mm (image), 216 × 291.5 mm (plate), 297 × 435

Titania and Bottom with the Ass’s Head, 1796, Jean Pierre Simon (British, born before 1750-c. 1810), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William Shakespeare

Samson and Delilah, c. 1612, Jacob Matham (Dutch, 1571–1631), after Peter Paul Rubens (Flemish, 1577–1640), Netherlands, Engraving in black on ivory laid paper, 362 x 434 mm (image), 377 x 440 mm (plate), 380 x 444 mm (sheet

Night, plate four from The Four Times of the Day, May 1738, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 440 × 365 mm (image), 490 × 406 mm (plate), 660 × 495 mm (sheet

The Musicians, 1524, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on cream laid paper, 117 x 75 mm (image/plate), 119 x 77 mm (sheet

Letter B, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 233 x 169 mm

Saint Jerome, 1500/99, Raphael de Mey, German, active 16th century, in imitation of, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 193 x 134 mm (image), 195 x 137 mm (sheet, trimmed

Louis Seize, c. 1793, Johann Gotthard von Müller (German, 1747-1830), after Joseph Siffred Duplessis (French, 1725-1802), published by Johann Friedrich Frauenholz (German, 1758-1822), printed by François Dominique Ramboz (French, act.

Alcazar de Seville, c. 1853/58, William Henry Fox Talbot, English, 1800–1877, England, Photoglyphic engraving employing resin ground, 6.9 × 6.9 cm (image), 20.9 × 17.1 (paper

Frederic-Maurice Duc de Bouillon, 1656, Robert Nanteuil, French, 1623-1678, France, Engraving in black on paper, 385 × 287 mm (image/sheet, trimmed within plate mark

The Rising, 1771, Jean Massard (French, 1740-1822), after Pierre Antoine Baudouin (French, 1723-1769), France, Line engraving (etching and engraving) on ivory laid paper, 382 × 271 mm (image), 401 × 298 mm (plate), 415 × 302 mm (sheet

Sir Nicholas Poines, November 22, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 299 x 203 mm (image), 356 x 243 mm (plate), 442 x 307 mm

Madonna by the Tree, 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 117 x 74 mm (image/sheet

Map of Rome, 1538, reprinted 1889, Unknown Artist, English, 19th century, England, Engraving in black on cream laid paper

Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand

Feeding the Hungry, from The Seven Acts of Mercy, 1534, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 55 x 54 mm (image/sheet, plate mark not visible

William III, King of England, 1690s, Pieter Schenk, Dutch, 1660-1711, Netherlands, Mezzotint and engraving in black on ivory laid paper, 335 x 245 mm, Album of Lacquer Paintings (urushi-e), c. 1879/90, Shibata Zeshin, Japanese,

Plate Five, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 315 × 388 mm (image), 356 × 410 mm (plate), 472 × 608 mm (sheet

Bather, 1768, Louis-Marin Bonnet (French, 1736-1793), after François Boucher (French, 1703-1770), France, Crayon-manner engraving in black and white on blue laid paper, 357 × 232 mm

The Creation of Eve, plate one from Adam and Eve, 1540, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 87 x 63 mm (sheet

Lady Barkley, September 22, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 372 x 256 mm (image), 420 x 286 mm (plate), 539 x 381 mm (sheet

Letter O, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 267 x 180 mm

Pharaoh’s Daughter Finding Moses, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish),

Triton Ridden by a Child, plate one of Twelve Ornament Panels, c. 1505–20, Giovanni Pietro da Birago, Italian, active 1470-1513, Italy, Engraving on cream laid paper, 533 x 92 mm (plate), 555 x 124 mm (sheet

J. Vondelius, 1669/81, Janus Lutma, II, Dutch, 1624-1689, Netherlands, Punched engraving with etching in black on cream laid paper, 260 x 206 mm (image), 270 x 214 mm (sheet

Apollo, plate 20 from Apollo and the Muses, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 177 x 100 mm (plate), 184 x 106 mm (sheet

The Last Supper, plate one from The Passion of Christ, 1598, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on cream laid paper, 196 x 130 mm (image), 202 x 136 mm (plate), 318 x 244 mm (sheet

Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand

Head of a Woman, c. 1767, Gilles Demarteau (French, 1722-1776), after François Boucher (French, 1703-1770), France, Crayon-manner engraving in red and black on ivory laid paper, 217 × 165 mm (sheet, cut within plate

Design: Draped Figures, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Nicholas Poussin (French, 1594-1665), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769),

Washington Allston, 1843, David Claypoole Johnston, American, 1798–1865, United States, Etching and engraving on ivory wove paper, 220 x 48 mm (plate), 262 x 169 mm (sheet

The Large Crucifixion, c. 1516, Wolfgang Huber, German, 1490-1553, Germany, Woodcut in black on cream laid paper, 123 x 94 mm, Saint Mark, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 260 x 197 mm

George Washington, 1793, Edward Savage, American, 1761–1817, United States, Mezzotint with engraving in black on cream wove paper, laid down on cream wove paper (chine collé), 517 x 377 mm (plate/chine), 593 x 477 mm (sheet

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