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Abraham Heydan, n.d., Jonas Suyderhoef (Dutch, c. 1613-1686), after Joris van Schooten (Dutch, 1587-1651), Holland, Engraving on ivory laid paper, 323 x 230 mm (plate), 337 x 248 mm (sheet

Title Page from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 540 x 410 mm (image), 548 x 415 mm (plate), 787 x 585 mm (sheet

The Russian Ball—In the Supper Room, published November 21, 1863, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 275 x 231 mm (image), 423 x 281 mm

Hercules and Columns of Gaza, from The Labors of Hercules, 1545, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 48 x 70 mm (image/plate), 49 x 72 mm (sheet

Another Year by the Old Clock, published January 1, 1870, Winslow Homer (American, 1836-1910), published by Harper’s Bazar (American, founded 1867), United States, Wood engraving on paper, 250 x 236 mm (image), 403 x 274 mm (sheet

Tailpiece, or the Bathos, April 1764, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream wove paper, 315 × 335 mm (plate), 422 × 472 mm (sheet

Saint Paul Preaching at Athens, 1517/20, Marcantonio Raimondi (Italian, c. 1480-1534), after Raphael (Raffaello Sanzio) (Italian, 1483-1520), Italy, Engraving in black on cream laid paper, 269 x 356 mm (image/sheet, trimmed within plate

Bercy Wharf, plate two from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black on cream Japanese

The Virgin and Child Appearing to Saint Francis Xavier, 1610/59, Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659), after Gerard Seghers (Flemish, 1591–1651), Netherlands, Engraving in black on ivory laid paper, 388 x

Jan Brueghel the Elder, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching and engraving in black on ivory laid paper, 243 × 151 mm (image/sheet, trimmed within platemark

The Prodigal Son Wasting his Fortune, plate two from The History of the Prodigal Son, 1540, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 50 x 92 mm (image/sheet, trimmed to plate mark

Berry Pomeroy Castle, plate 58 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 186 × 275 mm (image), 218 × 296 mm (plate),

F. Devillemontée, n.d., Jean Morin (French, c. 1590-1650), after Philippe de Champaigne (French, 1602-1674), France, Engraving and etching on paper, 286 × 231 mm (sheet, trimmed within platemark

Marie de Lorraine, Duchesse de Guise, Princesse de Joinville, 1684, Antoine Masson (French, 1636-1700), after Pierre Mignard I (French, 1612-1695), France, Engraving on paper, 323 × 226 mm (sheet, trimmed within platemark

Richard Hakluyt, the Principal Navigations, London, 1599, reprinted 1889, Unknown Artist (English, 19th century), from the original collection of Richard Hakluyt (English, 1552-1616), England, Engraving in black on cream wove paper

Dom Prosper Guéranger, Abbot of Solesmes, 1878, Claude Ferdinand Gaillard, French, 1834-1887, France, Engraving on ivory China paper, laid down on white wove paper, 247 × 170 mm (plate), 266 × 178 mm (sheet

Self-Portrait Etching at a Window, 1648, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching, drypoint and engraving on buff laid paper, 154 x 129 mm (image), 156 x 131 mm (sheet, cut within plate mark

Saint Luke, c. 1508, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on paper, 116 x 88 mm (image), 118 x 88 mm (plate), 118 x 90 mm (sheet

Bearing of the Cross, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 74 mm (image/plate), 118 x 75 mm (sheet

Copperplate Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Portrait of Samuel Bernard, Counselor of State, 1729, Pierre-Imbert Drevet (French, 1697-1739), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on ivory laid paper, 620 × 418 mm (image/sheet, cut within plate

Sir Gawin Carew, June 7, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 286 x 218 mm (image), 329 x 275 mm (plate), 470 x 343 mm (sheet

November, April 14, 1788, William Nelson Gardiner (Irish, 1766-1814), after William Hamilton (English, 1751-1801), Ireland, Color stipple engraving on paper, 311 x 259 mm (image), 352 x 282 mm (sheet

Mars, Venus, and Cupid, 1508, Marcantonio Raimondi, Italian, c. 1480-1534, Italy, Engraving printed in black on paper, 299 × 210 mm

Woman Milking a Cow, n.d., Cornelis Visscher (Dutch, c. 1629-1658), after Nicolaes Berchem the Elder (Dutch, 1621/22-1683), Holland, Engraving on paper, 266 x 215 mm (trimmed

Christina of Lorraine, 1666, published 1761, Adriaen Haelwegh (Dutch, born 1637), published by Giuseppe Allegrini, Florence, 1761, Holland, Engraving on ivory laid paper, 350 x 243 mm (plate), 430 x 320 mm (sheet

Cloelia Crossing the Tiber, c. 1540, Giulio di Antonio Bonasone (Italian, about 1510–after 1576), after Polidoro Caldara, called Polidoro da Caravaggio (Italian, c. 1499-c. 1543), published by Antoine Lafréry (French, active Italy,

The Roast Beef of Old England, 1748/49, William Hogarth, English, 1697-1764, England, Engraving in black on tan wove paper, 385 × 455 mm (plate), 470 × 629 mm (sheet

The Virgin on the Grassy Bank, 1520/69, Jacob Binck, German, c. 1500-1569, Germany, Engraving in black on ivory laid paper, 129 × 81 mm (image/plate/sheet

St. Andrew, plate 2 from The Twelve Apostles, 1545, Sebald Beham, German, 1500-1550, Germany, Engraving in black on white wove paper, 44 x 29 mm (image/plate), 305 x 240 mm (sheet

Plate Eight, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 315 × 387 mm (image), 355 × 410 mm (plate), 481 × 599 mm (sheet

The Prayer, 1795, Charles-Melchior Descourtis, French, 1753-1820, France, Etching and engraving in yellow, blue, red, and black on paper, 375 × 412 mm (image), 420 × 475 mm (sheet, cut within platemark

Portrait of Marian Deering McCormick, 1893/94, American, 19th century, United States, Albumen print, 11.5 x 8.3 cm, The Large Cat, 1657, Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 143 × 185 mm

Dido Killing Herself, 1520/30, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 64 x 37 mm (image/plate/sheet

Plate Two, from Marriage à la Mode, 1745, Bernard Baron (French, 1696-1762), after William Hogarth (English, 1697-1764), France, Etching and engraving in black withtraces of pen and black ink on ivory laid paper, 355 × 443 mm (image), 385

The Queen of Sheba Avoiding the Wooden Bridge, c. 1532, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 50 x 78 mm (sheet

Design: Children, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

The Small Horse, 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 163 x 108 mm

The Grand Review At Camp Massachusetts, Near Concord, published September 24, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 350 x 516 mm (image),

Plate Four, from Five Wise and Five Foolish Virgins, 1606, Jan Saenredam, Netherlandish, 1565-1607, Netherlands, Engraving on paper, 266 x 369 mm (sheet, trimmed to platemark

Father Lutma, 1669/81, Janus Lutma, II, Dutch, 1624-1689, Netherlands, Punched engraving with etching in black, with plate tone and traces of brush and black wash, on cream laid paper, 285 x 202 mm (image/sheet, trimmed within plate mark

Catherine II, Empress of Russia, 1785, Francesco Bartolozzi (Italian, 1727-1815), probably after Michele Benedetti (Italian, 1745-1810), Italy, Stipple engraving and engraving on ivory chine, laid down on paper, 369 x 239 mm (image), 403 x

Lauffenbourgh on the Rhine, plate 31 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts, England, Etching and engraving on ivory wove paper, 175 × 260 mm (image),

Inigo Jones, 1630/36, printed c. 1800, Robert van Voerst (Flemish, 1597-1636/37), after Anthony van Dyck (Flemish, 1599-1641), Flanders, Engraving in black on ivory wove paper, 243 × 177 mm (plate), 252 × 185 mm (sheet

Saturn, plate 47 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 168 x 98 mm (image), 179 x 101 mm (plate), 185 x 105 mm (sheet

Round Letters of the Alphabet, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769),

Saint Christopher, n.d., Israhel van Meckenem the Younger (German, c. 1440/45-1503), after Master of the Housebook (German, active c. 1470-1500), Germany, Engraving in black on ivory laid paper, 169 × 111 mm

Execution of Arminians in Leiden, 1623, Claes Jansz. Visscher, Dutch, 1587–1652, Netherlands, Hand-colored etching with engraving and letterpress in black on cream laid paper, 136 x 230 mm (image), 311 x 250 mm (sheet, trimmed within plate

Hind Head Hill, plate 25 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Egraved by Dunkarton, England, Etching and engraving on ivory paper, 178 × 260 mm (image), 209 × 291 mm (plate),

Ecce Homo, n.d., Master IS (German, active c. 1534), after Albrecht Dürer (German, 1471-1528), Germany, Engraving on ivory laid paper, 145 x 110 mm (image/sheet

Charles the First, n.d., William Sharp (English, 1749-1824), after Anthony van Dyck (Flemish, 1599-1641), England, Engraving in black on ivory laid paper, 223 × 260 mm (image), 341 × 369 mm (sheet

The Abduction of Helen, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 26 x 116 mm (image/plate), 25 x 114.5 mm (sheet

Arithmetic, plate 25 from Arts and Sciences, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on cream laid paper, 181 x 101 mm

The Laundress, 1756, François Boucher, French, 1703-1770, France, Etching, with traces of engraving, in black on ivory laid paper, 315 × 225 mm (plate), 333 × 247 mm (sheet

Stephanus Crachtius, n.d., Theodor Matham (Dutch, 1606-1676), after Johann Spilberg, le jeune (German, 1619-1690), Holland, Engraving in black on cream laid paper, 462 x 332 mm (image), 468 x 334 mm (plate/sheet

Night, 1803/05, Phillip Otto Runge, German, 1777-1810, Germany, Etching and engraving on paper, 689 x 463 mm (image), 709 x 483 mm (plate), 762 x 580 mm (sheet

Homeward Bound, from Harper’s Weekly, 1867, Winslow Homer, American, 1836–1910, United States, Wood engraving in black on cream wove paper, 345 x 520 mm (image), 396 x 570 mm (sheet

Wine Glass, c. 1786, Netherlands, Engraving attributed to David Wolff, England, Glass, blown and stipple engraved, 20.5 × 7.9 cm (8 1/16 × 3 1/8 in

Saint Martin with his Horse in a Ship, c. 1561, Johannes and Lucas van Doetecum (Flemish, active in Antwerp, 1554-1575), after Hieronymus Bosch (Netherlandish, c. 1450-1516), Flanders, Etching and engraving on paper

Anne Countess Cowper, published January 12, 1798, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), Italy, Stipple engraving on paper, 265 x 185 mm (plate), 271 x 192 mm (sheet

Pay Day in the Army of the Potomac, published February 28, 1863, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 343 x 521 mm (image), 406 x 552 mm (sheet

The Major’s Daughter, 1862, Joseph Swain (English, 1820-1909), after James McNeill Whistler (American, 1834-1903), United States, Wood engraving in black ink on light gray China paper, 129 x 114 mm (image), 342 x 222 mm (sheet

The War—Making Havelocks for the Volunteers, published June 29, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 275 x 233 mm (image), 400 x 280 mm

June, July 10, 1789, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 307 x 254 mm

Letter D, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 222 x 188 mm

The Ingenious Love, 1788, Jacques Guillaume Legrand (French, 1743-1808), after Jean Honoré Fragonard (French, 1732-1806), France, Engraving with roulette on cream laid paper (discolored to tan), 288 × 208 mm (image), 315 × 240 mm (sheet

Les Propos de Thomas Vireloque: Under the Roof of Heavens, 1852, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 190 × 159 mm (image), 355 × 252 mm (sheet), Saint Aloyn, n.d., Cornelis Visscher, the

The Woman and Tambourine, plate 3 from Liber Studiorum, published 1807, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 183 ×

Hercules and the Nemean Lion, from The Labors of Hercules, 1548, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 52 x 77 mm (image/plate), 53 x 79 mm (sheet

Three Putti with Armor, 1523/30, Master I.B., German, died 1525/30, Germany, Engraving in black on ivory laid paper, 46 × 31 mm

O Spartan dog, plate fifteen from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, and roulette on paper, 287 × 372 mm (image), 321 × 404 mm (plate), 638 × 445 mm (appro×. sheet

Evening, 1803/05, Phillip Otto Runge, German, 1777-1810, Germany, Etching and engraving on cream wove paper, 689 x 463 mm (image), 709 x 483 mm (plate), 762 x 580 mm (sheet

Travellers in Front of the Minerva Medica Temple in Rome, c. 1646, Jan van de Velde II (Dutch, c. 1593-1641), after Pieter de Molijn (Dutch, 1595-1661), Holland, Engraving on cream laid paper, 219 x 342 mm (image/plate), 278 x 362 mm (sheet

Self-Portrait, c. 1778, Jean-Pierre Norblin de la Gourdaine, French, 1745-1830, France, Etching, drypoint, and engraving in black on ivory wove paper, 137 × 149 mm (image/plate), 146 × 158 mm (sheet

Tarquin and Lucretia, c. 1571, Cornelis Cort (Netherlandish, 1533/36-1578), after Titian (Italian, c. 1488-1576), Netherlands, Engraving on ivory laid paper, 420 x 288 mm (plate), 424 x 291 mm (sheet

Mary Magdalene at the Feet of Jesus in the Home of Simon the Pharisee, n.d., Michiel Natalis (Flemish, 1610-1668), after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Engraving in black on cream laid paper, 396 × 496 mm (image), 421 ×

François Rouxel de Medavy, Archbishop of Rouen, 1677, Antoine Masson, French, 1636-1700, France, Engraving on paper, 430 × 305 mm (sheet, trimmed within platemark

Philip Rovenius, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper

Large Female Head, c. 1788, Gilles Antoine Demarteau, the Younger (Flemish, c. 1750-1806), after Francois-Andre Vincent (French, 1746-1816), Flanders, Crayon-manner etching and engraving in red and black ink from two plates on ivory laid

Philosophy, plate 28 from Arts and Sciences, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on ivory laid paper, 179 x 100 mm (plate), 185 x 105 mm (sheet

Portrait of Henri de Lorraine, Comte d’Harcourt, Horsemaster of France, 1667, Antoine Masson (French, 1636-1700), after Nicolas Mignard (French, 1606-1668), France, Engraving in black on ivory laid paper, 547 × 405 mm (image), 549 ×

Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude

Our Watering Places—The Empty Sleeve at Newport, published August 26, 1865, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 234 x 351 mm (image),

Great Ribston, plate 61 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching and engraving in black on cream

Blasted Tree and Flattened Crops, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 34 × 73 mm (image/block), 36 × 74 mm (sheet

Cap. Cerimonia, Sig. Lavinia, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Lot and His Daughters, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders,

Le Midy, 1742, Jacques Le Bas (French, 1707-1783), after Nicolaes Berchem the Elder (Dutch, 1621/22-1683), France, Engraving on paper

Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude

Christ on the Cross (The Small Crucifixion), 1500/38, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 61 x 40 mm (image/plate

Little Devil’s Bridge, plate 19 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner (English, 1775-1851), William Turner (English, 1773-1847), England, Etching and engraving in brown on ivory wove paper, 178 ×

Lady Mary, June 20, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 401 x 281 mm (image), 442 x 313 mm (plate), 485 x 357 mm (sheet

The Round Tower, plate 3 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 545 x 410 mm (image), 551 x 418 mm (plate), 785 x 585 mm (sheet

Ornament with a Palmette, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 39 x 92 mm (image/plate), 41 x 94 mm (sheet

Portrait of André Rivet, 1647, Jonas Suyderhoef (Dutch, c. 1613-1686), after Pieter Dubordieu (Dutch, c. 1609-c. 1678), Holland, Engraving on cream paper, 275 x 222 mm (image), cut within plate, 327 x 226 mm (sheet

Psyche Leaves for the Underworld, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in warm

New York Charities—St Barnabas House, 304 Mulberry Street, published April 18, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 244 mm (image),

The Judgment of Paris, 1517/ 20, Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on cream laid paper, 293 × 438 mm (image/plate), 296 × 440 mm (sheet

Anne-Sophie Herbert, Comtess de Carnarvon, n.d., Jean Morin, French, c. 1590-1650, France, Engraving on paper, 313 × 253 mm (plate), 320 × 260 mm (sheet

Rev. D. Johannes Wachterlaer of Utrecht, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on paper

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