Images at Librifly

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Aedificare Super Arenam, from Allegories of the Christian Faith, from Christian and Profane Allegories, 1575–1617, Engraving, sheet: 10 3/16 x 7 3/8 in. (25.8 x 18.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Rocky Landscape with St. Jerome, Engraving, Plate: 8 1/2 x 10 7/8 in. (21.6 x 27.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Sylvanus from The Rural Gods, 1565, Engraving, sheet: 11 5/8 x 8 3/4 in. (29.5 x 22.2 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Frans Floris I, This engraving is from a set of six oval-shaped prints that

The Alchemist's Laboratory from Heinrich Khunrath, Amphiteatrum sapientiae aeternae, n.d., Engraving from a circular plate, sheet: diameter 16 1/8 in. (41 cm), Prints, Attributed to Peter van der Doort (born Antwerp, active Hamburg ca.

Naissance de Bacchus (Birth of Bacchus), 18th century, Etching and engraving, Sheet: 18 1/16 x 18 7/8 in. (45.8 x 48 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770

Two Torchères, 1692, Etching and engraving, plate: 11 7/16 x 7 7/8 in. (29 x 20 cm), Juan Dolivar (Spanish, Zaragoza 1641–1692 Paris), After Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Etching and engraving with designs for two

Banknote motif: lathe work ornament resembling a long flat woven basket, ca. 1824–42, Engraving, printed in orange-brown ink, sheet: 3 3/16 x 2 7/16 in. (8.1 x 6.2 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Harbor Scene, Engraving; first state, Sheet: 8 1/16 x 10 7/8 in. (20.4 x 27.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Scene with a Warning Against Venereal Disease in a Circle at Center, 1580–1600, Engraving, Sheet: 5 5/16 × 5 3/8 in. (13.5 × 13.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), after Johann Sadeler I (Netherlandish,

St. Cecilia, 1735–92, Engraving, sheet: 20 1/16 x 15 3/16 in. (51 x 38.6 cm), Prints, Robert Strange (British, Orkney, Scotland 1721–1792 London), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Gallant conversation' (Conversation galante): couples engage in conversation in a garden setting, at left a musician plays for the group, at right a woman holds a reclining lap dog, 1743, Etching and engraving, Sheet: 18 11/16 x 13 7/8 in. (47.5

Anne of Austria, 1660, Engraving; fifth state of five (Petitjean & Wickert), Sheet: 12 1/2 × 9 1/2 in. (31.8 × 24.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695 Paris

The Misanthrope Robbed by the World, from Twelve Flemish Proverbs, ca. 1568, Engraving, Plate (diameter): 7 in. (17.8 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Jan (Johannes) Wierix

Speculum Romanae Magnificentiae: Laocoon, 16th century, Engraving, sheet: 22 1/16 x 16 15/16 in. (56.1 x 43 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

The Toilet, ca. 1742, Etching and engraving, Sheet (trimmed): 11 7/8 × 9 3/16 in. (30.1 × 23.3 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

After-dinner, Etching and engraving, sheet: 12 5/16 x 8 9/16 in. (31.3 x 21.7 cm), Prints, Gilles Edme Petit (French, Paris 1694–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Company of Undertakers, ca. 1800, Engraving, Sheet: 3 1/8 x 2 9/16 in. (7.9 x 6.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Salon de 1850-51; Paysage et Animaux, par Troyon, 1850–51, Wood engraving, sheet: 5 1/8 x 7 1/16 in. (13 x 18 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris), After Constant Troyon (French, Sèvres 1810–1865

Reverse Copy of Madame Bouthillier (Marie de Bragelogne), ca. 1815, Engraving, Sheet: 14 13/16 × 11 1/8 in. (37.7 × 28.3 cm), Prints, Anonymous, After Robert Nanteuil (French, Reims 1623–1678 Paris

Le Cardinal Jules Mazarin, 1659, Engraving; first state of two (Petitjean & Wickert), Sheet: 13 9/16 × 10 9/16 in. (34.5 × 26.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Design for a Knife Handle with a Scene from the Book of Tobit, 1580–1600, Engraving and blackwork, Sheet: 5 3/16 × 4 11/16 in. (13.2 × 11.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a

Four putti, two embracing in front of a large garland, two behind, the one at left holding an arrow, the one at right a bow, from a series of tapestries made for Leo X, ca 1530–40, Engraving; first state, sheet: 8 1/4 x 11 1/4 in. (21 x

Hudibras and the Lawyer (Plate 12: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 3/16 in. (19.7 x 23.4 cm), Prints, After William Hogarth (British, London 1697–1764 London

Marriage A-la-Mode, Plate V, April 1745, Etching and engraving; fourth state of four, Plate: 15 1/4 x 18 7/16 in. (38.8 x 46.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Cain Killing Abel, ca. 1591, Engraving, 33.3 x 41.5 cm, Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Youth with two old Men, 16th century, Engraving, sheet: 4 13/16 x 3 11/16 in. (12.2 x 9.4 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Saint Jerome kneeling before a crucifix, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 × 1 15/16 in. (8.3 × 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Man near the Entry of the Ruinous Hedge, 17th century, Engraving; second state of two, Plate: 3 11/16 × 5 9/16 in. (9.4 × 14.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Wolf Rings the Bells of a Convent from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fifth state of six, Plate: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Sarah Malcolm, late 18th–19th century, Engraving and stipple, plate: 8 15/16 x 8 15/16 in. (22.7 x 22.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

In the Park (from the series A Love), 1887–1903, Etching and engraving; third edition; state five of seven, Plate: 17 15/16 × 10 13/16 in. (45.6 × 27.5 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Portrait of Jean-Jacques Rousseau, 1801, Etching and engraving; second state of four (Bocher), Sheet: 6 3/4 × 4 1/2 in. (17.2 × 11.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Speculum Romanae Magnificentiae: Corinthian entablature, ca. 1535, Engraving, sheet: 5 7/8 x 6 7/8 in. (15 x 17.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Bernt Knipperdolling, 1536, Engraving, Sheet: 12 1/2 × 8 11/16 in. (31.8 × 22 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Speculum Romanae Magnificentiae: Farnese Palace Interior, 1585, Engraving and etching, sheet: 15 3/8 x 19 1/16 in. (39 x 48.4 cm), Prints, Anonymous

January and February from The Peasants' Feast or the Twelve Months, 1546, Engraving; second state of two (Pauli), sheet: 1 15/16 x 2 15/16 in. (5 x 7.4 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Two couples dancing

Two Torch-Bearers, from The Large Wedding Dancers, 1538, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Landscape with Christ Tempted by the Devil, n.d., Engraving; first state, Sheet: 8 1/8 x 10 15/16 in. (20.7 x 27.8 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish,

Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men and a boy on a goat blowing on a horn, another naked man behind carrying two bones, ca. 1515–25, Engraving, first state before the engraver's initials on the horn,

Speculum Romanae Magnificentiae: The Temple of Fortune in Rome, 16th century, Engraving, sheet: 13 7/16 x 19 in. (34.1 x 48.3 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

'Tristram Shandy, ' Frontispiece, Volume 1, April 1760, Etching and engraving; second state of two, sheet: 5 7/16 x 3 1/16 in. (13.8 x 7.8 cm), Prints, after William Hogarth (British, London 1697–1764 London

The Entombment, from The Passion of Christ, 1596, Engraving, sheet: 8 1/16 x 5 7/16 in. (20.5 x 13.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

Portrait of Charles-Nicolas Cochin II, 1771, Etching and engraving; fifth state of five (Bocher), Mount: 13 3/8 × 11 1/8 in. (33.9 × 28.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Fortune Using Man as a Plaything from Six Sayings about Fortune, ca. 1560, Engraving, Plate: 8 1/4 × 9 3/4 in. (21 × 24.7 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

A Foolish Virgin in Half-Figure, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Vincent Voiture, 1649, Engraving, Sheet: 7 15/16 × 5 13/16 in. (20.1 × 14.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

The Philosopher's Stone from Heinrich Khunrath, Amphiteatrum sapientiae aeternae, n.d., Engraving from a circular plate, sheet: diameter 15 7/8 in. (40.4 cm), Prints, Attributed to Peter van der Doort (born Antwerp, active Hamburg ca.

Hippolyte Féret, 1669, Engraving; first state of two (Petitjean & Wickert), Sheet: 13 9/16 in. (34.5 × 28.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left, 1530–60, Engraving, sheet: 6 3/8 x 11 5/16 in. (16.2 x 28.8 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

L'Amour a L'Espagnole, ca. 1780, Etching and engraving; fourth state of five (Bocher), Mount: 21 × 15 7/8 in. (53.3 × 40.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Noël Pruneau (French, born 1751), After

Triumph of the World, from The Cycle of the Vicissitudes of Human Affairs, plate 1, 1564, Engraving; first state of three (New Hollstein), Sheet: 8 3/4 × 11 11/16 in. (22.3 × 29.7 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca.

A Bacchanal, Silenus supported by two bacchants in the centre, at left a female satyr reclining on a bed and another holding onto the horns on a statue of Priapus while she tries to impale herself on his phallus, various other figures fill the

Speculum Romanae Magnificentiae: Wild Animals, from antique wall paintings, plate 2, late 16th century, Engraving, sheet: 11 5/8 x 16 9/16 in. (29.6 x 42 cm), Prints, Anonymous

God at right forbidding the nude Adam and Eve at left to eat from the tree of knowledge in center, from 'Adam and Eve', 1540, Engraving, Sheet: 3 1/2 x 2 5/8 in. (8.9 x 6.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca.

St. Nicolas Praying for a Dying Man, Engraving; second state of two (BN), sheet: 4 x 2 5/8 in. (10.2 x 6.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Interior and Exterior of the Colosseum, 16th century, Engraving, sheet: 16 1/8 x 22 1/4 in. (41 x 56.5 cm), Prints, Anonymous

Pantaloon: 'The Sixth Age Shifts into the Lean and Slippered Pantaloon' (Shakespeare, As You Like It), 1799, Stipple engraving, Sheet (trimmed to plate): 11 3/16 × 7 5/8 in. (28.4 × 19.4 cm), Prints, After Thomas Stothard (British, London

Naked man walking to the right carrying a column base, ca. 1517–20, Engraving, Sheet: 8 7/16 × 5 11/16 in. (21.5 × 14.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

A Rake's Progress, Plate 7, June 25, 1735, Engraving; third state of four, sheet: 13 3/4 x 15 3/4 in. (35 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Front of a Building seen sideways through an arcade of four arches on its left front., 16th century, Engraving, sheet: 14 1/4 x 9 5/8 in. (36.2 x 24.5 cm), Prints, Anonymous

Suicide of Lucretia, from Scenes from Roman History, Engraving, Sheet: 3 1/8 × 4 5/8 in. (7.9 × 11.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Portrait of Nicolas Chrystin, 17th century, Etching and engraving, Image: 11 7/8 x 9 5/8 in. (30.2 x 24.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), Anthony van Dyck (Flemish, Antwerp 1599–1641 London

The Cockpit, November 5, 1759, Etching and engraving; only state, sheet: 12 7/16 x 15 1/16 in. (31.6 x 38.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Apollo, Pan, and a Putto Blowing a Horn, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau, 1560s, Engraving,

Portrait of Jean-Baptiste Pigalle, 1782, Etching and engraving; third state of three (Bocher), Sheet: 7 11/16 × 5 1/2 in. (19.5 × 14 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Standard Bearer with Raised Left Hand, early 16th century, Engraving, Sheet: 2 1/4 × 1 1/2 in. (5.7 × 3.8 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Tobias and the Angel (large plate), 1613, Engraving, Prints, Hendrick Goudt (Dutch, The Hague 1583–1648 Utrecht), after Adam Elsheimer (German, Frankfurt 1578–1610 Rome

Copy of a Horizontal Panel with Tendrils Growing Outwards from a Vessel at Center, after 1521, Engraving, Sheet: 2 11/16 × 1 15/16 in. (6.9 × 4.9 cm), after Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg)), While the

Renard Lies that the Rabbit Insulted One of His Children from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Hagar in the Desert Consoled by an Angel, ca. 1609, Engraving; first state of three, 17.5 x 21.0 cm, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Political Clyster, January 1757, Etching and engraving; second state of three, plate: 8 1/16 x 12 3/4 in. (20.5 x 32.4 cm), Prints, Derived from William Hogarth (British, London 1697–1764 London

Resurrection of Lazarus, 1544, Engraving, image: 8 1/16 x 12 11/16 in. (20.4 x 32.2 cm), Prints, Lambert Suavius (Netherlandish, ca. 1510–by 1576

Judith from Heroes and Heroines of the Old Testament, ca. 1597, Engraving, Sheet: 17 5/16 x 13 in. (44 x 33 cm), Prints, Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586–died 1600), After Hendrick Goltzius (Netherlandish,

Adam and Eve Hide Themselves, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 7/16 × 2 1/2 in. (8.7 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), At left, Adam and Eve cover themselves,

St. Luke Painting the Virgin, 1625, Engraving, sheet: 4 1/8 x 2 11/16 in. (10.5 x 6.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Simon Vouet (French, Paris 1590–1649 Paris

The Pointed Rock, 17th century, Engraving; third state of three, Sheet: 4 11/16 in. × 6 in. (11.9 × 15.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plan of the City of Rome. Part 8 with the Castel Sant'Angelo, 1645, Etching with some engraving, undescribed state., Sheet: 21 x 16 5/16 in. (53.3 x 41.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome), Part of the lower

Christ standing, hands tied behind back, before Herod seated on throne, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 in. × 4 in. (12.8 × 10.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Mater Dolorum, 1701, Engraving and etching, sheet: 21 1/4 x 15 5/8 in. (54 x 39.7 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Venus and Cupid and two other goddesses seated on a cloud under an arch and accompanied by a putto, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed

The Large House with the Turret, Engraving; second state of two, Sheet: 3 7/16 × 5 3/16 in. (8.8 × 13.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 8: Prosperpina, standing in a niche, turning to the right while holding mantle in both hands and flowers in her right hand, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 7/16 x 4 5/16 in. (21.4 x 11 cm),

Madame Bouthillier (Marie de Bragelogne), ca. 1656, Engraving; third state of four (Petitjean & Wickert), Sheet: 13 11/16 × 10 1/2 in. (34.7 × 26.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Michel IV Le Tellier (Le Chancelier), 1653, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 1/2 × 9 3/4 in. (31.7 × 24.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French,

The metamorphosis of Amymone who lies in the centre leaning on her arm surrounded by Apollo at left, Neptune at right and two satyrs, ca. 1490–1530, Engraving, sheet: 12 5/16 x 17 1/2 in. (31.2 x 44.5 cm), Prints, Girolamo Mocetto (Italian,

Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants, 1518, Engraving, mount: 11 1/4 x 13 in. (28.6 x 33 cm), Prints, Anonymous, After Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

The Amusement of a Shepherd Girl, Etching and engraving, sheet: 8 9/16 x 6 9/16 in. (21.8 x 16.6 cm), Prints, Marie Madeleine Igonet (French, active Paris, 1744–60), After François Boucher (French, Paris 1703–1770 Paris

Charles Carroll of Carrollton, 1835, Engraving; third state of three, plate: 8 3/4 x 6 1/2 in. (22.2 x 16.5 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Chester (Charles) Harding

Victor Bouthillier, 1651, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 15/16 × 9 13/16 in. (32.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Speculum Romanae Magnificentiae: Roman Soldiers Fortifying their Camp, from Trajan's Column, 16th century, Engraving, sheet: 11 9/16 x 14 5/8 in. (29.4 x 37.1 cm) trimmed to platemark, Prints, Marco Dente (Italian, Ravenna, active by

The Fairy Queen Takes an Airy Drive in a Light Carriage, a Twelve-in-hand, drawn by Thoroughbred Butterflies, 1870, Color wood engraving and color lithography, Sheet: 10 11/16 × 14 13/16 in. (27.2 × 37.6 cm), Prints, Richard Doyle (British,

Mr. Garrick in the Character of Richard III, June 20, 1746, Etching and engraving; second state of two, sheet: 16 3/8 x 20 1/2 in. (41.6 x 52 cm), Prints, Hogarth represents his close friend, the actor David Garrick, as Richard III waking

Mary Magdalen, ca. 1490, Engraving, 8 1/2 x 5 11/16 in. (21.6 x 14.5 cm), Prints, Master i.e. (German, active 1480–1500), Despite its apparent simplicity, Mary Magdalen, is one of Master i.e.'s most accomplished works. He depicted the

David Hosack, M.D., F.R.S., 1834, Engraving on chine collé; second state of two, plate: 9 11/16 x 6 5/8 in. (24.6 x 16.8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Thomas

'O my fair warrior!': plate 5 from Othello (Act 2, Scene 1), etched 1844, reprinted 1900, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts), plate: 12 5/16 x 15 15/16 in. (31.3 x 40.5 cm),

Mucius Scaevola Burning His Hand, Engraving, Sheet: 2 9/16 × 1 9/16 in. (6.5 × 3.9 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

America, from the Four Continents, ca. 1590–1600, Engraving, sheet: 8 3/16 x 5 5/8 in. (20.8 x 14.3 cm), After Marcus Gheraerts the Elder (Flemish, Bruges ca. 1520–ca. 1590 London (?) (active England

Organ Grinder, 1737, Etching with some engraving, Sheet: 9 3/8 × 7 1/16 in. (23.8 × 18 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Banknote motifs: circular lobed lathe work design, its interior composed of repeated stars, missing a pie shaped wedge (recto); Two pie-shaped wedges of lathe work ornament resembling cut glass (verso), ca. 1824–42, Engraving, sheet: 5 11/16 x

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