Images at Librifly

search results: Engraving clear search

Saint John the Baptist in the Desert, 1629, Claude Mellan, French, 1598-1688, France, Engraving in black on cream laid paper, 372 × 277 mm (image), 394 × 278 mm (plate), 416 × 300 mm (sheet

Dancing Couple, plate three from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 117 x 78 mm (image/plate/sheet

Cashiobury, plate 28 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with engraving, in black on cream

The Courtship of Washington, 1860, John C. McRae, American, active 1855–1880, United States, Engraving on ivory wove paper, 383 x 545 mm (plate), 504 x 649 mm (sheet

The Event at the Ball, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine-Jean Duclos (French, 1742-1795) and Francois Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and

The Triumph of Love, plate one from The Triumphs of Petrarch, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 152 x 210 mm (image/plate/sheet

Daniel in the Lion’s Den, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders,

Psyche Going to Seek the Golden Wool, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in

Reclining Female Nude, 1658, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching, drypoint, and engraving, on ivory Japanese paper, 81 x 158 mm (sheet trimmed to plate mark

Venus and Cupid Pleading Their Cause in the Presence of Jupiter and Other Gods, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael

The Bathers, published August 2, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 351 x 232 mm (image), 400 x 280 mm (sheet

Designs for Jewelry, before 1697, Joannes Andreas Pfeffel I (German, 1674-1748), after Friedrich Jacob Morisson (German, active 1693-1697), Germany, Engraving on cream laid paper, 150 x 245 mm (image/plate), 258 x 365 mm (sheet

Watercress Gatherers, plate 62 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by Thos. Lupton, England, Etching and engraving in brown on ivory wove paper, 189 × 266 mm (image),

An Election Entertainment, plate one from Four Prints of an Election, 1757/58, William Hogarth, English, 1697-1764, England, Engraving in black on cream laid paper, 400 × 540 mm (image), 437 × 559 mm (plate), 449 × 580 mm (sheet

Melpomene, Muse of Tragedy, plate 8 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 235 × 140 mm

Hans Holbein, published June 25, 1798, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 512 x 394 mm (image), 541 x 419 mm (sheet, cut within

Christ Before Pilate, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 118 x 75 mm (image/plate), 119 x 77 mm (sheet

Recruits Going to Join the Regiment, 1717–26, Henri-Simon Thomassin (French, 1687-1741), after Antoine Watteau (French 1684-1721), published by François Chéreau (French 1680-1729), France, Etching, with engraving on off-white laid paper,

Design School, from Encyclopédie, 1763, Benoît-Louis Prévost (French, c. 1735-1809), upper image after Charles-Nicholas Cochin, the younger (French, 1715-1790), published by André le Breton (French, 1708-1779), Michel-Antoine David

Aesacus and Hesperie, plate 66 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on off-white paper, 178 × 259 mm (image), 209 × 290 mm (plate),

Marie Antoinette, 1777, Jean Francois Janinet (French, 1752-1814), After Jean-Baptiste-André Gautier D’Agoty (French, 1740–1786), France, Etching and engraving printed on two sheets as follows: oval portrait in wash manner on full sheet

Portrait of Cardinal de Polignac, 1729, François Chereau, the elder (French, 1680-1729), after Hyacinthe Rigaud y Ros (French, 1659-1743), France, Engraving on ivory laid paper, 471 × 339 mm (image), 476 × 345 mm (sheet, cut within

The Journey to Emmaus, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders,

The Morris Dancers, n.d., Israhel van Meckenem the Younger, German, c. 1440/45-1503, Germany, Engraving in black on ivory laid paper, 172 x 172 mm (plate/sheet

Beaker with Cover, 1685/1700, Engraving attributed to Gottfried von Spiller (German, born Czechoslovakia, c. 1663-1728), Germany, Potsdam, Potsdam, Ruby glass, 19.1 × 8.1 cm (7 1/2 × 3 3/16 in

Napoleon the Great, 1808, Auguste Gaspard Louis Desnoyers (French, 1779-1857), after François Gérard (French, 1770-1837), France, Engraving in black on cream laid paper, 568 × 415 mm (image), 765 × 555 mm (sheet

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black on cream

Sir Thomas Wyatt, October 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 365 x 265 mm (image), 425 x 324 mm (plate), 539 x 404 mm

Portrait of Girolamo Ruscelli, 1566, Niccolò Nelli, Italian, c. 1530-1575/85, Italy, Engraving in black on cream laid paper, 223 x 165 mm (image), 228 x 168 mm (plate/sheet

The Triumph of the Sea-Gods, 1520/25, Albrecht Altdorfer (German, c. 1480-1538), after Peregrino da Casena (Italian, active c. 1490-1520), Germany, Engraving in black on ivory laid paper, 46 x 81 mm (image/plate/sheet

Eight Nude Boys, 1520/50, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 53 x 53 mm (image/sheet, trimmed to plate mark

The Werewolf, c. 1867, Félicien Rops (Belgian, 1833-1898), Edmond de Schampheleer (Belgian, 1824-1899), printed by J. Bouwens (Belgian, active 19th century), written by Charles de Coster (Belgian, 1827-1879), Belgium, Etching, with

The Angel Promising the Land of Sichem to Abraham, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Jacopo Bassano (Italian, 1510-1592), Holland, Engraving on paper

Psyche Gives Presents to Her Sisters, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in

Mother Jak, April 10, 1797, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 382 x 260 mm (image), 429 x 304 mm (plate), 540 x 408 mm (sheet

South Sea Fishers, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, engraving, drypoint and roulette on tan wove paper, 67 × 120 mm (image), 67 × 120 mm (plate), 70 × 123 mm

Pleasure Boats on the Sumida River, c. 1792, Chobunsai Eishi, Japanese, 1756–1827, Japan, Color woodblock prints, oban pentaptych, 14 1/2 x 50 1/2 in., Charles II, King of England, n.d., Cornelis Visscher, the Elder, Netherlandish,

Assumption of the Virgin, n.d., Antoine Masson (French, 1636-1700), after Peter Paul Rubens (Flemish, 1577-1640), France, Engraving on paper, 640 × 448 mm

Charity, from the Virtues, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 104 x 62 mm (image/plate

Saint Anthony, c. 1521, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 113 x 75 mm (image/sheet, trimmed within plate mark

Three Captives, c. 1505, Jacopo de’ Barbari, Italian, 1460/70-before July 1516, Italy, Engraving on cream laid paper, 160 x 101 mm

Mousehold Heath, from Old English Masters, 1899, printed 1902, Timothy Cole (American, born England, 1852-1931), after John Crome (English, 1768-1821), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Proserpina Gives Psyche the Box of Beauty, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving

The Death of Chatterton, 1860, Thomas O. Barlow (English, 1824-1889), after Henry Wallis (English, 1830-1916), England, Mixed method engraving on ivory chine laid down on off-white plate paper, 600 × 827 mm (chine), 805 × 1066 mm (sheet,

The Occupation, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Charles Louis Lingée (French, 1748-1819), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published

Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 410 x 540 mm (image), 415 x 548 mm (plate), 590 x 787 mm

Dagger Sheath with a Landsknecht, 1568/70, Jacob Binck, German, c.1500-1569, Germany, Engraving in black on ivory laid paper, 163 x 36 mm (image/plate/sheet

The Virgin and Child with the Parrot, 1549, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 81 x 57 mm (image/plate), 83 x 59 mm (sheet

The River Nile, 1569, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 39 × 55 mm (plate), 44 × 63 mm (sheet

The Small Courier, c. 1496, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 107 x 77 mm (image), 109 x 78 mm (sheet

Skating At Boston, published March 12, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 296 x 409 mm

Lauffenbourgh on the Rhine, plate 31 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts, England, Etching and engraving on ivory paper, 176 × 260 mm (image), 202 ×

Madonna and Child, 1798, William Sharp (British, 1749-1824), after Carlo Dolci (Italian, 1616-1686), England, Engraving on ivory laid paper, 244 × 195 mm (image), 294 × 224 mm (plate), 404 × 313 mm (sheet

Oliver Wolcott, Governor of Connecticut, 1819, Isaac Sanford, American, active 1783-1822, United States, Engraving and stipple on off-white wove paper, 269 x 189 mm (image), 365 x 255 mm (sheet

The Pier with a Lamp, plate 15 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 408 x 547 mm (image), 413 x 553 mm (plate), 590 x 778 mm (sheet

Triton and Two Infant Satyrs, plate four from Twelve Ornament Panels, c. 1505–15, Giovanni Antonio da Brescia, Italian, c. 1460-1523, Italy, Engraving in black on grayish cream laid paper, 531 x 85 mm (plate), 552 x 115 mm (sheet

Plate Two, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 312 × 388 mm (image), 352 × 410 mm (plate), 493 × 605 mm (sheet

Day, 1803/05, Phillip Otto Runge, German, 1777-1810, Germany, Etching and engraving on cream wove paper, 689 x 463 mm (image), 709 x 483 mm (plate), 762 x 580 mm (sheet

Adriaen Pauw, Lord of Heemstede, 1652, Cornelis Visscher (Dutch, c. 1629-1658), after Gerrit van Honthorst (Dutch, 1592-1656), Holland, Engraving in black on cream laid paper, 357 x 243 mm (image/sheet, trimmed within platemark

Standard-Bearer and Drummer, 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 70 x 47 mm (image/sheet, trimmed within plate mark

Design: General Proportions of the Male, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Charles-Nicholas Cochin, the younger (French, 1715-1790), published by André le Breton (French, 1708-1779),

Morning Walk, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Charles Louis Lingée (French, 1748-1819), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published

The Mocking of Ceres, 1610, Hendrik Goudt (Dutch, 1583-1648), after Adam Elsheimer (German, 1578-1610), Netherlands, Engraving in black on ivory laid paper, 320 x 245 mm (plate), 327 x 250 mm (sheet

Pilate Washing his Hands, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 74 mm (image/plate), 119 x 77 mm (sheet

The Dream of Paris, 1515/1518, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 60 x 40 mm (image/plate/sheet

Apollo and Marsyas, c. 1532, Master of the Die (Italian, active c. 1530-1560), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on paper, 188 x 284 mm (sheet

Our Women in the War, published September 6, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 343 x 520 mm (image), 405 x 559 mm (sheet

San Giorgio Maggiore, n.d., Giovanni Battista Brustolini, Italian, 1712-1796, Italy, Etching and engraving on paper, 290 x 442 mm (image), 333 x 458 mm (plate), 398 x 520 mm (sheet

William Harvey, M.D., 1739, Jacobus Houbraken, Dutch, 1698-1780, Holland, Engraving, with etching, on ivory wove paper, 359 x 225 mm (image), 371 x 235 mm (plate), 429 x 272 mm (sheet

A Midnight Modern Conversation, March 1732/33, William Hogarth, English, 1697-1764, United Kingdom, Etching and engraving selectively printed in black and red on ivory laid paper, 329 x 455 mm (image), 345 X 470 mm (plate), 372 X 497 mm

Ornament Panels with Birds: Plate 8, 1617, Adrian Muntink, Dutch, active 1597-1617, Netherlands, Engraving in black on paper, 51 x 57 mm (plate

Woman Spinning, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), printed by Jules Claye (French, 1806-1886), France, Wood engraving in black on gray China

Plate Eleven, from A New Book of Ornaments, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 190 × 159 mm (image/plate), 295 × 232 mm (sheet

Hendrik Count van de Bergh, 1634, William Jacobsz. Delff (Dutch, 1580-1638), after Daniel Mytens the elder (Dutch, c. 1590-before 1648), Netherlands, Engraving in black on cream laid paper, 419 x 293 mm (image), 422 x 299 mm (plate), 450 x

Letter H, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 210 x 182 mm

Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 55 x 77 mm (image/sheet, trimmed within plate mark

Three Soldiers and a Dog, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 45 x 30 mm (image/sheet trimmed to plate mark

Saint John on Patmos, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders,

Confidences, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Charles Louis Lingée (French, 1748-1819), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by

Parnassus, plate 4 from Parnassus Biceps, 1601, Robert Boissard (French, c. 1570–after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 246 × 180 mm (image), 271 ×

Heinrich Aldegrever, Aged 35, 1537, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 198 x 127 mm (sheet

The New Fashion Phaeton, February 22, 1776, Attributed to Philip Dawe, English, 1750-1785, England, Mezzotint with touches of engraving in black on off-white laid paper, 352 × 252 mm (plate), 470 × 299 mm (sheet

Judith Displaying Holofernes’s Head to the People of Bethulia, plate seven from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in

Humphrey, Printseller, No. 27 St. James’s Street, n.d., John Lockington, English, active 18th century, England, Engraving on ivory wove paper, 63 × 52 mm (plate), 67 × 56 mm (sheet

Ornament with a Mask, 1543, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 50 x 77 mm (image), 52 x 78 mm (sheet

Bercy Wharf, plate two from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black on cream Japanese

The Bohemian Woman, 1651/58, Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), published by Clement de Jonghe (Dutch, 1624/25-1677), Holland, Engraving on ivory laid paper

Saint Luke Painting the Virgin and Child, 1526, Dirk Vellert, Netherlandish, 1480-1547, Netherlands, Engraving on paper, 170 x 121 mm

Grotesque Borders for Halls & Rooms, published August 1799, Thomas Rowlandson (English, 1756-1827), after George Moutard Woodward (English, c. 1760-1809), published by Rudolph Ackermann (English, 1734-1834), England, Hand-colored etching and

Razullo, Cucurucu, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

The Card Players, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching, engraving and roulette on cream China paper laid down on ivory wove paper, 115 × 144 mm (image), 123 × 153 mm (chine), 155 × 182 mm (plate), 305 × 434

August, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 304 x 254 mm (image),

Profile Portrait, Blake, 1796–97, Charles Balthazar Julien Fevret de Saint-Mémin, French, 1770-1852, France, Mezzotint and engraving, with stipple, on ivory wove chine, laid down on off-white wove paper (chine collé), 55 × 56 mm

Woman Washing Pots, with Children, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching and engraving on ivory chine laid down on ivory laid paper, 66 × 136 mm (image), 73 × 143 mm (chine), 124 × 195 mm (sheet

The Captive Slave, published 1827, Edward Finden (English, 1791-1857), after John Simpson (English, 1782-1847), published by Smith Elder and Company (English, 19th century), United Kingdom, Engraving on cream wove paper, tipped onto brown

Saint Jerome, 1693, Antoine Masson, French, 1636-1700, France, Engraving on ivory laid paper, 265 × 195 mm (plate), 320 × 243 mm (sheet

Cupid in Psyche’s Arms, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in warm brown

Sabrina’s Silvery Flood, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 32 × 73 mm (image/block), 36 × 76 mm (sheet

Entrance of Calais Harbour, plate 55 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 180 × 268 mm (image), 217 × 305 mm

Seal Engraving, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

search results: Engraving clear search