Images at Librifly

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Young Cowherds, c. 1864, Charles Émile Jacque, French, 1813-1894, France, Etching, drypoint and engraving on light gray China paper laid down on ivory wove paper, 146 × 102 mm (image), 153 × 110 mm (chine), 175 × 127 mm (plate), 431 ×

Flag Officer Stringham, published September 14, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 276 x 238 mm (image), 396 x 274 mm (sheet

Bacchus and Drunken Silenus—The Dream of Silenus, 1635/40, Frans van den Wyngaerde (Flemish, 1614-1679), after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Etching and engraving in black on cream laid paper, 326 × 429 mm (image), 346

Mrs. R. Scott Moncrieff, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after Sir Henry Raeburn (Scottish, 1756-1823), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Christ’s Entry into Jerusalem, c. 1500, Master of the Strache Altar, German, active 1480-1500, Germany, Engraving on ivory laid paper, 221 x 168 mm (image/sheet trimmed within plate mark

Colinet Mocked by Two Boys, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 35 × 77 mm (image/block), 38 × 80 mm (sheet

Cupid Fleeing from Psyche, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in warm brown

Deposition, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 118 x 75 mm (image/plate), 121 x 78 mm (sheet

Henrietta Catharina of Nassau, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Gerrit van Honthorst (Dutch, 1590-1656), Holland, Engraving on paper

Faun Attacking a Snake, c. 1500, School of Andrea Mantegna, Italian, 1431-1506, Italy, Engraving in black on ivory laid paper, 292 × 183 mm

Christ Carrying the Cross, plate nine from the Passion of Christ, 1596/98, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on buff laid paper, 194 x 127 mm (image), 197 x 130 mm (plate), 318 x 248 mm (sheet

The Bride, n.d., Edward Calvert, English, 1799-1883, England, Engraving on paper, 76 × 127 mm (image), 104 × 158 mm (primary supprt, trimmed within plate mark), 114 × 167 mm (secondary support

Under the Falls, Catskill Mountains, published September 14, 1872, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 353 mm (image), 269 x 394 mm

Aristotle and Phyllis, c. 1500, Master M.Z., German, active 1500-1550, Germany, Engraving in black on cream laid paper, 182 x 131 mm (sheet trimmed within plate mark

Station House Lodgers, published February 7, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 231 x 340 mm (image), 279 x 405 mm (sheet

Rendezvous For Marly, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, n.d., Heinrich Guttenberg (German, 1749-1818), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François Prault (French

Our Army Before Yorktown, Virginia, published May 3, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 348 x 528 mm (image), 397 x 562 mm (sheet

Man of Sorrows, Seated, 1515, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 111 x 65 mm (image), 111 x 66 mm (sheet

The Honorable Mrs. Graham, from Old English Masters, 1897, printed 1902, Timothy Cole (American, born England, 1852-1931), after Thomas Gainsborough (English, 1727-1788), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Martello Towers Near Bexhill, Sussex, plate 34 from Liber Studiorum, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove

On the Beach at Long Branch—The Children’s Hour, published August 15, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 345 mm (image), 279 x

Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet

Ornament with Two Genii Riding Chimerical Beasts, 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 34 x 99 mm (image/plate), 35 x 100 mm (sheet

Fragment, Edo period (1615–1868), 1775/1800, Japan, Silk, satin weave with self-patterning wefts, 15.9 × 18.1 cm (6 1/4 × 7 1/8 in.), The Monstrous Sow of Landser, 1496, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black

The Resurrection, c. 1655, Cornelis Visscher (Dutch, c. 1629-1658), after Paolo Caliari, called Veronese (Italian, 1528-1588), Holland, Engraving on ivory laid paper, 403 x 307 mm (image), 141 x 314 mm (plate), 490 x 373 mm (sheet

Thenot Under Fruit Tree, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 32 × 75 mm (image/block), 64 × 108 mm (sheet

Place de l’Opéra, plate seventeen from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black on

The Four Witches, after 1497, Israhel van Meckenem the Younger, German, c. 1440/45-1503, Germany, Engraving in black on ivory laid paper, 204 x 133 mm

Isis, plate 68 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory wove paper, 180 × 262 mm (image), 208 × 291.5 mm (plate), 292 × 429 mm

Triumph of Caesar: Soldiers Carrying Trophies, c. 1495, School of Andrea Mantegna, Italian, 1431-1506, Italy, Engraving in black on paper, 275 x 270 mm

A Boy with a Dog, 1750/59, Marco Alvise Pitteri (Italian, 1702-1786), after Giovanni Battista Piazzetta (Italian, 1682-1754), Italy, Engraving over etching on ivory laid paper, 450 x 350 mm (plate), 504 x 365 mm (sheet

Bonneville, plate 64 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by H. Dawe, England, Etching and engraving in brown on ivory paper, 189 × 275 mm (image), 214.4 × 291.5 mm

Army of the Potomac—Sleeping on Their Arms, published May 21, 1864, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 347 x 526 mm (image), 389 x 551 mm

Charles I, King of England, with James, 1st Duke of Hamilton, 1782, Sir Robert Strange (Scottish, 1721-1792), after Sir Anthony van Dyck (Flemish, 1599-1641), printed by Robbe, Scotland, Engraving with etching in black on ivory laid paper,

Religious Banner with Scenes of Saint Winnock, 1717, Unknown Artist, Flemish, 18th century, Flanders, Engraving with etching in black printed on each of two panels joined (double-sided), silk, plain weave, edged with band of silk, plain

Hercules at the Crossroads (Jealousy), c. 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on off-white laid paper, 323 x 222 mm (image), 325 x 225 mm (plate), 344 x 242 mm (sheet

Venus and Cupid, 1510/12, Marcantonio Raimondi, Italian, c. 1480-1534, Italy, Engraving printed in black on ivory laid paper, 204 x 82 mm (image/plate), 221 x 101 mm (sheet

Southwark Fair, 1733/34, William Hogarth, English, 1697-1764, England, Engraving in black on ivory laid paper, 345 × 455 mm (image), 365 × 475 mm (plate), 385 × 499 mm (sheet

La Walse, from Le Bon Genre, n.d., Unkown French Artist, published by Hannah Humphrey (English, died 1818 or 1822), France, Hand-colored engraving on cream wove paper, 245 × 317 mm (image), 262 × 335 mm (sheet

Herd of Cattle at a Ford Near a Watermill, 1646, Jan van de Velde II (Dutch, c. 1593-1641), after Pieter de Molijn (Dutch, 1595-1661), Holland, Engraving on cream laid paper, 207 x 338 mm (image/plate), 277 x 363 mm (sheet

The Calumny of Apelles, 1572, Cornelis Cort (Netherlandish, 1533/36-1578), after Federico Zuccaro (Italian, c. 1542-1609), Holland, Engraving in black on ivory laid paper, 408 x 556 mm (image), 420 x 557 mm (plate/sheet, trimmed slightly

The Little Godfathers, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1777, Jean Charles Baquoy (French, 1721-1777) and Charles Emanuel Patas (French, 1744-1802), after Jean Michel Moreau (French, 1741-1814),

A Shell in the Rebel Trenches, published January 17, 1863, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 230 x 350 mm (image), 275 x 400 mm (sheet

Louise Émilie, Baroness of ***, 1779, Augustin de Saint-Aubin, French, 1736-1807, France, Etching and engraving in black on ivory laid paper, 259 × 181 mm (image), 280 × 202 mm (plate), 306 × 220 mm (sheet

Christ on the Cross, plate ten from the Passion of Christ, 1596/98, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on cream laid paper, 195 x 127 mm (image), 198 x 131 mm (plate), 318 x 248 mm (sheet

Descent from the Ark, 1544, Giulio di Antonio Bonasone (Italian, about 1510–after 1576), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving printed in black on paper, 306 x 384 mm

Lady Rich, January 1, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on buff wove paper, 378 x 296 mm (image), 431 x 329 mm (plate), 461 x 348 mm (sheet

The Massacre of the Innocents, n.d., Nicolas Beatrizet (French, 1515-after 1565), after Baccio Bandinelli (Italian, 1493-1560), France, Engraving on paper, 372 × 570 mm

Gem Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Bathing at Long Branch—Oh, Ain’t it Cold, published August 26, 1871, Winslow Homer (American, 1836-1910), published by Every Saturday (American, 1866-1874), United States, Wood engraving on paper, 232 x 307 mm (image), 289 x 380 mm

Charge of the First Massachusetts Regiment on a Rebel Rifle Pit near Yorktown, published May 17, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 402 x

The Annunciation, plate one from The Birth and Early Life of Christ, 1594, Hendrick Goltzius (Dutch, 1558-1617), text written by Cornelius Schonaeus, Netherlands, Engraving on paper, 462 x 352 mm (Image) 477 x 353 mm (plate/sheet

Saint Jerome in the Desert, c. 1553, Hieronymus Cock (Flemish, c. 1510-1570), after Pieter Bruegel the elder (Flemish, 1525/30-1569), Flanders, Etching and engraving on ivory laid paper, 311 × 426 mm

Letter Y, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 247 x 179 mm

Christ and the Woman of Samaria, n.d., Nicolas Beatrizet (French, 1515-after 1565), after Michelangelo Buonarroti (Italian, 1475-1564), France, Engraving on paper, 394 × 290 mm

Vanity, Vanity, All is Vanity, c. 1600, Jan Saenredam (Dutch, 1565-1607), after Abraham Bloemaert (Dutch, 1566-1651), published by Robert de Baudous (Flemish, c. 1575-c. 1656), Netherlands, Engraving on ivory laid paper, 375 × 321 mm

On the River Wye, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after Richard Wilson (English 1714- 1782), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Cap. Babeo, Cucuba, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Antoon Triest, 1630/45, Pieter de Jode II (Flemish, 1606–c. 1674), after Anthony van Dyck (Flemish, 1599-1641), Netherlands, Etching and engraving in black on ivory laid paper, 237 x 173 mm (image/plate), 249 x 185 mm (sheet

The Sleeping Congregation, October 1736, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory wove paper, 250 × 195 mm (image), 264 × 204 mm (plate), 300 × 250 mm (sheet

Paperweight, c. 1848–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 8.3 cm (3 1/4 in.), Robert Junius, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Anthonie Palamedesz (Dutch, 1601-1673),

The Death of Adonis, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 40 × 55 mm (plate), 45 × 62 mm (sheet

General Francisco Valdes, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper

The Lady of Richmond, January 1, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on buff wove paper, 261 x 196 mm (image), 321 x 233 mm (plate), 424 x 316 mm

John More, March 26, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on buff wove paper, 381 x 275 mm (image), 431 x 318 mm (plate), 462 x 346 mm (sheet

The Judgment of Paris, 1546, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 69 x 46 mm (image/plate), 70 x 47 mm (sheet

Joannes Maria Vincenti, n.d., Jacques Chereau, French, 1688-1776, France, Etching and engraving on paper, 410 × 304 mm (image), 436 × 335 mm (sheet

The Lunch at Ferney, 1775, Louis-Joseph Masquelier, French, 1744-1811, France, Engraving on paper, 158 × 191 mm (plate), 203.5 × 244 mm (sheet

J.B. Restout, n.d., Charles-Nicholas Cochin, the younger, French, 1715-1790, France, Etching and engraving on cream wove paper, 197 × 147 mm (plate), 215 × 162 mm (sheet

Water Mill, plate 37 from Liber Studiorum, published February 1, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 182 × 263 mm (image), 211 × 291 mm (plate), 267 × 382

A Royalist Encampment, n.d., Charles Émile Jacque (French, 1813-1894), after Adolphe Pierre Leleux (French, 1812-1891), France, Etching and engraving on light gray China paper, laid down on ivory wove paper, 97 × 141 mm (image), 104 ×

The Man on the Rack, plate 2 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 557 x 417 mm (image), 562 x 417 mm (plate), 788 x 583 mm (sheet

Letter Z, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 228 x 182 mm

Abraham’s Sacrifice, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on ivory laid paper, 52 × 75 mm (image/sheet, cut within platemark

Mount Saint Gothard, plate 9 from Liber Studiorum, published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper,

A Picnic By Land, published June 5, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 234 x 352 mm (image), 274 x 399 mm (sheet

Decorative Illustration, from The Illuminated Language of Flowers, published 1884, probably Edmund Evans (English, 1826-1905), after Kate Greenaway (English, 1846-1901), printed by Edmund Evans, England, Color wood engraving

St. Christopher Facing to the Right, 1521, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 118 × 75 mm (image/sheet

February, October 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 307 x 253 mm (image),

Shield with a Swan, Held by a Seated Lady, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, Diam. 78 mm

Hammering, Mounting and Engraving Design for Pitcher No. 5051, 1878, Tiffany and Company, American, founded 1837, United States, Black and red ink, and colored pencils, on tan wove paper, 333 x 597 mm

Parnassus Profaned, after 1520, Master HFE, Italian, early 16th century, Italy, Engraving in black on ivory laid paper, 355 x 506 mm (image/plate/sheet

The Canterbury Pilgrims, 1810, William Blake, English, 1757-1827, England, Line engraving on cream laid paper, 295 × 920 (image), 300 × 925 mm (plate), 368 × 965 mm (sheet

Apollo and Diana, 1502–05, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 115 x 72 mm (image), 122 x 74 mm (sheet

Virgin and Child, n.d., Jean Valdor, Flemish, 1616-1670, Flanders, Engraving on paper, 90 × 60 mm

The Prophet Amos, 1480/90, Attributed to Francesco Rosselli, Italian, 1448-before 1513, Italy, Engraving on paper, 173 x 101 (sheet

Allegory of Music, 1756, Etienne Fessard (French, 1714-1777), after Carle Van Loo (French, 1705-1765), France, Etching and engraving on ivory laid paper, 278 × 267 mm (image), 295 × 343 mm (plate/sheet

Other Nymphs Serving Psyche at the Table, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving

Letter T, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 252 x 199 mm

Thalia, Muse of Comedy, plate 14 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533–1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 232 × 140 mm

Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Junction of Severn and Wye, plate 28 from Liber Studiorum, published June 1811, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving on ivory paper, 182 × 265 mm (image), 209 × 292 mm (plate), 266 × 301 mm

David Playing the Harp Before Saul, c. 1508, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on cream laid paper, 255 mm x 185 mm (image/sheet, trimmd within plate mark

The Stone Operation or The Witch of Mallegem, 1559, Pieter van der Heyden (Flemish, c. 1530–after 1584), after Pieter Bruegel, the elder (Flemish, 1525/30-1569), published by Hieronymous Cock (Flemish c. 1510–1570), Flanders, Engraving

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

Henry Matthias, Count of Thurn and Taxis, 1625, Willem Jacobsz. Delff (Dutch, 1580-1638), after Michiel Jansz. van Mierevelt (Dutch, 1567-1641), Netherlands, Engraving in black on paper, 417 x 293 mm (image), 422 x 302 mm (image), 425 x

Cap. Mala Gamba, Cap. Bellavita, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

The Arrival of Bourdonnais, 1795, Charles-Melchior Descourtis, French, 1753-1820, France, Etching and engraving printed in yellow, blue, red, and black inks on paper, 375 × 410 mm (image), 420 × 465 mm (sheet, cut within platemark

Art Students and Copyists in the Louvre Gallery, Paris, published January 11, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 230 x 349 mm

Lady and Gentleman Walking to the Right, 1500/25, Master S, Netherlandish, active 1516-1545, Netherlands, Engraving in black on ivory laid paper, 67 x 40 mm (image/plate

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