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Le Chancelier le Tellier, 1659, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 359 × 265 mm (sheet, trimmed within platemark

A King Pursued by a Unicorn, 1550/60, Jean Duvet, French, 1485-after 1561, France, Engraving on paper, 300 × 395 mm

Antonius Tempesta, 1623, Ottavio Mario Leoni, Italian, 1578-1630, Italy, Engraving on paper, 144 x 113 mm

Dom Jean-Grégoire Tarisse, n.d., Jean Morin, French, c. 1590-1650, France, Engraving and etching on paper, 311 × 212 mm (sheet, trimmed within platemark

The Guard Near the Powder Casks, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 44 x 29 mm (image/plate), 44 x 29 mm (sheet

Thanksgiving Day in the Army—After Dinner: The Wish Bone, published December 3, 1864, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 352 mm (image),

Theodore van Tulden, 1630/45, Pieter de Jode II (Flemish, 1606–c. 1674), after Anthony van Dyck (Flemish, 1599–1641), Flanders, Engraving with etching in black on ivory laid paper, 244 × 172 mm (image, trimmed within platemark), 274 ×

Almanach of the Gods for the Year 1768, 1768, Gabriel Jacques de Saint-Aubin, French, 1724–1780, France, Etching and engraving on ivory laid paper, 430 × 372 mm (plate), 459 × 391 mm (sheet

The Mirror of Venus, 1896, Félix-Stanislaus Jasinski (Polish, 1862-1901), after Sir Edward Burne-Jones (English, 1833-1898), United Kingdom, Engraving on vellum, 327 x 524 mm (image), 460 x 646 mm (support

Achior Pleading with Holofernes for the Israelites, plate one from The Story of Judith and Holofernes, 1564, Philip Galle (Netherlandish, 1537-1612), after Maarten van Heemskerck (Dutch, 1498-1574), Netherlands, Engraving in black on ivory

Antoon Cornelissen, 1630/45, Lucas Emil Vorsterman (Flemish, 1595-1675), after Anthony van Dyck (Flemish, 1599-1641), Flanders, Etching and engraving in black on ivory laid paper, 211 × 153 mm (image), 236 × 136 mm (plate), 249 × 169 mm

St James Minor, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 88 × 43 mm (plate), 88 × 45 mm (sheet

The Witches’ Cauldron or Incantation, 1772, John Dixon (English, born Ireland, 1720/30-1804), after John Hamilton Mortimer (English, 1740-1779), England, Mezzotint with touches of engraving in black on ivory laid paper, 610 × 485 mm

The Union Cavalry and Artillery Starting in Pursuit of the Rebels up the Yorktown Turnpike, published May 17, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on

Saint George Liberating the Princess, c.1508, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 161 x 114 mm (image), 162 x 116 mm (plate), 164 x 118 mm (sheet

Patience, 1540, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 105 x 70 mm (image/sheet, trimmed to plate mark

Portrait of a Lady, from Old English Masters, 1899, printed 1902, Timothy Cole (American, born England, 1852-1931), after Sir Henry Raeburn (Scottish, 1756-1823), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Firework around the Antwerp Cathedral, plate 41 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi, 1642, Unknown Artist, Flemish, mid-17th century, Flanders, Engraving, with etching and plate tone, in black

Rebus: Here Lies the Ancient Vendetta, 1863, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), France, Etching and engraving in black, with printing à la poupée in red ink on cream wove paper, laid down on

Le Chancelier Le Tellier, 1653, Robert Nanteuil (French, 1623-1678), after Philippe de Champaigne (French, 1602-1674), France, Engraving on paper, 321 × 250 mm (plate), 336 × 262 mm (sheet

Horatius Cocles Leaping into the Tiber, 1520/30, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 65 x 37 mm (image/plate/sheet

The Fall of the Clyde, plate 18 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving on ivory paper, laid down on

Hope, plate 39 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 178 x 101 mm (plate), 184 x 105 mm (sheet

Cap. Bonbardon, Cap. Grillo, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

The Incense Burner, c. 1520, Marcantonio Raimondi (Italian, c. 1480-1534), after Raphael (Raffaello Sanzio) (Italian, 1483-1520), Italy, Engraving in black on cream laid paper, 302 x 152 mm

Jan de Wael, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching and engraving in black on ivory laid paper, 250 × 178 mm (image/plate), 258 × 185 mm (sheet

Saint Paul and Saint Peter, c. 1545, René Boyvin (French, 1524-c. 1598), after Rosso Fiorentino (Italian, 1494-1540), France, Engraving on cream laid paper, 377 × 234 mm

A Couple Standing, n.d., Master S, Netherlandish, active 1500-1525, Netherlands, Engraving in black on ivory laid paper, 44 x 25 mm (plate

Battle of Eighteen Nude Men, c. 1520, Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 53 x 286 mm (image/plate/sheet

Shepherds in a Landscape, c. 1517, Giulio Campagnola (Italian, c. 1482-1515/18), and Domenico Campagnola (Italian, c. 1500-1564), Italy, Engraving in black on ivory laid paper, 135 x 258 mm

Virgin and Child Seated on Clouds, 1515/16, Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving printed in black on cream laid paper, 246 x 167 mm (plate/sheet

Venus, Cupid and Pallas, 16th century, School of Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on ivory laid paper, 197 x 131 mm (sheet

Rabbit Hunt, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders, Engraving in

Bonneville, plate 64 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by H. Dawe, England, Etching and engraving in brown on ivory paper, 190 × 275 mm (image), 215 × 292 mm

Daphne Embracing her Father, the River Peneus, n.d., Master of the Die (Italian, active c. 1530-1560), after Giulio Romano (Italian, 1492/99-1546), Italy, Engraving in black on paper, 257 x 187 mm (sheet

The Mocking Children Cursed by Elijah and Eaten by the She-Bear, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna

Designs for Jewelry, before 1697, Joannes Andreas Pfeffel I (German, 1674-1748), after Friedrich Jacob Morisson (German, act. 1693-1697), Germany, Engraving on cream laid paper, 150 x 245 mm (image/plate), 250 x 365 mm (sheet

Title page from Silvae Urbanianae, 1637, Cornelis Galle I (Flemish, 1576–1650), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on cream laid paper, perimeter mounted to ivory wove paper, 193 × 133 mm

Prospero, Miranda, Caliban and Ariel, 1797, Jean Pierre Simon (British, born before 1750-c. 1810), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), England, Engraving on ivory wove

Griffins and Two Cupids Crossing Halberds, plate five of Twelve Ornament Panels, c. 1505–15, Giovanni Antonio da Brescia, Italian, c. 1460-1523, Italy, Engraving in black on grayish ivory laid paper, 534 x 86 mm

The Restoration of the Dome of Florence, 1614/20, Jacques Callot, French, 1592-1635, France, Engraving on ivory laid paper, 225 × 299 mm (sheet, trimmed to plate

Mill near the Grand Chartreuse, plate 54 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by H. Dawe, England, Etching and engraving in brown on ivory laid paper, 189 × 259 mm

Drawing: Expressions of Emotion (Laughter, Weeping, Compassion, Sadness), from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Charles le Brun (French, active 17th century-1765), published by André le Breton

Portrait of Guillaume de Brisacier, 1664, Antoine Masson (French, 1636-1700), after Nicolas Mignard d’Avignon (French 1606-1668), France, Engraving on paper, 352 × 269 mm (plate), 377 × 277 mm (sheet

Martello Towers near Bexhill, Sussex, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory laid paper, 178 × 260 mm (image),

Christ Before Caiaphas, plate four from The Passion of Christ, 1597, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black on cream laid paper, 197 x 129 mm (image), 202 x 135 mm (plate), 318 x 248 mm (sheet

The Bridge and Goats, plate 43 from LIber Studiorum, published April 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by Fredrick Christian Lewis (English, 1779-1856), England, Etching and engraving in brown on ivory

Sophia Hedwichia, Countess of Nassau-Dietz, 1631, William Jacobsz. Delff (Dutch, 1580-1638), after Michiel Jansz. van Mierevelt (Dutch, 1567-1641), Holland, Engraving in black on ivory laid paper, 379 x 305 mm (image), 425 x 310 mm (plate),

Apollo Slaying Python, plate one from The History of Apollo and Daphne, c. 1532, Master of the Die (Italian, active c. 1530-1560), after Baldassare Peruzzi (Italian, 1481-1536), Italy, Engraving in black on ivory laid paper, 218 x 176 mm

Ticket for the Benefit of M. Gardini, 1780, Francesco Bartolozzi, Italian, 1727-1815, Italy, Engraving on paper, 112 x 95 mm (image), 123 x 106 mm (sheet

Mer de Glace, plate 50 from Liber Studiorum, published May 23, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 180 × 258 mm (image), 220 × 295 mm (plate), 266 × 382

Woman’s Head, n.d., Anne Claude Philippe Caylus, French, 1692-1765, France, Etching and engraving on paper, 183 × 140 mm (image), 192 × 145 mm (plate), 219 × 167 mm (sheet

Portrait of Lord Heathfield, from Old English Masters, 1897, printed 1902, Timothy Cole (American, born England, 1852-1931), after Sir Joshua Reynolds (English, 1723-1792), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Woodblock for The Urus or Wild Bull, from A General History of Quadrupeds, c. 1790, Thomas Bewick, English, 1753-1828, England, Wood engraving block

Christiane Henriette Koch, 1770, Johann Friedrich Bause (German, 1738-1814), after Anton Graff (German, born Switzerland, 1736-1813), Germany, Engraving on paper, 315 x 234 mm (plate), 324 x 240 mm (sheet

Sir Thomas More, Lord Chancellor, October 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 429 x 302 mm (image), 461 x 338 mm (plate),

The Leader Sea Piece, plate 20 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory paper, 178 × 258 mm (image) 208 × 289.5 mm (plate), 301 ×

A Physionotrace Portraitist, 1802, Christoph-Wilhelm Bock (German, born 1754/55), after Ambrosius Gabler (German, 1762-1834), Germany, Engraving on buff wove paper, matted together with photograph of ticket for physionotrace sitting, 155 ×

St. Simon, plate 11 from The Twelve Apostles, 1545, Sebald Beham, German, 1500-1550, Germany, Engraving in black on white wove paper, 44 x 29 mm (image/plate), 305 x 240 mm (sheet

Christ on the Globe, 1546, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 71 x 50 mm (image/sheet, trimmed to plate mark

Reaper, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé), 135

Lady Cockburn and family, from Old English Masters, 1897, printed 1902, Timothy Cole (American, born England, 1852-1931), after Sir Joshua Reynolds (English, 1723-1792), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Christ Carrying the Cross, 1515, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on cream paper, 77 x 103 mm (image/plate), 80 x 106 mm (sheet

Philip III, King of Spain, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Anthonis Mor (Netherlandish, 1516/20-1575/76), Holland, Engraving on paper

The Doge, plate seven from The Ranks and Conditions of Men, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 180 x 102 mm

Pompone II de Bellièvre, 1657, Robert Nanteuil (French, 1623-1678), after Joseph Barthelemy Lebouteux (French, c.1744-after 1791), France, Engraving on paper, 245 × 319 mm

Young Anglers, plate 32 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by R. Dunkarton, England, Etching and engraving in brown on ivory wove paper, 179 × 261 mm (image), 208 ×

Saint Barbara with a Palm and a Book, 1500–25, Master S, Netherlandish, active 1500-1525, Netherlands, Engraving in black on cream laid paper, 91 x 57 mm (cut to plate

Solitute, plate 53 from Liber Studiorum, published May 12, 1814, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving on ivory laid paper, 179 × 260 mm (image),

Hampton Court, plate six from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with engraving, in black on

Letter A, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 242 x 192 mm

The Mildmay Sea-Piece, plate 40 from Liber Studiorum, published February 11, 1812, Joseph Mallord William Turner (English, 1775-1851), engraved by W. Annis and I.C. Easling, England, Etching and engraving in brown on ivory wove paper, 181 ×

Tenth Commandment, published March 12, 1870, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 407 x 284 mm

Fishing Boats Off Yarmouth, from Old English Masters, 1899, printed 1902, Timothy Cole (American, born England, 1852-1931), after John Sell Cotman (English, 1782-1842), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

The Summit of Mount Washington, published July 10, 1869, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 230 x 350 mm (image), 282 x 402 mm (sheet

Solitude, plate 53 from Liber Studiorum, published May 12, 1814, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving on cream wove paper, 178 × 258 mm (image),

St. Luke, from The Four Evangelists, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 43 x 29 mm (image/plate), 45 x 30 mm (sheet

Guillaume de Lamoignon, 1663, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 329 × 252 mm (plate), 426 × 283 mm (sheet

Engraving after Peter Paul Rubens' Mucius Scaevola before Porsenna, Unknown maker, Europe, 1870s, Carbon print, 16.8 × 16.3 cm (6 5/8 × 6 7/16 in

Engraving by John Sartain of Affection of the Indians for Las Casas after a painting by Colin, Unknown, Mexico, about 1850s, Daguerreotype

Approach to Antioch From Aleppo., William Henry Barrett, Joseph Clayton Bentley, England, 1843 - 1845, Engraving, 12.6 x 19.1 cm (4 15/16 x 7 1/2 in

Copy of an Engraving, William Henry Fox Talbot (English, 1800 - 1877), 1839, Salted paper print, 18.6 × 15.4 cm (7 5/16 × 6 1/16 in

The Colosseum, Rome, William Henry Fox Talbot (English, 1800 - 1877), November 5, 1860, Photoglyphic engraving, 5.7 × 7.1 cm (2 1/4 × 2 13/16 in

Engraving of 'St Elizabeth of Hungary' by Velazquez, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 1843–1848, Salted paper print from a paper negative, 13.3 × 10.2 cm (5 1/4 × 4 in

The Art Journal Illustrated Catalogue: The Industry of All Nations 1851., Unknown maker, German, 1851, Engraving / Woodcut, Closed: 33 × 25.8 × 3.5 cm (13 × 10 3/16 × 1 3/8 in

Thick-Walled Beaker (Unzerbrechlicher Becher), Unknown, Central Germany (possibly), Germany, 1643, Free-blown emerald-green glass with applied decoration and diamond-point engraving, 12.4 x 2.9 cm (4 7/8 x 1 1/8 in

Engraving of 'Las Meninas' by Velazquez, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 1843 - 1846, Salted paper print from a Calotype negative, 11.6 x 10 cm (4 9/16 x 3 15/16 in

Engraving of 'Las Lanzas', the surrender of Breda, by Velazquez, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 1843–1848, Salted paper print from a paper negative, 11.1 × 12.2 cm (4 3/8 × 4 13/16 in

Court of Lions, Alhambra, Granada., William Henry Fox Talbot (English, 1800 - 1877), July 18, 1858, Photoglyphic engraving, 6.7 × 7 cm (2 5/8 × 2 3/4 in

Profile portrait of a man with long hair, Gilles-Louis Chrétien (French, 1754 - 1811), Jean Fouquet (French, born about 1415 - 1420, died before 1481), 1786–1796, Engraving, physionotrace, 7.5 × 7.3 cm (2 15/16 × 2 7/8 in

Rosslyn Chapel, near Edinburgh, William Henry Fox Talbot (English, 1800 - 1877), 1858 or later, Photoglyphic engraving, 8.6 × 10 cm (3 3/8 × 3 15/16 in

Profile of a Man, Gilles-Louis Chrétien (French, 1754 - 1811), Etienne Bouchardy, about 1798, Engraving, physionotrace, 7.5 x 7.5 cm (2 15/16 x 2 15/16 in

Profile Portrait of a Woman with Short Hair, Gilles-Louis Chrétien (French, 1754 - 1811), 1786 - 1796, Engraving, physionotrace, 9.7 × 8.7 cm (3 13/16 × 3 7/16 in

Copy of an Engraving, William Henry Fox Talbot (English, 1800 - 1877), 1839, Salted paper print from a photogenic drawing negative, 15.1 × 19.7 cm (5 15/16 × 7 3/4 in

Engraving of 'Las Lanzas', the surrender of Breda, by Velazquez, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 1843 - 1846, Salted paper print from a Calotype negative, 10.3 x 12.4 cm (4 1/16 x 4 7/8 in

The Maid of Athens, J. Kenny Meadows, Henry Thomas Ryall, England, 1843 - 1845, Engraving, 15.5 x 11.6 cm (6 1/8 x 4 9/16 in

Copy of an engraving, William Henry Fox Talbot (English, 1800 - 1877), 1839, Salted paper print, 7.5 × 5.9 cm (2 15/16 × 2 5/16 in

Warren Hastings (from an engraving), Unknown maker, British, about 1870, Albumen silver print

Alessandro Allori copy of an engraving, Giacomo Brogi (Italian, 1822 - 1881), 1865–1870, Albumen silver print

Engraving of 'St Elizabeth of Hungary' by Velazquez, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 1843–1848, Salted paper print from a paper negative, 13.3 × 10.2 cm (5 1/4 × 4 in

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