Images at Librifly

search results: Engraving clear search

Covered Welcome Beaker (Wilkommglas), Unknown maker, Façon de Venise, possibly the Glashütte of Sebastian Höchstetter (Austrian, active 1540 - 1569), Hall, Austria, 1550 - 1554, Free-blown colorless (slightly gray) glass with diamond point

Copy of an Engraving of Lion Gate, Mycenae, William Henry Fox Talbot (English, 1800 - 1877), 1839, Salted paper print fixed with iodide, 18.3 × 22.7 cm (7 3/16 × 8 15/16 in

Copy of an Engraving, Hippolyte Bayard (French, 1801 - 1887), about 1840–1841, Salted paper print, 11.9 × 15.2 cm (4 11/16 × 6 in

Copy of an Engraving, William Henry Fox Talbot (English, 1800 - 1877), 1839, Salted paper print from a photogenic drawing negative, 13 × 19.2 cm (5 1/8 × 7 9/16 in

Copy of an Engraving of a Boy on a Horse, William Henry Fox Talbot (English, 1800 - 1877), 1839, Salted paper print, 15.2 × 20.3 cm (6 × 8 in

Absalom, Parallel Title: Absalom's Beautiful Hair, Signed: J. G. Thelot sculps, copperplate engraving, plate CCCCVIII, Füssli, Johann Melchior; Thelot, Jacob Gottlieb (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Pumpe (12), Manually operated pump, copperplate engraving, Fig. XII, after p. 18, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Palsy roof down, Parallel Title: A gouty man left through the roof, Signed: B. S. Sedletzky sculps, copperplate engraving, plate DCLXXIV, Füssli, Johann Melchior; Setlezki, Balthasar Sigmund (sculps.), 1731, Johann Jakob Scheuchzer:

Giorgio Ghisi, Italian, 1520-1582, after Francesco Salviati, Italian, 1510-1563, The Visitation, ca. 1540, engraving printed in black ink on laid paper, Image: 12 3/8 × 19 1/2 inches (31.4 × 49.5 cm

Wasserrad (1), Machine for the Transport of Water, Copper Engraving, Fig. XLI, p. 63, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Eimatolisia, Parallel Title: Clothes Wash, Signed: G. D. Heüman sculps, copperplate engraving, plate CCLVIII (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

He was crucified out of the root of the eddy, of Crambe, Crucifix, originating from a cabbage plant, copper engraving, fig. 1, p. 261, 1670, Miscellanea curiosa sive ephemeridum medico-physicarum Germanicarum Academiae Caesareo-Leopoldinae

Plan of two fortifications 3, Copper engraving, fortifications after Francesco Marchi, Taf. LXXVII, Marini, Luigi (ill.), 1810, Architettura militare di Francesco de' Marchi: illustrata da Luigi Marini. Roma: da' Torchi di Mariano de Romanis e

stroke frogs, Parallel Title: Frog Plague, Signed: J. G. Pinz sculp, copperplate engraving, plate CXXIV (Vol. 1), Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

Work SIXTH DAY 1, Parallel Title: Sixth Tagwerck; Sixth Day, Signed: J. A. Friderich sculp, copperplate engraving, pl. XXI (vol. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Chinese and Gothic bridge railings, Copper engraving, no. V, 1796, Johann Gottfried Grohmann (Hg.): Ideenmagazin für Liebhaber von Gärten, Englischen Anlagen und für Besitzer von Landgütern: um Gärten und ländliche Gegenden, sowohl mit

Age 70, between 1565 and 1637, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 5/8 inches (11.7 cm

Hans Sebald Beham, German, 1500-1550, Matthew and Saint John, 1520, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 2 3/8 × 1 3/4 inches (6 × 4.4 cm

Pumpe (21), Hydropower Pump for Aqueduct, Copper Engraving, Fig. XXI, p. 32, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Hans Sebald Beham, German, 1500-1550, Melancholia, 1539, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 3 1/8 inches × 2 inches (7.9 × 5.1 cm

The abundance of camels floods, Parallel Title: The Covering Crowd of Cameeles, Signed: J. A. Fridrich sculps, copperplate engraving, plate DCXXII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer:

Master A. S., German, Fortune, 1540, engraving printed in black ink on laid paper, Sheet: 2 3/8 inches (6 cm

bridge construction, Bridge construction with anchorage to land, copperplate engraving, fig. CXCV, p. 338, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

plant, Türkenbund ?, copperplate engraving, p. 401, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

John Saddler, English, 1813-1892, after Gustave Doré, French, 1832-1883, The Vale of Tears, 1890, Engraving printed in black on chine colle, image: 22 1/8 x 33 in

Pumpe (58), Hydropower Operated Water Pump, Copper Engraving, FIg., LXVII, after p. 103, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Georg Pencz, German, 1500-1550, Lot and His Daughters, between ca. 1532 and ca. 1540, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 1 7/8 × 3 inches (4.8 × 7.6 cm

feed sacrifice, Parallel Title: Speis-Opfer, Signed: M. Tyroff sculps, copperplate engraving, plate CCCVI (Bd. 2), Füssli, Johann Melchior; Tyroff, Martin (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

Vallon pres de Lecco, Landscape next to Lecco, Signed: R. T, Rémon, wood engraving, plate 51, after p. 397, Toepffer, Rodolphe; Rémon (sc.), 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions d'un pensionnat en

William Blake, English, 1757-1827, Lo! A Serpent with Six Feet Springs Forth on Me, ca. 1826, engraving printed in black ink on chine collé, Plate: 10 7/8 × 13 7/8 inches (27.6 × 35.2 cm

Unknown (Italian), Saint Jerome in Penitence, ca. 1500, engraving printed in black ink on laid paper, Image: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm

Lucas van Leyden, Netherlandish, 1494-1533, Flagellation of Christ, 1509, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 11 1/2 inches (29.2 cm

Lugano, View of Lugano with San Salvatore, signed: Brugnot, wood engraving, plate 6, to p. 54, Brugnot, Louis; Girardet Karl; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions d'un pensionnat

Lucas van Leyden, Netherlandish, 1494-1533, Portrait of a Young Man with a Skull, 1519, engraving printed in black ink on laid paper, Sheet: 7 1/4 × 5 3/4 inches (18.4 × 14.6 cm

Francesco Bartolozzi, Italian, 1727-1815, after Hans Holbein the Younger, German, 1497-1543, Clinton, ca. 1793, engraving printed in color ink on pink wove paper, Plate: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm

Serpentes, Parallel Title: Serpents, Signed: J. G. Pintz sculps, Copper Engraving, Plate DCVI, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey

Turba ..., Parallel Title: Poor Kessel-Schlucker u., Shrub Thieves, Signed: J. G. Pintz sculps, copperplate engraving, plate DXXVII, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Hendrick Goltzius, Dutch, 1558-1617, Christ Carrying the Cross, between 1596 and 1599, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 7/8 × 5 1/4 inches (20 × 13.3 cm

Hans Sebald Beham, German, 1500-1550, Weather Peasant, early 16th century, engraving printed in black ink on laid paper, Plate: 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

William Miller, Scottish, 1796-1882, after Joseph Mallord William Turner, English, 1775-1851, Portsmouth, 19th Century, Steel engraving printed in black on wove paper, image: 6 1/8 x 9 1/4 in

punishment of sinners, Parallel Title: God and Nature of Sins Enemies, Signed: J. G. Thelot sculps, copperplate engraving, plate CCCLX (Vol. 2), Füssli, Johann Melchior; Thelot, Jacob Gottlieb (sculps.), 1731, Johann Jakob Scheuchzer:

N. Allouard, French, Le chevalier, 1884, Steel engraving printed in black, colored by hand on wove paper, image including letters: 9 1/4 x 4 1/4 in

Balliste (2), Ballista for balls and arrows, copperplate engraving, fig. CXCIII, p. 332, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Mühle (4), How a mill with water drive works, copperplate engraving, Fig. CXVI, to p. 179, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Heinrich Aldegrever, German, 1502-1561, Adam and Eve Hide Themselves, 1540, Engraving printed in black ink on wove paper, Sheet (trimmed to image edge): 3 1/2 × 2 1/4 inches (8.9 × 5.7 cm

The young musician of the Underwald, Young musician from Unterwalden playing on a lute, Signed: Laisné, wood engraving, plate 15, to p. 139, Laisné; Girardet, Karl; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages

Claude Briceau, French, after Jean Baptiste Hüet, French, 1745-1811, Louis XVI Crowned at Rheims, June 11, 1775, late 18th Century, Crayon manner engraving printed in color on laid paper, image: 15 3/8 x 13 3/8 in

Pumpe (62), Manually operated water pump, copper engraving, Fig. LXXI, to p. 109, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Einbruchswerkzeug (12), burglary tool for barred windows, copperplate engraving, Fig. CLXV, p. 270, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Plan and elevation of a fixture 1, Copper engraving, attachment to Francesco Marchi, Taf. XI, Marini, Luigi (ill.), 1810, Architettura militare di Francesco de' Marchi: illustrata da Luigi Marini. Roma: da' Torchi di Mariano de Romanis e

The coal flora of Switzerland, Illustration of the coal flora of Switzerland, copperplate engraving, frontispiece, Buri (sc.); Jeker (sc.), 1883, Oswald Heer: Die Urwelt der Schweiz. Zürich: Schulthess, 1883

Einbruchswerkzeug (10), Machine for Opening a Lock, Copper Engraving, Fig. CLXIII, p. 267, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Jan van de Velde, Dutch, 1593-1641, Spring, 1617, Etching and engraving printed in black on laid paper, plate: 11 3/8 x 16 3/4 in

The fig leaf hiding nakedness, Parallel title: The fig leaf a hedge in front of the paw, Signed: H. Sperling sculp, Copper engraving, Plate XXIX (Vol. 1), Füssli, Johann Melchior; Sperling, Hieronymus (sculp.), 1731, Johann Jakob

Entwässerungsmaschine (7), Manually operated machine for drainage, copper engraving, Fig. CIII, p. 160, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Ziehbrunnen (15), Draw well with winch design, copperplate engraving, fig. LXXXIX, to p. 136, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Ascent of the Lauinen Thor, Alpinists climbing the Lauinen Tor, Signed: M; Whymper (sc.), Wood engraving, plate 2, integrated before p. 11, Mahoney, James; Whymper, Edward (sc.), 1871, John Tyndall, Hours of exercise in the Alps. London:

Pumpe (59), Manual pump for well, copperplate engraving, LCVIII, p. 105, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Hans Sebald Beham, German, 1500-1550, Hercules Raping Jole, 1544, engraving printed in black ink on sheet attached at all corners to paper board, Sheet (trimmed within plate mark): 2 × 3 1/8 inches (5.1 × 7.9 cm

Pumpe (68), Hydropower operated water pump, copperplate engraving, Fig. XCVI, after p. 149, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

William Soles, American, 1914-1967, Flood, between 1935 and 1943, wood engraving printed in black ink on japan paper, Image: 8 1/2 × 6 3/8 inches (21.6 × 16.2 cm

Joannes Jacobus Scheuchzer, Portrait of Johann Jakob Scheuchzer, copperplate engraving, frontispiece, Heidegger, Johann (Hans) Ulrich (pinx.); Laub, Tobias (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

garden swings, Copper engraving, no. II, 1796, Johann Gottfried Grohmann (Hg.): Ideenmagazin für Liebhaber von Gärten, Englischen Anlagen und für Besitzer von Landgütern: um Gärten und ländliche Gegenden, sowohl mit geringem als auch

Crocus golden variegated, Helleborus niger bloom green, yellow flower Crocus polyanthos, Crocuses, hellebore, copperplate engraving, p. 814, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg,

Adam and Eve in Paradise, 1815, Engraving printed in black, colored by hand, image: 13 1/8 x 18 1/8 in

Rupes aquiflua, Parallel Title: Water from the Rock, Signed: G. G. Winckler sculps, copperplate engraving, plate CLXIV (vol. 1), Füssli, Johann Melchior; Winckler, G. G. (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Source of Arveyron; Glacier of the Woods, Source of the Arve at the foot of the glacier Mer de Glace, Signed: Barbant, wood engraving, plate 20, after p. 197, Barbant; Himely, Sigismond; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe

The heavens declare the glory of God;, Parallel title: The heavens are the glory of God, Signed: J. G. Pintz sculps, copperplate engraving, plate DXL, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer:

Miller and Allais, French (?), active 1800 - 1850, The Rosetta Stone, Greek Script, 1829, etching and engraving in black ink on off-white laid paper, Plate: 19 × 31 inches (48.3 × 78.7 cm

Chart of places connected with the Route from Lyons in France to Turin and Lombardy, Map of France (Provence), Italy (Piedmont, Liguria, Lombardy) and Switzerland (Ticino, Valais, Lake Geneva), copperplate engraving, frontispiece, 1806,

Plan and elevation of a fortification 4, Copper engraving, attachment to Francesco Marchi, plate LXXXIV, Marini, Luigi (ill.), 1810, Architettura militare di Francesco de' Marchi: illustrata da Luigi Marini. Roma: da' Torchi di Mariano de

Klosterkirche Offenbach 2, East side and cross section of the abbey church Offenbach, Signed: A. Senz aufgen., u, signed, Knight gest, Ernst & Korn, Berlin, copper engraving, Vol. XXXIX, p. 47, 1889, Ministerium der Öffentlichen Arbeiten

Jacques de Gheyn II, Netherlandish, 1565-1629, after Willem Danielsz Tetrode, Netherlandish, 1505-1575, Hendrick Goltzius, Dutch, 1558-1617, Neptune's Kingdom, ca. 1587, engraving printed in black ink on laid paper, Sheet (trimmed within

Einbruchswerkzeug (7), burglary tool for barred windows, copperplate engraving, Fig. CLX, to p. 262, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Robert Nanteuil, French, 1623-1678, Louis XIV, ca. 1676, engraving printed in black ink on laid paper, Plate: 20 1/2 × 17 inches (52.1 × 43.2 cm

Search Witsii, Parallel Title: Witsens Brand-Opfer's Altar, Signed: M. Tyroff sculp, copperplate engraving, plate CXCV (Vol. 2), Füssli, Johann Melchior; Tyroff, Martin (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Georg Pencz, German, 1500-1550, Porsenna Receiving the News of Cloelia's Escape, between 1500 and 1550, engraving printed in black ink on laid paper, Plate: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm

Entwässerungsmaschine (1), Hydraulic Powered Machine for Drainage, Copper Engraving, Fig. XCVII, p. 151, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Jewish law for agrarian, Parallel Title: Kauff- und Land-Ordnung, Signed: G. D. Heüman sculps, copperplate engraving, plate CCLXXXV (Bd. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer:

Living entrance into the Ark, Parallel Title: Entry of the Animals into the Arch; Noah's Ark, Entry of Animals, Signed: G. D. Heuman sculp, copperplate engraving, plate XLII (vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.),

The groom 's hair as a herd of goats, Parallel title: The curls of the friend like a goat herd, Signed: G. D. Heüman sculps, copperplate engraving, plate DC, Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob

Albrecht Dürer, German, 1471-1528, Christ before Pilate, 1512, engraving printed in black ink on laid paper, Plate: 4 5/8 × 3 inches (11.7 × 7.6 cm

Versteinerungen (3), Signed: J. A. Corvinus sculp, copperplate engraving, plate LI (Bd. 1), Füssli, Johann Melchior; Corvinus, Johann August (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey

Burnet Reading, English, active 1776 - 1822, General Washington, ca. 1783, stipple engraving printed in black ink on laid paper, Image: 2 7/8 × 2 3/8 inches (7.3 × 6 cm

Ziehbrunnen (4), Draw well with winch design, copperplate engraving, Fig. LXXVIII, after p. 120, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Chiefly by the Indian long pepper, Piper Indicum less recurved filiquis, Pepper, Copper Engraving, p. 726, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

Thin loss, on a firm ground, Parallel Title: God's Power on Poor and Earth Reasons, Signed: J. G. Pintz sculp, Copper Engraving, Plate CCCLXXXVIII, Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob Scheuchzer:

Jacques Callot, French, 1592-1635, after Matteo Rosselli, Italian, 1578-1650, L'enrolement de troupes, between 1615 and 1619, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 8 1/2 × 11 7/8 inches (21.6 ×

Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Plate (and sheet): 7 1/4 × 10 7/8 inches (18.4 × 27.6 cm

Sägewerk (1), Sawmill with animal drive, copperplate engraving, fig. CXXXIIII, after p. 208, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Pumpe (54), Hydro Pump, Copper Engraving, Fig. LXIII, p. 97, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Juste Chevillet, French, 1729-1790, after Jean Siméon Chardin, French, 1699-1779, Chardin, late 18th century, engraving and etching printed in black ink on laid paper, Plate: 13 3/8 × 9 1/2 inches (34 × 24.1 cm

Caryophyllus ... Martagon ..., Carnations, Turk's Covenant, copperplate engraving, p. 400, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

Bernina-Pass, The black and white lake at the Bernina Pass, Signed: C. Huber, steel engraving, plate 10, after p. 16, Huber, Caspar Ulrich (del. und sc.), 1870, Caspar Ulrich Huber, Album von St. Moritz in Oberengadin Canton Graubünden

Hendrick Goltzius, Dutch, 1558-1617, after Cornelis Cornelisz. van Haarlem, Dutch, 1562 - 1638, Icarus, 1588, engraving printed in black ink on off-white laid paper, Plate (diameter): 13 1/8 inches (33.3 cm

See Suffixes ex Lundio, Parallel title: Smoke altar after Lundio, Signed: G. D. Heüman sculps, copperplate engraving, plate CCVII (vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer:

Abraham Bosse, French, 1602-1676, Les vierges folles, ca. 1635, engraving and etching printed in black ink on laid paper, Plate: 10 1/4 × 12 3/4 inches (26 × 32.4 cm

Forest Pond Mount Auburn Cemetery, Copper engraving, Pond on Mount Auburn Cemetery, Boston, Signed: Etched by J. A. Rolph; Drawn & Engraved by J. Smith, Fig. 6, Rolph, J. A. (sculp.); Smillie, J. A. (del. & sculp.), Nehemia Cleaveland,

Gingidium, Tanacetum, Parallel Title: Foreign Körfel Herb, Reinfaren, Signed: G. D. Heüman sculp, copperplate engraving, plate CXLI (vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob Scheuchzer:

Horminum Syriacum, Horminum hortense, Dragon's Mouth, Copper Engraving, p. 526, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

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