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Hebevorrichtung (2), Crane consisting of a winch construction, copperplate engraving, Fig. CLXIX, p. 276, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Vispertal after the earthquake of 1855, Soil quality after the earthquake of 1855, copper engraving, pl. 2, 1856, [Johann] Chr[istian] Heusser: Das Erdbeben im Visperthal Kanton Wallis vom Jahr 1855. Zürich: Orell Füssli, 1856

Draper, Fairman, Murray and Co., American, 1810-1822, after Sully and Kearny, The Battle on Lake Erie, 1815, Engraving printed in black, 17 3/8 x 26 in. (44 x 66 cm

Francois de Poilly, French, 1622-1693, after Charles Le Brun, French, 1619-1690, The Purification of the Virgin, 17th century, Engraving, Plate: 4 5/8 × 2 3/4 inches (11.7 × 7 cm

Canvas-backed Ducks, 1836, engraving, etching, and aquatint printed in black ink, colored by hand on wove paper, Sheet: 25 3/8 × 38 1/2 inches (64.5 × 97.8 cm

Samson the Thor bearer, Signed: J. G. Pintz sculps, copper engraving, plate CCCLXXXVI, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey Christian Ulrich

JERUSALEM unit is foreseen, Parallel Title: Previously Siege of Jerusalem, Signed: H. Sperling sculps, copperplate engraving, plate DCXXXI, Füssli, Johann Melchior; Sperling, Hieronymus (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

View of a glacier, Copper engraving, plate 1, after p. 271, 1753, Johann Georg Altmann, Versuch einer historischen physischen Beschreibung der helvetischen Eisberge. Zürich: bey Heidegger und Compagnie, 1753

William Elliott, English, 1727-1766, after Paul Sandby, English, 1725-1809, Great Cohoes Falls, c. 1760, Etching and engraving printed in brown on laid paper, plate: 14 1/8 x 20 3/4 in

Stopped shining, Parallel Title: The Torn Curtain in the Temple, Signed: J. M. Preissler sculps, copperplate engraving, plate DCCVIII, Füssli, Johann Melchior; Preisler, Johan Martin (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

The Prarion, Chamounix Valley, Vallée de Chamonix with glacier, Signed: A. Calame, Pisan, wood engraving, plate 21, after p. 210, Calame, Alexandre; Pisan, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions d'un

Moab are losing sight of the lure, Parallel Title: The Moabite Betrayed by Fake Bill, Signed: J. G. Pintz sculps, Copper Engraving, Plate CCCCLXXXI, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer:

Einbruchswerkzeug (2), Machine to lift a door off its hinges, copper engraving, Fig. CLV, p. 256, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Pumpe (27), Hydro Powered Pump, Copper Engraving, Fig. XXVII, p. 41, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Balthasar Jenichen, German, active late 16th and early 17th century, Conrad Klingenbeck, 1567, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 3 1/2 × 2 7/8 inches (8.9 × 7.3 cm

Pumpe (41), Hydro-powered pump, copperplate engraving, Fig. XLIX, p. 75, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Pumpe (3), Hydro Powered Pump, Copper Engraving, Fig. III, p. 5, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Robert Brandard, English, 1805-1862, after Joseph Mallord William Turner, English, 1775-1851, The Bay of Baiae, 19th Century, Steel engraving printed in black on wove paper, image: 6 1/4 x 10 1/8 in

Pumpe (13), Hydro-powered Pump, Copper Engraving, Fig. XIII, p. 20, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Pumpe (38), Hydro-powered pump, copperplate engraving, Fig. XXXVIII, after p. 58, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Pumpe (16), Manually operated pump for a well, copperplate engraving, fig. XVI, after p. 24, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Albrecht Dürer, German, 1471-1528, Christ before Caiaphas, 1513, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 5/8 × 2 7/8 inches (11.7 × 7.3 cm

Goliath Gigas, Parallel Title: The Goliath Giant, Signed: Sperlingin, Catharina sculp, Copper Engraving, Plate CCCXCIV, Füssli, Johann Melchior; Sperling, Catharina (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und

Sebastian Stosskopf, German, 1597-1657, Still Life of Books and a Rembrandt Engraving, 1631/1635, oil on canvas, Unframed: 20 × 24 inches (50.8 × 61 cm

Purple poppy flower multiple, multiple poppy flower incarnation, Poppy, copperplate engraving, p. 638, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

Pumpe (24), Hydropower pump for aqueduct, copperplate engraving, Fig. XXIIII, after p. 36, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Jean Jacques Audre Le Veau, French, 1729-1786, after Augustin Louis Belle, French, 1757-1841, Certificate of Membership of Major William North in the Society of Cincinnati, 1783/1785, Etching and engraving printed in black on vellum, plate:

Einbruchswerkzeug (4), Burglary tool for barred windows, copperplate engraving, Fig. CLVII, p. 258, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Jacob Folkema, Dutch, 1692-1767, after Niccolò dell' Abbate, Italian, 1512-1571, after Giovanni Battista Internari, Italian, 1761-1761, Martyrdom of Saint Peter and Saint Paul, 18th century, engraving in black on wove paper, Plate: 23

Schleifsteine, Various Grindstones, Signed: E. Verelst, copperplate engraving, etching, tab. 14, bound to p. 238;, Verelst, Egid (f.), 1776, Cosimo Alessandro Collini, Journal d'un voyage, qui contient differentes observations

Jacques Callot, French, 1592-1635, after Matteo Rosselli, Italian, 1578-1650, La Grand Duchesse marie des jeunes filles, between 1615 and 1619, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 8 1/2 × 11 7/8

The removal of the roof, Parallel Title: The Accepted Ark Roof; Noah's Ark, Flood, Signed: G. D. Heüman sculp, copperplate engraving, plate LXIV (vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob

... delete, Parallel Title: The Destroyed Star and Sign Service, Signed: J. G. Pintz sculp, Copper Engraving, Plate CCCCXCV, Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Monkey, Monkey, Peacock, Parallel Title: Monkeys, Meerkats and Peacocks, Signed: J. A. Fridrich sculps, copperplate engraving, plate CCCCLXII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer:

A break, Picnic on the mountain stream, Signed: K. Girardez, Brugnot, wood engraving, plate 1, after S. VIII, Girardet, Karl; Toepffer, Rodolphe; Brugnot, Louis, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions

Fortress of Candia, Floor plan of the attaqued bastion Sabionera of the Vestung Candia, Signed: M. Bodenehr sc. Dr, engraving, Tab. VI, p. 628, Bodenehr, Moritz (sculp.), 1724, Georg Rimpler, Ludwig Andreas Herlin: Herrn George Rimplers

Martin Schongauer, German, 1450-1491, Baptism of Christ, 15th century, engraving printed in black ink, retouched with black pen and ink on wove paper, Sheet (trimmed within plate mark): 6 1/4 × 6 1/8 inches (15.9 × 15.6 cm

Master M. Z., German, Saint Ursula with Book and Spear, 15th century, engraving printed in black ink on laid paper, Image: 5 × 3 1/4 inches (12.7 × 8.3 cm

Albrecht Altdorfer, German, 1480-1538, Dido Killing Herself, between 1520 and 1530, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 2 1/2 × 1 1/2 inches (6.4 × 3.8 cm

Tulipa ..., Tulips, copperplate engraving, p. 158, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

The windows of heaven open, Parallel title: opening of the windows of the sky; Flood, Signed: G. D. Heuman sculp, copperplate engraving, plate XLIV (vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob

Pumpe (50), Hydro Pump, Copper Engraving, Fig. LVIII, p. 90, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

stroke Muscarum, Parallel title: Arob ?, The mosquito plague, Signed: J. G. Pinz sculps, copperplate engraving, plate CXXIX (Vol. 1), Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Philia jerry leaky, Parallel title: Jairi Daughter of Death, Signed: J. A. Fridrich sculps, copperplate engraving, plate DCLXXV, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Georg Pencz, German, 1500-1550, Christ at Emmaus, ca. 1518, engraving printed in black ink on laid paper, Plate: 1 1/2 × 2 3/8 inches (3.8 × 6 cm

Hans Sebald Beham, German, 1500-1550, Hercules Fighting Against the Centaurs, 1542, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 2 × 3 1/8 inches (5.1 × 7.9 cm

Andrea Mantegna, Italian, 1431-1506, Battle of the Sea Gods, between 1450 and 1500, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm

nut garden, Parallel Title: The Nusz Garden, Signed: J. G. Pintz sculps, copperplate engraving, plate DCIII, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

Old shoes or boots, Parallel Title: Shoes of the Ancients, Signed: H. Sperling sculps, copperplate engraving, plate CCCXXIX (Vol. 2), Füssli, Johann Melchior; Sperling, Hieronymus (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

A. Bobbett, after Felix Octavius Carr Darley, American, 1822-1888, Major Washington on his Mission to the French Commander, late 19th Century, Engraving in black and tan ink on cream wove paper, sheet size: 7 1/2 x 9 7/8 in

The Lepreux Tower, near Aosta, Tower of Lepreux in Aosta, signed: Rouget, wood engraving, plate 4, to p. 32, Rouget, François; Girardet, Karl; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou

Aurora Borealis, Parallel Title: Nordschein, Signed: B. S. Sedlezky sculps, copperplate engraving, plate CXLIX (Vol. 1), Füssli, Johann Melchior; Setlezki, Balthasar Sigmund (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Transport von Lasten (1), Winch construction for the transport of loads, copperplate engraving, Fig. CLXXVIII, p. 292, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore,

Charles Surendorf, American, 1906-1979, S. P. Tunnels, 1937, wood engraving printed in black ink on japan paper, Image: 7 7/8 × 10 inches (20 × 25.4 cm

leprosorum cleaning, Parallel Title: Purification of the Leperes, Signed: G. D. Heèman sculp, copperplate engraving, plate CCLXXII (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob Scheuchzer:

Juste Chevillet, French, 1729-1790, after Jean Gaspard Heilmann, French, 1718-1760, Mademoiselle sa Soeur, mid-18th century, engraving and etching printed in black ink on laid paper, Plate: 17 7/8 × 12 5/8 inches (45.4 × 32.1 cm

Ignis do ..., Parallel Title: Holy Sky Fire, Signed: H. Sperling sculps, Copper Engraving, Plate CCXXVI (Bd. 2), Füssli, Johann Melchior; Sperling, Hieronymus (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

Petrification from Switzerland, Petrification with locality in Switzerland, copperplate engraving, pl. 9, after p. 158 (vol. 1), 1746, Johann Jacob Scheuchzer, Joh. Georg Sulzern, Johann Jacob Scheuchzers ... Natur-Geschichte des

Hendrick Goltzius, Dutch, 1558-1617, Jacques de la Faille, ca. 1589, engraving printed in black ink on laid paper, Plate: 7 7/8 × 5 1/8 inches (20 × 13 cm

Arthur Zardinling, American, Street Scene, between 1934 and 1943, wood engraving printed in black ink on wove paper, Image: 10 1/2 × 8 1/8 inches (26.7 × 20.6 cm

James Sands, English, after William Henry Bartlett, English, 1809-1854, Yale College, ca. 1838, engraving printed in black ink, colored by hand on wove paper, Image: 4 3/4 × 7 1/4 inches (12.1 × 18.4 cm

Pierre Drevet, French, 1663-1738, after Nicolas de Largillière, French, 1656-1746, Jean Baptiste Forest, between late 17th and mid-18th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 18 5/8 × 13

Jonas Suyderhoef, Dutch, 1613-1686, after Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Eleazar Swalmius, 17th century, engraving printed in black ink on laid paper, Sheet (trimmed within platemark): 12 7/8 × 10 1/8 inches (32.7 × 25.7

Nicolas Delaunay, French, 1739-1792, after Pierre Antoine Baudouin, French, 1723-1769, The Indiscrete Spouse, 1771, Engraving and etching printed in black on laid paper, image: 13 5/8 x 10 5/8 in

Pulegium aquaticum spicatum, Mentha Crispa, Urtica Romana, Mints, Engraving, S. 506, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

Isola Madre - Interior of the island, On the Isola Madre, Signed: Rouget, wood engraving, plate 7, to p. 62, Rouget, François; Girardet, Karl; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou

Birds out of their fat: and the burnt-offerings of, Parallel title: Ogre of fat and birds, Signed: G. D. Heüman sculps, copperplate engraving, plate CCXXIV (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann

Marcantonio Raimondi, Italian, 1487-1534, after Albrecht Dürer, German, 1471-1528, High Priest Rejects Joachim's Offering, between 1487 and 1534, Engraving printed in black on laid paper, Sheet (trimmed within plate mark): 11 5/8 × 8 1/2

Serpentes, Parallel Title: Serpents, Signed: J. G. Pintz sculps, Copper Engraving, Plate DCXXX, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey

A copy of the Temple Scénographie Hallense, Parallel title: Hallish model of a perspectival concept, Signed: J. A. Fridrich sculps, copperplate engraving, plate CCCCXXXII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731,

Albrecht Dürer, German, 1471-1528, Christ on the Cross, 1511, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 5/8 × 2 7/8 inches (11.7 × 7.3 cm

Hans Sebald Beham, German, 1500-1550, Mercury, ca. 1539, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

Steinschleiferei, Hydro-powered stone grinding, Signed: E. Verelst, copperplate engraving, tab. 13, integrated into p. 232, Verelst, Egid (fec.), 1776, Cosimo Alessandro Collini, Journal d'un voyage, qui contient differentes observations

Pumpe (47), Hydro-powered pump, copperplate engraving, Fig. LV, after p. 85, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

breast plate, Parallel Title: Aaron's Breast Shield, Signed: G. D. Heüman sculps, Copper Engraving, Plate CCI (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Unknown (English), Bunker's Hill, ca. 1776, etching and engraving with printed (?) color ink on laid paper, Plate: 9 7/8 × 6 7/8 inches (25.1 × 17.5 cm

The bronze sea Reyheri - sea made Melii, Parallel Title: Iron Sea to Reyhern - Iron Sea to Mel, Signed: J. G. Pintz sculps, copperplate engraving, plate CCCCLIII, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob

Albrecht Dürer, German, 1471-1528, Harrowing of Hell, 1512, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 1/2 × 2 7/8 inches (11.4 × 7.3 cm

Frederick Becker, American, 1913 - 2004, Transportation, ca. 1939, wood engraving printed in black ink on japan paper, Image: 8 1/4 × 9 1/2 inches (21 × 24.1 cm

Petrification from Switzerland, Petrification with locality in Switzerland, copperplate engraving, pl. 12, after p. 170 (vol. 1), 1746, Johann Jacob Scheuchzer, Joh. Georg Sulzern, Johann Jacob Scheuchzers ... Natur-Geschichte des

Bolladore and Valteline, Bolladore in the Valtellina, signed: Girardet, Barbant, wood engraving, plate 44, after p. 342, Girardet, Karl; Barbant; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou

Of cataclysmi, Parallel Title: Remnants of the Flood; Flood, Signed: J. A. Corvinus sculp, copperplate engraving, plate XLVI (vol. 1), Füssli, Johann Melchior; Corvinus, Johann August (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

The eagle free meal with Helen, Parallel Title: Helena Sacrifice v., Eagle prevented, Signed: G. D. Heuman sculp, copperplate engraving, plate LXXXIII (vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob

Iasminum flower. clay. Iasminum flower. white. Acanthus Levis, Jasminum, Acanthus, Copper Engraving, p. 604, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

The quarter hole, Mountaineer in cave in front of glacier, wood engraving, pl. 10, after p. 72, Buri (sc.); Jeker (sc.), 1863, Abraham Roth, Edmund von Fellenberg: Doldenhorn und Weisse Frau. Zum ersten Mal erstiegen und geschildert von

Burnet Reading, English, active 1776 - 1822, after Pierre Eugene du Simitiere, Swiss, 1736-1784, General Horatio Gates, ca. 1783, stipple engraving printed in black ink on laid paper, Image: 3 × 2 1/2 inches (7.6 × 6.4 cm

Heinrich Aldegrever, German, 1502-1561, Annunciation, 1553, engraving printed in black ink, Image: 4 1/2 × 2 5/8 inches (11.4 × 6.7 cm

Mühle (5), How a Water Mill Works, Copper Engraving, Fig. CXVII, p. 182, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Fingernail smell, Moschus, Parallel title: See-Nagel, Zibeth, Signed: G. D. Heüman sculps, copperplate engraving, plate CCXVI (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Mobile Brückenkonstruktion (9), Mobile Bridge Construction, Copper Engraving, Fig. CXLVIII & CXLIX, p. 244, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

daily bread, Parallel Title: The Daily Brod, Signed: P. G. Harder sculps, copperplate engraving, plate DCLXVII, Füssli, Johann Melchior; Harder, Philipp Gottfried (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und

The deadly floodwaters Development, Parallel Title: Continuation of the Sündfluth; Flood, Signed: J. G. Pinz sculp, copperplate engraving, plate XLV (Vol. 1), Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob

Brown-headed Nuthatch, 1831, engraving, etching, and aquatint printed in black ink, colored by hand on wove paper, Plate: 19 5/8 × 12 3/8 inches (49.8 × 31.4 cm

William James Linton, English, 1812-1898, after George C. Potter, Walt Whitman, 1871, Wood engraving, Image: 4 3/4 × 3 1/8 inches (12.1 × 7.9 cm

Arana prudence model, Parallel Title: The Spider A Pattern of Wisdom, Signed: J.A. Fridrich sculps, Copper Engraving, Plate DLXXXVII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Ernst Morace, German, 1766-1820, after Joshua Reynolds, English, 1723-1792, Angelica Kauffmann, between 18th and 19th century, engraving printed on heavy wove paper, Sheet (trimmed within plate mark): 13 5/8 × 10 1/2 inches (34.6 × 26.7

Egyptian bath at Numis and Àntiqq, Parallel Title: Egyptian Lotus Tree; Egyptian Lotus Tree, Signed: A. Delsenbach sculp, copperplate engraving, plate CIII (Vol. 1), Füssli, Johann Melchior; Delsenbach, Johann Adam (sculp.), 1731, Johann

Klosterkirche Offenbach 1, North side and ground plan of the Klosterkirche Offenbach, signed: A. Senz aufgen., u, signed, Knight gest, Ernst & Korn Berlin, copperplate engraving, vol. XXXIX, p. 46, Senz, A. (aufgen. u. gez.); Ritter

Mist, seen from the Matterhorn (14 July 1865), Signed: Whymper, wood engraving, frontispiece

Edward Francis Finden, English, 1791-1857, after William Henry Bartlett, English, 1809-1854, The Narrows from Staten Island, between 1800 and 1857, steel engraving printed in black ink, colored by hand on wove paper, Image: 4 5/8 × 7

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