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sacrifice Foederale, Parallel title: Abrams Rinds victim; Abraham's Offering, Signed: B. S. Sedlezky sculp, copperplate engraving, plate LXXVI (vol. 1), Füssli, Johann Melchior; Setlezki, Balthasar Sigmund (sculp.), 1731, Johann Jakob
Samson the Knit Breaker, Signed: J. A. Fridrich sculp, copper engraving, plate CCCLXXXV, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey Christian
Leper's Tower, Lépreux Tower, wood engraving, plate 18, to p. 160, Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions d'un pensionnat en vacances dans les cantons suisses et sur le revers italien
Scenographia priests' court, Parallel Title: The Priest's Court in Perspective, Signed: J. G. Pintz sculps, copperplate engraving, plate CCCCLVII, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer:
cinn pedicle, Parallel title: Lause, Signed: J. G. Pinz sculps, copperplate engraving, plate CXXVII (Vol. 1), Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
Robert Nanteuil, French, 1623-1678, Bernard de Foix de la Valette, Duc d'Espernon, 1650, engraving printed in black ink on laid paper, Plate: 12 5/8 × 10 inches (32.1 × 25.4 cm
Canna Indica rubra, Flower Pipe, Engraving, p. 744, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713
Entwässerungsmaschine (10), Manually operated machine for drainage, copperplate engraving, Fig. CVI, to p. 164, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Alps of Glarus and part of the neighbouring cantons, Map of the Glarus Alps, signed: Engraved by Edw., Weller, Fig. 1, before p. 1, Weller, Edward (engraving), Jane Quintin Freshfield: A summer tour in the Grisons and italian Valleys of the
Password Iris, Parallel Title: The rain bow a graces sign; Noah's Ark, Great Flood, Signed: B. S. Sedlezky sculp, copperplate engraving, plate LXV (vol. 1), Füssli, Johann Melchior; Setlezki, Balthasar Sigmund (sculp.), 1731, Johann Jakob
Versteinerungen (6), Signed: J. A. Corvinus sculp, copper engraving, plate LIV (Bd. 1), Füssli, Johann Melchior; Corvinus, Johann August (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey Christian
Work FIFTH DAY 1, Parallel title: Füntes Tagwerck; Fifth day's work, Signed: J. A. Corvinus sculp, copperplate engraving, pl. XII (vol. 1), Füssli, Johann Melchior; Corvinus, Johann August (sculp.), 1731, Johann Jakob Scheuchzer:
William Blake, English, 1757-1827, And My Servant Job Shall Pray for You, 1825, engraving printed in black ink on chine-collé, Plate: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm
Balfamina woman, Momordica fruit, reddish orange, red fruit male Balsamina, Balsamine, Bitter Melon, Copper Engraving, p. 722, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713
Dudaim Mautz ficus indica, Parallel title: Dudaim Mautz Indian figs, Signed: J. A. Friderich sculp, copperplate engraving, pl. XCI (Bd. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob Scheuchzer:
altar of burnt, Parallel title: The Fire-Offering altar, Signed: J. G. Pintz sculp, Copper engraving, Plate DCXLI, Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
The serpents were burning, Parallel Title: Burning or Fiery Serpents, Signed: G. D. Heüman sculps, copperplate engraving, plate CCCXI (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer:
Wasserrad (8), Machine for the transport of water, copperplate engraving, Fig. XLVIII to p. 73, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Balliste (1), Composition of a ballista, copperplate engraving, fig. CXCIL, p. 330, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Thomas Bewick, English, 1753-1828, Bird Study, between 18th and 19th century, wood engraving printed in black ink on japanese paper, Image: 3 1/8 × 2 3/4 inches (7.9 × 7 cm
Cuniculus, mus alpinus, Parallel Title: Caninchen, Murmel-Thier, Signed: M. Tyroff sculps, copperplate engraving, plate CCXXXV (Vol. 2), Füssli, Johann Melchior; Tyroff, Martin (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).
Georg Pencz, German, 1500-1550, The Triumph of Chastity, between 1500 and 1550, engraving printed in black ink on laid paper, Plate: 5 1/2 × 8 1/8 inches (14 × 20.6 cm
Attagen, Upupa, Vespertilio, Parallel Title: Hazel Grouse, Widhopf, Fledermausz, Signed: J. G. Pinz sculps, copperplate engraving, plate CCLIII (Vol. 2), Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob
Entwässerungsmaschine (4), Hydro-powered machine for drainage, copperplate engraving, fig. C, after p. 155, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Ziehbrunnen (2), Draw well with winch design, copperplate engraving, Fig. LXXVI, p. 117, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Martino Rota, Italian, 1520-1583, Maximilian II, 1573, engraving printed in black ink on laid paper, Image: 9 3/8 × 7 3/4 inches (23.8 × 19.7 cm
Henry Griffiths, English, 1849-1849, after William Henry Bartlett, English, 1809-1854, Faneuil Hall, Boston, 19th century, engraving printed in black ink, colored by hand on wove paper, Image: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm
Physarum, Poeonia peregrina coccineo flower, Slime-fungus, copperplate engraving, p. 226, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713
The dialogue trees, Parallel Title: The Trees Talks, Signed: J. G. Pintz sculps, Copper Engraving, Plate CCCLXXIX, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
Jean Mignon, French, after Luca Penni, Italian, 1500-1556, La tentation d'Eve, ca. 1545, engraving printed in black ink on laid paper, Sheet: 17 × 23 3/8 inches (43.2 × 59.4 cm
Great-Footed Hawk, 1827, engraving, etching and aquatint printed in black ink, colored by hand on wove paper, Image: 20 1/2 × 30 3/4 inches (52.1 × 78.1 cm
The fruits are bright red fruit of love, Tomatoes, Engraving, p. 718, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713
Entwässerungsmaschine (13), Manually operated machine for drainage, copperplate engraving, Fig. CIX, p. 169, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Abraham Bosse, French, 1602-1676, Les vierges folles, ca. 1635, engraving and etching printed in black ink on laid paper, Plate: 10 1/8 × 12 3/4 inches (25.7 × 32.4 cm
Falling Edward Whymper, Signed: Whymper (sc.), Wood engraving, to p. 142
Jacques Callot, French, 1592-1635, Le brelan, 1628, etching and engraving printed in black ink on laid paper, Image: 8 1/2 × 11 inches (21.6 × 27.9 cm
Maize and wheat, Parallel Title: Dinckel and Waitzen - spelled and wheat, Signed: M. Tyroff sculp, copperplate engraving, plate CXXXIII (Vol. 1), Füssli, Johann Melchior; Tyroff, Martin (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel
Lucas van Leyden, Netherlandish, 1494-1533, Saint Joachim and Saint Anne, 1520, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 1/4 × 2 7/8 inches (10.8 × 7.3 cm
Frederick Bacon, English, 1803-1887, after Sir William Charles Ross, English, 1794-1860, Queen Victoria, ca. 1841, steel engraving printed in black ink on wove paper, Image: 6 3/4 × 4 3/4 inches (17.1 × 12.1 cm
Paul Potter, Dutch, 1625 - 1654, Shepherd, 1644, etching and engraving printed in black ink on laid paper, Plate: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm
Adriaen van Ostade, Dutch, 1610-1685, Child Reaching for a Doll, 1679, etching and engraving in black ink on laid paper, Sheet (trimmed within plate mark): 4 1/8 × 3 5/8 inches (10.5 × 9.2 cm
Anguilla, Muraena, Lamperta, Parallel Title: Eel ..., Signed: J. A. Fridrich sculps, copperplate engraving, plate CCXXXVIII (Vol. 2), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel
Hans Sebald Beham, German, 1500-1550, Battle of Three Men, 16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 1 3/4 × 3 1/2 inches (4.4 × 8.9 cm
Caryophyllus Sylvestrus purple flower, Caryophyllus bigger wild variegated, Caryophyllus wild flower Flesh, Carnations, Engraving, p. 692, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg,
Is there anything a mortal, Parallel title: What is a human, Signed: J. A. Fridrich sculps, Copper engraving, Pl. DXXXVII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).
Transportable Pavilion, Transportable Pavilion, copper engraving, no. X, 1796, Johann Gottfried Grohmann (Hg.): Ideenmagazin für Liebhaber von Gärten, Englischen Anlagen und für Besitzer von Landgütern: um Gärten und ländliche Gegenden,
Hans Sebald Beham, German, 1500-1550, Venus, ca. 1539, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm
The apple does not fall far from the stem, Signed: J. G. Pintz sculps, copper engraving, plate CCCLXI (Vol. 2), Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
Pumpe (14), Manual pump to be operated, copper engraving, Fig. XIIII, to p. 21, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Abraham Bosse, French, 1602-1676, Les vierges sages, ca. 1635, engraving and etching printed in black ink on laid paper, Plate: 10 1/4 × 13 inches (26 × 33 cm
Fouquet, French, active 1800 - 1850, The Rosetta Stone, Demotic Script, 1829, etching and engraving in black ink on off-white laid paper, Plate: 18 × 31 1/8 inches (45.7 × 79.1 cm
Tunnel Workers Eliminate Debris Resulting from Explosion, wood engraving, after p. 78
Israel rejected silver, Parallel title: A reprobate silver, Signed: P. G. Harder sculps, copperplate engraving, plate DCXXIV, Füssli, Johann Melchior; Harder, Philipp Gottfried (sculps.s), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).
Above Trento, course of the Adige, Near Trento in the Adige Valley, Signed: M. Deschamps, R. Topffer, wood engraving, plate 47, after p. 359, Deschamps, M.; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en
Hendrick Goltzius, Dutch, 1558-1617, Bust of a Young Man Facing Right, 1585, engraving printed in black ink on laid paper, Plate (oval): 3 × 2 1/4 inches (7.6 × 5.7 cm
Francesco Polanzani, Italian, 1700-1783, Portrait of Giovanni Battista Piranesi, 1750, etching and engraving printed in black ink on laid paper, Plate: 15 1/4 × 11 3/8 inches (38.7 × 28.9 cm
Title page Copper Bible, Volume 1, Copper engraving, Scheuchzer, Johann Jakob, 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey Christian Ulrich Wagner, 1731-1735
Ziehbrunnen (10), Draw well with winch design, copperplate engraving, fig. LXXXIIII, p. 129, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
With roofs : A section of the Holy Door, Parallel Title: Roofing Planks: Door to the Holy of Holies, Signed: J. A. Fridrich sculps, copperplate engraving, plate CCCCXXXV, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731,
Mühle (12), Operation of a treadmill, copperplate engraving, Fig. CXXIIII, after p. 192, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Star - gazers, Signed: G. D. Heüman sculp, copper engraving, plate CCCXXXLIV Stargazer, Astronomer (vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
After the victory drought overthrown, Parallel Title: Simson's Miracle Brunn and Victory, Signed: G. D. Heüman sculp, Copper Engraving, Plate CCCLXXXIV, Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob
Transport von Lasten (6), Cable winch construction for the transport of loads, copperplate engraving, Fig. CLXXXIII, p. 302, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa
Jacques Firmin Beauvarlet, French, 1731-1797, after Carle Van Loo, French, 1705-1765, La Sultane, between 1731 and 1765, etching and engraving printed in black ink on laid paper, Plate: 18 7/8 × 14 1/2 inches (47.9 × 36.8 cm
Central Avenue Mount Auburn Cemetery, Copper engraving, main path on Mount Auburn Cemetery in Boston, Signed: James Smilie; O. G. Hanks, Fig. 4, Smillie, James (ill); Hanks, O. G., Nehemia Cleaveland, Cornelia W. Walter, James Smillie: The
Soleurre, Birdshow Solohturn, copper engraving, pl. 2, after p. 18, 1739, David-François de Merveilleux: Amusemens des bains de Bade en Suisse, de Schintznach et de Pfeffers. Londres: chez Samuel Harding, 1739
Geological section of the Matterhorn with altitude information and markings of the camps Whympers, Tyndall's rope, huts and hotels, wood engraving, to p. 524
Exit at a sower of seeds, Parallel title: A Sower goes out to sow, Signed: G. D. Heümann sculps, copperplate engraving, plate DCLXXXI, Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel
Charles Wilkin, English, 1750-1814, after Frank W. Wilkin, English, 1800-1842, William Lord Radstock, ca. 1810, engraving printed in color ink on wove paper, Image: 7 × 7 1/4 inches (17.8 × 18.4 cm
Hebevorrichtung (5), Crane consisting of a winch construction, copperplate engraving, fig. CLXXII, to p. 280, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
The initiation of priest, Parallel Title: Sacrifice to the Priest-Weyh, Signed: G. D. Heüman sculps, copperplate engraving, plate CCIII (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer:
Burnet Reading, English, active 1776 - 1822, after Pierre Eugene du Simitiere, Swiss, 1736-1784, General Reed, ca. 1783, stipple engraving printed in black ink on wove paper, Image: 2 7/8 × 2 3/8 inches (7.3 × 6 cm
Righi Summit, Rigi, Signed: Best. Leloir., Hotelin, Regnier, wood engraving, plate 27, after p. 244, Himely; Toepffer, Rodolphe; Best, Leloir, Hotelin, Regnier (sc.), 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou
Thomas Burke, English, 1749-1815, after Angelica Kauffmann, Swiss, 1741-1807, Cupid Binding Aglaia to a Laurel, between 1749 and 1815, engraving printed in color ink on chine collé, Plate: 13 1/8 × 14 1/2 inches (33.3 × 36.8 cm
Jean de Gourmont, French, Saint Eloy, 16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 7/8 inches (12.4 cm
Onager, Parallel title: Forest donkey, Signed: P. G. Harder sculps, copperplate engraving, plate DXII, Füssli, Johann Melchior; Harder, Philipp Gottfried (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
Clean and unclean, Parallel Title: Pure and impure animals, Signed: Catharina Sperlingen sculps, copperplate engraving, plate CCXXIX (Vol. 2), Füssli, Johann Melchior; Sperling, Catharina (sculps.), 1731, Johann Jakob Scheuchzer:
Who can withstand the cold, Parallel title: Who can stay before his frost, Signed: J. A. Fridrich sculps, copperplate engraving, plate DLXXV, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer:
Hebevorrichtung (8), Crane consisting of a winch construction, copperplate engraving, fig. CLXXV, to p. 286, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Flood Fall at the Bernina, The Flatz Waterfall at the Bernina, Signed: C. Huber, steel engraving, pl. 9, after p. 16, Huber, Caspar Ulrich (del. und sc.), 1870, Caspar Ulrich Huber, Album von St. Moritz in Oberengadin Canton Graubünden
Shore of Meillerie, Bank of Lake Geneva (Lac Léman) near Meillerie, signed: A. Calame, Laisné, wood engraving, plate 31, to p. 270, Calame, Alexandre; Laisné, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions
Curhaus St. Moritz, The Curhaus on the lake in St. Moritz, signed: C. Huber, steel engraving, plate 3, after p. 16, Huber, Caspar Ulrich (del. und sc.), 1870, Caspar Ulrich Huber, Album von St. Moritz in Oberengadin Canton Graubünden
Mühle (11), How a Treadmill Works, Copper Engraving, Fig. CXXIII, p. 191, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Entwässerungsmaschine (11), Manually operated machine for drainage, copper engraving, Fig. CVII, to p. 166, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Cherubini, Parallel Title: Cherubim, Signed: J. A. Fridrich sculps, copperplate engraving, plate CCCCXXXVII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
Hans Sebald Beham, German, 1500-1550, after Barthel Beham, German, 1502-1540, Adam and Eve, 1543, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 3 1/4 × 2 1/8 inches (8.3 × 5.4 cm
Unknown (English), Hendrik, Great Sachem of the Mohawks, c. 1756, Engraving printed in black, colored by hand, 12 5/8 x 9 5/8 in. (32.1 x 24.4 cm
Plan of two fortifications 2, Copper engraving, fortifications after Francesco Marchi, pl. XXXIX, Marini, Luigi (ill.), 1810, Architettura militare di Francesco de' Marchi: illustrata da Luigi Marini. Roma: da' Torchi di Mariano de Romanis e
And frogs in the form metamorphosis, Parallel Title: Frog Shape and Transfiguration, Signed: J. G. Pinz sculps, copperplate engraving, plate CXXV (Vol. 1), Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob
Bücherrad, Book Wheel, copperplate engraving, fig. CLXXXVIII, p. 317, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588
Esauus, Parallel title: Esau Linsen Speise, Signed: H. Sperling sculp, copperplate engraving, plate LXXXV (Bd. 1), Füssli, Johann Melchior; Sperling, Hieronymus (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:
Primrose spring bloom white male, despite, Cyclamen, copperplate engraving, p. 234, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713
Albrecht Dürer, German, 1471-1528, Philipp Melanchthon, 1526, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 6 3/4 inches × 5 inches (17.1 × 12.7 cm
Water pipe in Tamina gorge, Water pipe in the Tamina gorge, Bad Pfäfers, Signed: Joh. Mel. Fuesli, copperplate engraving, plate 4, to p. 83 (vol. 1), Fuesli, Johann Melchior (fec.), 1746, Johann Jacob Scheuchzer, Joh. Georg Sulzern,
The feast of tabernacles, Parallel title: Lauberhütten-Fest, Signed: J. G. Pintz sculps, copperplate engraving, plate DIV, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg
SENSUALIST drunk, Parallel title: The wine's vicious misuse, Signed: G. Lichtensteger sculps, copperplate engraving, plate DLXXX, Füssli, Johann Melchior; Lichtensteger, G. (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).
Todros Geller, American, 1889-1949, Italian Quarters, Chicago, 1937, wood engraving printed in black ink on laid japan paper, Image: 10 × 8 inches (25.4 × 20.3 cm
Snakes, Parallel Title: Serpents, Signed: J. G. Pintz sculps, copperplate engraving, plate DCCXLVII, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey
The donkeys are prepared to victory, Parallel Title: Donkey used for triumphal procession, Signed: P. G. Harder sculps, copperplate engraving, plate DCXC, Füssli, Johann Melchior; Harder, Philipp Gottfried (sculps.), 1731, Johann Jakob
Charles Émile Jacque, French, 1813-1894, Paysage: Troupeau de porcs, 1845, etching, engraving, and drypoint printed in black ink on chine-collé, Plate: 6 3/4 × 10 inches (17.1 × 25.4 cm

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