Images at Librifly

search results: Engraving clear search

A Chinese Man and Woman Fishing by a Fishpond, 18th century, Etching and engraving, Sheet (trimmed): 11 3/4 × 9 5/16 in. (29.9 × 23.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris

The Last Judgment; Christ with lily and sword at top, flanked by Virgin and St John the Baptist interceeding on behalf of the humans below, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/16 × 3 15/16 in. (12.8 × 10

The Entombment, from The Passion of Christ, 1596, Engraving, Sheet: 7 3/4 x 5 1/8 in. (19.7 x 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve

Charles-Maurice Le Tellier, 1672, Engraving, Sheet: 19 3/4 x 16 7/16 in. (50.1 x 41.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The New Metamorphosis, Plate 4: Invidiosa Releases Fantasio, 1724, Etching and engraving, sheet: 5 1/2 x 3 in. (14 x 7.6 cm), Prints, William Hogarth (British, London 1697–1764 London

The Adoration of the Magi, ca. 1625, Engraving; fourth state of four, 13 9/16 × 17 3/16 in. (34.5 × 43.6 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Henriette-Marie de Buade-Frontenac, 1641, Engraving; second state of four, sheet: 13 7/8 x 9 9/16 in. (35.3 x 24.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drinking Milk, 18th century, Etching and engraving, Sheet (trimmed): 14 5/16 × 8 1/8 in. (36.3 × 20.7 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Times, Plate 1, September 7, 1762, Etching and engraving; third state of three, sheet: 9 5/8 x 11 15/16 in. (24.5 x 30.3 cm), Prints, William Hogarth (British, London 1697–1764 London

St. Veronica, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Le Berger Recompensé (The Rewarded Shepherd), 18th century, Etching and engraving, Sheet: 19 1/2 x 14 3/4 in. (49.6 x 37.4 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770 Paris

Weekhawken, 1833, Steel engraving; third state of three, plate: 6 1/4 x 8 15/16 in. (15.9 x 22.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After William James Bennett (American,

Head of a woman with her head turned to the left, from Livre de Têtes Gravées d'apres F. Boucher et Autres (Book of Heads Engraved after F. Boucher and Others), 18th century, Etching and engraving, Sheet: 7 x 5 7/16 in. (17.8 x 13.8 cm) trimmed

Saint Sebastian tied to a tree pierced by arrows, 1530–60, Engraving, sheet: 9 1/16 x 6 1/8 in. (23 x 15.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Lot Welcomes the Angels, from The Story of Lot, 1555, Engraving, Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lot, at left, greets two angels under an arch. Based on

Pierre Payen-Deslandes, ca. 1658, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 3/8 × 9 1/2 in. (31.4 × 24.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Wall-mounted Shelf Unit from 'Verscheyden Schrynwerck (...)' ['Plusieurs Menuiseries (...)'], 1658, Engraving, Sheet: 10 15/16 × 7 7/8 in. (27.8 × 20 cm) [cropped within plate mark], after Paul Vredeman de Vries (Netherlandish, Antwerp

Shield with Greyhound Held by Wild Man, n.d., Engraving, frame size: 16 x 21 in., Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Laughing Fool, ca. 1612, Etching and engraving, sheet: 8 9/16 x 6 7/16 in. (21.8 x 16.3 cm), Prints, Werner van den Valckert (Netherlandish, 1585–1627

The Pool of Bethesda (St. John, Chapter 5), February 24, 1772, Etching and engraving, Plate: 16 5/8 x 22 5/16 in. (42.3 x 56.6 cm), Prints, After William Hogarth (British, London 1697–1764 London

Pasquino, 1542, Engraving, sheet: 14 3/8 x 10 5/8 in. (36.5 x 27 cm), Prints, Anonymous

Coat of Arms with a Cock, 1543, Engraving, Sheet: 2 3/4 x 1 7/8 in. (7 x 4.8 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Portrait of Simon-Nicolas-Henri Linguet, 1773, Etching and engraving; fourth state of five (Bocher), Sheet: 9 13/16 × 6 5/8 in. (25 × 16.8 cm), Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Ornament designed by Pierre Philippe

Saint Mathew, 1726, Etching and engraving, Sheet (trimmed): 13 3/4 × 8 7/16 in. (35 × 21.5 cm), Prints, Louis Jacob (French, Lisieux 1712–1802 Paris), After François Boucher (French, Paris 1703–1770 Paris

Le Père Claude de Lingendes, 1661, Engraving, sheet: 8 7/8 x 5 7/8 in. (22.5 x 14.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Frieze with Half-Length Female Figure Holding Two Horns at Center, ca. 1590, Engraving, Sheet: 1 9/16 × 6 13/16 in. (3.9 × 17.3 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with a half-length female figure on top

Design for a Brooch with Two Heart-Shaped Pieces, 1580–1600, Engraving and blackwork, Sheet (trimmed): 3 3/8 × 1 1/16 in. (8.6 × 2.7 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Brooch design formed from two

Speculum Romanae Magnificentiae: Cornice, 16th century, Engraving, sheet: 5 5/16 x 6 1/2 in. (13.5 x 16.5 cm), Prints, Anonymous

The Invasion, Plate 1: France, March 8, 1756, Etching and engraving; third state of three, plate: 12 1/2 x 15 1/2 in. (31.7 x 39.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Hercules with his club in center fighting a centaur, other men fighting centaurs to left and right, from 'The labors of Hercules', 1542, Engraving, Sheet: 2 x 3 1/8 in. (5.1 x 7.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550

Christ and the Adulterous Woman, Engraving, Sheet: 2 3/8 × 3 1/4 in. (6.1 × 8.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Hamlet on the Montainous Ground, Engraving; fourth state of four, Sheet: 4 1/8 × 4 3/16 in. (10.4 × 10.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Castle Garden Landing for Emigrants, Barge Office, Battery, 1850–1900, Wood engraving, hand colored, 11 x 8 9/16 in. (28 x 21.7 cm), Prints

A Rake's Progress, Plate 4, June 25, 1735, Etching and engraving; first state of three, sheet: 14 x 15 7/8 in. (35.5 x 40.3 cm), Prints, William Hogarth (British, London 1697–1764 London

The Three Windmills (Les Trois Moulins) after a painting in the collection of the Duc de Praslin, 1772, Etching and engraving, Sheet: 6 7/8 x 8 7/16 in. (17.4 x 21.4 cm), Prints, Balthasar Anton Dunker (Swiss, Saalstratsund 1746–1807 Bern),

Speculum Romanae Magnificentiae: Festival of Dionysius, 1549, Engraving, sheet: 13 1/4 x 16 11/16 in. (33.6 x 42.4 cm), Prints, Anonymous

Ornamental Foliage with the Left Half of a Mask, mid-16th century, Engraving, 2nd state, Prints, Anonymous, Italian, 16th century, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara) by Bartsch

Frederick the Wise of Saxony Adoring St Bartholomew, ca. 1508–9, Engraving, Sheet: 7 1/4 × 5 7/8 in. (18.4 × 15 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Burial Procession of Christ, 1678, Engraving, sheet: 18 9/16 x 12 3/16 in. (47.1 x 31 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Visitation (copy in reverse), Engraving; reverse copy, sheet: 14 15/16 x 10 11/16 in. (38 x 27.2 cm), Prints, After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Epic Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

A faun sitting on a rock holding a flute in his left hand; a child stands between his knees, ca. 1510–27, Engraving, 6 15/16 x 5 7/16 in. (17.7 x 13.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

Martyrdom of St. Sebastian, ca. 1600, Engraving, Sheet: 21 1/8 × 13 5/16 in. (53.6 × 33.8 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Hans von Aachen (German, Cologne 1552–1616 Prague

Tail-piece: Woman's Head (Cul-de-lampe: Buste de femme), Engraving, sheet: 3 3/8 x 3 15/16 in. (8.6 x 10 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Otho, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 7 5/16 x 16 3/4 in. (18.6 x 42.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Speculum Romanae Magnificentiae: Alberini Palace, late 16th century, Engraving, sheet: 12 3/16 x 18 5/16 in. (31 x 46.5 cm), Prints, Anonymous

Georges de Scudéry, ca. 1654, Engraving; first state of four (Petitjean & Wickert), Sheet: 12 1/8 × 9 3/16 in. (30.8 × 23.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Polling, Plate III: Four Prints of an Election, February 20, 1758, Etching and engraving; third state of three, sheet: 16 7/16 x 21 11/16 in. (41.7 x 55.1 cm), Prints

The Garden of Vertumnus, ca. 1540–45, Engraving, Sheet (trimmed): 13 in. × 13 1/16 in. (33 × 33.2 cm), Prints, Léon Davent (French, active 1540–56), after Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Speculum Romanae Magnificentiae: Longitudinal Section Showing the Interior of Saint Peter's Basilica as Conceived by Michelangelo (Published in 1569), 1551, 1558–61, Etching with engraving, sheet: 13 1/4 x 18 3/4 in. (33.7 x 47.6 cm), Prints,

The Abuses of the Law, Plate 7, n.d., Engraving, sheet: 7 1/16 x 9 in. (18 x 22.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Portrait of Crébillon, 1770, Etching and engraving; third state of three (Bocher), Sheet: 10 1/2 × 7 3/8 in. (26.7 × 18.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean Le Moine, active ca. 1523–1530

Design for a Pendant with the Alphabet, 1609, Engraving and blackwork, Plate: 5 5/16 x 3 11/16 in. (13.5 x 9.4 cm), Master P.R.K (Dutch, ca. 1609–1617), Design for a pendant in fine goldsmiths work. The pendant is hanging from a ribbon and

Pleasures of Occupation, Etching and engraving, Sheet: 4 5/16 x 6 5/16 in. (11 x 16 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

The Two Barrels before a Hut, Engraving; first state of four, 8 1/8 in. (20.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Les Bacchantes Endormies (The Sleeping Bacchantes), 18th century, Etching and engraving, Sheet: 21 5/8 x 15 11/16 in. (55 x 39.9 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770

A phoenix sat atop a tree, wings open, an assortment of animals below, 1530–60, Engraving, sheet: 7 11/16 x 9 1/16 in. (19.5 x 23 cm), Prints, After Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio

Vertical Panel with Scrolling Tendrils Rising from Center, 1517–61, Engraving, Sheet: 2 5/8 × 1 5/8 in. (6.7 × 4.2 cm), Attributed to Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Three Travellers at the Foot of High Rock, Engraving; first state of four, Sheet: 3 7/8 × 5 13/16 in. (9.9 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 1/4 x 4 5/16 in. (21 x 10.9 cm),

Salome with the Head of John the Baptist, Engraving, Sheet: 1 15/16 × 3 1/16 in. (4.9 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Portrait of Louis XVI, Henri IV, and Louis XII, 1791, Etching and engraving; fourth state of six (Bocher), Sheet: 7 7/16 × 4 13/16 in. (18.9 × 12.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Piat Joseph

Hercules Capturing Cerberus from The Labors of Hercules, 1545, Engraving, Sheet: 2 1/8 x 3 1/16 in. (5.3 x 7.8 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Paysage au Moulin (Windmill Landscape), 18th century, Etching and engraving, Sheet: 19 5/8 x 14 3/4 in. (49.8 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After François Boucher (French, Paris

Speculum Romanae Magnificentiae: Apolinis (Apolinis in uiridario Magni Ducis Etruriae), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

The Triumph of Time on Fame, from The Triumphs of Petrarch, Engraving, Sheet: 6 15/16 × 9 11/16 in. (17.6 × 24.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Susanna and the Elders, Engraving, Sheet: 1 13/16 × 2 7/8 in. (4.6 × 7.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Hercules Raping Jole from The Labors of Hercules, 1544, Engraving, Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Marriage A-la-Mode, Plate IV, April 1, 1745, Etching and engraving; third state of three, Plate: 15 1/4 x 18 1/2 in. (38.7 x 47 cm), Prints, After William Hogarth (British, London 1697–1764 London

The World, Cage of Fools, 16th century, Engraving, Prints, Anonymous, Italian, 16th century

Design for the Verso of a Cross-Shaped Pendant Above a Pair of Oval Ornaments and Axe-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 13/16 × 3 15/16 in. (14.8 × 10 cm), Jan Collaert I

Exemplar Virtutum, from the Allegorical Scenes from the Life of Christ, n.d., Engraving, sheet: 10 1/2 x 7 3/4 in. (26.6 x 19.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Marcus Aurelius, 16th century, Engraving, sheet: 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Marcantonio Raimondi (Italian, Argini (?)

Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape, ca. 1510–27, Engraving, Sheet: 10 7/16 × 6 15/16 in. (26.5 × 17.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)

Saint Philip, book in his left hand, staff resting on his left arm, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, sheet: 3 1/4 x 1 7/8 in. (8.2 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', 1530–60, Engraving, Sheet: 10 1/16 × 7 5/16 in. (25.6 × 18.5 cm), Prints, Master of the Die (Italian, active

Speculum Romanae Magnificentiae: Wooden Framework to Support Arches in a Building, 16th century, Engraving, sheet: 15 9/16 x 21 7/16 in. (39.5 x 54.5 cm), Prints, Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80

The Mystery of Masonry Brought to Light by the Gormagons, [first published December 1724] later reissue, Etching and engraving; third state of three, sheet: 9 9/16 x 13 3/4 in. (24.3 x 34.9 cm), Prints, William Hogarth (British, London

Charitas and the Acts of Charity, from a Series of Tazza Designs, ca. 1588, Engraving, Sheet: 5 1/8 × 4 7/8 in. (13 × 12.4 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In the central medallion, the figure of Charitas,

St. George, early 16th century, Engraving, sheet: 15 15/16 x 12 in. (40.5 x 30.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

The Lost Sheep (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It

The Industrious 'Prentice Performing the Duty of a Christian: IIndustry and Idleness, plate 2, September 30, 1747, Etching and engraving; first state of two, sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm), Prints, William Hogarth (British,

Charity, from L'Amico di fanciulli (Children's Friend), 1788, Etching and engraving; fourth state, sheet: 5 7/8 x 3 7/16 in. (15 x 8.8 cm), Prints, After Johann Heinrich Ramberg (German, Hanover 1763–1840 Hanover

Strolling Actresses Dressing in a Barn, 1738, Etching and engraving; second state of four, sheet: 15 7/8 x 22 7/16 in. (40.3 x 57 cm), Prints, William Hogarth (British, London 1697–1764 London

A Rake's Progress, Plate 1, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/8 x 16 1/4 in. (35.8 x 41.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Pendant Shaped like a Beetle with a Couple and a Young Man Playing an Instrument, 1619, Blackwork and engraving, Plate: 4 3/16 x 3 1/16 in. (10.7 x 7.8 cm), Jean Toutin (French, Chateaudun 1578–1644 Charenton), Jean I Toutin often combined

The Landscape with the Wooden Bridge, Engraving; third state of four, Plate: 6 1/2 × 7 5/8 in. (16.5 × 19.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from the series 'The Roman Ruins' (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus), 1551, Etching and engraving,

Geminiano Caldarostaro crying out and holding a tub, with a tasseled hat, ca. 1597–1601, Engraving, image: 12 5/8 x 8 1/8 in. (32 x 20.6 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome

The Agony in the Garden, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

The Idle 'Prentice Executed at Tyburn (Industry and Idleness, plate 11), September 30, 1747, Etching and engraving; third state of three, sheet: 10 3/8 x 15 3/4 in. (26.4 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

Vertical Panel with a Candelabrum Supported by Two Half-Length Female Figures, 1520–40, Engraving, Sheet: 3 1/8 × 1 in. (8 × 2.6 cm), Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Head of a Woman, 1748–69, Crayon manner engraving printed in brown ink; first state of two, Sheet (trimmed): 14 5/8 × 10 11/16 in. (37.2 × 27.1 cm), Prints, Jean Charles François (French, Nancy 1717–1769 Paris), François Boucher

The Triumph of Bacchus, 16th century, Engraving, sheet: 7 3/4 x 10 3/8 in. (19.7 x 26.4 cm) trimmed to oval, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Hercules in Bed with Omphale, 1540–56, Engraving, Sheet (trimmed): 8 11/16 × 16 1/4 in. (22 × 41.2 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Cross sections of the Chapel at Chateau d'Anet, 1607, Engraving, Sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Blackwork Design for Goldsmithwork with Satyr and Monkey, ca. 1582–1616, Engraving and blackwork, Sheet: 1 1/16 × 1 1/2 in. (2.7 × 3.8 cm), Attributed to Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel with a

Le Jardin Chinoise (The Chinese Garden), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 7/16 x 19 5/16 in. (41.8 x 49 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), Gabriel Huquier (French, Orléans

Jean Fronteau, 1663, Engraving; first state of two (Petitjean & Wickert), Sheet: 6 5/8 × 4 13/16 in. (16.8 × 12.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After F. Cabouret (French, active 1660s

Tobias Leaving the Table, from The Story of Tobias, 1543, Engraving; first state of two (Landau), Sheet: 2 1/2 × 3 13/16 in. (6.4 × 9.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

search results: Engraving clear search