Images at Librifly

search results: Engraving clear search

silver excoctio, Parallel Title: Melting and Clarification of Silver, Copper Engraving, Plate DXXXVIII, Füssli, Johann Melchior; Lichtensteger, G. (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey

Mühle (16), Operation of a manually driven mill, copperplate engraving, Fig. CXXVIII, after p. 198, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Heinrich Aldegrever, German, 1502-1561, The Nativity, 1553, engraving printed in black ink, Sheet (trimmed within plate mark): 4 1/4 × 2 5/8 inches (10.8 × 6.7 cm

bush fire, Parallel Title: The Burning Bush, Signed: J. A. Fridrich sculp, copperplate engraving, plate CXVII (vol. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Albrecht Altdorfer, German, 1480-1538, Judith with the Head of Holofernes, between 1520 and 1530, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 2 1/2 × 1 1/2 inches (6.4 × 3.8 cm

Food food, Parallel title: Food from the Eater, Signed: M. Tyroff sculps, copperplate engraving, plate CCCLXXXI, Füssli, Johann Melchior; Tyroff, Martin (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

The bride with Lebanon, Parallel title: Bride, come with us from Libano, Signed: J. A. Fridrich sculps, copperplate engraving, plate DCI, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer:

Charles Surendorf, American, 1906-1979, Twin Peaks, 1939, wood engraving printed in black ink on japan paper, Image: 9 × 13 1/2 inches (22.9 × 34.3 cm

Dan snake Aspisque, Parallel title: Dan's snake and Nater, Signed: M. Tyroff sculp, copperplate engraving, plate CXI (Vol. 1), Füssli, Johann Melchior; Tyroff, Martin (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und

The gorge of Pfeffers (showing erosive action), Gorge near Pfäfers, Signed: Whymper (sc.), Wood engraving, plate 7, integrated before p. 219, Whymper, Edward (sc.), 1871, John Tyndall, Hours of exercise in the Alps. London: Longmans,

Charles Reed Gardner, American, 1901-1974, Paper Making, between 1935 and 1943, wood engraving printed in black ink on japan paper, Image: 7 × 8 1/2 inches (17.8 × 21.6 cm

The grave of Deborah, Parallel Title: Debora Graves; Debora's Funeral, Signed: M. Tyroff sculp, copperplate engraving, plate XCLXI (vol. 1), Füssli, Johann Melchior; Tyroff, Martin (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Work of the Third Day 2, Parallel title: Third Tagwerck, Signed: J. G. Pinz sculp, copperplate engraving, plate VII (Vol. 1), Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Arca ex Gopher 2, Parallel title: Arch Noa built from the Holtz Gopher; Noah's Ark, Signed: J. A. Friderich sculp, copperplate engraving, pl. XXXV (vol. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob

Tulipa ..., Tulips, copperplate engraving, p. 160, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

Fish Hawk or Osprey, between 1827 and 1838, engraving, etching, and aquatint printed in black ink, colored by hand on wove paper, Image: 36 5/8 × 22 1/4 inches (93 × 56.5 cm

Robert Nanteuil, French, 1623-1678, Michaelis de Marolles Abbatis de Villeloin, 1657, engraving printed in black ink on laid paper, Plate: 6 1/2 × 4 1/8 inches (16.5 × 10.5 cm

Albrecht Dürer, German, 1471-1528, Saint Peter and Saint John Healing the Cripple, 1513, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 1/2 × 2 7/8 inches (11.4 × 7.3 cm

Bad Pfäfers, Bad Pfäfers, copperplate engraving, plate 3, to p. 83 (vol. 1), Ac. (del.), 1746, Johann Jacob Scheuchzer, Joh. Georg Sulzern, Johann Jacob Scheuchzers ... Natur-Geschichte des Schweitzerlandes samt seinen Reisen über die

Figures for topography, Copper engraving, plate 5, after p. 44 (vol. 2, investigation ...), 1746, Johann Jacob Scheuchzer, Joh. Georg Sulzern, Johann Jacob Scheuchzers ... Natur-Geschichte des Schweitzerlandes samt seinen Reisen über die

Ciconia, Hirundo, Graculus, Falco, Parallel Title: Stork, Swallow, Sole, Frembian Falck, Signed: J. G. Pinz sculps, copperplate engraving, plate CCLII (v. 2), Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob

Labra aenea Villalpandi, Parallel title: Iron Caldron to Villalpand, Signed: J. G. Pintz sculps, copperplate engraving, plate CCCCLIV, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Signed: Whymper, wood engraving, to p. 62

Jewish Feast of Tabernacles, Signed: J. A. Fridrich sculps, copperplate engraving, plate CCLXXXIV (Bd. 2), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

Plan of two fixtures 1, Copper engraving, fortifications after Francesco Marchi, Taf. XXXIV, Marini, Luigi (ill.), 1810, Architettura militare di Francesco de' Marchi: illustrata da Luigi Marini. Roma: da' Torchi di Mariano de Romanis e figli,

Petrified oyster, Fossil Oyster, Signed: EV, copperplate engraving, tab. 3, integrated into p. 16, Verelst, Egid (f.), 1776, Cosimo Alessandro Collini, Journal d'un voyage, qui contient differentes observations mineralogiques (...).

The bread of a common berezovskii cyclamen, Cyclaminus further, it has its roots camerarij, cyclamen latter rain folijs Hederaceae, Violet, copperplate engraving, p. 778, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus

Engravings pages 52 and 53, Several Architectural Sketches, copperplate engraving, Fig. 1, pp. 52-53, 1567, Daniele Barbaro: I dieci libri dell'architettura di M. Vitruvio. Tradotti & commentati da Daniel Barbaro [...]. In Venetia: Appresso

The corn is successful, fruitful bosom, Parallel Title: Fertility of the Country, Signed: G. D. Heümann sculps, copperplate engraving, plate DLXXIV, Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer:

The sons of King mules fleeing, Parallel title: David's fleeting Printzen, Signed: J. A. Fridrich sculps, copperplate engraving, plate CCCCVII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer:

The Fiz and the Col d'Auterne, Les Fiz and Col d'Auterne, signed: A. Calame, Brugnot, wood engraving, plate 3, after p.18, Calame, Alexandre; Brugnot, Louis, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions d'un

Rockfall on the Matterhorn, Signed: JM; Whymper, wood engraving, to p. 150

Pumpe (66), Manually Operated Water Pump, Copper Engraving, Fig. XCIIII, p. 145, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Languages aggressive behavior harms, Parallel title: Harmful arrows of the defrauders, Signed: P. G. Harder sculp, copperplate engraving, plate DLXXL, Füssli, Johann Melchior; Harder, Philipp Gottfried (sculp.), 1731, Johann Jakob

Unknown (English), Cupid's Tower, ca. 1776, etching and engraving with printed (?) color ink on laid paper, Plate: 9 3/4 × 6 7/8 inches (24.8 × 17.5 cm

Facilities of the iron mine and the salt mines of Pontarlier, Plans for facilities of the ironworks and the salt mine of Pontarlier, engraving, 1789, Johann Jacob Ferber: Mineralogische und metallurgische Bemerkungen in Neuchatel, Franche Comté

dracontium more, Copper Engraving, Dragonroot, p. 424, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

Land of Gods ..., Parallel Title: The Earth of God Art-Building, Signed: J. G. Pintz sculps, copperplate engraving, plate DXXIX, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Hans Sebald Beham, German, 1500-1550, Mask Held by Two Genii, 1544, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 1 7/8 × 2 3/4 inches (4.8 × 7 cm

Adriaen van Ostade, Dutch, 1610-1685, Le goute, ca. 1664, etching and engraving printed in black ink on laid paper, Plate: 8 5/8 × 10 1/8 inches (21.9 × 25.7 cm

La mer de glace (Chamounix), On the glacier Mer de Glace (Vallée de Chamonix), signed: D'Aubigny, J. Quartley, wood engraving, plate 22, after p. 214, D'Aubigny; Toepffer, Rodolphe; Quartley, J., 1846, Alexandre Calame, Rodolphe

Pumpe (11), Manually operated pump for an aqueduct, copperplate engraving, Fig. XI, p. 17, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Lightning and seven in Sinai, Parallel Title: Thunder and Fence on Mount Sinai, Signed: J. A. Fridrich sculps, copperplate engraving, plate CLXVII (Vol. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob

Albrecht Dürer, German, 1471-1528, The Dream of the Doctor, between 1498 and 1499, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 3/8 × 4 3/4 inches (18.7 × 12.1 cm

Dan Rico, American, 1912-1985, Conversation Piece, ca. 1939, wood engraving printed in color ink on laid japan paper, Image: 14 × 12 inches (35.6 × 30.5 cm

Milvus, Vultur, Aesalon, Parallel title: Consecration, Geyer, Smirle, Signed: J. G. Pintz sculp, copperplate engraving, plate CCXLII (Vol. 2), Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob Scheuchzer:

Albrecht Altdorfer, German, 1480-1538, Saint Jerome Reading, between 1515 and 1520, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 1/8 × 2 1/2 inches (10.5 × 6.4 cm

Christ kneeling woman Cananei, Parallel Title: The Fusz-due Cananitin, Signed: G. D. Heümann sculps, copperplate engraving, plate DCLXXXVI, Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer:

Spiders weave texture ungodly, Parallel Title: Godless Spider Webs, Signed: J.A. Fridrich sculps, copperplate engraving, plate DCXXI, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Reynaud crashes at Col de la Pilatte, wood engraving, to p. 276

cleaning gonorrhea, Parallel Title: Purification of the Saamen River, Signed: G. D. Heüman sculp, copperplate engraving, plate CCLXXV (Vol. 2), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob Scheuchzer:

Coal kiln, used in England to bake fayence and porcelain, Kiln for porcelain and faience from England, copper engraving, signed: Leblanc del. Et sculp, pl. 384, Leblanc (del. et sc.), 1829, Bulletin de la Société d'encouragement pour

Georg Pencz, German, 1500-1550, Susanna and the Elders, between ca. 1532 and ca. 1540, engraving printed in black ink on laid paper, Plate: 1 3/4 × 2 7/8 inches (4.4 × 7.3 cm

Paradisus, Parallel Title: Paradise, Signed: J. A. Friderich sculp, copperplate engraving, pl. XXIV (vol. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm:

Great Northern Diver or Loon, 1836, engraving, etching, and aquatint printed in black ink, colored by hand on wove paper, Sheet (trimmed inside platemark): 25 1/4 × 38 1/8 inches (64.1 × 96.8 cm

Ichnographia the length thereof, Parallel title: House of the Forest of Lebanon, Signed: J. G. Pintz sculps, copperplate engraving, plate CCCCXLI, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer:

Hands serious Asotiis, Parallel Title: God's Hand above the Philistine Land, Signed: J.A. Friedrich sculp, copperplate engraving, plate CCCLXXXIX, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob Scheuchzer:

Bartolomé Vazquez, Spanish, 1749-1802, after Leon Bueno, Spanish, after Francisco de Zurbarán, Spanish, 1598-1664, Pastorcita, 1794, engraving printed in black ink on laid paper, Plate: 22 7/8 × 15 inches (58.1 × 38.1 cm

Albrecht Altdorfer, German, 1480-1538, The Little Standard-Bearer, between 1516 and 1518, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 2 1/2 × 1 3/8 inches (6.4 × 3.5 cm

Pierre Maleuvre, French, 1740-1803, after Jean Marc Nattier, French, 1685-1766, La Nuit passe, l'Aurore paroit, 18th Century, Engraving and etching printed in black on laid paper, sheet trimmed within plate mark

Auguste Louis Lepère, French, 1849-1918, Le stryge de Notre Dame, 1890, wood engraving printed in black on tissue, Image: 5 1/4 × 4 7/8 inches (13.3 × 12.4 cm

Fundament (1), Construction of a foundation in the water, copperplate engraving, fig. CXI, after p. 172, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

God fulminans, Parallel title: The Stral-shooting god, Signed: J. G. Pintz sculp, copperplate engraving, plate DXX, Füssli, Johann Melchior; Pinz, Johann Georg, 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt

Ab'ishag to David fervitÿs, Parallel title: The nurse Abisag, Signed: J. G. Thelot sculps, copperplate engraving, plate CCCCXVI, Füssli, Johann Melchior; Thelot, Jacob Gottlieb (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Andrea Zoan, Italian, 1475-1505, after Andrea Mantegna, Italian, 1431-1506, Four Women Dancing, between 1475 and 1505, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm

Guitar suspended in the willows, Parallel Title: Citharn and Harffen Hanged on Willows, Signed: J. G. Pintz sculps, copperplate engraving, plate DLXXII, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer:

Burnet Reading, English, active 1776 - 1822, after Pierre Eugene du Simitiere, Swiss, 1736-1784, S. Huntingdon, ca. 1783, stipple engraving printed in black ink on wove paper, Image: 2 7/8 × 2 3/8 inches (7.3 × 6 cm

Willem Outgertz Akersloot, Dutch, 1624-1633, after Pieter Molyn the Elder, Dutch, 1595-1661, The Denial of Peter, 1626, engraving printed in black ink on laid paper, Plate: 12 5/8 × 9 1/8 inches (32.1 × 23.2 cm

Homo ex Smoke, Parallel title: Creation and generation of man, Signed: J. A. Fridrich sculp, copperplate engraving, pl. XXIII (vol. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Carolina Parrot, 1827 or 1828, engraving, etching, and aquatint printed in black ink, colored by hand, Plate: 33 × 24 3/8 inches (83.8 × 61.9 cm

Petrified bones, Signed: E. Verelst, copperplate engraving, etching, tab. 7, integrated into p. 26, Verelst, Egid (f.), 1776, Cosimo Alessandro Collini, Journal d'un voyage, qui contient differentes observations mineralogiques (...).

Samaden, The village of Samedan surrounded by mountains, Signed: C. Huber, steel engraving, plate 6, after p. 16, Huber, Caspar Ulrich (del. und sc.), 1870, Caspar Ulrich Huber, Album von St. Moritz in Oberengadin Canton Graubünden

Robert Nanteuil, French, 1623-1678, Michel Le Masle, 1658, engraving and etching printed in black ink on laid paper, Plate: 13 × 9 3/4 inches (33 × 24.8 cm

Charles Ernest Pont, American, 1898-1971, Coal Breaker, ca. between 1938 and 1939, wood engraving printed in color ink on wove paper, Image: 6 × 8 inches (15.2 × 20.3 cm

Plan of a fixture 1, Copper engraving, fortification after Francesco Marchi, pl. XXXVIII, Marini, Luigi (ill.), 1810, Architettura militare di Francesco de' Marchi: illustrata da Luigi Marini. Roma: da' Torchi di Mariano de Romanis e figli,

Pieter de, I Jode, Flemish, 1570-1634, after Marten de Vos, Netherlandish, 1532-1603, Choleric, between 16th and 17th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 1/2 × 8 1/2 inches (19.1 ×

Title page Copper Bible, Volume 2, Copper engraving, Scheuchzer, Johann Jakob, 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey Christian Ulrich Wagner, 1731-1735

Ieschurun fat, Parallel Title: The Fat Ieschurun, Signed: J. G. Thelot sculps, copperplate engraving, plate CCCLVIII (Vol. 2), Füssli, Johann Melchior; Thelot, Jacob Gottlieb (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...).

Hudson Bay Squirrel, Black Squirrel, Grey Squirrel, Illustration of the Hudson Bay Squirrel, Black Squirrel and Gray Squirrel, copperplate engraving, ill. XLIII, after p. 412, 1781, Thomas Pennant: History of quadrupeds. London: Printed for

Degradation of basalt, Signed: EV, copperplate engraving, tab. 15, integrated into p. 322, Verelst, Egid (f.), 1776, Cosimo Alessandro Collini, Journal d'un voyage, qui contient differentes observations mineralogiques (...). Mannheim: C. F.

Pumpe (53), Dewatering Machine, Copper Engraving, Fig. LXII, p. 96, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

The bronze sea Villalpandi, Parallel Title: The Iron Sea to Villalpand, Signed: J. G. Pintz sculps, copperplate engraving, plate CCCCLI, Füssli, Johann Melchior; Pinz, Johann Georg (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Afahelis lethal wound, Parallel title: The mortally wounded Afahel, Signed: J. A. Fridrich sculps, copperplate engraving, plate CCCCIII, Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Different presentations cabinet, Parallel Title: Difference, Notions of arch; Noah's Ark, Signed: D.G. Heuman sculp, copperplate engraving, pl. XI (vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob

Jacques Callot, French, 1592-1635, after Matteo Rosselli, Italian, 1578-1650, Attaque des fortes avances de Bone, between 1615 and 1619, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 8 5/8 × 11 3/4 inches

The dog proceeded speechless, Parallel title: No dog mucks, Signed: G. D. Heüman sculps, copperplate engraving, plate CXXXVI (Vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel

Brunnen (3), How a fountain works in cross section, copperplate engraving, Fig. CLXXXVI, p. 313, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

army assault, Parallel title: A war army invading Adler, Signed: J. G. Pintz sculp, copper engraving, plate CCCLIV (Vol. 2), Füssli, Johann Melchior; Pinz, Johann Georg (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg

Having compared with the current box, Paralleltitel: The Arch compared to today's ships; Noah's Ark, Signed: I. A. Fridirich sculp, copperplate engraving, plate XLI (vol. 1), Füssli, Johann Melchior; Fridrich, Jacob Andreas (sculp.), 1731,

Jacques Callot, French, 1592-1635, after Matteo Rosselli, Italian, 1578-1650, Le Grand Duc fait fortifier le port de Livourne, between 1615 and 1619, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 8 5/8 ×

Verreze (Val d'Aoste), Verreze (val d'Aoste), Signed: D'Aubigny d'après Calame, M. Deschamps, wood engraving, plate 17, after p. 144, D'Aubigny; Calame, Alexandre; Deschamps, M.; Français, 1846, Alexandre Calame, Rodolphe Toepffer,

Valley and castle of Misocco, Misox Castle and Valley, signed: Laisné, wood engraving, plate 12, after p. 117, Laisné; D'Aubigny; Toepffer, Rodolphe, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions d'un

William Blake, English, 1757-1827, He Ey'd the Serpent and the Serpent Him, ca. 1826, engraving printed in black ink on chine collé, Plate: 11 × 13 7/8 inches (27.9 × 35.2 cm

Wegweiser in Form einer Ruhebank, Copper engraving, Signed: F. Gilly inv, F. Frick fec, title page, Gilly, F. (inv.); Frick, F. (fec.), 1799, D. Gilly (Hg.): Sammlung von Aufsätzen und Nachrichten die Baukunst betreffend. Für angehende

Ziehbrunnen (1), Draw well with winch construction, copperplate engraving, fig. LXXV, after p. 115, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Paul Potter, Dutch, 1625 - 1654, Cowherd, 1649, etching and engraving printed in black ink on laid paper, Plate: 7 1/8 × 8 inches (18.1 × 20.3 cm

St. Moritz., St. Moritz with Lake St. Moritz and surroundings, Signed: C. Huber, steel engraving, plate 2, after p. 16, Huber, Caspar Ulrich (del. und sc.), 1870, Caspar Ulrich Huber, Album von St. Moritz in Oberengadin Canton Graubünden

Chalets de la Handeck, Blockhouses in Handeck, Signed: Quichon, wood engraving, plate 37, to S. 308, Français; Calame, Alexandre; Quichon, 1846, Alexandre Calame, Rodolphe Toepffer, Voyages en zigzag ou excursions d'un pensionnat en

Hans Sebald Beham, German, 1500-1550, Sol, ca. 1539, engraving printed in black ink on laid paper, Sheet: 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

Frederick Becker, American, 1913 - 2004, Jam Session, between ca. 1935 and 1939, wood engraving printed in black ink on wove paper, Image: 7 3/4 × 9 7/8 inches (19.7 × 25.1 cm

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