Images at Librifly

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Blackwork Print with Five Ornament Motifs, a Pair of Butterflies and a Grotesque, 1592–1604, Blackwork engraving, Sheet: 2 11/16 × 2 5/16 in. (6.8 × 5.9 cm), Hans de Bull (German, active 1592–1604), Blackwork print with a grotesque atop

Marie Louise, Empress of the French, 1811, Etching and engraving on laid paper, image: 17 3/4 x 12 9/16 in. (45.1 x 31.9 cm), Prints, Designed by Alexandre Evariste Fragonard (French, Grasse 1780–1850 Paris), Engraved by J. L. Benoist

Goldsmiths Ornament with a Young Man Holding a Cornucopia, 1709, Engraving and Blackwork, Plate: 2 3/16 x 2 11/16 in. (5.5 x 6.8 cm), Giovani Battista Grondoni (Italian, active 1709–1715), Small ornament print with a design mainly made up out

The South Sea Scheme, 1722, Etching and engraving; seventh state of seven, sheet: 10 1/4 x 12 15/16 in. (26.1 x 32.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Men collecting dung dropping from the hindquarters of a mule, with a rider sitting backward on the mule and holding its tail aside, surrounded by onlookers spread around a stepped platform, from 'Secular emblems' (Emblemata saecularia),

The Virgin at the Window, 1502–40, Engraving, Sheet: 7 11/16 in. × 6 in. (19.6 × 15.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Sitting Satyrs, after 1732, Etching and engraving, sheet: 9 3/4 x 5 13/16 in. (24.7 x 14.8 cm), Prints, G. King (British, active 1732–49

Pyramus and Thisbe, 1553, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Casks and Planks at the Back of the River, Engraving; third state of three, Plate: 3 7/8 × 5 11/16 in. (9.9 × 14.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: View of Rome from the North, 1561, Engraving, sheet: 20 1/2 x 26 9/16 in. (52 x 67.5 cm), Prints, Sebastiano di Re (Italian, active Rome, 1557–63

Renard Asks for Confession from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Frontispiece to Nicholas Amhurst's 'Terrae-Filius', June 1726, Etching and engraving, sheet: 5 1/2 x 3 1/8 in. (13.9 x 8 cm), Prints, William Hogarth (British, London 1697–1764 London

Nicolas Potier de Novion, 1657, Engraving; first state of three (Petitjean & Wickert), Sheet: 14 × 10 5/16 in. (35.6 × 26.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right, 1508, Engraving, 11 3/4 x 8 1/4 in. (29.8 x 20.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Portrait of Marie-Thérèse, 1747, Etching and engraving; state 3 of 3, sheet: 16 5/8 x 12 7/8 in. (42.2 x 32.8 cm), Prints, Johann Christoph Reinsperger (German, Nürnberg 1711–1777 Vienna), After Jean Étienne Liotard (Swiss, Geneva

St. John, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Prophet Joel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 5/16 x 16 11/16 in. (56.7 x 42.4 cm) borderline(?), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua),

Hercules at the cross-roads, he is seated at the right, to the left are female personifications of Virtue and Vice, 1547–87, Engraving, sheet: 7 11/16 x 11 1/4 in. (19.5 x 28.6 cm), Prints, Adamo (Ghisi) Scultori (Italian, Mantua ca.

The Virgin and Child with Saint Anne at the Cradle, Engraving, Sheet: 2 1/2 × 2 1/4 in. (6.4 × 5.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Design for Knife Handles with Personifications of Peace and Faith, 1580–1600, Engraving and blackwork, Sheet: 3 9/16 × 2 7/16 in. (9.1 × 6.2 cm), attributed to Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

The Flagellation: Pilate stand under archway on left watching two men flagellate figure of Christ tied to column, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/8 in. × 4 in. (13 × 10.1 cm), Prints, Marcantonio Raimondi

Trulla Attacking Hudibras (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 4), 1721–26, Etching and engraving, sheet: 4 11/16 x 2 11/16 in. (11.9 x 6.9 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

Anne of Austria with the Young Louis XIV and Monsieur before the Virgin and Child (Anne d'Autriche déposant le régence du royaume de France entre les mains de la Vierge Marie), Engraving, sheet: 17 3/8 x 11 5/16 in. (44.2 x 28.8 cm), Prints,

Banknote motifs: six small lathe work designs for corners, frames and numbers, ca. 1824–42, Engraving, plate: 2 7/16 x 4 7/16 in. (6.2 x 11.3 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

The Crowning with Thorns, from The Passion of Christ, 1597, Engraving, sheet: 8 1/16 x 5 1/2 in. (20.4 x 13.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

Plan of the City of Rome. Part 2 with the Trinita dei Monti, Palazzo Borghese and the Baths of Diocletian, 1645, Etching with some engraving, undescribed state., Sheet: 21 3/16 x 15 13/16 in. (53.8 x 40.2 cm), Prints, Antonio Tempesta

The Vestal Virgin Tuccia, mid-16th century, Engraving, sheet: 10 11/16 x 13 3/4 in. (27.1 x 35 cm), Prints, Master FG (Italian, active mid-16th century

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition, 1659, Engraving, Sheet: 2 11/16 x 2 1/16 in. (6.8 x 5.3 cm), Prints, After

Portrait of the Duke of Alva, from a Series of Tazza Designs, ca. 1588, Engraving, Sheet: 5 3/16 × 4 15/16 in. (13.2 × 12.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In the central medallion, a portrait of the Duke

The Skeletons, from Grotteschi (Grotesques), ca. 1748, Etching with engraving, drypoint, and burnishing; second state of five (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

'Honest Iago, my Desdemona must I leave to thee': plate 4 from Othello (Act 1, Scene 3), etched 1844, reprinted 1900, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts), plate: 14 3/8 x 10 1/2

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 11/16 x 4 5/8 in. (22.1 x 11.7 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona

The Committee (Plate 10: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 5/16 in. (19.7 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man, from The Parable of the Good Samaritan, 1554, Engraving, Sheet: 3 1/16 × 4 1/4 in. (7.8 × 10.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561

Afriquaine en deshabillé, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by

The Watermill, Engraving; fourth state of four, Sheet: 5 1/4 × 7 5/8 in. (13.4 × 19.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Industrious 'Prentice a Favorite and Entrusted by his Master (Industry and Idleness, plate 4), September 30, 1747, Etching and engraving; second state of two, plate: 10 3/8 x 13 1/2 in. (26.3 x 34.3 cm), Prints, William Hogarth (British,

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, 1599, Engraving, sheet: 5 x 7 7/16 in. (12.7 x 18.9 cm), Prints,

Column of Dilius and Obelisque Fountain, 1574, Engraving, sheet: 18 3/16 x 12 3/16 in. (46.2 x 31 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is likely

Banknote vignette with the main street of a town, ca. 1824–37, Engraving and etching on chine collé, plate: 2 1/2 x 4 13/16 in. (6.3 x 12.3 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Hudibras Vanquished by Trulla (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 5), February 1725–26, Etching and engraving; second state of five, sheet: 9 7/8 x 12 7/8 in. (25.1 x 32.7 cm) (trimmed within platemark), Prints,

Water, 18th century, Etching and engraving, Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Christ Healing the Leper, from The Story of Christ, 1534–35, Engraving, Sheet: 1 9/16 × 2 5/16 in. (3.9 × 5.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Charles-Maurice le Tellier, 1671, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 13 1/8 × 10 1/2 in. (33.3 × 26.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Nude Children Dancing Under a Canopy, with Two Horses on the Left and a Banner on the Right, ca. 1532–33, Engraving, Sheet: 1 11/16 × 4 1/8 in. (4.3 × 10.4 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Portrait of L'Abbé Pommyer, 1771, Etching and engraving; fifth state of five (Bocher), Sheet: 9 3/4 × 7 13/16 in. (24.7 × 19.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

Speculum Romanae Magnificentiae: Temples on the Isle of Tiber, 16th century, Engraving and etching, sheet: 13 7/8 x 18 5/16 in. (35.3 x 46.5 cm), Prints, Anonymous

House of Commons - Sir Robert Walpole's Administration, November 1, 1803, Etching and stipple engraving, Plate: 21 7/16 x 16 in. (54.4 x 40.7 cm), Prints, After William Hogarth (British, London 1697–1764 London), After Sir James Thornhill

Pendant Design with Judith Holding the Head of Holofernes, from Des Pendants de Cleffs pour les Femmes, 1580–1600, Engraving and blackwork, Sheet: 3 9/16 × 1 1/8 in. (9 × 2.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623

Horizontal Panel with Two Genii Riding on Two Chimeras, 1544, Engraving; fourth state of four (Pauli), Sheet: 1 3/8 x 14 in. (3.5 x 35.6 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Ornament with two genii riding on

Alexander the Great commanding that the work of Homer be placed in the tomb of Achilles, ca. 1500–1550, Engraving, Sheet: 9 11/16 × 15 13/16 in. (24.6 × 40.1 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca.

Two Satyrs Fighting Over a Nymph, Engraving, Sheet: 2 5/8 × 1 7/8 in. (6.7 × 4.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants, early 16th century, Engraving, plate: 7 5/16 x 10 1/2 in. (18.5 x 26.7 cm), Prints, Anonymous, After Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536

Hardouin de Beaumont de Péréfixe, 1663, Engraving, Sheet: 19 3/8 × 16 7/16 in. (49.2 × 41.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Three male singers standing together holding a sheet of music, ca. 1599–1641, Engraving, Plate: 6 3/4 × 4 13/16 in. (17.2 × 12.3 cm), Prints, Attributed to Luca Ciamberlano (Italian, active Rome, 1599–1641), After Marcantonio Raimondi

Speculum Romanae Magnificentiae: Circus Flaminius, 1553, Engraving, sheet: 14 9/16 x 21 7/8 in. (37 x 55.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Pirro Ligorio (Italian, Naples ca. 1512/13–1583

The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures, ca. 1515–16, Engraving, made up with pen and black ink on replacement sheet lower right corner, 8 1/4 x 6 9/16 in. (21.0 x 16.6 cm),

Saint Anthony Tormented by Demons, ca. 1470–75, Engraving; second state, Cut to image: 12 1/4 x 9 in. (31.1 x 22.9 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Print, New Inventions of Modern Times [Nova Reperta], The Invention of Copper Engraving, plate 19, Artist, Publisher, After, Jan van der Straet, called Stradanus, Jan Collaert I, Philips Galle, Netherlandish, Bruges

Adam and Eve, Engraving, sheet: 11 x 7 15/16 in. (27.9 x 20.1 cm), Prints, Jan (Pietersz.) Saenredam (Netherlandish, Zaandam ca. 1565–1607 Assendelft), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

La Peregrination en Terre Sainte (Pilgrimage to the Holy Land), 1488, Engraving, hand colored, Overall: 11 1/2 x 8 3/4 x 1 5/8 in. (29.2 x 22.3 x 4.2 cm), Books

The Judgment of Paris; Paris seated on a rock choosing between the goddesses Venus, Juno, and Minerva, the god Mercury with a caduceus in between them, 1555, Engraving, sheet: 16 x 21 1/4 in. (40.7 x 54 cm) platemark, Prints, Engraved by

Bringing Rope to the Prisoner, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 1/4 in. (6.8 × 13.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris

Hudibras Catechized (Plate 9: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 5/16 in. (19.7 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

St. Agnes, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Hearing (Auditus), from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 3/4 × 7 15/16 in. (9.6 × 20.1 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the personification of Auditus (Hearing) shown as a female

Speculum Romanae Magnificentiae: Statue of Meleager, 1555, Engraving, sheet: 17 11/16 x 12 1/16 in. (45 x 30.6 cm), Prints, Anonymous

A Rake's Progress, Plate 2, June 25, 1735, Etching and engraving; fourth state of four, plate: 13 15/16 x 16 3/16 in. (35.4 x 41.1 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: View of Rome from the East, 16th century, Engraving, sheet: 19 3/4 x 26 1/2 in. (50.2 x 67.3 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Prospetto principale di Palazzo di Caprarola, 1746–48, Engraving, sheet: 18 1/2 x 28 in. (47 x 71.1 cm), Prints, Giuseppe Vasi (Italian, 1710–1782

Venus wringing the water from her hair, standing at the water's edge, 1506, Engraving silhouetted; the seascape at left and right has been made up, 8 7/16 x 6 in. (21.4 x 15.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

St. Bernard Kneeling Before a Crucifix, ca. 1655, Engraving; third state of four, sheet: 17 1/4 x 11 5/16 in. (43.8 x 28.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

An Angel and a Soldier Inscribe Stone Slabs, Engraving, sheet: 10 1/4 x 7 1/2 in. (26.1 x 19.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Two women of the zodiac standing beneath the signs of Libra and Scorpio, ca. 1517–20, Engraving (heavily reworked), Sheet: 11 1/4 × 7 7/8 in. (28.6 × 20 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Industrious 'Prentice Lord Mayor of London: Industry and Idleness, plate 12, September 30, 1747, Etching and engraving; first state of three, sheet: 10 3/4 x 15 11/16 in. (27.3 x 39.8 cm), Prints, William Hogarth (British, London

1 of 8 plates on Hunting and Fishing, Engraving, Plate: 3 1/8 x 8 7/16 in. (8 x 21.5 cm), Prints, After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

Self-Portrait at Age Twenty-Eight, 1530, Engraving; first state of two, Sheet: 5 13/16 × 4 1/8 in. (14.7 × 10.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

St. Alexis, 1649, Engraving; first state of two, sheet: 19 3/16 x 14 3/16 in. (48.8 x 36 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

A Gentleman Greets a Lady, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 1/4 × 3 3/8 in. (5.7 × 8.5 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A gentleman, at left, greets a lady, at right, who hands him a

Banknote motif: the word ONE with each letter set against a circle of lathe work, ca. 1824–42, Engraving, sheet: 1 1/4 x 3 3/16 in. (3.2 x 8.1 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Genius on a Globe Floating in the Air, mid-17th century, Engraving, Sheet: 2 1/4 × 1 7/16 in. (5.7 × 3.6 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

The Right Honorable Charles Pratt, 1st Earl Camden, Lord Chancellor, 1795, Stipple engraving and etching; fifth state, sheet: 23 11/16 x 17 3/4 in. (60.1 x 45.1 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After

The Importunate Friend (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Cross-Shaped Pendant Design with Hope Standing in a Circular Temple, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 15/16 × 4 5/16 in. (15.1 × 10.9 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp),

A Black Man in Three-quarter Profile, 1522, Engraving, Sheet: 4 1/16 x 2 13/16 in. (10.3 x 7.1 cm), Prints, Frans Crabbe van Espleghem (Netherlandish, Mechelen ca. 1480–1553 Mechelen), This riveting engraving of an African is one of the rare

Christ before Caiaphas: soldiers present Christ to seated hight priest who tears his garments, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/4 in. × 4 in. (13.3 × 10.1 cm), Prints, Marcantonio Raimondi (Italian,

St. Peter, from Christ, the Apostles and St. Paul with the Creed, 1589, Engraving; third state of five, sheet: 5 7/8 x 4 1/16 in. (15 x 10.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Statue of Pasquin in the House of Cardinal Ursino, 16th century, Engraving and etching, sheet: 19 3/16 x 13 5/8 in. (48.8 x 34.6 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Two ladies and two gentlemen dancing within an ornate architectural setting, a fountain at center in the background, a scene from 'Talestri, Regina delle Amazzoni', 1765, Engraving, sheet: 6 7/8 x 10 5/16 in. (17.5 x 26.2 cm

Bias weeps and condemns, plate IX from Thronus Justitiæ, 1605, Engraving, sheet: 11 3/4 x 15 3/8 in. (29.9 x 39 cm), Prints, Joachim Wtewael (Netherlandish, Utrecht 1566–1638 Utrecht), Willem van Swanenburg (Netherlandish, ca.

Judith, ca. 1526, Engraving, Sheet: 3 3/8 × 2 5/8 in. (8.5 × 6.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

St. William, Duke of Aquitaine, Converted by St. Bernard, Engraving, sheet: 9 3/4 x 13 1/2 in. (24.7 x 34.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Unmerciful Servant (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

The Fight Between Ulysses & Irus, ca. 1590, Engraving; second state of three, 42.8 x 33.2 cm, Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Hispani et Hispanae in Vestitu Cultus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 3/16 x 5 7/8 in. (23.4 x 15 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen

Little boy with a scythe, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de France, devised in

Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 1/4 in. (21 × 10.8 cm), Prints, Giovanni Jacopo

Pyramus and Thisbe, ca. 1529, Engraving, Sheet: 2 3/16 in. (5.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Martin Folkes, 1742, Etching and engraving; fourth state of four, plate: 13 1/16 x 9 3/8 in. (33.2 x 23.8 cm), Prints, William Hogarth (British, London 1697–1764 London

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