Images at Librifly

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Following Renard's False Story, His Father Is Chased by Hunting Dogs from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm), Prints, Allart van Everdingen (Dutch,

Le chancelier Pierre Séguier, 1657, Engraving; first state of four (Petitjean & Wickert), Sheet: 12 5/8 × 9 5/8 in. (32 × 24.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Charles Le Brun (French, Paris 1619–1690

Speculum Romanae Magnificentiae: Portraits of the Ancient Philosophers, 16th century, Engraving, sheet: 18 13/16 x 15 3/8 in. (47.8 x 39 cm), Prints, Anonymous, Italian, 16th century

Speculum Romanae Magnificentiae: Council of Trent, 1565, Etching and engraving, sheet: 13 3/16 x 19 9/16 in. (33.5 x 49.7 cm), Prints, Anonymous, Italian, 16th century

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Composite capital with measurements, ca. 1537, Engraving, Sheet: 8 13/16 x 5 11/16 in. (22.4 x 14.5 cm), Master G.A. (Italian, active ca. 1535), Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman

Frame for a Dedication Plate, 18th century, Etching and engraving, Sheet: 20 1/4 x 14 5/16 in. (51.4 x 36.4 cm) trimmed within platemark, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, sheet: 16 1/2 x 11 5/16 in. (41.9 x 28.8 cm), Prints, After William Hogarth

Laughter (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Prints,

Vertical Panel with Candelabrum Containing Pairs of Fish and Rosettes, 1552, Engraving, Sheet: 5 7/16 × 1 3/4in. (13.8 × 4.5 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design with a pair of

Two gladiators fighting in front of an arch, 1530–60, Engraving, sheet: 8 1/16 x 9 1/16 in. (20.5 x 23 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Times, Plate 1, September 7, 1762, Etching and engraving; third state of three, sheet: 9 13/16 x 12 in. (25 x 30.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Virgin and Child, Engraving; reverse copy, sheet: 7 3/4 x 5 7/16 in. (19.7 x 13.8 cm), Prints, Abraham Blooteling (Dutch, 1640–1690), After Claude Mellan (French, Abbeville 1598–1688 Paris

The Funeral of Chrystom and Marcella Vindicating Herself (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 10 1/4 x 7 1/16 in. (26 x 18 cm), Prints, William Hogarth (British, London

The Madonna nursing the Christ Child at the foot of a tree, ca. 1502–3, Engraving with drypoint, Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen or Brussels

St. Peter, from Christ, the Apostles and St. Paul with the Creed, 1589, Engraving; first state of five, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Statues of the Dioscuri at the Quirinal, 1546, Engraving, 11 1/16 x 16 7/8 in. (28.1 x 42.9 cm), Prints, Anonymous, Italian, 16th century

Apollo and Daphne (reverse copy), n.d., Engraving, Sheet: 3 1/8 in. × 2 in. (7.9 × 5.1 cm), Prints, After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Title Page, from Des Pendants de Cleffs pour les Femmes, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 1 1/8 in. (9.2 × 2.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Title page from a series of

The Triumph of Caesar: The Senators, ca. 1484–92, Engraving, sheet (trimmed to image area): 10 7/8 x 10 5/8 in. (27.6 x 27 cm), Prints, Circle of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Death of Adonis, Engraving; fourth state of four (BN), sheet: 8 7/16 x 12 in. (21.5 x 30.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Flagellation, with the Pavement, ca. 1475–80, Engraving, plate: 15 3/16 x 11 5/8 in. (38.6 x 29.5 cm); trimmed to the boarder on the left and all around on the other sides., Prints, School of Andrea Mantegna (Italian, Isola di Carturo

Design for a Plate with Arion Riding a Dolphin in a Medallion Bordered by Sea Monsters, ca. 1600, Engraving, Sheet: 6 9/16 × 6 1/2 in. (16.7 × 16.5 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Design for a circular

Speculum Romanae Magnificentiae: Sepulchre of Augustus, 1575, Engraving and etching; first state of two (Robert-Dumesnil), sheet: 13 7/8 x 18 5/16 in. (35.3 x 46.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Maddalena Corvina, 1636, Engraving, sheet: 4 1/8 x 3 1/4 in. (10.5 x 8.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Minerva Instructs the Dauphin, 1640, Engraving; third state of three (BN), sheet: 8 x 5 1/2 in. (20.3 x 13.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Louise Marie, Queen of Poland and Sweden, 1653, Engraving, sheet: 9 9/16 x 7 1/16 in. (24.3 x 18 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Sitting Satyrs, after 1732, Etching and engraving, sheet: 9 3/4 x 5 13/16 in. (24.8 x 14.8 cm), Prints

Cross-shaped Pendant and Four Other Motifs, 1622, Blackwork and engraving, Plate: 3 3/8 x 4 9/16 in. (8.6 x 11.6 cm) [height is slightly cropped], Giovanni Battista Costantini shows a real progression in his print designs in blackwork. In 1615 he

The Marriage Feast (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London),

Personification of Faith, Engraving; second state of three (BN), sheet: 11 15/16 x 8 11/16 in. (30.4 x 22.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Title-Plate, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 5/16 × 3 1/4 in. (5.9 × 8.3 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Title page, with title in cartouche as center, flanked by two putti, in an

The Story of the Horse Who Wants Revenge on the Stag from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 5/8 × 4 5/8 in. (9.2 × 11.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Sanitas, from Proposopographia, ca. 1585–90, Engraving, plate: 5 7/8 x 3 7/16 in. (15 x 8.8 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

Saint Lawrence, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Frontispiece, mid to late 18th century, Etching and engraving, Sheet: 12 5/16 × 10 7/8 in. (31.3 × 27.6 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris

Aurora, Engraving, plate: 6 9/16 x 7 5/16 in. (16.6 x 18.5 cm), Prints, Hendrick Goudt (Dutch, The Hague 1583–1648 Utrecht), After Adam Elsheimer (German, Frankfurt 1578–1610 Rome

Claude de Rebé, Archbishop of Narbonne, Engraving; second state of two, sheet: 11 15/16 x 8 11/16 in. (30.4 x 22 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: The Little Angler, 1567, Engraving, sheet: 19 1/8 x 13 5/8 in. (48.6 x 34.6 cm), Prints, Anonymous

The Hilltop, ca. 1912, Stipple engraving, Sheet: 14 3/16 × 11 1/4 in. (36 × 28.5 cm), Prints, Ernest Haskell (American, Woodstock, Connecticut 1876–1925 West Point, Maine), Technique referred to by the artist and Pousette-Dart as

The Magdalene standing facing right, jar held in her raised right hand, 1530–60, Engraving, sheet: 8 1/4 x 5 11/16 in. (21 x 14.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

An Election Entertainment, Plate I: Four Prints of an Election, February 1755, Etching and engraving; state six of eight, plate: 15 7/8 x 21 5/16 in. (40.3 x 54.1 cm), Prints, William Hogarth (British, London 1697–1764 London

François de La Mothe le Vayer, 17th century, Engraving, Sheet: 4 13/16 × 2 15/16 in. (12.2 × 7.5 cm), Prints, Louis Cossin (French, Troyes 1627–1704 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris

Jean de Mesgrigny, ca. 1652, Engraving, sheet: 13 x 9 15/16 in. (33 x 25.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Jean Daret (French, Brussels 1613/15–1668 Aix-en-Provence

Chairing the Members, Plate IV: Four Prints of an Election, January 1, 1758, Etching and engraving; third state of three, sheet: 16 15/16 x 21 7/8 in. (43 x 55.5 cm), Prints

Adam and Eve, 1504, Engraving, Sheet: 6 1/2 × 8 1/4 in. (16.5 × 20.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Maréchal de Castelnau, ca. 1658, Engraving, Sheet: 10 9/16 × 7 1/4 in. (26.9 × 18.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Judgment of Solomon, Engraving, Sheet: 1 15/16 × 3 1/16 in. (5 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Tuccia, 1720, Engraving, sheet: 13 3/16 x 15 15/16 in. (33.5 x 40.5 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Pastoral Poetry, ca. 1742, Etching and engraving, Sheet (trimmed): 10 3/16 × 9 5/16 in. (25.9 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Gipseying Party, ca. 1830, Engraving on chine collé; second state of two, plate: 5 15/16 x 7 15/16 in. (15.1 x 20.1 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Charles Robert

Melchizadek Offering Bread and Wine to Abraham, ca. 1547, Etching and engraving, first state, sheet: 10 13/16 x 16 5/16 in. (27.5 x 41.5 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Portrait of an Artist Sketching a Portrait Miniature, 1799, Engraving printed in brown ink, sheet: 9 x 6 15/16 in. (22.8 x 17.6 cm), Prints, Franz Jakob Josef Ignatz von Predl (German, Plattling 1759–1806 Vilsbiburg

King Henry the Eighth and Anna Bullen, ca. 1728, Etching and engraving, sheet: 18 9/16 x 14 11/16 in. (47.1 x 37.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Renard's Parents Ask to Withdraw from the Court from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 13/16 × 4 9/16 in. (9.7 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Projet d'une grande Pendule, from 'Oeuvre de Juste Aurele Meissonnier', ca. 1742–48, Etching and engraving, Plate: 18 7/8 × 13 in. (47.9 × 33 cm), Juste Aurèle Meissonnier (French, Turin 1695–1750 Paris), Design for a large pendule hung

Design for a Knife Handle with the Sermon on the Mount, 1580–1600, Engraving and blackwork, Sheet: 4 3/16 × 2 13/16 in. (10.6 × 7.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a knife handle

Naissance et Triomphe de Venus (The Birth and Triumph of Venus), 18th century, Etching and engraving, Sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris

Youth (Midday) from The Four Ages of Man and Death with the Last Judgment, Before 1619, Engraving; state before Hollstein's first state of two (before astrological symbols added to the flag on left), Sheet: 9 x 12 5/16 in. (22.8 x 31.2 cm),

Cupid & Psyche, ca. 1631, Engraving; third state of four, 38.7 x 52.9 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Chancelier Michel IV Le Tellier, ca. 1661, Engraving; second state of two (Petitjean & Wickert), Sheet: 14 3/4 × 11 1/4 in. (37.5 × 28.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

David with the head of Goliath, ca. 1515–16, Etching with engraving, 4 5/8 x 3 3/8 in. (11.8 x 8.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), ?After Raphael (Raffaello Sanzio or Santi)

The Flower-Garden Display'd, In Above Four Hundred Curious Representations Of the Most Beautiful Flowers; Regularly Dispos'd in the Respective Months of Their Bloom, 1734, Illustrations: hand-colored etching and engraving, Book: 9 7/8 x 7 13/16 x

Adam and Eve, 1543, Engraving, Sheet: 3 1/8 x 2 1/8 in. (8 x 5.4 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

The Arms of France Accompanied by Personifications of Law and Good Faith, 1664, Engraving; first state of two, sheet: 4 13/16 x 11 11/16 in. (12.3 x 29.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Horatius Cocles on horseback, trampling a fallen soldier, ca. 1510–27, Engraving, Sheet: 6 7/8 × 4 1/2 in. (17.4 × 11.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above, 1564,

Sleeping Child with Four Skulls (reverse copy), 1595–1637, Engraving, Sheet: 2 1/8 × 3 1/16 in. (5.4 × 7.7 cm), Prints, Lucas Kilian (German, Augsburg 1579–1637 Augsburg), After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Christ on the Cross, before 1604, Engraving; first state of four, Plate: 9 1/8 × 6 13/16 in. (23.2 × 17.3 cm), Prints, After Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

A Harlot's Progress, Plate 3, before April 1732, Etching and engraving; first state of three, sheet: 12 11/16 x 15 3/8 in. (32.2 x 39 cm), Prints, William Hogarth (British, London 1697–1764 London

Shakespeare's Tempest (Macklin's British Poets), 1798, Stipple engraving, hand-colored; third state of three, Sheet (trimmed within plate): 17 11/16 × 22 1/2 in. (45 × 57.2 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815

Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche', 1530–60, Engraving, plate: 7 11/16 x 8 7/8 in. (19.6 x 22.6 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

Don Quixote Releases the Galley Slaves (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 15/16 x 7 5/16 in. (25.3 x 18.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Arch with a Shell Ornament, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm),

Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth' (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2), 1725–68, Etching and engraving; third state of three, plate: 10 3/4 x 13 11/16 in. (27.3 x 34.7 cm),

Saint Anthony, 1564, Engraving, sheet: 3 1/2 x 2 3/8 in. (8.9 x 6 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Martin Schongauer

Le Maréchal de Castelnau (Jacques II de Castlenau, dit de Mauvissière), 1658, Engraving; second state of four [?] (Petitjean & Wickert), Sheet: 11 9/16 × 7 1/2 in. (29.3 × 19 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Bacchus on the Shoulders of a Satyr, 16th century, Engraving, sheet: 18 1/8 x 12 in. (46 x 30.5 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Frontispiece and Its Explanation (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 1), 1725–68, Etching and engraving; fourth state of four, plate: 10 7/16 x 13 7/8 in. (26.5 x 35.2 cm), Prints, William Hogarth (British, London

Erigone Vanquished, ca. 1745, Etching and engraving, Sheet (trimmed): 9 3/8 × 11 1/16 in. (23.8 × 28.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Design for Sword or Dagger Handles, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 2 5/8 in. (9.2 × 6.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Two dagger handle designs. The one at left shows an armed female

Snap-the-Whip – Drawn by Winslow Homer (Harper's Weekly, Vol. XVII), September 20, 1873, Wood engraving, image: 13 9/16 x 20 5/8 in. (34.4 x 52.4 cm), Prints

Speculum Romanae Magnificentiae: Satyr (Satyrus in caedibus), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

The Industrious 'Prentice Performing the Duty of a Christian (Industry and Idleness, plate 2), September 30, 1747, Etching and engraving; second state of two, plate: 10 3/8 x 13 9/16 in. (26.3 x 34.5 cm), Prints, William Hogarth (British,

Two Musicians Playing the Violin and the Lute, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/16 × 1 1/2 in. (5.3 × 3.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Two Cupids, One Carrying a Torch, Another a Bow, 1727–60, Etching and engraving, Sheet (trimmed): 10 13/16 × 8 1/8 in. (27.5 × 20.7 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French,

March and April (copy), Engraving, Sheet: 2 x 2 3/4 in. (5.1 x 7 cm), Prints, after Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Two deformed heads, 1625–77, Engraving, only state, Sheet: 3 11/16 × 6 9/16 in. (9.4 × 16.7 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Two grotesque figures facing each other. Not by Hollar

St. Lawrence, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Renard Makes Fun of the Bear from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 5/8 in. (9.5 × 11.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Arrival of Telemachus at the Island of Calypso, Etching and Engraving, sheet: 7 5/16 x 9 1/8 in. (18.5 x 23.2 cm), Prints, Etched by Antoine Jean Duclos (French, Paris 1742–1795 Paris), Engraved by Jean-Baptiste Patas (French, Paris

An allegorical composition with Charity and prisoners in chains; a plate from Rossi's series of engravings of Pietro da Cortona's fresco in the Camera of Mars in the Pitti Palace, Florence., 1677, Engraving, Sheet: 15 7/16 x 31 9/16 in. (39.2 x

The Cascade Near the Watermill, Engraving; fourth state of five, Sheet: 5 7/8 × 8 5/16 in. (15 × 21.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Frieze with a Bearded Mask Wearing a Headdress of Tendrils and Strapwork, ca. 1590, Engraving, Sheet: 1 9/16 × 6 7/16 in. (3.9 × 16.4 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with a bearded mask at center with

Virgin and Child (upper portion), late 15th century, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

Moses Brought to Pharoah's Daughter, ca. 1800, Engraving, Sheet: 2 9/16 x 3 1/4 in. (6.5 x 8.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Charles V, duc de Lorraine, 1660, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 9/16 × 9 3/4 in. (31.9 × 24.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

New Dreams of Happiness (from the series A Love), 1887–1903, Etching and engraving; third edition; state eight of ten, Plate: 17 13/16 × 13 11/16 in. (45.3 × 34.7 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Portrait of Jan Pietersz Sweelinck, Organist & Musician in Amsterdam, 1624, Engraving; third state of three, 7 13/16 × 5 1/16 in. (19.8 × 12.9 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

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