Images at Librifly

search results: Engraving clear search

Speculum Romanae Magnificentiae: Pyramid of Caius Cestius, 1582, Etching and engraving, sheet: 18 13/16 x 13 3/16 in. (47.8 x 33.5 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Marriage A-la-Mode, Plate V, April 1, 1745, Etching and engraving; second state of four, Sheet: 15 3/16 x 18 3/8 in. (38.6 x 46.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Bear Seeks Justice from the Lion Against Renard from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 3/16 in. (9.5 × 10.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Pleasures of Occupation, Etching and engraving, sheet: 4 1/4 x 5 7/8 in. (10.8 x 15 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Sheet of border segments: vertical floral ornament, horizontal frieze, four corners, 1490–1500, Engraving, Sheet: 11 5/16 × 7 11/16 in. (28.8 × 19.5 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice

Christine, reine de Suède, 1654, Engraving; third state of three (Petitjean & Wickert), Sheet: 10 1/16 × 7 3/8 in. (25.5 × 18.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Sébastien Bourdon (French, Montpellier

Speculum Romanae Magnificentiae: Farnese Palace, 16th century, Engraving, sheet: 15 1/16 x 18 11/16 in. (38.2 x 47.4 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome

Minerva, Engraving; first state of two, sheet: 9 7/16 x 13 9/16 in. (24 x 34.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

L'Abbé de Saint Cyran, Engraving, sheet: 10 3/8 x 7 5/16 in. (26.3 x 18.5 cm), Prints, Anonymous, After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Saint Paul, 1726, Etching and engraving, Sheet (trimmed): 13 1/2 × 8 9/16 in. (34.3 × 21.7 cm), Prints, Michel Aubert (French, 1700–1757 Paris), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Doric capital, 1528, Engraving, mount: 7 5/16 x 8 11/16 in. (18.5 x 22.1 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Annunciation, Mary kneels at a lectern as Gabriel approaches on a cloud from the left, with the dove of the Holy Spirit above, trimmed from an engraving showing decorations for thimbles, ca. 1580–1600, Engraving, sheet: 1 1/8 x 11/16 in. (2.9

Denis de La Barde, 1657, Engraving, Sheet: 14 × 10 1/4 in. (35.6 × 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Blackwork Print with Birds and Grotesques Atop a Horizontal Panel, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 3/4 × 3 1/2 in. (12.1 × 8.9 cm), Etienne Carteron (French, born

Woman Carrying a Bucket, Etching and Engraving, sheet: 12 7/8 x 15 3/8 in. (32.7 x 39 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris

Michel Le Tellier, 1662, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 15/16 × 9 13/16 in. (32.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Times, Plate 2, May 29, 1790, Etching and engraving; fourth state of four, sheet: 9 15/16 x 12 5/16 in. (25.3 x 31.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Décrotteur (Shoe Shiner), from Mes gens, ou Les commissionnaires ultramontains au service de qui veut le payer (Servants for Public Hire), 1766–70, Etching and engraving; second state of two (Bocher), Sheet: 13 11/16 × 10 7/16 in. (34.7 ×

St. Paul, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving; second state of two, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Title Page: Bentivoglio, Della Guerra di Fiandra, 1632, Engraving; printed without inscription, sheet: 8 1/8 x 5 3/4 in. (20.6 x 14.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Ancienne Mode Françoise, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 5/16 in. (21 × 10.9 cm), Prints,

Speculum Romanae Magnificentiae: Plan of St. Peter's, 1569, Engraving, sheet: 18 9/16 x 16 5/16 in. (47.2 x 41.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

A Rake's Progress, Plate 8, ca. 1800, Engraving, Sheet: 2 9/16 x 3 1/8 in. (6.5 x 8 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Virgin and Child on a Crescent Moon, 1553, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The crowned figure of the Virgin holds the Child to her left

St. Francis of Assisi, 1638, Engraving, sheet: 20 1/4 x 14 3/8 in. (51.5 x 36.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion, 16th century, Engraving, Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm), Prints, Domenico del Barbiere (Italian, Florence

Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands, 1606, Etching and engraving, Sheet: 5 1/16

Scipio Africanus on horseback preceeded by a foot soldier holding a standard, ca. 1500–1534, Engraving, Sheet: 6 11/16 × 4 3/4 in. (17 × 12 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Soldiers in a Good Mood (Les Soldats en Bonne Humeur), 1746, Etching and engraving, Plate: 11 13/16 x 16 in. (30 x 40.7 cm), Prints, After Carel Breydel (Flemish, 1678–1733), Joseph Van Loo (French, b6; active 1703–1740

The Rich Man and Lazarus (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Vincent Voiture, 1649, Engraving, Sheet: 7 3/4 × 5 11/16 in. (19.7 × 14.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Judith with the Head of Holofernes, n.d., Engraving, Sheet: 2 1/2 × 1 9/16 in. (6.4 × 4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Pietà: the Virgin standing over the dead Christ, her hands outspread, ca. 1515–17, Engraving, 11 15/16 x 8 9/16 in. (30.4 x 21.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael

Venus and Cupid in a Decorative Frame with Grotesques, from the Judgment of Paris, ca. 1580–1600, Engraving, Sheet: 5 1/2 × 3 1/2 in. (13.9 × 8.9 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Plate 4 from a series

Reverse Copy of the Top of Dagger Sheath with David Holding the Head of Goliath, after 1529, Engraving, Sheet: 3 3/8 × 1 7/16 in. (8.5 × 3.7 cm), after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Seated Woman, Arms Crossed in Prayer, Engraving, sheet: 4 7/16 x 2 13/16 in. (11.3 x 7.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Laocoon, 16th century, Engraving; second state of two (Robert-Dumesnil), sheet: 17 1/2 x 12 3/16 in. (44.5 x 31 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Frederick the Wise of Saxony, 1509, Engraving, Sheet: 6 7/8 × 4 3/4 in. (17.5 × 12.1 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

God enters into a covenant with Noah: next to a smoking pyre Noah kneels in a gesture of prayer, surrounded by members of his family, a rainbow stretches over them, from a series of engravings for the 'Liber Genesis', 1612, Engraving, Sheet: 3

Portrait of Charles Chais, 1765, Etching and engraving, plate: 8 9/16 x 5 7/8 in. (21.8 x 15 cm), Prints, Jacob Houbraken (Dutch, Dordrecht 1698–1780 Amsterdam), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Le Père Charles Faure, Engraving; second state of two, sheet: 8 13/16 x 6 1/16 in. (22.4 x 15.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Pietà: the Virgin standing over the dead Christ, her hands outspread, ca. 1515–17, Engraving, 12 3/16 x 8 3/4 in. (31.0 x 22.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael

Cassandra, Frontispiece, Vol. 3, 1725, Etching and engraving, sheet: 5 5/16 x 2 7/8 in. (13.5 x 7.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6), 1725–68, Etching and engraving; third state of three, plate: 10 11/16 x 13 7/8 in. (27.1 x 35.3 cm), Prints, William Hogarth (British, London

Title Page, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 5 1/2 × 4 5/16 in. (14 × 10.9 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Title page with ornate cartouche over a formal

Path Through a Village, Engraving, Sheet: 7 1/4 x 11 1/4 in. (18.4 x 28.6 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Mask and Palette, 1781, Etching and engraving, sheet: 4 3/4 x 4 11/16 in. (12 x 11.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

L'Imperio Vendicato, 1630–1700, Engraving, sheet: 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm), Prints, Pietro Santi Bartoli (Italian, Perugia 1615–1700 Rome), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

The Entry into Jerusalem; Christ riding on a donkey towards an arched city gate; an elderly man spreads out his cloak on the road, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 in. × 4 in. (13.1 × 10.2 cm),

Paul Before Felix, February 5, 1752, Etching and engraving; third state of three, sheet: 16 1/4 x 20 13/16 in. (41.3 x 52.8 cm), Prints, William Hogarth (British, London 1697–1764 London

St. Paul standing under an overgrown arch, his left foot poised upon a rock, his right hand grasping a scroll, from a series of full-length figures of Christ and the Twelve Apostles, 1545, Engraving, sheet: 7 13/16 x 3 5/8 in. (19.8 x 9.2 cm),

Venus and Vulcan at the Forge, ca. 1555, Engraving, sheet: 7 1/2 x 12 3/16 in. (19 x 31 cm) trimmed to borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence

Three Children Among Clouds Near a Palm Leaf, 1738–45, Etching and engraving, Sheet: 17 3/8 × 11 15/16 in. (44.2 × 30.3 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770

Dialectic: a young woman standing in a decorated interior and touching her right index finger to her left middle finger in a counting gesture, at her feet is a toad seated on a stack of books, from the series 'The liberal arts' (Les arts liberaux),

Venus and Adonis, ca. 1570, Engraving, sheet: 12 7/16 x 8 3/4 in. (31.6 x 22.2 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Teodoro Ghisi (Italian, 1536–1601

Martin Folkes, 1742, Etching and engraving; fourth state of four, sheet: 13 3/8 x 9 5/16 in. (33.9 x 23.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Jacobus Gibbs, Architectus, 1747, Etching and engraving; third state of three, sheet: 10 7/8 x 8 in. (27.7 x 20.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Saint Jude, 1726, Etching and engraving, Sheet (trimmed): 13 3/4 × 8 11/16 in. (35 × 22.1 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Marriage A-la-Mode, Plate II, April 1745, Etching and engraving; fourth state of four, Plate: 15 1/4 x 18 1/2 in. (38.7 x 47 cm), Prints, After William Hogarth (British, London 1697–1764 London

Pompone II de Bellièvre, 1653, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 7/8 × 10 5/16 in. (32.7 × 26.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Bernard de Foix de La Valette, duc d'Eperon, ca. 1650, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 3/4 × 10 1/16 in. (32.4 × 25.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Susanna Surprised by the Elders, from The Story of Susanna, 1555–80, Engraving; first state of three, Sheet: 4 7/16 × 3 3/16 in. (11.3 × 8.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Susanna, seated

The Rich Man at His Table, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Dives, at center, dining with a

Design for the Verso of a Pendant with an Oval Motif Between Strapwork, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 9/16 × 3 7/8 in. (14.1 × 9.9 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Large Alpine Landscape, ca. 1555–56, Etching and engraving, Sheet: 13 1/16 x 17 9/16 in. (33.2 x 44.6 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605), Lucas van Doetecum (Netherlandish,

Nicolas Fouquet, 1661, Engraving; first state of six (Petitjean & Wickert), Sheet: 12 11/16 × 9 13/16 in. (32.3 × 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Portrait of Jacques Pernetti, n.d., Etching and engraving, sheet: 8 7/16 x 6 1/4 in. (21.5 x 15.9 cm), Prints, Jean-Baptiste Tilliard (French, 1740?–1813), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Absalom Comforting Tamar, from The Story of Amnon and Tamar, 1540, Engraving; first state of two (New Hollstein), Sheet: 4 3/8 × 3 1/16 in. (11.1 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest),

Design for a Knife Handle with a Memento Mori, 1580–1600, Engraving and blackwork, Sheet: 3 3/4 × 15/16 in. (9.6 × 2.4 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with knife handle design, with

Bacchus as a child given by Mercury to the care of the Nymphs, Engraving and etching, sheet: 13 5/16 x 18 1/4 in. (33.8 x 46.3 cm), Prints, Andrea Procaccini (Italian, Rome 1671–1734 La Granja de San Ildefonso), After Carlo Maratti (Italian,

Christ appearing to Mary who is kneeling in prayer, after Dürer, ca. 1500–1534, Engraving; second state of two, Sheet: 5 1/4 in. × 4 in. (13.3 × 10.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Speculum Romanae Magnificentiae: Bust of Livy, 1582, Engraving and etching, sheet: 18 1/8 x 13 3/16 in. (46 x 33.5 cm), Prints, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Happiness (from the series A Love), 1887–1903, Etching, engraving, and aquatint; third edition; state seven of seven, Plate: 17 15/16 × 12 3/8 in. (45.6 × 31.5 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Portrait of Henri-Louis Le Kain, 1788, Engraving; third state of three (Bocher), Sheet: 15 13/16 × 10 7/8 in. (40.2 × 27.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Simon Bernard Le Noir (French, Paris

Portrait of Théodore Tronchin, 1782, Etching and engraving, plate: 8 1/8 x 5 11/16 in. (20.7 x 14.4 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

John Jay, 1834, Engraving on chine collé; second state of three, proof before the name, plate: 9 3/4 x 6 9/16 in. (24.8 x 16.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After

New York and Brooklyn Bridge Entrance, after 1885, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

The Rich Man on His Deathbed, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The rich man in a bed at

Antique Ewer with a Handle in the Shape of a Lioness, from Vases after the Antique, ca. 1543–1573, Engraving [second state], image: 10 1/16 x 7 3/16 in. (25.6 x 18.3 cm) [cropped within plate mark on all sides], Enea Vico (Italian, Parma

The Arch of Titus Speculum Romanae Magnificentiae), ca. 1540-1560, Engraving, sheet: 17 15/16 x 13 1/4 in. (45.5 x 33.7 cm), Prints, Anonymous

Avaritia, 1580–1600, Engraving, Sheet: 5 3/8 × 4 15/16 in. (13.6 × 12.5 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Semi-circular frieze with scenes of avarice, including a demon torturing a man sitting on bags of

The Betrayal of Christ, from The Passion of Christ, 1598, Engraving;second state of two, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius

The Industrious 'Prentice Lord Mayor of London: Industry and Idleness, plate 12, September 30, 1747, Etching and engraving; second state of three, sheet: 10 9/16 x 15 13/16 in. (26.9 x 40.2 cm), Prints, William Hogarth (British, London

Elevation of the Pantheon in Rome, reconstructed to its original form, 1549, Engraving, sheet: 15 9/16 x 18 9/16 in. (39.5 x 47.1 cm), Prints, Anonymous, Huelsen states that this is a reduced version of an earlier plate by Beatrizet (Bartsch

Athena, ca. 1540–45, Engraving, Sheet (trimmed): 8 15/16 × 6 1/8 in. (22.7 × 15.6 cm), Prints, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), After Léon Davent (French, active 1540–56), After

Cruelty in Perfection (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; only state, plate: 15 1/4 x 12 11/16 in. (38.8 x 32.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of François Dumont, 1788, Etching and engraving; third state of three (Bocher), Sheet: 5 1/2 × 4 7/16 in. (14 × 11.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

David and Bathsheba, Engraving; second state of two (Landau), Sheet: 1 7/8 × 3 1/16 in. (4.8 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Chancelier Le Tellier, 17th century, Engraving, sheet: 13 9/16 x 10 9/16 in. (34.4 x 26.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Second View of Charenton near Paris, mid to late 18th century, Engraving, Sheet (trimmed): 8 1/8 × 9 13/16 in. (20.6 × 25 cm), Prints, Peter Paul Benazech (British, ca. 1730–1783 (?)), After François Boucher (French, Paris 1703–1770

Tarquin attacking Lucretia, a servant at left witnessing the scene, ca. 1540, Engraving, sheet: 9 7/16 x 13 3/8 in. (24 x 34 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546

Minerva & Mercury Arming Perseus, 1604, Engraving; third state of three, 56.5 x 39.8cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Luncheon, Etching and engraving, sheet: 14 11/16 x 10 1/2 in. (37.3 x 26.6 cm), Prints, Bernard Lepicié (French, Paris 1698–1755 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Mystic marriage of St. Catherine, by 1575, Engraving, sheet: 11 11/16 x 8 9/16 in. (29.7 x 21.8 cm) platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Correggio (Antonio Allegri) (Italian, Correggio, active

The Adoration of the Magi, ca. 1585, Engraving; second state of three, sheet: 7 13/16 x 5 3/4 in. (19.9 x 14.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Bernardino Passeri (Italian, active Rome,

A naked young man walking left, carrying a lantern and looking backwards over his shoulder at a ram, ca. 1510–27, Engraving, Sheet: 7 5/16 × 5 1/16 in. (18.5 × 12.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

The Surgeon at Work at the Rear During an Engagement (Harper's Weekly, Vol. VII), July 12, 1862, Wood engraving, image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck,

The Miracle of the Loaves and the Fishes, from The Story of Christ, 1534–35, Engraving, Sheet: 1 9/16 × 2 3/8 in. (4 × 6.1 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Speculum Romanae Magnificentiae: Pyramid of Caius Cestius, 1547, Engraving, sheet: 15 1/4 x 11 in. (38.8 x 28 cm), Prints, Anonymous

search results: Engraving clear search