Images at Librifly

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Nicolas-Claude Fabri de Peiresc, 1637, Engraving; second state of four (BN), sheet: 8 11/16 x 5 13/16 in. (22 x 14.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Atreus Farnese, 1574, Engraving, sheet: 13 3/4 x 8 1/16 in. (35 x 20.5 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Air, ca. 1748, Etching and engraving, Sheet (trimmed): 12 5/8 × 10 3/8 in. (32 × 26.3 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Discovery, 1788, Etching and engraving; second state of three, sheet: 7 13/16 x 8 7/16 in. (19.8 x 21.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Two Boys Playing with a Dog, mid-17th century, Engraving, Sheet: 1 3/8 × 1 1/8 in. (3.5 × 2.8 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Horizontal Panel with Tendrils Growing Outwards from a Vase at Center, 1532, Engraving, Sheet: 1 7/8 × 2 5/8 in. (4.7 × 6.7 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Self-portrait with a Long Beard, 1882, Etching and engraving, plate: 9 7/16 x 12 3/8 in. (24 x 31.4 cm), Prints, Léon Boisson (French, 1854–1941), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Adam and Eve at the Foot of the Cross, ca. 1647, Engraving, sheet: 15 3/8 x 22 5/8 in. (39 x 57.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Plate 3: Psyche's two sisters are married to kings, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Speculum Romanae Magnificentiae: Alberini Palace, 16th century, Engraving, sheet: 13 9/16 x 19 3/16 in. (34.4 x 48.8 cm), Prints, Anonymous, After a building by Donato d'Agnolo Bramante (Italian, 1444–1515

Jane Shore: 'Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1), February 1, 1790, Stipple engraving and etching, printed in brown ink; third state of four, sheet: 7 3/8 x 4 3/16 in. (18.7 x 10.6

Banknote motifs: the number 5 and a building topped with a cupola, ca. 1824–37, Engraving and etching, sheet: 2 15/16 x 1 3/16 in. (7.5 x 3 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood,

Tamar Turned Out of Amnon's House, 1540, Engraving; second state of two (New Hollstein), Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Tamar crying at left, while

Reverse Copy of Thetis and Chiron, 1546, Engraving, Sheet: 2 5/16 × 3 3/16 in. (5.9 × 8.1 cm), Prints, after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Ave Maria, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories, Engraving, sheet: 9 7/16 x 7 1/2 in. (24 x 19 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Prophet Ezekiel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

Bust portrait of Ottavio Farnese, shown in profile within a niche, surrounded by an ornamented cartouche, 1567, Engraving, plate: 6 15/16 x 5 3/16 in. (17.6 x 13.2 cm), Nicolò Nelli (Italian, active Venice, ca. 1552–79

Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids, 1519, Engraving, sheet: 7 3/16 x 14 in. (18.3 x 35.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Raphael (Raffaello Sanzio or Santi)

The Adoration of the Magi, ca. 1500, Engraving, plate: 7 13/16 x 6 5/16 in. (19.9 x 16.1 cm) trimmed; slightly irregular, Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen or Brussels

Christ, from Christ and the Twelve Apostles, before 1609, Engraving, sheet: 5 13/16 x 3 15/16 in. (14.8 x 10 cm), Prints, Jacques Granthomme (French, active 17th century), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Lozenge-shaped Pendant and Two Trapezoid Motifs, 1622, Blackwork and Engraving, Plate: 2 11/16 x 3 9/16 in. (6.8 x 9.1 cm), Print from a series of six with goldsmith's designs in blackwork. This print shows designs for three elements of

The Grand Piazza, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison), Sheet: 25 1/16 x 19 7/16 in. (63.6 x 49.4 cm), Prints, Giovanni Battista

Plate from Battles and Victories (Combats et Triomphes), n.d., Engraving, probably first state of four, sheet: 2 11/16 x 8 3/4 in. (6.9 x 22.3 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Rev. John Brodhead Romeyn, D. D., May 1, 1820, Engraving; second state of two, Plate: 12 3/4 x 9 15/16 in. (32.4 x 25.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Samuel

L'Afrique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris

Renard Receives a New Citation from the Badger from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fifth state of five, Plate: 3 3/4 × 4 9/16 in. (9.5 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

David Tearing His Clothes in Grief, from The Story of Amnon and Tamar, 1540, Engraving; first state of two, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), David, seated

Joseph strides away from Potiphar's wife, who clutches his cloak with both hands as she straddles the corner of a bed, from the series 'The Story of Joseph', 1546, Engraving, sheet: 4 1/2 x 3 1/8 in. (11.5 x 7.9 cm), Prints, Georg Pencz

River View with Christ Tempted by the Devil, Engraving, Plate: 8 1/8 x 10 3/4 in. (20.7 x 27.3 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625

Turkish Soldiers Resting, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.6 × 13.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770

Leonhart von Eck, 1527, Engraving; first state, Sheet: 4 5/16 x 3 1/4 in. (10.9 x 8.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Portrait of Charles George Fenouillot de Falbaire de Quingey, 1787, Etching and engraving; third state of three (Bocher), Sheet: 7 13/16 × 4 5/16 in. (19.9 × 11 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After

Saturn, from The Seven Planets, 1533, Engraving, Sheet: 3 13/16 × 2 9/16 in. (9.7 × 6.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Prudence personified by a woman standing in a niche, holding a shawl in her right hand, a snake coiled around her, left from 'The Virtues', ca. 1515–25, Engraving, 8 11/16 x 4 1/4 in. (22.0 x 10.8 cm), Prints, Marcantonio Raimondi (Italian,

Psyche's father consulting the oracle, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 6 11/16 x 8 7/8 in. (17 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I) (Netherlandish,

Women spinning, weaving and sewing, mid-16th century, Engraving, Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Adam and Eve being expelled from paradise, ca. 1515–25, Engraving, 7 1/2 x 5 9/16 in. (19.0 x 14.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Michelangelo Buonarroti (Italian, Caprese

A panel of ornament with a putto in the centre holding a windmill, 1532, Engraving, sheet: 7 7/8 x 5 7/8 in. (20 x 15 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian,

Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel), Engraving, sheet: 15 3/8 x 16 15/16 in. (39 x 43 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Paolo Veronese (Paolo Caliari) (Italian,

Little girl playing with a dog, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France), after 1757, Etching and engraving, Sheet:

Martyrdom of St. Sebastian with Two Archers, 15th century, Engraving, plate: 8 3/8 x 7 3/4 in. (21.3 x 19.7 cm), Prints, Anonymous, Italian, 15th century

The Coronation of the Virgin; surrounded by nine vignettes with scenes from the life of Christ and the Virgin, by 1575, Engraving, sheet: 12 x 8 3/4 in. (30.5 x 22.2 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca.

Lozenge-shaped Pendant and Two Triangular Motifs in a Riverscape, 1622, Blackwork and Engraving, Plate: 2 5/8 x 3 9/16 in. (6.7 x 9 cm), Print from a series of six with goldsmith's designs in blackwork. This print shows a design for three

Perseus Delivering Andromeda, Engraving; third state of three, sheet: 7 13/16 x 9 11/16 in. (19.8 x 24.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: The Altar of Eros, ca. 1514–36, Engraving, mount: 17 15/16 x 11 13/16 in. (45.5 x 30 cm), Prints, Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After (?)

Speculum Romanae Magnificentiae: Column of Trajan, 16th century, Engraving, sheet: 21 x 10 13/16 in. (53.4 x 27.5 cm), Prints, Anonymous

The Enraged Musician, ca. 1800, Engraving, Sheet: 2 5/8 x 3 1/8 in. (6.7 x 8 cm), Prints, After William Hogarth (British, London 1697–1764 London

An Emblematic Print on the South Sea, late 18th century, Engraving and etching, plate: 10 13/16 x 13 3/8 in. (27.4 x 33.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the 'Story of Apollo and Daphne', 1530–60, Engraving, sheet: 7 1/8 x 9 5/8 in. (18.1 x 24.4 cm)

Speculum Romanae Magnificentiae: Battle of the Amazons, 1559, Engraving; second state of four (Robert-Dumesnil), sheet: 14 15/16 x 19 11/16 in. (38 x 50 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Bacchus as a child given by Mercury to the care of the Nymphs, Engraving and etching, sheet: 14 x 17 3/16 in. (35.5 x 43.7 cm), Prints, Andrea Procaccini (Italian, Rome 1671–1734 La Granja de San Ildefonso), After Carlo Maratti (Italian,

Venus standing at left resting her hand on the shoulder of Aeneas seated at right, ca. 1500–1527, Engraving, Sheet: 7 5/16 × 4 9/16 in. (18.6 × 11.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518, Engraving,

Vase with the Veneration of a Bull, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19.1 x 11.2 cm), Depiction of a vase with two handles. The vase is caracterized by a frieze with a scene showing various figures kneeling before and

The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 21 3/4 x 16 15/16 in. (55.3 x 43 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

Frédéric-Maurice de la Tour d'Auvergne, duc de Bouillon, 1649, Engraving; third state of four (Petitjean & Wickert), sheet: 12 5/8 x 9 1/8 in. (32.1 x 23.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Dedication (from the series A Life), 1887–1903, Etching and engraving; third edition; state four of six, Plate: 17 7/8 × 13 11/16 in. (45.4 × 34.7 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

The Resurrection, from The Passion of Christ, 1596, Engraving, sheet: 8 1/8 x 5 1/2 in. (20.6 x 13.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

Portrait of Charles-Nicolas Cochin II, 1771, Etching and engraving; fifth state of five (Bocher), Sheet: 10 9/16 × 7 3/4 in. (26.8 × 19.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Speculum Romanae Magnificentiae: Plan of St. Peter's, 1549, Engraving, sheet: 22 5/8 x 16 13/16 in. (57.5 x 42.7 cm), Prints, After Antonio da Sangallo, the Younger (Italian, Florence 1484–1546 Terni), After Antonio da Labacco (Italian,

Pendant Design with Winged Victory Holding a Laurel Wreath, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 7/8 × 4 13/16 in. (17.5 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical

The Entombment, 1584, Engraving, Sheet: 10 1/4 × 7 15/16 in. (26 × 20.1 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Banknote motif: the word ONE against a rectangle of ornamental basket-like lathe work, ca. 1824–42, Engraving, sheet: 1 1/8 x 3 1/8 in. (2.9 x 8 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Mrs. Abington as Thalia, August 20, 1783, Stipple engraving and etching, printed in brown ink; first state of seven, image: 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm), Prints, After Richard Cosway (British, Oakford, Devon 1742–1821 London),

Thetis Seated with a Triton, 16th century, Engraving, plate: 9 13/16 x 6 1/2 in. (25 x 16.5 cm) platemark, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

The Small Dog Standing on Hind Legs, 1741–63, Etching and engraving, sheet: 8 11/16 x 5 11/16 in. (22.1 x 14.5 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Typographic Title Page with a Vignette Depicting the Allegorical Figure of Justice, from Thronus Justitiae, tredecim pulcherrimus tabulis..., 1606, Letterpress and engraving, Sheet: 10 13/16 × 13 7/8 in. (27.4 × 35.2 cm), Prints, Willem van

Pendant Design with Mars Standing in a Niche, before 1573, Engraving; second state of three (New Hollstein), Sheet: 5 11/16 × 3 7/8 in. (14.5 × 9.9 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with a

A Rake's Progress, Plate 7, June 25, 1735, Etching and engraving; fourth state of four, plate: 14 x 16 1/8 in. (35.5 x 41 cm), Prints, William Hogarth (British, London 1697–1764 London

The Virgin of Sorrows: The Entombment; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 3/16 in. (7.1 × 5.5 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca.

Mary Magdalen Meditating, Engraving; first state of iii (BN), sheet: 9 3/16 x 13 7/16 in. (23.4 x 34.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

'The Beautiful Virgin of Regensburg' Seated in a Landscape, Engraving; second state of two [?], Sheet: 2 1/4 × 1 7/16 in. (5.7 × 3.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Harpocrates, Philosopher, ca. 1611, Engraving; first state of two, 19 × 14 5/8 in. (48.2 × 37.2 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Triumph of Fame on Chastity, from The Triumphs of Petrarch, Engraving; third state of four (Landau), Sheet: 5 7/16 × 8 1/8 in. (13.8 × 20.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Chinoiserie with Figures in a Landscape, 18th century, Etching and engraving, Sheet: 22 13/16 x 16 7/8 in. (58 x 42.9 cm), Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Industrious 'Prentice Out of his Time and Married to his Master's Daughter (Industry and Idleness, plate 6), September 30, 1747, Etching and engraving; fourth state of four, plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm), Prints, William

The Virgin and Child with the Parrot, 1549, Engraving; second state of three, Sheet: 3 1/8 × 2 1/4 in. (7.9 × 5.7 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), After Barthel Beham (German, Nuremberg ca. 1502–1540

Design for the Verso of a Pendant with Grapevines Above Axe-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 3/4 × 3 13/16 in. (14.6 × 9.7 cm), Jan Collaert I (Netherlandish, Antwerp ca.

Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace, late 16th century, Engraving and etching, sheet: 14 x 17 15/16 in. (35.6 x 45.5 cm), Prints, Anonymous

Orpheus and Eurydice, ca. 1500–1506, Engraving, 5 1/16 x 3 7/8in. (12.9 x 9.8cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After? Francesco Francia (Italian, Bologna ca. 1447–1517 Bologna),

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The martyrdom of Saint Sebastian, three archers below, an angel arrives bearing the crown of martyrdom, ca. 1480–90, Engraving, Sheet: 11 7/16 × 8 3/16 in. (29 × 20.8 cm), Prints, Anonymous, Italian, Florentine, 15th century, This

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Guillaume de Lamoignon, 1663, Engraving, Sheet: 12 5/8 × 9 13/16 in. (32 × 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Death of St. Cecilia, ca. 1599–1605, Engraving, sheet: 6 3/16 x 4 7/16 in. (15.7 x 11.2 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Francesco Vanni (Italian, Siena 1563–1610 Siena

Pendant Design with a Sea Monster Carrying Neptune Flanked by Two Figures with Horns, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 1/16 × 5 3/16 in. (17.9 × 13.1 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618

Hardouin de Beaumont de Péréfixe, 1663, Engraving; second state of three (Petitjean & Wickert), Sheet: 17 × 13 1/4 in. (43.2 × 33.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Strolling Actresses Dressing in a Barn, May 1738, Etching and engraving; fourth state of four, sheet: 17 11/16 x 22 7/16 in. (45 x 57 cm), Prints, William Hogarth (British, London 1697–1764 London

Hudibras Vanquished by Trulla (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 5), 1721–26, Etching and engraving, sheet: 4 13/16 x 2 3/4 in. (12.2 x 7 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

Tobias and the Archangel Raphael, from The Story of Tobias, 1543, Engraving; first state of three (Landau), Sheet: 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Joseph Explaining His Dreams to Jacob, from The Story of Joseph, 1532, Engraving; second state of two, Sheet: 4 13/16 × 3 1/16 in. (12.2 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Jospeh,

'Yet she must die': plate 11 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts), plate: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm),

Louis XIV, 1664, Engraving; second state of seven (Petitjean & Wickert), Sheet: 16 5/16 × 12 15/16 in. (41.5 × 32.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Frieze with Sea Monsters, 1580–1600, Engraving, Sheet: 1 5/8 × 8 1/16 in. (4.2 × 20.5 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Giovanni Andrea Maglioli (Italian, active 1580–1610), Frieze

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518, Engraving, sheet: 9 1/2 x 6 15/16 in.

Speculum Romanae Magnificentiae: The Ocean God, 1560, Engraving; third state of three (Robert-Dumesnil), sheet: 11 13/16 x 13 15/16 in. (30 x 35.4 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Frieze with Half-Length Figure Holding Cornucopias, ca. 1590, Engraving, Sheet: 1 1/2 × 6 7/16 in. (3.8 × 16.4 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with a half-length male figure with his arms through a

Portrait of William Huggins, translator of Ariosto, 1760, Engraving, Sheet: 3 3/8 x 3 3/8 in. (8.6 x 8.6 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Arch of Septimius Severus, 1583, Etching with engraving, sheet: 17 3/8 x 15 3/16 in. (44.2 x 38.5 cm), Prints, Anonymous, Italian, 16th century

1 of 8 plates on Hunting and Fishing, Engraving, Plate: 3 1/8 x 8 11/16 in. (8 x 22.1 cm), Prints, After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

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