Images at Librifly

search results: Engraving clear search

September and October from The Peasants' Feast or the Twelve Months, 1546–47, Engraving; second state of two (Pauli), sheet: 1 7/8 x 2 3/4 in. (4.8 x 7 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Two couples dancing.

Speculum Romanae Magnificentiae: Plan of Ancient Rome, 16th century, Engraving, sheet: 15 9/16 x 21 1/16 in. (39.5 x 53.5 cm), Prints, Pirro Ligorio (Italian, Naples ca. 1512/13–1583 Ferrara

Banknote vignette with figures of different ages, representing the stages of life, ca. 1824–37, Engraving and etching on chine collé, plate: 1 7/8 x 3 1/8 in. (4.7 x 8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New

Venus crouching by a plinth on top of which stands Cupid, ca. 1510–27, Engraving, areas of print made up, 8 9/16 x 5 9/16 in. (21.7 x 14.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Battle for the Banner (copy), early 16th century, Engraving, Sheet: 2 15/16 × 12 3/8 in. (7.4 × 31.5 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Design for Knife Handles, from Mansches de Coutiaus, 1580–1600, Engraving and blackwork, Sheet: 2 3/4 × 2 5/8 in. (7 × 6.6 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Two knife handle designs, with a

The Small Household, mid to late 18th century, Etching and engraving, Sheet (trimmed): 11 1/4 × 7 13/16 in. (28.5 × 19.8 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

The Revenge of the Sorcerer Virgil, Engraving, Sheet: 3 1/16 × 1 7/8 in. (7.8 × 4.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Virgin and Child with St. Elizabeth and John the Baptist, called 'The Virgin of the Palm Tree', ca. 1520–25, Engraving, 9 3/4 x 6 3/4 in. (24.7 x 17.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Taste (Gustus), from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 11/16 × 7 15/16 in. (9.4 × 20.2 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the personification of Gustus (Taste) shown at center as a

Madonna and Child, ca. 1512–16, Engraving, 9 3/4 x 6 5/8 in. (24.7 x 16.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

After, December 15, 1736, Engraving; second state of three, sheet: 15 13/16 x 12 11/16 in. (40.1 x 32.2 cm), Prints, William Hogarth (British, London 1697–1764 London

When Fortune Is Abundant, the Fall Will Be Deeper from Six Sayings about Fortune, ca. 1560, Engraving, Plate: 7 15/16 × 9 11/16 in. (20.2 × 24.6 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Summer, Etching, engraving and drypoint, sheet: 7 15/16 x 10 1/8 in. (20.1 x 25.7 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

William Gaston, 1834, Engraving; second state of two, image: 4 1/2 x 3 11/16 in. (11.5 x 9.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After George Esten Cooke (American, St. Mary's

Vase with a River God in an Oval Medallion, 17th century, Engraving, Sheet: 10 7/16 x 7 1/8 in. (26.5 x 18.1 cm), Depiction of a vase or ewer. The vase is caracterized by an abundance of motifs from the Fontainebleau School. In the center an oval

Hope, from the Cardinal Virtues, 1648–56, Engraving, first state of two., Sheet: 4 5/16 × 3 1/4 in. (11 × 8.2 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), A female figure Hope is depicted praying with an anchor

Pilate sitting on throne and washing hands while Christ is lead away by henchmen, ca. 1500–1534, Engraving, Sheet: 5 1/8 × 3 7/8 in. (13 × 9.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie, 1627, Engraving, Sheet: 9 13/16 × 7 1/16 in. (24.9 × 17.9 cm), Jacques Caillard (French, 17th century), Published by Isaac Briot (French, Damblain

Madonna of the Rose, the Madonna reaches for a rose upheld by the child, who reclines on a drapery and rests his left arm on a globe, 1516, Engraving, Sheet: 18 11/16 x 13 5/16 in. (47.5 x 33.8 cm), Prints, Domenico Tibaldi (Italian,

The Fight with the Nemean Lion, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 3/4 in. (10.7 × 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Judas kissing Christ surrounded by soldiers; St Peter attacking Malchus in foreground, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/16 in. × 4 in. (12.9 × 10.1 cm), Prints, Marcantonio Raimondi (Italian, Argini

Book IV, plate 7: the fountain of the Tiburtine sibyl in the garden at Villa d'Este, Tivoli, from the series 'The fountains of the Este garden in Tivoli' (Le fontane del Giardino Estense in Tivoli), ca. 1676–1700, Etching and engraving,

A Man Shooting a Crossbow, 1579, Engraving, Sheet: 8 3/4 × 5 7/8 in. (22.2 × 15 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), after Lelio Orsi (called Lelio da Novellara) (Italian, Novellara

Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, ca.

Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right, 1506, Engraving, 11 3/4 x 8 3/4 in. (29.9 x 22.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Triumph of Bacchus, 16th century, Engraving, sheet: 7 3/4 x 10 1/8 in. (19.7 x 25.7 cm) trimmed to oval, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Moses Before the Burning Bush, 1663, Engraving; first state of two, sheet: 9 7/16 x 13 3/16 in. (24 x 33.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

William Floyd, 19th century, Engraving; first state of three, image: 3 7/8 x 3 1/4 in. (9.8 x 8.3 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Ralph Earl (American, Worcester

Louis Hesselin, 1658, Engraving; first state of two (Petitjean & Wickert), sheet: 12 13/16 x 9 15/16 in. (32.5 x 25.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Hudibras and the Lawyer (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 12), February 1725–26, Etching and engraving; second state of three, sheet: 10 3/16 x 13 3/8 in. (25.9 x 33.9 cm) (trimmed within platemark), Prints,

'Owake! what ho! Brabantio! thieves! thieves!': plate 1 from Othello (Act 1, Scene 1), 1844, Etching, engraving, and roulette on chine collé, plate: 14 5/8 x 10 5/8 in. (37.2 x 27 cm), Prints, Théodore Chassériau (French, Le Limon,

Three Children On Dolphin, 1755–76, Crayon manner engraving in brown ink, Sheet: 11 5/16 × 15 3/8 in. (28.7 × 39.1 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris 1703–1770 Paris

St. Genevieve as a Young Girl, 1680, Engraving; second state of two (BN), sheet: 15 15/16 x 11 1/4 in. (40.5 x 28.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Fame, Engraving, sheet: 12 11/16 x 8 3/4 in. (32.3 x 22.2 cm), Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano

Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background, ca. 1510–20, Engraving, Sheet: 10 3/16 x 7 3/16 in. (25.8 x 18.3 cm), Prints, Marco Dente (Italian, Ravenna, active by

Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands, 1580–1600, Engraving and blackwork, Sheet: 5 1/4 × 4 in. (13.4 × 10.2 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad

The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti

The Triumph of Love, from The Triumph of Petrarch, Engraving, Sheet: 6 × 8 5/16 in. (15.3 × 21.1 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Trinity, Engraving, Sheet: 14 3/16 x 10 5/8 in. (36 x 27 cm), Prints, Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen), After Frans Floris I

Masquerades and Operas, 1724, Etching and engraving; second state of three, sheet: 4 15/16 x 6 7/8 in. (12.5 x 17.5 cm), Prints, William Hogarth (British, London 1697–1764 London

The Little Shepherd, ca. 1753, Etching and engraving, Sheet (trimmed): 10 11/16 in. × 8 in. (27.2 × 20.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770

'Psyche Carrying Waters of the Styx' (from the Farnesina frescoes), Engraving, sheet: 11 9/16 x 8 11/16 in. (29.4 x 22 cm), Prints, Circle of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The World Carrying Away Knowledge and Love, from The Unrestrained World, plate 3, 1550, Etching and Engraving; second state of two (New Hollstein), Plate: 7 3/16 × 9 1/2 in. (18.2 × 24.2 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish,

The Lock, after Constable, 1912, Wood engraving, Image: 5 7/8 × 4 15/16 in. (15 × 12.5 cm), Prints, After John Constable (British, East Bergholt 1776–1837 Hampstead

Speculum Romanae Magnificentiae: Corinthian base, 1537, Engraving, sheet: 4 3/16 x 6 5/16 in. (10.6 x 16 cm), Prints, Master PS (Italian or French, active 1530s

Le Cardinal de Coislin (Pierre-Arnaud du Cambout de Coislin), 1658, Engraving; first state of three (Petitjean & Wickert), Sheet: 13 7/16 × 10 7/16 in. (34.2 × 26.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Cornice, 16th century, Engraving, sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Anonymous

Le Châtaignier de Neuve-Celle, au bord du lac de Genève, after Daubigny, 1835–78, Wood engraving, sheet: 5 1/8 x 7 1/16 in. (13 x 18 cm), Prints, after Charles-François Daubigny (French, Paris 1817–1878 Paris

Chevaux Tartare, Engraving, image: 8 x 9 1/8 in. (20.3 x 23.2 cm), Prints, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

Goldsmith's Bouquet, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 5 9/16 × 4 5/16 in. (14.2 × 10.9 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Decorative floral arrangement in

Diligence, from Virtues and Vices, 1549, Engraving, Sheet: 2 3/4 × 1 15/16 in. (7 × 4.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Ruinous Cottage, Engraving; second state of two, Plate: 3 9/16 × 5 11/16 in. (9.1 × 14.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Thomas Hart Benton, ca. 1870, Engraving, sheet approximately: 12 3/8 x 9 1/16 in. (31.5 x 23 cm), Prints, J. Rogers (American, active 1866–70

Marcus Valerius, from the series The Roman Heroes, 1586, Engraving, 14 1/2 x 9 3/8 in. (36.8 x 23.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

David Praying, 1520, Engraving, sheet: 4 1/2 x 3 in. (11.4 x 7.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands from Recueil de la Galerie du Luxembourg, 1707–10, Engraving, Sheet: 19 15/16 x 14 1/8

Triumph of Patriotism, Washington Entering New York, 25 November 1783, 1853, Engraving, stipple and etching, sheet: 27 7/8 x 38 5/8 in. (70.8 x 98.1 cm), Prints, Alexander Hay Ritchie (American, Glasgow, Scotland 1822–1895 New Haven,

A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin

The Two Ladders, Engraving; second state of two, Sheet: 4 15/16 × 6 5/16 in. (12.5 × 16 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

St. Matthias, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/4 x 4 3/8 in. (15.8 x 11.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Three Men and the Porter, Engraving; third state of three, Sheet: 3 3/4 × 5 7/8 in. (9.5 × 14.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Second Spring, Engraving; first state of three, Plate: 5 3/16 × 6 15/16 in. (13.1 × 17.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Arithmetic: a young woman standing at a table, holding a sheet with inscribed numbers in her right hand, in a decorated interior, from the series 'The liberal arts' (Les arts liberaux), 1633–35, Engraving, image: 12 1/8 x 8 3/8 in. (30.8 x

Bust profile portrait of Catherine de' Medici in an ornamented frame, from 'Portraits of some princes and illustrious people' ('Ritratti di alcuni prencipi, et huomini illustri'; also titled 'Imagines quorundam principum et illustrium virorum'),

Putti and Lions, 1547, Engraving, sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm), Prints, Master FG (Italian, active mid-16th century

Dissension in the Church (Dissidium in Ecclesia), ca. 1578, Engraving, sheet: 10 1/8 x 7 5/16 in. (25.7 x 18.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Joannes Neyen, general of the order of Franciscan friars, ambassador in Trier, 1608, Engraving; fourth state of five, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), Michiel Jansz. van Mierevelt (Netherlandish, Delft

Fire, 18th century, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

God carried by angels, appearing to Noah and his family, after the Flood, ca. 1513–15, Engraving, 12 1/16 x 9 7/8 in. (30.6 x 25.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael

Speculum Romanae Magnificentiae: Composite capital, 16th century, Engraving, sheet: 4 5/8 x 5 1/2 in. (11.8 x 14 cm), Prints, Attributed to Master G.A. (Italian, active ca. 1535

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Massacre of the Innocents, ca. 1512–13, Engraving, 11 1/16 x 16 15/16 in. (28.1 x 43.0 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian,

Joseph Describing His Dream, from The Story of Joseph, 1544, Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.4 × 7.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Temperance (Temperantia) from The Virtues, ca9–60, Engraving; first state of two, Sheet: 9 5/8 x 12 5/16 in. (24.4 x 31.2 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish,

Alphonse Du Plessis de Richelieu, cardinal de Lyon, 1636, Engraving; second state of two, sheet: 8 11/16 x 5 3/4 in. (22 x 14.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Innkeeper's Wife & Daughter taking Care of ye Don after being beaten & bruised (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 7/16 x 6 7/8 in. (24 x 17.5 cm), Prints, William Hogarth

Noon (The Four Times of Day), March 25, 1738, Engraving; second state of two, plate: 19 5/16 x 16 1/8 in. (49 x 41 cm), Prints, William Hogarth (British, London 1697–1764 London

High priest refusing sacrificial lamb from Joachim, after Dürer, ca. 1500–1534, Engraving; second state of two, Sheet: 14 5/8 × 10 5/8 in. (37.2 × 27 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

View of the Tiber (Tivoli) (Prospectus Tyburtinus) from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of two, Sheet: 12 3/16 x 16 3/4 in. (30.9 x 42.6 cm), Prints, Johannes van Doetecum the elder (Netherlandish,

Christ as the man of sorrows set within an ornate frame, ca. 1500–1520, Engraving, Sheet: 3 3/4 x 2 5/8 in. (9.6 x 6.7 cm), Prints, Attributed to Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520), Written on the mat on which

The Crown of Thorns; men putting crown of thorns on Christ who blesses kneeling man, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 × 3 7/8 in. (13.2 × 9.9 cm), Prints, Marcantonio Raimondi (Italian, Argini

Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6), February 1725–26, Etching and engraving; second state of three, sheet: 10 x 13 1/16 in. (25.4 x 33.2 cm) (trimmed within platemark), Prints, William

The Idle 'Prentice at Play in the Church Yard (Industry and Idleness, plate 3), September 30, 1747, Etching and engraving; second state of two, plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm), Prints, William Hogarth (British, London 1697–1764

Woman sitting with her head turned downward to her right and eyes closed, ca. 1500–1550, Engraving, Sheet: 4 in. × 3 1/4 in. (10.2 × 8.3 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

A couple seated on the ground, the man holding a goblet and reclining against the woman's leg, a ship at sea and landscape beyond, ca. 1585–1621, Engraving, Sheet: 4 13/16 x 3 9/16 in. (12.2 x 9 cm), Prints, Heinrich Ulrich (German,

René de Longueil, marquis de Maisons, Engraving; first state of three (BN), sheet: 13 7/16 x 9 1/8 in. (34.2 x 23.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

A Rake's Progress, Plate 5, June 25, 1735, Etching and engraving; third state of three, plate: 14 x 16 1/8 in. (35.5 x 41 cm), Prints, William Hogarth (British, London 1697–1764 London

Emancipation of the Negroes – The Past and the Future (from Harper's Weekly), January 24, 1863, Wood engraving, Sheet: 14 5/8 × 20 11/16 in. (37.2 × 52.6 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil), On

Marriage A-la-Mode, Plate I, April 1, 1745, Etching and engraving; fourth state of five, Sheet: 15 3/16 x 18 5/16 in. (38.5 x 46.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Saturn holding an Infant and a Scythe, from The Seven Planets, 1533, Engraving, Sheet: 3 7/8 x 2 9/16 in. (9.9 x 6.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Parable of the Father and His Two Sons in the Vineyard, from The Story of Christ, 1534–35, Engraving, Sheet: 1 9/16 × 2 5/16 in. (3.9 × 5.9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

A seated woman holding a closed fan before a drawn curtain, a tree and sky beyond, ca. 1710–41, Etching with engraving, sheet: 7 3/4 x 5 1/16 in. (19.7 x 12.8 cm), Prints, Henri Simon Thomassin (French, Paris 1687–1741), After Antoine

Banknote motif: band of lace-like lathe work ornament, ca. 1824–42, Engraving on chine collé, plate: 5 7/8 x 2 7/16 in. (15 x 6.2 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Candlestick with Two Ignudi on Top of a Vase with Lion Heads, 1552, Engraving [first edition], Sheet: 9 1/2 × 6 15/16 in. (24.2 × 17.7 cm) [cropped within plate marks on all sides], Anonymous, Italian, 16th century, Possibly after Enea Vico

A panel of ornament, putti standing on cornucopia in lower section, 1530–60, Engraving, sheet: 8 1/4 x 5 7/8 in. (21 x 15 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi)

Man with a Fish, August 16, 1522, Engraving, sheet: 2 7/16 x 1 5/8 in. (6.2 x 4.2 cm), Prints, Dirck Vellert (Netherlandish, Amsterdam (?) ca. 1480/85–ca. 1547

Hudibras's First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3), 1725–68, Etching and engraving; fifth state of five, plate: 10 13/16 x 13 9/16 in. (27.4 x 34.4 cm), Prints, William Hogarth (British, London

The Church in the Valley, Engraving; second state of two, Sheet: 4 15/16 × 6 1/4 in. (12.5 × 15.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

search results: Engraving clear search