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Portrait of Bartholomeus Spranger, ca. 1616, Engraving; fourth state of seven, 25.5 x 17.9 cm, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), Hans von Aachen (German, Cologne 1552–1616 Prague

Patience, from Virtues and Vices, 1549, Engraving, Sheet: 2 11/16 × 2 in. (6.9 × 5.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Climbers: three naked men, one seen from behind climbing onto a river-bank, soldiers emerge from the forest in the background, 1510, Engraving, Sheet: 11 5/16 × 9 1/16 in. (28.7 × 23 cm), Prints, Marcantonio Raimondi (Italian, Argini

St. Simon, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Frontispiece for 'Figures French and comic' (Figures francoises et comiques), Etching with engraving, sheet: 9 1/16 x 5 7/8 in. (23 x 15 cm), Prints, Robert Hecquet (French, Abbeville 1693–1775 Abbeville

Renard Lies that he Gave the Ram Various Precious Objects that Were Meant for the Lion and Lioness from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 5/8 in. (9.5 × 11.7 cm), Prints, Allart

Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr, 1549, Engraving, Sheet: 4 3/16 × 1 11/16 in. (10.6 × 4.3 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Arched framing element for banknote, with acanthus and vine leaves, lily and grapes, ca. 1824–37, Engraving, plate: 2 3/16 x 3 1/16 in. (5.5 x 7.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Blackwork Print with Two Horizontal Panels Below a Pair of Lunar-Shaped Fillets with Two Motifs at Center, 1592, Blackwork engraving, Sheet: 1 15/16 × 2 1/16 in. (4.9 × 5.3 cm), Hans de Bull (German, active 1592–1604), Blackwork print with

The Flagellation, from The Passion of Christ, 1597, Engraving, Sheet: 7 11/16 × 5 3/16 in. (19.6 × 13.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

Saint Catherine, sword in her right hand, palm in her left, ca0–1510, Engraving, sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Portion of the Ceiling of the Sistine Chapel with the Libyan Sibyl, Prophet Daniel, Jesse, David, and Solomon, from Sibyls and Prophets from the Sistine Chapel Vaults, 1577 (republished in 1628), Engraving, Sheet: 17 1/8 × 21 5/8 in. (43.5

St. Mary Magdalen Reclining in a Grotto, Engraving; reverse copy, sheet: 6 7/16 x 8 9/16 in. (16.4 x 21.8 cm), Prints, Claude Goyrand (French, Sens 1620–1662 Paris), After Claude Mellan (French, Abbeville 1598–1688 Paris

Halberdier walking left and carrying a halberd over his left shoulder, two tents beyond, from the series 'Twelve soldiers of different ranks', ca. 1530–62, Engraving, plate: 3 1/8 x 1 15/16 in. (8 x 5 cm), Prints, Virgil Solis (German, (?)

Lot with His Daughters, from The Story of Lot, 1555, Engraving, Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lot, seated on a rock at center, embraces one of his

Trophy, mid-16th century, Engraving, Prints, Master FG (Italian, active mid-16th century

Allegory of the Hunt; a hunter holding a large spear carrying a woman (Diana?) on his shoulders; five hunting dogs in the foreground and a retinue of male and female hunters in the background, 1556, Engraving, sheet: 14 1/8 x 9 13/16 in. (35.8 x

Head of a Woman, from Livre de Têtes Gravées d'apres F. Boucher et Autres (Book of Heads Engraved after F. Boucher and Others), 18th century, Etching and engraving, Sheet: 7 x 5 3/8 in. (17.8 x 13.7 cm) trimmed to platemark, Prints,

Portrait of the future Holy Roman Emperor Leopold II as the Archduke of Austria and Grand Duke of Tuscany, set within a roundel upper left, allegorical figures representing the arts and sciences below, ca. 1760–67, Engraving, sheet: 9 3/16 x 6

Venus Honored by the Nymphs, ca. 1591, Engraving, Sheet: 11 1/8 × 7 7/8 in. (28.2 × 20 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

The Light Of The World, 1761, Engraving, Sheet: 18 5/8 x 14 1/16 in. (47.3 x 35.7 cm), Prints, Etienne Fessard (French, Paris 1714–1777 Paris), After François Boucher (French, Paris 1703–1770 Paris

View of Ranby's House, May 1, 1781, Etching and engraving; second state of two, plate: 4 x 6 in. (10.1 x 15.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Claude Joly, 1673, Engraving; first state of two (Petitjean & Wickert), sheet: 15 3/16 x 12 5/16 in. (38.5 x 31.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Trois Amours soutenant une draperie (Three Loves Holding a Drapery), from Premier Livre de Groupes d'Enfans (First Book of Groups of Children), Etching and engraving, sheet: 10 13/16 x 8 1/4 in. (27.5 x 20.9 cm), Pierre Alexandre Aveline (French,

Le chancelier Louis Boucherat, 1677, Engraving; second state of four [?] (Petitjean & Wickert), Sheet: 20 3/16 × 16 15/16 in. (51.3 × 43 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Savior, mid-15th century, Engraving; second state, sheet: 6 3/16 x 4 9/16 in. (15.7 x 11.6 cm), Prints, Master ES (German, active ca. 1450–67

Reverse copy of the Frontispiece: Gaigne Petit, from Le Cris de Paris (The Cries of Paris), plate 1, 18th century, Etching and engraving, Sheet: 10 3/4 x 7 7/16 in. (27.3 x 18.9 cm) trimmed, Prints, Simon Francis Ravenet, the elder (French,

Giovanni Alto (Johann Alten, Ioannes Altus) standing on the Quirinal Hill in Rome, with his right arm outstretched in a pointing position and a snake coiled around his foot and sword, 1613, Engraving, image: 14 7/16 x 9 1/8 in. (36.7 x 23.2 cm),

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right, 1543, Engraving, image: 11 3/4 x 8 1/16 in. (29.8 x 20.5 cm), Prints, Enea

Remissio Peccatorum, from the Allegories on the Christian Creed, 1598, Engraving, sheet: 9 13/16 x 7 3/8 in. (25 x 18.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Jason confronting the dragon guarding the Golden Fleece, from: Histoire de Jason et de la conquête de la toison d'or, 1563, Engraving, Plate: 6 1/8 x 9 in. (15.5 x 22.8 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After

Portrait of Michelangelo in profile facing right set within a recess, 1545, Engraving, Sheet: 9 7/16 × 6 15/16 in. (24 × 17.7 cm), Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara

Charles-Emmanuel, Duc de Savoie, 1668, Engraving; state four of five [?] (Petitjean & Wickert), Sheet: 15 3/8 x 9 15/16 in. (39 x 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Triomphe de Pomone (Triumph of Pomona), 18th century, Etching and engraving, Sheet: 19 7/8 x 5 3/4 in. (50.5 x 14.6 cm) trimmed, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris), After François Boucher (French, Paris 1703–1770

The Mocking of the Prisoners, ca. 1540, Engraving, sheet: 16 1/8 x 22 1/16 in. (41 x 56 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Double Portrait of Pierre and Jacques Dupuy, ca. 1648–49, Engraving, Sheet: 7 13/16 × 11 in. (19.8 × 28 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Awakening (from the series A Love), 1887–1903, Etching and engraving; third edition; state eight of ten, Plate: 17 15/16 × 12 3/16 in. (45.5 × 30.9 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Bambridge on Trial for Murder by a Committee of the House of Commons, June 1, 1803, Engraving, Plate: 17 3/8 x 21 15/16 in. (44.2 x 55.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

A Rake's Progress, Plate 3, June 25, 1735, Etching and engraving; third state of three, sheet: 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Two satyrs, traditionally known as the 'Mockers, ' laughing and using their limbs to pin a drawing to a tree trunk, at left a smiling man points toward the drawing, at right is a laughing woman, a globe underneath one of the satyrs, ca.

The Ruined Cottage, Surrounded by Water, Engraving; first state of three, Sheet (trimmed to plate): 2 15/16 × 4 1/4 in. (7.4 × 10.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), 1553, Engraving, sheet: 20 7/8 x 15 1/2 in. (53 x 39.4 cm), Prints, Anonymous, Italian, 16th century, After a drawing attributed to Enea Vico

Cardinal Richelieu, Kneeling, Presents His Book to the Virgin and Child, ca. 1646, Engraving; second state of six, sheet: 8 9/16 x 6 1/4 in. (21.8 x 15.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Cadwallader David Colden, Mayor of New York City, ca. 1825, Engraving; first state of two, Plate: 12 5/8 x 9 3/4 in. (32 x 24.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), Peter

Title page of Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 3/4 x 11 7/8 in. (22.2 x 30.1 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon

George Jones, 1833, Engraving; only state, plate: 11 1/16 x 8 1/8 in. (28.1 x 20.6 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Frederick Stiles Agate (American, Sparta, New

Autumn, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 3/4 in. (22.7 × 24.8 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Léon-Bouthillier, comte de Chavigny, 1651, Engraving; first state of two (Petitjean & Wickert), sheet: 12 1/4 x 9 5/8 in. (31.1 x 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French,

Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie, 1627, Engraving, Sheet: 9 5/8 × 7 1/8 in. (24.4 × 18.1 cm), Jacques Caillard (French, 17th century), Published by Isaac Briot (French, Damblain

Renard, Disguised as a Monk, Gains the Confidence of the Rooster from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 5/8 × 4 11/16 in. (9.2 × 11.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Joseph and Potiphar's Wife, from The Story of Joseph, 1546, Engraving, Sheet: 4 1/2 × 3 1/16 in. (11.5 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Christ presented to Pilate by henchmen, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 × 3 7/8 in. (13.1 × 9.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht

Hardouin de Beaumont de Péréfixe, ca. 1662, Engraving; fourth state of four (Petitjean & Wickert), sheet: 12 1/2 x 9 3/4 in. (31.8 x 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Capital and Base of a Column, 1543, Engraving, Sheet: 3 x 2 in. (7.6 x 5.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for the capital and base of a column, with foliate designs on capital. From a series of four designs

Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet, May 1, 1796, Etching and engraving, printed in brown ink; third state of three, image: 7 5/16 x 5 5/16 in. (18.6 x 13.5 cm), Prints, After Charles Shirreff (British, Edinburgh

Dame de Constantinople, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

The Tares (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It took

Frontispiece for New Testament in Greek, 1642, Engraving; third state of four, sheet: 14 1/16 x 9 3/4 in. (35.7 x 24.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Plan of the City of Rome. Part 7 with a Dedication to Camillo Pamphili, the Vatican and Part of the City Wall, 1645, Etching with some engraving, undescribed state., Sheet: 21 5/8 x 16 3/8 in. (55 x 41.6 cm), Prints, Antonio Tempesta (Italian,

Two Genii with a Cat and a Rat, 1594, Engraving, Sheet: 2 3/8 × 3 7/8 in. (6 × 9.8 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti against a landscape with a plant growing a center and a rat below. At right,

A woman representing Temperance holding a bit facing left, ca. 1510–27, Engraving, Sheet: 5 1/4 × 2 15/16 in. (13.4 × 7.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Children Fishing, ca. 1738, Etching and Engraving, Sheet: 9 x 10 1/4 in. (22.9 x 26 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Boys Peeping at Nature, 1751, Etching and engraving; fourth state of four, sheet: 5 7/8 x 4 13/16 in. (15 x 12.3 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764 London

Peasant Crossing Water, 1786, Etching and engraving, sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris

The Third Spring, Engraving; first state of two, Sheet: 5 in. × 6 13/16 in. (12.7 × 17.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Ornament with Owl Mocked by Day Birds, 15th century, Engraving, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Aftermath of the Flood: human bodies strewn on dry land in the foreground, Noah's ark moored on a rocky outcrop beyond, from a series of engravings for the 'Liber Genesis', 1612, Engraving, Sheet: 3 1/2 x 5 5/16 in. (8.9 x 13.5 cm), Prints,

Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], 1581, Engraving, sheet: 18 1/8 x 13 9/16 in. (46 x 34.4 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome

Birds Eye View of the Chateau and Grounds of Anet, from Les plus excellents bastiments de France, 1607, Engraving, Sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Annunciation, 1594, Engraving, Sheet: 8 3/8 x 11 1/4in. (21.3 x 28.6cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Rock in the Middle of the River, 17th century, Engraving; second state of three, Plate: 3 15/16 × 5 3/4 in. (10 × 14.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: King Pyrrhus, 1562, Engraving, sheet: 19 5/16 x 13 5/8 in. (49 x 34.6 cm), Prints, Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80

Thetis and Chiron, 1543, Engraving, Sheet: 5 5/16 x 7 1/2 in. (13.5 x 19 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Speculum Romanae Magnificentiae: Trajan Fighting the Dacians, 16th century, Engraving, sheet: 10 1/4 x 14 3/8 in. (26 x 36.5 cm), Prints, Attributed to Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm),

The Ascension of Christ into heaven, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 in. × 4 in. (12.9 × 10.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Gin Lane, February 1, 1751, Etching and engraving; third state of three, plate: 15 5/16 x 12 11/16 in. (38.9 x 32.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Saint Roch, Engraving, sheet: 8 1/4 x 5 11/16 in. (21 x 14.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Pleasures of Occupation, Etching and engraving, plate: 4 1/8 x 5 15/16 in. (10.5 x 15.1 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Banknote motifs: the number 5 and a portrait of Thayendanegea, ca. 1824–37, Engraving and etching, sheet: 2 15/16 x 1 7/16 in. (7.5 x 3.7 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood,

The Fellow 'Prentices at their Looms: Industry and Idleness, plate 1, September 30, 1747, Etching and engraving; second state of two, sheet: 10 5/16 x 13 5/8 in. (26.2 x 34.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Christ on the Cross, from The Passion of Christ, 1596–98, Engraving, sheet: 8 1/8 x 5 1/2 in. (20.6 x 13.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

Alpine Landscape with a Deep Valley from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 11 7/8 x 16 15/16 in. (30.2 x 43 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605),

The Encounter with Talgol and Magnano (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 3), 1721–26, Etching and engraving, sheet: 4 7/16 x 4 15/16 in. (11.2 x 12.6 cm) (trimmed), Prints, William Hogarth (British, London

Anna Maria Vaiani, 1624–36, Engraving; first state of two (BN), sheet: 4 15/16 x 3 5/8 in. (12.6 x 9.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Industrious 'Prentice Alderman of London, the Idle One Brought Before Him & Impeached by his Accomplice: Industry and Idleness, plate 10, September 30, 1747, Etching and engraving; first state of two, sheet: 10 3/8 x 13 11/16 in. (26.4 x

Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX, 1831, Engraving on chine collé, plate: 10 3/8 x 8 7/16 in. (26.3 x 21.4 cm), Prints, Asher Brown

The First Spring, Engraving; second state of three, Sheet: 5 5/16 × 7 1/16 in. (13.5 × 18 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Battle of the Amazons, 1559, Engraving; second state of four (Robert-Dumesnil), sheet: 13 9/16 x 19 1/2 in. (34.5 x 49.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Drawings and Prints, Print, St Luke the Evangelist, holding a banderole (possibly a modern impression), Artist, Anonymous, ca. 1480–1520, 1475, 1485, Engraving

The Good Samaritan (St. Luke, Ch. 10, ver. 30), February 24, 1772, Etching and engraving, Plate: 16 3/4 x 22 7/16 in. (42.5 x 57 cm), Prints, after William Hogarth (British, London 1697–1764 London

Jacques-Nicolas Colbert, 1673, Engraving; first state of two (Petitjean & Wickert), Sheet: 19 7/8 × 16 5/8 in. (50.5 × 42.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Portrait of Henri IV, 1777, Etching and engraving; between fourth and fifth state of five (Bocher), Sheet: 8 1/2 × 5 1/4 in. (21.6 × 13.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Frans Pourbus the Younger

The Well, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison), Sheet: 19 7/16 x 25 in. (49.4 x 63.5 cm), Prints, Giovanni Battista Piranesi (Italian,

Broadway and 6th Avenue Junction. 33rd St. Elevated R.R. Station, 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

The Holy Family, 1510–61, Engraving and etching, sheet: 13 15/16 x 10 7/16 in. (35.4 x 26.5 cm) trimmed within platemark on r. and below, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Adoration of the Magi, late 15th century, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice (Industry and Idleness, plate 9), September 30, 1747, Etching and engraving; third state of four, plate: 10 5/16 x 13 9/16 in. (26.2 x 34.4 cm), Prints,

The Brook in the Wood, Engraving; seventh state of seven, Sheet: 4 5/8 × 5 3/16 in. (11.8 × 13.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

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