Images at Librifly

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Rev. William Jay, 1823, Engraving; between first and second states of two, plate: 9 5/16 x 6 7/16 in. (23.6 x 16.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Branwhite

The Industrious 'Prentice Out of his Time and Married to his Master's Daughter: Industry and Idleness, plate 6, September 30, 1747, Etching and engraving; third state of four, sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.4 cm), Prints, William

Louis XIV, 1670, Engraving; fourth state of six (Petitjean & Wickert), Sheet: 23 1/4 × 19 in. (59 × 48.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Head of a Woman Wearing a Ruff, from Livre de Têtes Gravées d'apres F. Boucher et Autres (Book of Heads Engraved after F. Boucher and Others), 18th century, Etching and engraving, Sheet: 7 1/16 x 5 5/16 in. (18 x 13.5 cm) trimmed to platemark,

Portrait of Thomas Nast, 1870–80, Wood engraving, Image: 11 5/8 in. × 9 in. (29.5 × 22.8 cm), Prints

The Monk and the Nun, 1530, Engraving, Sheet: 3 11/16 × 2 3/4 in. (9.3 × 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Frieze with Birds Perched on Scrolling Tendrils, ca. 1568–1633, Engraving, Sheet: 1 5/16 × 6 7/16 in. (3.4 × 16.4 cm), Hieronymus Bang (German, Osnabrück 1553–1630 Nuremberg

Epitaph and Portrait of Jacques Callot, 1635–36, Etching and engraving in red ink; third state of four, Sheet (trimmed): 9 11/16 × 5 1/2 in. (24.6 × 14 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Louis Hesselin, ca. 1650, Engraving, Sheet: 5 5/8 × 4 1/2 in. (14.3 × 11.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Title: Creation of the World, ca. 1592, Engraving; second state of two, Diameter: 10 3/8 in. (26.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Le cardinal Pierre de Bonzi, 1678, Engraving; first state of fifteen (Petitjean & Wickert), Sheet: 19 5/8 × 16 13/16 in. (49.8 × 42.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Blackwork Print with a Ring Bezel and Horizontal Panel at Center Flanked by Vertical Fillets and Curved Motifs, 1592–1604, Blackwork engraving, Sheet: 2 1/16 × 2 5/8 in. (5.2 × 6.6 cm), Hans de Bull (German, active 1592–1604), Blackwork

Claude Regnauldin, ca. 1658, Engraving, Sheet: 14 13/16 × 11 5/16 in. (37.7 × 28.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Couple and Death with a Drum, from The Dance of Death, Engraving, Sheet: 3 3/8 x 2 9/16 in. (8.6 x 6.5 cm), Prints, Allaert Claesz. (Dutch, active 1520–55

Speculum Romanae Magnificentiae: Decorated Sarcohpagus with Arabesques, 1553, Engraving and etching, sheet: 13 3/8 x 19 1/8 in. (34 x 48.6 cm), Prints, Anonymous

Cardinal Jules Mazarin, 1660, Engraving; second state of two (Petijean & Wickert), Sheet: 13 9/16 x 16 3/4 in. (34.4 x 42.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Architectural Detail (after Ferdinando Bibiena), Etching and engraving, sheet: 7 3/16 x 9 13/16 in. (18.3 x 25 cm), Prints, Carlo Antonio Buffagnotti (Italian, Bologna 1660–after 1710 Ferrara), After Ferdinando Galli Bibiena (Italian,

Reverse copy of Contadina, Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

Thomas Hilson as Tyke, 1826, Engraving on chine collé, sheet: 6 7/16 x 5 1/16 in. (16.4 x 12.8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After James Neagle (British, London 1765–

Hector Fighting the Greeks, 1532, Engraving, Sheet: 2 3/16 × 5 1/16 in. (5.5 × 12.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Frieze with Children Supporting the Bust of an Emperor Surrounded by Foliate Scrolls, 1539, Engraving, Sheet: 1 × 5 7/16 in. (2.5 × 13.8 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design with a central

The Watermill at the Foot of the Mountain, Engraving; fourth state of four, Sheet: 3 3/16 × 5 11/16 in. (8.1 × 14.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Nativity and Adoration of the Shepherds, early 16th century, Engraving, sheet: 15 15/16 x 12 in. (40.5 x 30.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Christ Carrying the Cross, 1680–1719, Engraving, sheet: 17 1/2 x 15 7/8 in. (44.5 x 40.4 cm), Prints, Benoit Thiboust (French, ?1660–1719?), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Royalist trompe l'oeil, 18th century, Engraving, Sheet: 5 3/8 x 4 5/16 in. (13.7 x 11 cm), Anonymous, French, 18th century

River gods consoling Peneus for the Loss of his Daughter, Daphne from 'The Story of Apollo and Daphne', 1530–60, Engraving, sheet: 7 1/8 x 9 5/8 in. (18.1 x 24.4 cm) approximately, Prints, Engraved by Master of the Die (Italian, active Rome,

Seated old shepard gesturing towards the sky and speaking to nude male surrounded by tools of measurement, ca. 1500–1534, Engraving; second state of two, Sheet: 2 15/16 × 1 15/16 in. (7.5 × 5 cm), Prints, Marcantonio Raimondi (Italian,

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Drawings and Prints, Print, St John the Evangelist, holding a banderole (possibly a modern impression), Artist, Anonymous, ca. 1480–1520, 1475, 1485, Engraving

Poetry personified as a winged woman, ca. 1515–50, Engraving, 7 3/16 x 5 11/16 in. (18.3 x 14.5 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or

The Poet John Trumbull (1750–1831), 1820, Engraving; proof before letters, image: 3 7/8 x 3 1/8 in. (9.9 x 8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Trumbull

Frontispice pour le 'Tombeau du comte William Cowper' (Frontispiece from the 'Tomb of William Cowper'), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men),

Hudibras and Ralpho Made Prisoners and Carried to the Stocks (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 6), 1721–26, Etching and engraving; second state of two, sheet: 4 1/4 x 4 13/16 in. (10.8 x 12.3 cm) (trimmed),

Saint Barbara standing, palm in her right hand, resting her left hand on a tower, 1530–60, Engraving, Sheet: 8 1/16 x 5 11/16 in. (20.5 x 14.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Four cherubs carrying a cross, 1625–77, Engraving, rejected by Howard, Pennington and New Hollstein (Turner), Sheet: 5 7/16 × 6 9/16 in. (13.8 × 16.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Four cherubs

Nero (after Rubens), 1638, Engraving, sheet: 12 5/16 x 7 7/8 in. (31.3 x 20 cm), Prints, Paulus Pontius (Flemish, Antwerp 1603–1658 Antwerp), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Four Figures under a Tree, Engraving; third state of three, Sheet: 2 15/16 × 2 11/16 in. (7.5 × 6.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Blackwork Print with Four Shweifwerk Motifs Decorated with Swag Combined with Four Small Fillets, 1592–1604, Blackwork engraving, Sheet: 2 15/16 × 2 11/16 in. (7.5 × 6.8 cm), Hans de Bull (German, active 1592–1604), Blackwork print with

Charity (Charitas) from The Virtues, 1559, Engraving, Sheet: 10 1/4 x 13 1/4 in. (26 x 33.6 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Fille de Cio isle de l'Archipel, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved

Santa Claus in Camp (from Harper's Weekly), January 3, 1863, Wood engraving, Sheet: 14 3/4 × 10 9/16 in. (37.4 × 26.8 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil), Nast's image was published in the 1862

A Harlot's Progress, Plate 2, before April 1732, Etching and engraving; first state of four, sheet: 12 7/16 x 14 15/16 in. (31.6 x 37.9 cm), Prints, William Hogarth (British, London 1697–1764 London

The Last Supper, from The Passion of Christ, 1598, Engraving; first state of three, sheet: 7 7/8 x 5 1/4 in. (20 x 13.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved

Venus and Vulcan at the Forge, mid-1550s, Engraving, plate: 7 1/2 x 12 5/16 in. (19 x 31.3 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

James Howel Standing in a Forest, 1641, Engraving of the head, collar, hat and hand by Mellan; the rest etched by Bosse. Fourth state of four (BN), sheet: 8 3/8 x 5 3/4 in. (21.2 x 14.6 cm), Prints, Claude Mellan (French, Abbeville

A woman watering a plant, a pot in her raised right hand, ca. 1507–8, Engraving printed in pale brown ink, Sheet: 7 1/2 × 4 5/8 in. (19.1 × 11.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Oreads Removing a Thorn from a Satyr's Foot, 1590, Engraving, Sheet (trimmed): 9 13/16 × 7 5/8 in. (25 × 19.3 cm), Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628

Reverse copy of Au Vinaigre (Vinegar), from Le Cris de Paris (The Cries of Paris), plate 6, 18th century, Etching and engraving, Sheet: 10 13/16 x 7 3/8 in. (27.4 x 18.8 cm) trimmed, Prints, Simon Francis Ravenet, the elder (French, 1706 or

The Resurrection; Christ standing in front of closed tomb, holding a flag and giving a blessing, guards sleeping in the foreground, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/16 × 3 15/16 in. (12.9 × 10 cm),

Self-Portrait at Age Twenty-Eight, 1530, Engraving; second state of two (New Hollstein), Sheet: 5 15/16 × 4 1/4 in. (15.1 × 10.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Destruction of the Tower of Babel: at right men and women flee from the burning tower, at left men and women raise their hands toward two flying angels, from a series of engravings made for the first edition of the 'Liber Genesis', 1612,

Charles I de Créquy, duc de Lesdiguières, 1633, Engraving, sheet: 9 1/8 x 7 3/16 in. (23.2 x 18.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Christ captured and being dragged by hair up steps before the throne of the high priest Annas, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 3 7/8 in. (12.9 × 9.8 cm), Prints, Marcantonio Raimondi (Italian,

Hercules Killing Cacus, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 3/4 in. (10.7 × 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Speculum Romanae Magnificentiae: The Farnese Hercules, 16th century, Engraving, sheet: 14 1/8 x 8 7/16 in. (35.9 x 21.5 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Title Page: Philomathi Musae Juveniles, 1655, Engraving, sheet: 11 9/16 x 8 5/16 in. (29.4 x 21.1 cm), Prints, Attributed to Claude Mellan (French, Abbeville 1598–1688 Paris), Possibly by Pierre Daret (French, Paris ca. 1604–1675 Dax

Susanna and the Elders, Engraving, Sheet: 1 7/8 × 2 15/16 in. (4.7 × 7.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Horizontal Panel with Triton and Child Surrounded by Foliage, 1525–61, Engraving, Sheet: 2 3/16 × 3 1/4 in. (5.6 × 8.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornament design with female triton or sea

Intermezzo (from the series A Love), 1887–1903, Etching and engraving; third state; state eight of ten, Plate: 9 5/8 × 18 1/16 in. (24.5 × 45.8 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Venus and Mercury, ca. 1600, Engraving, sheet: 16 9/16 x 12 3/16 in. (42.1 x 30.9 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

The Last Supper, from The Passion of Christ, 1598, Engraving; presumably first state of three, Sheet: 7 11/16 x 5 1/8 in. (19.6 x 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598

The Ruinous Hut, Engraving; second state of three, Sheet: 3 5/8 × 5 1/2 in. (9.2 × 13.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

St Margaret holding a palm in her raised left hand, a dragon at her right, ca. 1500–1510, Engraving, 4 1/4 x 4 5/8 in. (10.8 x 11.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Francesco

Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left, 1530–60, Engraving, sheet: 7 1/16 x 11 in. (18 x 28 cm), Prints, Master of the Die (Italian,

Man in officer's dress, with sword hanging at left hip, shown in frontal view with his head turned toward the left, trees beyond, ca. 1700–1739, Etching with engraving, sheet: 7 3/16 x 4 11/16 in. (18.3 x 11.9 cm), Prints, Louis Desplaces

Le Père Jean Du Bois-Olivier, Engraving; second state of two, sheet: 6 5/16 x 4 in. (16.1 x 10.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures, ca. 1520–60, Engraving, 8 1/4 x 6 7/16 in. (21.0 x 16.3 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca.

Shepherd Girl of the Alps, Etching and Engraving, sheet: 15 1/8 x 10 13/16 in. (38.4 x 27.5 cm), Prints, Philippe Trière (French, Paris 1756–1815 Paris), After François Boucher (French, Paris 1703–1770 Paris

An Angel Trampling a Skeleton, from Grotisch fur alle Kunstler, 1580–1600, Engraving, Sheet: 2 11/16 × 5 13/16 in. (6.8 × 14.8 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Framed in an oval at center, an angel,

St. Jude Thaddeus, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 × 4 1/8 in. (15 × 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

A Greek Patriarchal Crown – Tiara Patriarchalis Graeca (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, plate 9), 1723–24, Etching and engraving; first state of three, sheet: 13

'Apollo' (after Parmigianino), first half 18th century, Engraving, sheet: 6 9/16 x 4 1/2 in. (16.6 x 11.5 cm), Prints, Antonio Belemo (Italian (active Venice), active first half 18th century), After Parmigianino (Girolamo Francesco Maria

Master of Ceremonies with a Dog, from The Large Wedding Dancers, 1538, Engraving, Sheet: 4 9/16 × 3 1/16 in. (11.6 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

John the Baptist in the Wilderness, ca. 1545–55, Engraving, sheet: 15 3/16 x 12 1/16 in. (38.5 x 30.7 cm) trimmed to platemark, Prints, Giulio Sanuto (Italian, active 1540–88), Principal figure after fresco by Daniele da Volterra (Daniele

The Gothic Arch, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of six Robison), plate: 16 1/4 x 21 7/16 in. (41.2 x 54.4 cm), Prints, Giovanni Battista

The Visitation, 1540–50, Engraving, sheet: 12 5/8 x 19 11/16 in. (32 x 50 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–1563

Morning (Le Matin), ca. 1700, Engraving, Sheet: 9 1/2 × 14 1/4 in. (24.1 × 36.2 cm), Prints, Claude Simpol (French, Clamecy 1666–1716 Paris

The Adoration of the Shepherds, after 1650, Engraving, sheet: 8 7/8 x 6 1/8 in. (22.6 x 15.6 cm), Prints, Abraham Blooteling (Dutch, 1640–1690), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The War – Making Havelocks for the Volunteers (Harper's Weekly, Vol. V), June 29, 1861, Wood engraving, image: 10 7/8 x 9 1/4 in. (27.6 x 23.5 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine),

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving and blackwork, Sheet: 5 7/16 × 3 5/8 in. (13.8 × 9.2 cm), Paul Birckenhultz (1561–1639), Design with a jewelry bouquet

Lot Prevents the Sodomites from Violence, from The Story of Lot, 1555, Engraving, Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lot, at center, addresses two

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3, 18th century, Etching and engraving, Sheet: 10 13/16 x 7 5/16 in. (27.4 x 18.6 cm) trimmed, Prints, Jacques Philippe Le

Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin, 1543, Engraving, image: 8 3/16 x 11 1/8 in. (20.8 x 28.3 cm), Prints, Enea Vico (Italian,

Blackwork Print with a Horizontal Panel and Six Small Motifs, 1592, Blackwork engraving, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.5 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with a horizontal panel at center flanked by

William Hogarth, Serjeant Painter to His Majesty, 1764, Engraving; seventh state of seven, Sheet: 15 15/16 x 14 in. (40.5 x 35.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Ornamental Design with an Angels Head at Top, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6 × 4.1 cm), Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Speculum Romanae Magnificentiae: Hercules (Hercules in aedibus Card. Burghesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Portrait of Jean-Francoise Marmontel, 1765, Etching and engraving; second state of two (Bocher), Sheet: 5 15/16 × 3 7/16 in. (15.1 × 8.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Design for the Verso of a Pendant with a Flower-Piece at Bottom Center, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 3/4 × 3 7/8 in. (14.6 × 9.8 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp),

Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount, 1620–1766, (a): engraving; (b): watercolor, graphite and black ink,

Horizontal Panel with a Bearded Amascaron in a Medallion at Center Surrounded by Tendrils, 1543, Engraving; first state of two (Pauli), Sheet: 2 x 3 1/8 in. (5.2 x 7.9 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Panel with the

Apollo and Diana, ca. 1503–5, Engraving, plate: 6 1/4 x 3 15/16 in. (15.9 x 9.9 cm), Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen or Brussels), In this print Apollo is shown in his role as a solar deity,

The Army of Charles V Crossing the Elbe River, 1551, Engraving, sheet: 20 3/4 x 14 3/4 in. (52.7 x 37.5 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After (?) Giovanni Battista Scultori (Italian, 1503–1575), and/or after

St. Thomas, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Vertical Panel with Design for a Mirror, 1580–1600, Engraving, Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.3 cm), attributed to Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Ornament design for jewelry with square mirror at center,

Marriage A-la-Mode, Plate IV, April 1, 1745, Etching and engraving; second state of three, Sheet: 15 3/16 x 18 1/4 in. (38.5 x 46.4 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Castello Sant' Angelo, 16th century, Engraving, sheet: 12 3/16 x 19 11/16 in. (31 x 50 cm), Prints, Anonymous

'Judith' (from 'Famous Women from the Old Testament', set of 6), Engraving, diameter: 9 1/4 in. (23.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

Portrait of Robert Grave, Printseller, 1827, Steel engraving on chine collé, plate: 10 3/8 x 8 1/8 in. (26.3 x 20.7 cm), Prints, Robert Graves (British, London 1798–1873 London), After John Hoppner (British, London 1758–1810 London

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