Images at Librifly

search results: Engraving clear search

Herman van Swanevelt, Dutch, 1600-1655, Flight into Egypt, between 1600 and 1655, etching and engraving printed in black ink on laid paper, Plate: 8 1/4 × 10 3/4 inches (21 × 27.3 cm

Jacob von Sandrart, German, 1630-1708, Portraits of Giorgio Vasari, Giuseppi Cesari, Annibale Caracci, Caravaggio, and Gioanni Lanfranc da Bollongnie, ca. 1683, engraving printed in black ink on laid paper, Plate: 12 3/8 × 7 7/8 inches

Cornelis Cort, Netherlandish, 1533-1578, after Federico Zuccaro, Italian, The Crowning of the Virgin, Saints Lawrence, and Sixtus, 1576, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 23 3/8 × 16 7/8

Martin Schongauer, German, 1450-1491, The Angel of the Annunciation, between 1490 and 1491, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 6 5/8 × 4 5/8 inches (16.8 × 11.7 cm

Boetius Adam Bolswert, Dutch, 1580-1633, after Abraham Bloemaert, Netherlandish, 1564-1651, Adoration of the Shepherds, 1618, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 21 3/8 × 15 1/2 inches (54.3 ×

Lucas van Leyden, Netherlandish, 1494-1533, David Playing the Harp before Saul, ca. 1508, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 10 × 7 1/8 inches (25.4 × 18.1 cm

Gian Jacopo Caraglio, Italian, 1500-1570, after Titian, Italian, ca.1488-1576, Annunciation, between 1500 and 1570, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 17 7/8 × 13 1/2 inches (45.4 × 34.3 cm

William Hogarth, English, 1697-1764, The Industrious Prentice Grown Rich and Sheriff of London, 1747, Engraving printed in black ink on wove paper, Plate: 10 1/4 × 13 3/4 inches (26 × 34.9 cm

Alexis Francois Girard, French, 1787-1870, after Gedeon Francois Reverdin, French, 1772-1828, Apollon Musagete, 19th Century, Crayon manner engraving printed in black on laid paper, image: 21 7/8 x 14 5/8 in

Marcantonio Raimondi, Italian, 1487-1534, after Raphael, Italian, 1483-1520, Last Supper, between 1515 and 1516, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm

Claude Mellan, French, 1598-1688, Head of Christ, between 1598 and 1688, engraving printed in black ink on laid paper, Plate: 16 1/2 × 12 1/2 inches (41.9 × 31.8 cm

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, The Flagellation, between 1521 and 1887, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 5/8 × 3 1/8 inches (11.7 × 7.9 cm

Jean Baptiste Oudry, French, 1686-1755, Les pecheurs, 18th Century, Etching and engraving printed in black on laid paper, plate: 15 1/4 x 11 5/8 in

Gian Jacopo Caraglio, Italian, 1500-1570, after Raphael, Italian, 1483-1520, Assembly of the Gods in Olympus to Hear the Complaint of Venus in the Matter o, between 1500 and 1570, engraving printed in black ink on laid paper, Sheet: 14 3/4

The Holy Family in the Landscape with St. Elisabeth and the Johannesknaben, 1595 (print 1600/1620), copperplate engraving, sheet: 36 x 36 cm (diameter), U. M. r., inscribed: HGoltzius [HG lig.] Inue., Matham ex., Hendrick Goltzius, Inventor,

Jacobus Matham, Dutch, 1571-1631, after Hendrick Goltzius, Dutch, 1558-1617, Justice, 1597, engraving printed in black ink on laid paper, Plate: 6 × 4 inches (15.2 × 10.2 cm

Giorgio Ghisi, Italian, 1520-1582, after Marcello Venusti, Italian, 1512-1579, Michelangelo, ca. 1565, engraving printed in black ink on laid paper, Plate: 10 1/2 × 7 3/4 inches (26.7 × 19.7 cm

James Fittler, English, 1758-1835, after Philipp Jakob II Loutherboug, French, 1740-1812, The Glorious Victory over the French Fleet by the British Fleet under the Command of Earl Howe on the First of June 1794, 1794, engraving printed in

Hendrick Goltzius, Dutch, 1558-1617, Resurrection, 1596, engraving printed in black ink on laid paper, Plate: 8 × 5 3/8 inches (20.3 × 13.7 cm

Virgil Solis, German, 1514-1562, Grammar, mid-16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 3 1/4 × 2 1/4 inches (8.3 × 5.7 cm

Jeanne Antoinette Pompadour, French, 1721-1764, after François Boucher, French, 1703-1770, after Jacques Guay, French, 1711-1793, Culture des lauriers, ca. 1757, etching and engraving printed in black ink on laid paper, Plate: 5 3/8 × 4

Giovanni Battista Franco, Italian, 1510-1580, The Annunciation, between 1510 and 1580, engraving printed in black ink on laid paper, Plate: 13 1/2 × 10 1/2 inches (34.3 × 26.7 cm

Jan Duetecum, Dutch, Landscape No. 8, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 3/8 × 8 inches (13.7 × 20.3 cm

The Judgment of Paris, 1546, copperplate engraving, II. Condition, folio: 7 x 4.8 cm, O. l., dated and monogrammed: 1546, HSB [lig.], u, ., M. denotes: IUDICIVM PARIDIS., Sebald Beham, Nürnberg 1500–1550 Frankfurt a.M

Hans Sebald Beham, German, 1500-1550, Patience, 1540, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 1/8 × 2 3/4 inches (10.5 × 7 cm

The Night, 1548, engraving, II. Condition, sheet, image: 11.1 x 7.9 cm, O. M. inscribed: NOX ET AMOR, VINVMQVE, NIHIL MO, DERABILE SVADENT, M. indicates: THE NIGHT, u, ., l, ., monogrammed and dated: 15 HSB [lig.] 48, Sebald Beham,

Johann Georg Wille, German, 1715-1808, after Frans van Mieris, Dutch, 1635-1681, Absent-minded Observor, 1766, engraving printed in black ink on laid paper, Plate: 11 3/8 × 8 7/8 inches (28.9 × 22.5 cm

Michele Greco, Italian, 1539-1604, Horatio Cocles Defending the Bridge against the Soldiers of Porsena, between 16th and 17th century, engraving printed in black ink on laid paper, Plate: 9 7/8 × 12 5/8 inches (25.1 × 32.1 cm

Raphael Sadeler I, Netherlandish, 1560-1632, after Annibale Carracci, Italian, 1560-1609, Virgin Suckling the Child, between 1560 and 1632, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 3/8 × 3 3/4

Saturn as Protector of the Agricultural Workers, 1596, copperplate engraving, sheet: 25.1 x 17.4 cm (slightly trimmed within the edge of the plate), U. l., numbered: 1, u, ., M. denotes: cum privil., S.C.M., HG., [lig.] Inuent., Johan

after Albrecht Dürer, German, 1471-1528, Man of Sorrows Standing by the Columns, between 1600 and 1800, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 3/4 inches × 3 inches (12.1 × 7.6 cm

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, Christ in Limbo, between 1521 and 1887, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 3/4 × 3 inches (12.1 × 7.6 cm

Lucas Emil, the Elder Vorsterman, Flemish, 1595-1675, after Hans Holbein the Younger, German, 1497-1543, Thomas Howard, Duke of Norfolk, 17th century, engraving printed in black ink on laid paper, Plate: 10 7/8 × 7 7/8 inches (27.6 × 20

Herman van Swanevelt, Dutch, 1600-1655, Ruins of an Amphitheatre, between 1600 and 1655, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 × 11 1/8 inches (17.8 × 28.3 cm

Adriaen van Ostade, Dutch, 1610-1685, Painter in His Studio, ca. 1667, etching and engraving printed in black ink on laid paper, Plate: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm

Hans Sebald Beham, German, 1500-1550, Simon, ca. 1545, Engraving printed in black ink on wove paper, Plate: 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

Richard Collin, Flemish, 1627-1697, after Jacob von Sandrart, German, 1630-1708, F. de Quenoi, Peter de Laer, Nicolas Poussin, Claude Lorraine, D. Segers, J. B Mahler, late 17th century, engraving printed in black ink on laid paper,

Hendrick Goltzius, Dutch, 1558-1617, Burial of Christ, 1596, engraving printed in black ink on laid paper, Plate: 8 × 5 3/8 inches (20.3 × 13.7 cm

Jan Duetecum, Dutch, Landscape No. 15, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 3/8 × 8 inches (13.7 × 20.3 cm

Giovanni Battista Fontana, Italian, 1524-1587, The Romans Entering the City of the Crustumeriums, 1573, etching and engraving printed in black ink on laid paper, Sheet: 5 3/8 × 7 inches (13.7 × 17.8 cm

Gheraert van der Spronck (Verspronck), 1581, copperplate engraving, sheet: 4.6 x 3.5 cm (oval cut), O. inscribed in the frame (in mirror writing): AMOVZ LE TANS SE PAS., CV of the Spronck., A °, ., 81 HGoltz., [HG lig.] Fe, Hendrick

Jan Duetecum, Dutch, Landscape No. 14, ca. 1559, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 1/2 × 7 5/8 inches (14 × 19.4 cm

Pietro Antonio Pazzi, Italian, 1706-1776, after Giovanni Domenico Campiglia, Italian, 1692-1762, Agostino Carracci, 18th century, engraving printed in black ink on laid paper, Plate: 10 3/4 × 6 7/8 inches (27.3 × 17.5 cm

The Expulsion from Paradise, 1543, copper engraving, I. Condition, sheet, image: 8.1 x 5.8 cm, U. l., dated and monogrammed: 1543, HSB [lig.], Sebald Beham, Nürnberg 1500–1550 Frankfurt a.M

Hans Sebald Beham, German, 1500-1550, Saint James Minor, 1545, Engraving printed in black ink on wove paper, Plate: 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

The punishment of Niobe (fourth plate), 1594, copperplate engraving, sheet: 26.2 x 38.9 cm (trimmed within the plate margin), U. inscribed in the cartouche: Ill.mo et ex.mo Domino, D [omi] no Frederico Cesi, Duci de Aquæsparte, editum summa

Lucas, the Younger Vorsterman, Flemish, 1605-1667, after Cornelis Schut, Flemish, 1597-1655, Susanna and the Elders, 17th Century, Engraving printed in black on wove paper, plate: 12 1/2 x 10 in

school of Andrea Mantegna, Italian, 1431-1506, Hercules and Antaeus, between 1450 and 1500, etching (?) and engraving (?) printed in brown ink on laid paper, Image and sheet: 13 1/8 × 8 1/2 inches (33.3 × 21.6 cm

Jacob Houbraken, Dutch, 1698-1780, after Godfrey Kneller, English, 1646-1723, John, Duke of Marlborough, 1745, engraving and etching printed in black ink on laid paper, Plate: 14 × 8 1/2 inches (35.6 × 21.6 cm

Entry in the genealogy of Adrian Zingg: flower-crowned monogram by Adrian Zingg, in front Minerva bust, worked copper plate and engraving tool, 1766, feather (gray), washed and watercolored, Book: 12.4 x 19.5 x 2.7 cm |, Sheet: 11.9 x 18 cm,

Enea Vico, Italian, 1523-1567, Descent from the Cross, between 1523 and 1567, engraving printed in black ink on laid paper, Image: 21 3/4 × 15 3/4 inches (55.2 × 40 cm

Hendrick Goltzius, Dutch, 1558-1617, Ecce Homo, 1597, engraving printed in black ink on laid paper, Plate: 8 × 5 3/8 inches (20.3 × 13.7 cm

Jacques Firmin Beauvarlet, French, 1731-1797, after François Boucher, French, 1703-1770, Le depart du courier, ca. 1766, engraving and etching printed in black ink on laid paper, Plate: 17 1/8 × 13 inches (43.5 × 33 cm

Jacob von Sandrart, German, 1630-1708, Portraits of Stefano della Bella, Paul Pontius, Lucas Vorsterman, Artus Quellinus, Peter de Jode, and Lucas Kilian, ca. 1683, engraving printed in black ink on laid paper, Plate: 12 1/2 × 8 1/4

Ignatius Cornelius Marinus, Flemish, 1599-1639, after Peter Paul Rubens, Flemish, 1577-1640, Saint Ignatius Loyola Healing the Sick and Possessed, ca. between 1620 and 1639, engraving printed in black ink on laid paper, Plate: 21 1/4 × 17

Pieter de, I Jode, Flemish, 1570-1634, Bishop Saint Martin of Tours Casting a Demon out of the Praefect, late 16th/early 17th Century, Engraving, Plate: 273/8 x 18 3/4 in. (69.5 x 47.6 cm

Agustino Veneziano, Italian, 1490-1536, after Bartolommeo Bandinelli, Italian, 1493-1560, Brennus Throwing his Sword into the Scale/Marcus Furius Camillas Arriving on t, 1531, engraving printed in black ink on laid paper, Sheet (trimmed

Three Women and Death, c. 1546/50, copperplate engraving, II. Condition, folia: 8 x 5.7 cm, signed monogram: HSB [lig.], Sebald Beham, Nürnberg 1500–1550 Frankfurt a.M

Women and Fool in the Bathhouse, 1541, copperplate engraving, II. Condition, sheet 4.5 x 6.9 cm, O. r., dated and monogrammed: 1541, HSB [lig.], Sebald Beham, Nürnberg 1500–1550 Frankfurt a.M

Jean Baptiste Massard, French, 1740-1822, after Jacques Louis David, French, 1748-1825, Mort de Socrate, between mid-18th and early 19th century, Engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 20 3/4 × 27

Girolamo Mocetto, Italian, 1458-1531, Frieze with Tritons and Nymphs, ca. 1493, engraving printed in black ink on laid paper, Plate: 5 × 12 5/8 inches (12.7 × 32.1 cm

Johann Georg Wille, German, 1715-1808, after Gerard ter Borch, Dutch, 1617-1681, Paternal Instruction, 1765, engraving printed in black ink on laid paper, Plate: 17 1/8 × 13 1/4 inches (43.5 × 33.7 cm

Charles Nicolas, le pere Cochin, French, 1688-1764, after Jean Restout, French, 1692-1768, Laban Defending Himself from Jacob for Having Imposed Leah upon Him in Place o, c. 1737, Etching and engraving printed in black on laid paper, sheet

Ludolf Backhuysen, Dutch, 1630-1708, Seascape with an Anchored Ship, 1701, etching and engraving printed in black ink on laid paper, Plate: 7 1/8 × 9 3/8 inches (18.1 × 23.8 cm

Madonna and Child in the Yard, copperplate engraving, sheet: 16.6 x 11.9 cm, U. monogrammed: M S [mirrored], Martin Schongauer, Colmar um 1445–1491 Colmar

Nicolas Beatrizet, French, 1515-1562, Notre-Dame de Lorette, 1540/1560, Engraving printed in black, plate: 13 5/8 x 9 5/8 in

Domenico Rosetti, Italian, 1650-1736, after Gerard de Lairesse, Flemish, 1641-1711, The Triumph of Alexander in Babylon, 17th/18th Century, Engraving printed in black, image: 21 3/4 x 36 7/8 in

Marcantonio Raimondi, Italian, 1487-1534, after Albrecht Dürer, German, 1471-1528, Nativity, 16th century, engraving printed in black ink on laid paper, Plate: 11 1/2 × 8 1/4 inches (29.2 × 21 cm

Annibale Carracci, Italian, 1560-1609, Madonna of the Swallow, 1587, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 6 × 4 3/4 inches (15.2 × 12.1 cm

Jan Duetecum, Dutch, Landscape No. 6, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 3/8 × 8 inches (13.7 × 20.3 cm

Jan Duetecum, Dutch, Landscape No. 3, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 3/8 × 8 inches (13.7 × 20.3 cm

after Albrecht Dürer, German, 1471-1528, Christ's Entry into Jerusalem, between 16th and 18th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 7/8 × 3 3/4 inches (12.4 × 9.5 cm

Francesco Rosaspina, Italian, 1760-1841, after Lodovico Carracci, Italian, 1555-1619, Calling of Saint Matthew, between 18th and 19th century, Engraving printed in black ink on wove paper, Plate: 13 1/4 × 9 inches (33.7 × 22.9 cm

The Venetian Wedding, 1584, copperplate engraving (of two plates), on two sheets, paper glued together, plate: 43.8 x 74.1 cm |, Leaf: 46.7 x 77.1 cm (total), U. M. l., Inscribed: Theodorus Bernardus Amsterodamus Inuentor, u, ., M. r.,

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, The Last Supper, between 1521 and 1887, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 1/2 inches × 3 inches (11.4 × 7.6 cm

after Claude Gellée, French, 1600-1682, Priests Leading a Sacrificial Bull to the Temple of Apollo, 1764, etching and engraving printed in black ink on wove paper, Plate: 19 3/8 × 23 5/8 inches (49.2 × 60 cm

Paul Pontius, Flemish, 1603-1658, after Anton van Dyck, Flemish, 1599-1641, Maria de Medici, Queen of France, mid-17th century, engraving printed in black ink on laid paper, Plate: 9 5/8 × 7 1/4 inches (24.4 × 18.4 cm

Luigi Schiavonetti, Italian, 1765-1810, after Charles Benazeck, English, 1767-1794, Last Interview between Louis XVI and His Family, ca. 1794, Engraving printed in black ink on wove paper, Image: 17 5/8 × 23 7/8 inches (44.8 × 60.6 cm

Death and Girl, 1547, copperplate engraving, II, folia: 7.5 x 4.9 cm, O. l., monogrammed: HSB [lig.], o. r., dated: 1547, u, ., r., designated: OMNEM IN HOMINE VENVSTATEM, MORS ABOLET., Sebald Beham, Nürnberg 1500–1550 Frankfurt

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, Musicians, between 1524 and 1887, Engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 1/2 × 3 inches (11.4 × 7.6 cm

Luigi Schiavonetti, Italian, 1765-1810, after Charles Benazeck, English, 1767-1794, Louis XVI Ascending the Scaffold, ca. 1795, Engraving printed in black ink on wove paper, Image: 17 5/8 × 24 inches (44.8 × 61 cm

Domenico Cunego, Italian, 1727-1794, after Agostino Carracci, Italian, 1557-1602, Triumph of Galatea, 1772, Etching and engraving printed in black on wove paper, plate: 10 1/4 x 18 1/2 in

Nicola Sangiorgi, Italian, after Pietro Perugino, Italian, 1450-1523, Baptism of Christ, 19th Century, Engraving printed in black on wove paper, image: 13 3/8 x 22 in

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, The Descent from the Cross, between 1521 and 1887, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 3/4 × 3 inches (12.1 × 7.6

Marco Dente da Ravenna, Italian, 1482-1527, Battle, early 16th century, Engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 8 7/8 × 14 1/2 inches (22.5 × 36.8 cm

Andrea Zucchi, Italian, 1678-1740, after Giovanni Battista Tiepolo, Italian, 1696-1770, after Tintoretto, Italian, 1519-1594, Martyrdom of Saint Christopher, 18th century, etching and engraving printed in black ink on laid paper, Plate:

Diana Scultori, Italian, 1535-1587, after Giulio Romano, Italian, 1499-1546, March of Cavalry, 1575, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 6 5/8 × 12 5/8 inches (16.8 × 32.1 cm

Giovanni Francesco Grimaldi, Italian, 1606-1680, Serpent, 17th Century, Etching and engraving printed in black on laid paper, plate: 12 5/8 x 18 in

Jan Duetecum, Dutch, Landscape No. 29, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 5/8 × 7 3/4 inches (14.3 × 19.7 cm

Jacob von Sandrart, German, 1630-1708, after Joachim von Sandrart I, German, 1606-1688, Portraits of Gulianno da San Gallo, Piero di Cosimo, Properzia de'Rossi, Andre de Fiesole, Domenico Puligo, ca. 1683, engraving printed in black ink

Jacob von Sandrart, German, 1630-1708, Portraits of Michiel Miereveldt, Jacques Callot, Gerrit van Honthorst, Anthony van Dyck, Adrianus Brouwer, and Cornelius Poelenbourch, ca. 1683, engraving printed in black ink on laid paper, Plate: 12

Pieter de Bailliu, Flemish, 1613-1660, after Anton van Dyck, Flemish, 1599-1641, Saint Bonaventura, mid-17th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 17 1/8 × 10 1/2 inches (43.5 × 26.7 cm

Giovanni Battista Fontana, Italian, 1524-1587, The Sabine Women Negociate a Peace, 1573, etching and engraving printed in black ink on laid paper, Sheet: 5 1/4 × 6 3/4 inches (13.3 × 17.1 cm

Hendrick Goltzius, Dutch, 1558-1617, Christ on the Mount of Olives, 1597, engraving printed in black ink on laid paper, Plate: 7 7/8 × 5 1/4 inches (20 × 13.3 cm

Georg Christoph Eimmart, German, 1638-1705, Italian Artists, c. 1683, Engraving printed in black on laid paper, plate: 12 1/4 x 8 in

Raphael Morghen, Italian, 1758-1833, after Raphael, Italian, 1483-1520, Philosophy, between 1758 and 1833, Engraving printed in black ink on wove paper, Page: 16 3/8 × 14 7/8 inches (41.6 × 37.8 cm

Giovanni Volpato, Italian, 1733-1803, after Raphael, Italian, 1483-1520, The Four Sibyls, Cumana, Persica, Phyrgia, and Tiburtina in the Church of Sta., 1772, engraving printed in black ink on laid paper, Plate: 10 1/2 × 20 7/8 inches

Enea Vico, Italian, 1523-1567, Henry II, King of France, 16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 7/8 × 4 3/8 inches (14.9 × 11.1 cm

Francesco Bartolozzi, Italian, 1727-1815, after Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666, Giovanni Francesco Barbieri, called Guercino 1591 - 1666, 1764, engraving and etching printed in brown ink on wove paper, Image: 11

Robert Strange, English, 1721-1792, after Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666, Abraham Dismissing Hagar, 1767, engraving printed in black ink on laid paper, Plate: 15 3/4 × 19 1/4 inches (40 × 48.9 cm

search results: Engraving clear search