Images at Librifly

search results: Engraving clear search

Agostino Carracci, Italian, 1557-1602, after Tintoretto, Italian, 1519-1594, The Crucifixion, 1589, engraving printed in black ink on laid paper, Image (excluding inscription): 19 1/2 × 15 3/4 inches (49.5 × 40 cm

Personification of Reason (Ratio), 1579, copperplate engraving on paper, folia: appr. 14 x 9 cm, O. r., in a cartouche: RATIO ., further inscriptions in the illustration, u, ., r., dated: 1579, below the image text field with two lines:

Unknown (Dutch), after Cornelis Cort, Netherlandish, 1533-1578, after Federico Zuccaro, Italian, The Creation of Eve, between late 16th and early 17th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark):

The Hell's Fall of the Damned, c. 1578, copperplate engraving, plate: 26.5 cm (diameter) |, Leaf: 27.7 x 34.2 cm, U.M. l., Inscribed: Johannes Stradanus Inue [ntor], u, ., M .: Ph [i] l [ip] s Galle Excud ., in the margin: Et inutilem

Leonard Gaultier, French, 1561-1641, after Michelangelo, Italian, 1475-1564, The Last Judgement, between 1561 and 1641, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 12 1/4 × 9 1/8 inches (31.1 × 23.2 cm

Jerome Wierix, Netherlandish, 1553-1619, after Bartolomeo Passarotti, Italian, 1529-1592, The Assumption of the Virgin, between late 16th and early 17th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate

Loth's Extract from Sodom, 1582, copperplate engraving, sheet: 32.5 x 40.8 cm, U. l., inscribed: Antonius Bloclandt inuent, Henricus Goltzius sculp, et excude, printed dead Haerlem ., u, ., M. r., dated: A °., 1, 582th, Hendrick

Jan Duetecum, Dutch, Landscape No. 16, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed withing plate mark): 5 3/8 × 8 inches (13.7 × 20.3 cm

Master I. B., German, Faith, ca. 1530, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 3 × 2 inches (7.6 × 5.1 cm

Herman van Swanevelt, Dutch, 1600-1655, Baths of Caracalla, 1652, etching and engraving printed in black ink on laid paper, Plate: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm

Pietro Testa, Italian, 1611-1650, Self-Portrait, 17th century, etching and engraving printed in ink on laid paper, Sheet (trimmed within plate mark): 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, The Agony in the Garden, between 1521 and 1887, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 5/8 × 3 inches (11.7 × 7.6 cm

Portrait of a Woman, 1911, wood engraving, black: 15 prints, sheet: 21.9 x 14.8 cm |, Picture: approx. 13 x 8.5 cm, in print r., Signed below: R. Hoberg sc [... unreadable [, r., Signed below in pencil: Lovis Corinth, Lovis Corinth,

Saint Anthony, tormented by demons, copperplate engraving, sheet: 31.3 x 22.9 cm, signed monogram: MS, Martin Schongauer, Colmar um 1445–1491 Colmar

Lucas van Leyden, Netherlandish, 1494-1533, Saint Peter and Saint Paul, 1527, engraving printed in black ink on laid (?) paper, Sheet (trimmed within plate mark): 4 × 5 3/4 inches (10.2 × 14.6 cm

Jan Duetecum, Dutch, Landscape No. 30, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 1/2 × 8 inches (14 × 20.3 cm

Nicolas, The Elder Pitau, French, 1632-1671, Carlo Borromeo, Cardinal Archbishop of Milan, 1538-1584, 17th century, engraving printed in black ink on laid paper, Sheet: 8 1/2 × 6 3/4 inches (21.6 × 17.1 cm

Jacob von Sandrart, German, 1630-1708, Portraits of Orazio Gentileschi, Artemesia Gentileschi, Henri van Steenwyck, Simon Vovet, Roelan Savery, and Georgius Houfnaglius, ca. 1683, engraving printed in black ink on laid paper, Plate: 12 3/8

Theodore de Bry, Netherlandish, 1528-1598, The Rustic Bride, between 1528 and 1598, engraving printed in black ink on laid paper, Plate (and sheet): 5 7/8 × 4 5/8 inches (14.9 × 11.7 cm

Jan Duetecum, Dutch, Landscape No. 17, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 3/8 × 8 inches (13.7 × 20.3 cm

Jan Duetecum, Dutch, Landscape No. 28, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 1/2 × 7 7/8 inches (14 × 20 cm

Herman van Swanevelt, Dutch, 1600-1655, Landscape with an Artist Sketching, between 1600 and 1655, etching and engraving printed in black ink on laid paper, Plate: 7 1/8 × 11 inches (18.1 × 27.9 cm

William Baillie, English, 1723-1810, Sofonisba Anguissola, Italian, 1527-1626, Sofonisba Angusciola, Painter, between 1723 and 1810, Mezzotint and engraving printed in black ink on wove paper, Plate: 14 1/8 × 9 7/8 inches (35.9 × 25.1 cm

after Albrecht Dürer, German, 1471-1528, The Prodigal Son amid the Swine, c. 1496, Engraving printed in black on wove paper, sheet (trimmed within plate mark

Andrea Mantegna, Italian, 1431-1506, The Descent to Hell, between 1450 and 1500, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 16 3/8 × 13 3/8 inches (41.6 × 34 cm

Johann Friedrich Wilhelm Muller, German, 1782-1816, after Raphael, Italian, 1483-1520, Fall of Adam, 1813, Engraving printed in black on wove paper, plate: 15 3/8 x 11 3/4 in

Baccio Baldini, Italian, 1436-1515, Elijah, mid 15th/early 16th Century, engraving printed in black ink on laid paper, sheet (trimmed within platemark): 5 5/8 x 4 in. (14.2 x 10.3 cm

Adriaen van Ostade, Dutch, 1610-1685, Slaughter of a Pig, ca. 1642, etching and engraving printed in red ink on laid paper, Plate: 4 5/8 × 4 5/8 inches (11.7 × 11.7 cm

William Hogarth, English, 1697-1764, The Stage Coach, 1747, Engraving printed in black on wove paper, plate: 8 5/8 x 12 1/8 in

Albrecht Dürer, German, 1471-1528, Holy Family with the Butterfly, ca. 1495, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 9 3/8 × 7 3/8 inches (23.8 × 18.7 cm

Ottavio Leoni, Italian, 1578-1630, Louis Leoni, Painter, 1625, engraving printed in black ink on laid paper, Plate: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm

Sol (Apollo) as Protector of the Regents, 1596, copperplate engraving, sheet: 25.4 x 17.6 cm (slightly trimmed within the margin of the plate), U. l., numbered: 4, inscribed under the image field: Sum decus astrorum, convex gloria cœli, Me

Master I. B. with the Bird, Italian, Priapus and Lotis, 16th century, engraving printed in black ink, Sheet (trimmed within plate mark): 9 × 7 5/8 inches (22.9 × 19.4 cm

Lucas van Leyden, Netherlandish, 1494-1533, Joseph Interpreting the Dreams in Prison, 1512, Engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 5 1/8 × 6 3/4 inches (13 × 17.1 cm

Giovanni Volpato, Italian, 1733-1803, after Giuseppe Cades, Italian, 1750-1799, after Raphael, Italian, 1483-1520, The Disputa, between 1733 and 1803, Engraving printed in black ink on wove paper, Plate: 22 1/8 × 29 1/8 inches (56.2 ×

Pieter de, II Jode, Flemish, 1601-1674, The Three Graces, after 1636, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 18 7/8 × 13 1/2 inches (47.9 × 34.3 cm

Vergil in the basket, 1525, copperplate engraving, sheet: 24.3 x 18.8 cm, U. l., Monogrammed and dated on the stone: L, 1525, Lucas van Leyden, Leiden 1494 (?) –1533 Leiden

Cornelius Visscher, Dutch, 1619-1662, after Nicolaes Berchem, Dutch, 1620-1683, Woman and Animals Crossing a Stream, between 1619 and 1662, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 3/8 ×

Ignatius Cornelius Marinus, Flemish, 1599-1639, after Peter Paul Rubens, Flemish, 1577-1640, The Ascension of Christ, early 17th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 17 3/4 × 13 1/8

Unknown (Italian), after Andrea Mantegna, Italian, 1431-1506, Christ in Limbo, 18th century, engraving printed in black ink on laid paper, Plate: 8 7/8 × 10 5/8 inches (22.5 × 27 cm

Hendrik Goudt, Dutch, 1585-1630, after Adam Elsheimer, German, 1574-1620, Jupiter and Mercury in the House of Philemon and Baucis, 1612, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 8 1/8 × 8 5/8 inches

Cherubino Alberti, Italian, 1553-1615, after Andrea del Sarto, Italian, 1486-1530, Saint Philip Benizzi of the Servites Punishing the Blasphemers, ca. 1582, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 22

Francesco Bartolozzi, Italian, 1727-1815, Peltro William Tomkins, English, 1760-1840, after Angelica Kauffmann, Swiss, 1741-1807, Muses Crowning the Bust of Pope, ca. 1783, stipple engraving printed in black ink on laid paper, Plate: 6

Allaert Claesz, Netherlandish, 1508-1638, after Albrecht Dürer, German, 1471-1528, Annunciation, 16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 1/8 × 3 5/8 inches (13 × 9.2 cm

Marco Dente da Ravenna, Italian, 1482-1527, after Raphael, Italian, 1483-1520, Venus Wounded by the Thorn of a Rosebush, early 16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 10 3/8 × 6 3/4

Hans Sebald Beham, German, 1500-1550, Hercules Fighting Against the Trojans, 1545, engraving printed in black ink on laid paper, Plate: 2 × 3 1/8 inches (5.1 × 7.9 cm

Suicide of Cleopatra, copperplate engraving, sheet: 11.7 x 7.7 cm, M. l., monogrammed: HSB [lig.], Sebald Beham, Nürnberg 1500–1550 Frankfurt a.M

Francesco Bartolozzi, Italian, 1727-1815, after Carlo Maratta, Italian, 1625-1713, Pietro da Cortona 1596 - 1669, between 1727 and 1815, etching and engraving printed in brown ink on wove paper, Plate: 17 5/8 × 12 1/2 inches (44.8 × 31.8

Tantalus, 1588, copperplate engraving, sheet: (diameter) 33.3 cm (trimmed at the edge of the plate), U. M. inscribed and dated: C.C., Pictor Inue., HGoltzius [HG lig.] Sculpt., A ° 1588, inscribed in the margin: TANTALVS IN MEDYS RESIDENCE

Ixion, 1588, copperplate engraving, sheet: (diameter) 33.2 cm (trimmed at the edge of the plate), U. M. r., designated and numbered: HG., [lig.] sculp., 4, C. Corneli Pictor., inue, ., inscribed in the margin: CVI SIBI COR PRVRIT PLAVDENS

Luigi Schiavonetti, Italian, 1765-1810, after Charles Benazeck, English, 1767-1794, The Separation of Louis XVI from His Family, between 1792 and 1793, Engraving printed in black ink on wove paper, Image: 17 5/8 × 23 7/8 inches (44.8 ×

Jan Duetecum, Dutch, Landscape No. 13, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 3/8 × 8 inches (13.7 × 20.3 cm

Martino Rota, Italian, 1520-1583, Resurrection of Christ, between 1520 and 1583, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 17 × 11 1/4 inches (43.2 × 28.6 cm

Cornelius Visscher, Dutch, 1619-1662, after Adriaen van Ostade, Dutch, 1610-1685, Strolling Musicians, 17th century, engraving and etching printed in black ink on laid paper, Plate: 14 3/4 × 12 3/8 inches (37.5 × 31.4 cm

Marcantonio Raimondi, Italian, 1487-1534, after Raphael, Italian, 1483-1520, Saint Cecilia with Mary Magdalene, Saint Paul, Saint John and Saint Augustine, 1515 or 1516, engraving printed in black ink on laid paper, Sheet (trimmed within

The Corpse Christi, supported by angels, 1587, copperplate engraving, sheet: 33.5 x 26.4 cm, dated in the M. on the tombstone: A ° 1587, u, ., l, ., Inscribed: Illus: Generoso et Magnifico Domino D [omi] no, Paulo syxto Trautson libero

Claude Mellan, French, 1598-1688, St. Jean Baptiste, between 1598 and 1688, engraving printed in black ink on laid paper, Plate: 12 1/8 × 8 3/8 inches (30.8 × 21.3 cm

Nicolas Henri Tardieu, French, 1674-1749, after Giulio Romano, Italian, 1499-1546, Scipion Rewarding His Soldiers and Reviewing the Prisoners of War Taken at Carthage, between 1674 and 1749, engraving printed in black ink on laid paper,

Jan Duetecum, Dutch, Landscape No. 12, ca. 1559, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 1/2 × 7 1/2 inches (14 × 19.1 cm

Marcantonio Raimondi, Italian, 1487-1534, after Raphael, Italian, 1483-1520, Temperance, between 1487 and 1534, Engraving printed in black ink on wove paper, Plate: 8 3/4 × 4 1/4 inches (22.2 × 10.8 cm

William Baillie, English, 1723-1810, after Jan van Goyen, Dutch, 1596-1656, Landscape with Church, 1771, crayon manner engraving and aquatint printed in black ink on wove paper, Plate: 10 1/2 × 13 1/8 inches (26.7 × 33.3 cm

Andrea Mantegna, Italian, 1431-1506, Triumph of Caesar, the Senators, between 1450 and 1500, engraving printed in black ink on laid paper, Image: 11 1/8 × 10 1/2 inches (28.3 × 26.7 cm

Jean Baptiste Raphael Ur Massard, French, 1775-1843, after Anne Louis Girodet de Rouchy Trioson, French, 1767-1824, Hippocrate refuse les presens d'Ataxerces, 1816, Engraving printed in black on wove paper, sheet trimmed within plate mark

John Fillian, English, died 1680, Thomas Cromwell 1498-1540, 17th century, Engraving printed in black ink on wove paper, Plate: 8 3/8 × 6 inches (21.3 × 15.2 cm

Jan Duetecum, Dutch, Landscape No. 8, ca. 1559, etching and engraving printed in black ink on laid paper, Sheet: 5 1/2 × 7 7/8 inches (14 × 20 cm

Gian Jacopo Caraglio, Italian, 1500-1570, Hercules Throwing Down Achelons in the Form of a Bull, between 1500 and 1570, engraving printed in black ink on laid paper, Plate: 8 3/4 × 7 1/8 inches (22.2 × 18.1 cm

Giovanni Volpato, Italian, 1733-1803, after Bernardino Nocchi, Italian, 1741-1812, after Raphael, Italian, 1483-1520, Flight of Atilla, between 1733 and 1803, engraving printed in black ink, Plate: 22 1/4 × 29 1/2 inches (56.5 × 74.9

Guilio di Antonio Bonasone, Italian, 1498-1580, Two Satyrs Bring Silenus to King Midas, between 1500 and 1580, engraving printed in black ink on laid paper, Plate: 6 1/4 × 8 5/8 inches (15.9 × 21.9 cm

William Baillie, English, 1723-1810, after Gerhard Dou, Dutch, 1613-1675, Lace Maker, 1773, etching and engraving printed in black ink on laid paper, Plate: 17 1/8 × 12 1/4 inches (43.5 × 31.1 cm

Gian Jacopo Caraglio, Italian, 1500-1570, Hercules Slaying the Robber Cacus, between 1500 and 1570, engraving printed in black ink on laid paper, Plate: 8 3/4 × 7 1/8 inches (22.2 × 18.1 cm

Francesco Rosaspina, Italian, 1760-1841, after Guido Reni, Italian, 1575-1642, Dead Christ Accompanied by the Virgin and Two Angels, between 18th and 19th century, Engraving printed in black ink on wove paper, Plate: 16 1/4 × 8 7/8 inches

Christian Wilhelm Ernst Dietrich, German, 1712-1774, Battle of the Sea Gods, 1763, Engraving printed in black ink on wove paper, Plate: 3 3/8 × 5 5/8 inches (8.6 × 14.3 cm

Jerome Wierix, Netherlandish, 1553-1619, Death Triumphing over All That Is in the World, the Lust of the Flesh, the Lust of the Eyes, and the Pride of Life, is not of the Father, but is of the World, between late 16th and early 17th century,

Stefano della Bella, Italian, 1610-1664, Two Children Playing with a Goat, ca. 1657, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 8 3/4 × 9 3/4 inches (22.2 × 24.8 cm

Jan de Bisschop, Dutch, 1628-1671, after Giuseppe Cesari, Italian, 1568-1640, An Angel on the Wing, between 1628 and 1671, etching and engraving printed in black ink on laid paper, Plate: 6 1/2 × 8 3/4 inches (16.5 × 22.2 cm

Cornelius Visscher, Dutch, 1619-1662, Mouse Trap, between 1619 and 1662, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 1/2 × 7 7/8 inches (14 × 20 cm

Raphael Morghen, Italian, 1758-1833, A. Schiavonetti, Italian, Raphael Morghen, 1793, Engraving printed in black ink on wove paper, Plate: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm

Federico Barocci, Italian, 1535-1612, Annunciation, between 1584 and 1588, etching, engraving and drypoint printed in black ink on wove paper, Plate: 17 1/4 × 12 3/8 inches (43.8 × 31.4 cm

Jan Duetecum, Dutch, Landscape No. 4, ca. 1561, etching and engraving printed in black ink on laid paper, Sheet (see remarks): 5 1/2 × 8 1/8 inches (14 × 20.6 cm

Enea Vico, Italian, 1523-1567, Antoine Francois Doni, 16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 6 × 4 3/8 inches (15.2 × 11.1 cm

Francesco Bartolozzi, Italian, 1727-1815, after Carlo Maratta, Italian, 1625-1713, Carlo Cignani, between 1727 and 1815, etching and engraving printed in brown ink on wove paper, Plate: 17 3/4 × 12 5/8 inches (45.1 × 32.1 cm

Federico Barocci, Italian, 1535-1612, The Stigmatization of Saint Francis, between 1535 and 1612, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 9 × 5 3/4 inches (22.9 × 14.6 cm

Schelte Adams Bolswert, Dutch, 1586-1659, after Peter Paul Rubens, Flemish, 1577-1640, Return of Diana from the Hunt, after 1633, engraving printed in black ink on laid paper, Plate: 12 1/4 × 14 1/8 inches (31.1 × 35.9 cm

Ludwig Krug, German, 1490-1532, Adoration of the Shepherds, 1516, engraving and etching printed in black ink on laid paper, Plate: 6 1/2 × 5 1/8 inches (16.5 × 13 cm

Martin Schongauer, German, 1450-1491, Temptation of Saint Anthony, between 1470 and 1475, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 12 1/4 × 9 1/8 inches (31.1 × 23.2 cm

Nemesis (The Great Luck), c. 1501, copperplate engraving, 2nd condition b, leaf: 33.6 x 23.1 cm, U. r., monogrammed on the tablet: AD, Albrecht Dürer, Nürnberg 1471–1528 Nürnberg

William Baillie, English, 1723-1810, after Gerhard Dou, Dutch, 1613-1675, Pen Cutter, between 1723 and 1810, Mezzotint and engraving printed in black ink on wove paper, Plate: 12 3/8 × 9 7/8 inches (31.4 × 25.1 cm

The Wedding of Amor and Psyche, 1587, copperplate engraving (from three plates), on three sheets, paper glued together, sheet: 43.7 x 85.6 cm (total), U. M. l., on blackboard: ILLV: ET GEN.D.D., WOLFGANGO RVMPF, LIBERO BARONI A WIEL-, ROS

Personification of Faithfulness (Fiducia), 1579, copperplate engraving on paper, folio: ca. 14 x 9 cm, O. r., in a cartridge: FIDVCIA, further inscriptions in the illustration, u, ., r., dated: 1579, below the image text box with two

Gaetano Gandolfi, Italian, 1734-1802, after Niccolò dell' Abbate, Italian, 1512-1571, Adoration of the Shepherds, 1768, Engraving printed in black on wove paper, plate: 18 x 12 1/4 in

Matthaus Merian, German, 1621-1687, George Gutthaeter, Merchant and Art Connoisseur of Nuremberg, mid- to late 17th century, engraving printed in black ink on laid paper, Plate: 6 7/8 × 4 7/8 inches (17.5 × 12.4 cm

Hendrick Goltzius, Dutch, 1558-1617, Apollo Belvedere, between 1558 and 1599, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 16 1/4 × 11 7/8 inches (41.3 × 30.2 cm

Johan Bara, Dutch, 1581-1634, after Marten de Vos, Netherlandish, 1532-1603, Suffer Little Children to Come unto Me, 1598, engraving printed in black ink on laid paper, plate: 10 1/4 x 7 1/2 in. (26 x 19.2 cm

Petrus Sanctus Bartolus, Italian, 1635-1700, after Pietro da Cortona, Italian, 1596-1669, Daniel in the Lion's Den, Mid 17th century, Etching and engraving printed in black on laid paper, image: 16 3/4 x 8 5/8 in

Great Consecration of the Angel of Einsiedeln, 1466, copperplate engraving, sheet: 20.8 x 12.4 cm, dated to the left above the sheet: 1466, monogrammed on the right: E, in the archway inscribed: Dis is the engelwichi to our dear frouwen to the

The Summer, 1601 (print before 1652), copperplate engraving, sheet: 22.2 x 15.9 cm (trimmed within the margin of the plate), U. l., numbered: 2, u, ., M. l., designated: HG., [lig.] Inue., I.S., sculp, ., under the picture field: Per me

Adrian Melar, Flemish, 1633-1667, Madonna and Child, mid-17th century, engraving printed in black ink on laid paper, Plate: 16 7/8 × 12 1/4 inches (42.9 × 31.1 cm

Marco Dente da Ravenna, Italian, 1482-1527, after Bartolommeo Bandinelli, Italian, 1493-1560, Skeletons, early 16th century, engraving printed in black ink on laid paper, Plate: 11 1/4 × 17 1/8 inches (28.6 × 43.5 cm

Lorenzo Loli, Italian, 1612-1691, Saint Mary Magdalene, 17th century, etching and engraving printed in black ink on laid paper, Plate: 7 1/8 × 5 3/8 inches (18.1 × 13.7 cm

Faust and Mephistopheles galloping past the Rabenstein on horseback, 1816 (issue 1825), copperplate engraving with etching, folio: 39.4 x 51.9 cm (largest mass), Peter von Cornelius, Inventor, Düsseldorf 1783–1867 Berlin, Ferdinand

search results: Engraving clear search