Images at Librifly

search results: Engraving clear search

Unknown (Flemish), after Hieronymus Bosch, Netherlandish, 1470-1516, Various Fantastic Figures, between late 15th and early 16th century, engraving printed in black ink on laid paper, Sheet: 8 1/4 × 8 3/8 inches (21 × 21.3 cm

Paul Potter, Dutch, 1625 - 1654, Pissing Cow, 1650, etching and engraving printed in black ink on laid paper, Plate: 4 1/4 × 5 5/8 inches (10.8 × 14.3 cm

Unknown (Dutch), after Rembrandt Harmensz van Rijn, Dutch, 1606-1669, after Jan Joris van Vliet, Dutch, 1600-1730, Saint Jerome, ca. between 1650 and 1888, etching and engraving printed in black ink on laid paper, Sheet: 14 1/8 × 11 1/4

Gian Jacopo Caraglio, Italian, 1500-1570, Hercules Killing the Hydra of Lerna, between 1500 and 1570, engraving printed in black ink on laid paper, Plate: 8 5/8 × 7 1/8 inches (21.9 × 18.1 cm

Annibale Carracci, Italian, 1560-1609, The Holy Family with Saint John the Baptist, 1590, etching and engraving printed in black ink on laid paper, Plate: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm

Israhel van Meckenem, German, 1450-1503, after Martin Schongauer, German, 1450-1491, Saint Philip, between 15th and early 16th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 3 3/4 × 2 5/8 inches

Hans Sebald Beham, German, 1500-1550, Andrew, ca. 1545, Engraving printed in black ink on wove paper, Plate: 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

Temptation of Christ, between 1565 and 1637, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm

Théodore Bernard, French, 1534-1592, S. Iohannes., between 1534 and 1592, engraving printed in black ink on laid paper, Image: 6 1/2 × 8 3/4 inches (16.5 × 22.2 cm

Martin Schongauer, German, 1450-1491, Saint Christopher, 15th century, engraving printed in black ink on laid paper, Image: 6 3/8 × 4 1/2 inches (16.2 × 11.4 cm

Samson and Delilah, 1531/32, copperplate engraving, sheet: 5 x 8 cm, O. l., monogrammed: GP [ligated], Georg Pencz, Nürnberg um 1500–1550 Leipzig

Mary Magdalene on the Clouds, 1518, copperplate engraving, 2nd condition, sheet: 11.9 x 7.6 cm, signed monogram: L, u, ., r., reversed dated: 1518, Lucas van Leyden, Leiden 1494 (?) –1533 Leiden

Janus, The Younger Lutma, Dutch, 1624-1685, Pieter Cornelisz Hooft, 17th century, stipple engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 11 × 7 7/8 inches (27.9 × 20 cm

Jan Duetecum, Dutch, Landscape No. 2, ca. 1559, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 5 5/8 × 8 inches (14.3 × 20.3 cm

Philipp Kilian, German, 1628-1693, after Joachim von Sandrart I, German, 1606-1688, Portraits of Lucas Van Leyden, Quintin Metsys, Heinrich Aldegraver, Johannes a Calchar, Johannes de Mabuse, Iohan Schoorl, ca. 1683, engraving printed in

Heinrich Sintzenich, German, 1752-1812, after Anton Raphael Mengs, German, 1728-1779, Raphael Mengs, 1784, crayon manner engraving printed in color ink on wove paper, Plate: 8 1/2 × 6 3/4 inches (21.6 × 17.1 cm

Lucas Kilian, German, 1579-1637, after Josef Heintz, German, 1564-1609, Resurrection of Christ, between 1579 and 1637, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 17 1/4 × 11 3/8 inches (43.8 × 28.9 cm

Jacques de Gheyn II, Netherlandish, 1565-1629, after Karel van Mander, Netherlandish, 1548-1606, Prodigal Son, 1596, Engraving printed in black on two sheets of laid paper, sheet (trimmed within plate mark

Conrad Meyer, Swiss, 1618-1689, Hieronimus Savonarola, 1685, etching and engraving printed in black ink on laid paper, Plate: 8 1/2 × 5 5/8 inches (21.6 × 14.3 cm

Paul Potter, Dutch, 1625 - 1654, The Bull, 1650, etching and engraving printed in black ink on laid paper, Plate: 4 3/8 × 5 3/4 inches (11.1 × 14.6 cm

Personification of Politics (Politeia), 1579, copperplate engraving on paper, sheet: ca. 14 x 9 cm, O. l., in a cartouche: POLITEIA, further inscriptions in the illustration, u, ., l, ., dated: 1579, below the image Text field with two

Melchoir Lorch, German, 1527-1594, Augier Ghislen Busbecq 1522 - 1592, 1557, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 7/8 × 3 1/2 inches (12.4 × 8.9 cm

Hans Sebald Beham, German, 1500-1550, Peter, 1545, Engraving printed in black ink on wove paper, Plate: 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

William Daniell, English, 1769-1837, after George Dance, English, 1700-1768, Robert Smirke, Jr., Architect of British Museum, between 1769 and 1837, Engraving printed in black ink on wove paper, Plate: 10 3/4 × 8 inches (27.3 × 20.3 cm

Johann Jacob Sandrart, German, 1655-1698, after Joachim von Sandrart I, German, 1606-1688, Statue of the Nile at Rome, c. 1683, Etching and engraving printed in black on laid paper, plate: 12 3/4 x 8 1/4 in

Ex libris for Walther Heinisch, photo engraving, plate: 13.5 x 11 cm |, Leaf: 16.6 x 14 cm, inscribed in the image field: Ex libris Walther, Heinisch, Franz von Bayros, Agram (Zagreb) 1866–1924 Wien

Nicolas I de Larmessin, French, Taddeo Gaddi Pittor, ca. 1682, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm

Giuseppe Ferretti, Italian, after Fra Angelico, Italian, ca. 1400-1455, Saint Stephen Conducted to Martyrdom, 19th century, etching and engraving printed in black ink on wove paper, Plate: 16 1/8 × 12 5/8 inches (41 × 32.1 cm

Lucas Emil, the Elder Vorsterman, Flemish, 1595-1675, after Peter Paul Rubens, Flemish, 1577-1640, Job Tormented by His Wife and by Demons, between 1595 and 1675, engraving printed in black ink on laid paper, Sheet (trimmed within plate

Nicolas Henri Tardieu, French, 1674-1749, after Giulio Romano, Italian, 1499-1546, The Taking of Carthage by Scipion (and) The Family of Coriolan on Its Knees, between 1674 and 1749, engraving printed in black ink on laid paper, Plate: 17

Alexis Francois Girard, French, 1787-1870, after Gedeon Francois Reverdin, French, 1772-1828, Melpomene, 19th Century, Crayon manner engraving printed in black on laid paper, image: 21 5/8 x 14 3/4 in

William Baillie, English, 1723-1810, after Adriaen van Ostade, Dutch, 1610-1685, Dutch Interior with Peasants Drinking and Smoking, between 1723 and 1799, etching and engraving printed in black ink on wove paper, Plate: 12 1/2 × 10 3/8

Niccolo La Volpe, Italian, 1789-1876, after Michelangelo, Italian, 1475-1564, Last Judgment, 19th Century, Engraving printed in black on wove paper, plate: 34 5/8 x 23 7/8 in

Luigi Schiavonetti, Italian, 1765-1810, Louis XVI Addressing the National Convention, ca. 1796, Engraving printed in black ink on wove paper, Image: 17 7/8 × 24 1/8 inches (45.4 × 61.3 cm

after Marten de Vos, Netherlandish, 1532-1603, The Miracle of the Loaves and Fishes, between 1560 and 1618, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 × 8 1/2 inches (17.8 × 21.6 cm

Cornelis Cort, Netherlandish, 1533-1578, after Titian, Italian, ca.1488-1576, Prometheus Chained to the Rocks of Caucasus, 1566, engraving printed in black ink on laid paper, Plate (irreg.): 15 1/8 × 12 3/8 inches (38.4 × 31.4 cm

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, The Bearing of the Cross, between 1521 and 1887, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 5/8 × 3 inches (11.7 × 7.6 cm

Venus as Protector of the Lovers, 1596, copperplate engraving, sheet: 25.3 x 17.7 cm (trimmed just inside the edge of the plate), U. l., numbered: 5, inscribed under the image field: Accendo iuvenum curas ego mater amoris, A diuvat et natus

Johann Georg Waldreich, German, 1680-1680, Portraits of Giovanni Bolognini, Pieter Bruegel, Bartholomaeus Spranger, Iodocus A Wingen, Iohannes Ab Ach Coloniesis, Joseph Heinz, 17th century, engraving printed in black ink on laid paper,

Nicolaes Lauwers, Flemish, 1600-1652, after Jacob Jordaens, Flemish, 1593-1678, Jupiter and Mercury with Philemon and Baucis, mid-17th century, engraving printed in black ink on wove? paper, Plate: 19 1/4 × 22 1/4 inches (48.9 × 56.5 cm

Antonio Schiassi, Italian, 1807-1877, after Fra Angelico, Italian, ca. 1400-1455, Saint Stephen Before the High Priest, 19th century, Engraving printed in black ink on wove paper, Plate: 16 1/2 × 10 3/4 inches (41.9 × 27.3 cm

Hans Sebald Beham, German, 1500-1550, Judas, ca. 1545, Engraving printed in black ink on wove paper, Plate: 1 3/4 × 1 1/8 inches (4.4 × 2.9 cm

Cornelis Bos, Netherlandish, 1506-1564, Christ at the Well of Samaria, 1548, engraving printed in black ink on laid paper, Plate (and sheet): 11 1/4 × 8 1/2 inches (28.6 × 21.6 cm

Agostino Carracci, Italian, 1557-1602, after Tintoretto, Italian, 1519-1594, The Crucifixion, 1589, engraving printed in black ink on laid paper, Image (excluding inscription): 19 3/8 × 15 3/4 inches (49.2 × 40 cm

Johannes Sadeler, Netherlandish, 1550-1600, after Crispin van den Broeck, Netherlandish, 1524-1591, The Angel Expelling Adam and Eve from Paradise, between 1550 and 1600, engraving printed in black ink on laid paper, Plate: 7 7/8 × 10 5/8

Giovanni Battista Pasqualini, Italian, Death of Tancred, 1620, engraving printed in black ink on laid paper, Image: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm

Guilio di Antonio Bonasone, Italian, 1498-1580, Amours of Alexander and Roxana, between 1500 and 1580, engraving printed in black ink on laid paper, Image: 9 1/4 × 13 3/4 inches (23.5 × 34.9 cm

Pierre Imbert Drevet, French, 1697-1739, after Antoine Coypel, French, 1661-1722, Rebecca recevant les presents des mains d'Eliezer, between 1697 and 1739, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 20

Johann Elias Ridinger, German, 1698-1769, Lion Holding Court, 18th century, etching and engraving printed in black ink on wove paper, Plate: 12 3/8 × 10 inches (31.4 × 25.4 cm

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, Christ Crowned with Thorns, between 1521 and 1887, etching and engraving printed in black ink on wove paper, Sheet (trimmed within plate mark): 4 3/4 × 3 inches (12.1 × 7.6

Francesco Bartolozzi, Italian, 1727-1815, after Sebastiano Ricci, Italian, 1659-1734, Dictator Camillus Coming to Deliver Rome Oppressed by Brennus, between 1727 and 1815, etching and engraving printed in brown ink on laid paper, Plate: 17

Francesco Bartolozzi, Italian, 1727-1815, after Giovanni Battista Cipriani, Italian, 1727-1785, Graces Crowning the Bust of Raphael, ca. 1787, engraving printed in brown ink on laid paper, Plate: 6 × 7 1/2 inches (15.2 × 19.1 cm

Personification of Majesty (Maiestas), 1579, copperplate engraving on paper, foliate: ca. 14 x 9 cm, O. l., in a cartouche: MAIESTAS, further down: FORTITVDO, u, ., l .: MORS., Innocenti, u, ., r .: TIRANNIS ., u, ., numbered in the

Andrea Meldolla, Italian, 1563-1563, Bust of a Young Woman, 16th Century, Etching and engraving printed in black on laid paper, Plate: 7 x 5 in. (17.7 x 12.8 cm

Peter Boel, Flemish, 1622-1674, The Wild Boar Hunt, mid-17th century, etching and engraving printed in black ink on laid paper, Plate: 8 3/8 × 13 inches (21.3 × 33 cm

Andrea Zoan, Italian, 1475-1505, after Andrea Mantegna, Italian, 1431-1506, Ignorance and Mercury: An Allegory of Virtue and Vice, 16th Century, engraving printed in black ink on laid paper, sheet (trimmed within platemark): 21 3/4 x 16 1/4

The punishment of Niobe (seventh plate), 1594, copperplate engraving, sheet: 26.4 x 38.5 cm (trimmed within the edge of the plate), inscribed below the image field: Non tulit Arcitenens, pharetraq [ue] acciucta Diana, Nec mora, Agenorid [a] e

The Triumphal Arch, from the series 'Grotteschi', Giovanni Battista Piranesi, Italian, 1720–1778, c.1747, published 1750, Etching, engraving, and drypoint, Prints, plate: 15 3/8 x 21 1/2 in. (39.1 x 54.6 cm

Battle of the Nudes, Antonio Pollaiuolo, Italian, 1429–1498, c.1470, Engraving, Prints, image: 15 1/4 x 22 1/4 in. (38.8 x 56.5 cm

Resurrection, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm

The Junction of the Sacandaga and Hudson Rivers, from 'The Hudson River Portfolio', William Guy Wall, Irish, 1792–after 1864, John Hill, American (born England), 1770–1850, John Rubens Smith, American, 1775–1849, 1821–22,

The Judgment of Paris, Albrecht Altdorfer, German, c.1480–1538, 1515–18, Engraving, Prints, 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm

Grammatica, from the series 'The Liberal Arts', Georg Pencz, German, c.1500–1550, c.1541, Engraving, Made in Germany, Europe, Prints, 2 15/16 x 2 in. (7.5 x 5.1 cm

Return of the Prodigal Son, from the series 'The History of the Prodigal Son', Sebald Beham, German, 1500–1550, 1540, Engraving, Made in Germany, Europe, Prints, plate: 2 5/16 x 3 7/8 in. (5.9 x 9.8 cm

Proof 5 from 'The County Election', George Caleb Bingham, American, 1811–1879, etched and engraved by John Sartain, American, 1808–1897, 1854, Etching, engraving, and mezzotint, Prints, image: 22 1/4 x 29 3/4 in. (56.5 x 75.6 cm

St. Mary Magdalene, German, 1470–1499, Engraving, Prints, sheet: 8 1/4 x 3 11/16 in. (20.9 x 9.4 cm

'November and December' from the series 'The Peasants' Feast or The Twelve Months', Sebald Beham, German, 1500–1550, 1546–47, Engraving, Made in Germany, Europe, Prints, image (print trimmed up to and within plate): 1 15/16 x 2 7/8 in.

Rapids above Hadley's Falls, from 'The Hudson River Portfolio', William Guy Wall, Irish, 1792–after 1864, John Hill, American (born England), 1770–1850, 1822–23, Hand-colored aquatint, etching, and engraving, New York, United

'January and February' from the series 'The Peasants' Feast or The Twelve Months', Sebald Beham, German, 1500–1550, 1546, Engraving, Made in Germany, Europe, Prints, image (print trimmed up to and within plate): 1 15/16 x 2 7/8 in. (4.9 x

Newburg, from 'The Hudson River Portfolio', William Guy Wall, Irish, 1792–after 1864, John Hill, American (born England), 1770–1850, 1825, Hand-colored aquatint, etching, and engraving, Newburg, New York, United States, North and

Medea and Jason, Georg Pencz, German, c.1500–1550, 1539, Engraving, Prints, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm

January, from the series 'The Twelve Months', Pieter Stevens, Flemish (active Bohemia), c.1567–after 1624, Aegidius Sadeler II, Flemish, c.1570–1629, 1607, Engraving, Made in Europe, Prints, image: 8 7/16 x 11 3/8 in. (21.4 x 28.9 cm

October, from the series 'The Twelve Months', Pieter Stevens, Flemish (active Bohemia), c.1567–after 1624, Aegidius Sadeler II, Flemish, c.1570–1629, 1607, Engraving, Made in Europe, Prints, image: 8 5/16 x 11 1/8 in. (21.1 x 28.3 cm

View near Fort Miller, from 'The Hudson River Portfolio', William Guy Wall, Irish, 1792–after 1864, John Hill, American (born England), 1770–1850, lettering by Robert Tiller, American, 1822, Hand-colored aquatint, etching, and

The Monumental Tablet, from the series 'Grotteschi', Giovanni Battista Piranesi, Italian, 1720–1778, c.1747, published 1750, Etching, engraving, and drypoint, Prints, plate: 15 3/8 x 21 1/16 in. (39.1 x 53.5 cm

Cabinet on Stand, engraving by Giorgio Ghisi, Italian, 1520–1582, drawing by Giulio Romano, Italian, c.1499–1546, painting by Titian (Tiziano Vecellio), Italian, c.1485-90–1576, French, cabinet c.1640–60, stand 1850–70, Ebony,

Dialectica, from the series 'The Liberal Arts', Georg Pencz, German, c.1500–1550, c.1541, Engraving, Made in Germany, Europe, Prints, plate: 2 7/8 x 2 in. (7.3 x 5.1 cm

Adam and Eve, Albrecht Dürer, German, 1471–1528, 1504, Engraving, Prints, plate (irregular): 24 11/16 x 19 3/16 in. (62.7 x 48.8 cm

Man of Sorrows by the Column, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1509, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 5/8 x 2 15/16 in. (11.8 x 7.4 cm

Pilate Washing his Hands, from the series 'The Little Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 x 2 15/16 in. (11.6 x 7.4 cm

Death Surprising a Couple, Jan van de Velde II, Dutch, 1593–1641, c.1618–20, Etching and engraving, Prints, sheet: 7 9/16 x 5 13/16 in. (19.2 x 14.7 cm

Horatius Cocles Leaping into the Tiber, Albrecht Altdorfer, German, c.1480–1538, 1520–26, Engraving, Prints, plate: 2 5/8 x 1 7/16 in. (6.6 x 3.7 cm

'Peasants behind the Hedge' from the series 'The Peasants' Feast or The Twelve Months', Sebald Beham, German, 1500–1550, 1546–47, Engraving, Made in Germany, Europe, Prints, image (print trimmed up to and within plate): 1 15/16 x 2 7/8

View from Fishkill Looking to West Point, from 'The Hudson River Portfolio', William Guy Wall, Irish, 1792–after 1864, John Hill, American (born England), 1770–1850, 1825, Hand-colored aquatint, etching, and engraving, West Point,

August, from the series 'The Twelve Months', Pieter Stevens, Flemish (active Bohemia), c.1567–after 1624, Aegidius Sadeler II, Flemish, c.1570–1629, 1607, Engraving, Made in Europe, Prints, image: 8 1/4 x 11 1/8 in. (21 x 28.3 cm

The Temptation of the Idler, Albrecht Dürer, German, 1471–1528, c.1497–98, Engraving, Prints, image: 7 3/8 x 4 11/16 in. (18.7 x 11.9 cm

West Point, from 'The Hudson River Portfolio', William Guy Wall, Irish, 1792–after 1864, John Hill, American (born England), 1770–1850, 1825, Hand-colored aquatint, etching, and engraving, West Point, New York, United States, North

'Peasants' Feast' from the series 'The Peasants' Feast or The Twelve Months', Sebald Beham, German, 1500–1550, 1546–47, Engraving, Made in Germany, Europe, Prints, image (print trimmed up to and within the plate): 1 15/16 x 2 7/8 in.

'March and April' from the series 'The Peasants' Feast or The Twelve Months', Sebald Beham, German, 1500–1550, 1546–47, Engraving, Made in Germany, Europe, Prints, image (print trimmed up to and within plate): 1 15/16 x 2 7/8 in. (4.9 x

Departure of the Prodigal Son, from the series 'The History of the Prodigal Son', Sebald Beham, German, 1500–1550, 1540, Engraving, Made in Germany, Europe, Prints, plate: 2 5/16 x 3 13/16 in. (5.8 x 9.7 cm

Martin Luther, Melchior Lorck, Danish, 1527–1594, 1548, Engraving, Prints, plate: 10 1/16 x 6 13/16 in. (25.6 x 17.3 cm

Ceres Seeking Her Daughter, a painting by Adam Elsheimer, German, 1578–1610, Hendrick Goudt, Dutch, 1583–1648, 1610, Engraving, Netherlands, Europe, Prints, plate: 12 5/8 x 9 3/4 in. (32.1 x 24.7 cm

Little Falls at Luzerne, from 'The Hudson River Portfolio', William Guy Wall, Irish, 1792–after 1864, John Hill, American (born England), 1770–1850, 1822–23, Hand-colored aquatint, etching, and engraving, Luzerne, New York, United

Christ before Caiphas, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm

A Harlot's Progress: Plate 2, William Hogarth, English, 1697–1764, 1732, Etching and engraving, London, Greater London, England, Europe, London, Greater London, England, Europe, Prints, image: 11 11/16 x 14 1/2 in. (29.7 x 36.8 cm

Harrowing of Hell, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 1/2 x 2 15/16 in. (11.4 x 7.4 cm

The Besieged Elephant, Alart du Hameel, Netherlandish, 1449–1507, Jan van Doetechum the Elder, Dutch, (active 1554–1605), Lucas van Doetechum, Dutch, (active 1554–1572), Hieronymus Cock, Netherlandish, 1510–1570, c.1563, Etching

Jug, engraving by Michelangelo Pergolesi, Italian, active 1760 - 1801, stipple engraving by Francesco Bartolozzi, Italian, 1727–1815, drawing by Giovanni Battista Cipriani, Italian, 1727 - 1785, English, c.1785, Glazed earthenware with

'May and June' from the series 'The Peasants' Feast or The Twelve Months', Sebald Beham, German, 1500–1550, 1546–47, Engraving, Made in Germany, Europe, Prints, image (print trimmed up to and within plate): 1 15/16 x 2 7/8 in. (4.9 x 7.3

December, from the series 'The Twelve Months', Pieter Stevens, Flemish (active Bohemia), c.1567–after 1624, Aegidius Sadeler II, Flemish, c.1570–1629, 1607, Engraving, Made in Europe, Prints, image: 8 7/16 in. x 11 in. (21.4 x 27.9

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