Images at Librifly

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Rocky Landscape with St. Jerome, Engraving, Plate: 8 1/2 x 10 7/8 in. (21.6 x 27.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

The Rocky Mountains, Lander's Peak, 1866, Hand-colored steel plated etching and engraving, Mount: 30 x 40 in. (76.2 x 101.6 cm), Prints, James Smillie (American, Edinburgh 1807–1885 Poughkeepsie, New York), Albert Bierstadt (American,

St. James the Great, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/8 x 4 1/4 in. (15.6 x 10.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Hercules and the Hydra, n.d., Engraving, sheet: 11 5/16 x 7 11/16 in. (28.7 x 19.6 cm), Prints, School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

The Church on the Hill, Engraving; third state of four, Plate: 3 × 4 1/16 in. (7.6 × 10.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction, ca 1520–27, Engraving, Sheet: 11 9/16 x 16 7/16 in. (29.4 x 41.7 cm), Prints,

Nemesis (The Great Fortune), 1501–2, Engraving, Sheet: 13 1/8 x 9 1/8 in. (33.3 x 23.1 cm) trimmed nearly to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Coenties Slip, New York.--Down Town Export and Import Trading, 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

Title Page with Design for a Pendant from Omnis Generis Instrumenta Bellica, ca. 1600, Engraving, Sheet: 4 7/16 × 3 1/16 in. (11.2 × 7.8 cm), Paul Birckenhultz (1561–1639), Ornament design for a pendant with trophies and a lettered tablet at

Cupid on Water, 1758, Etching and Engraving, sheet: 8 7/8 x 11 7/8 in. (22.6 x 30.1 cm), Prints, Jean Charles Le Vasseur (French, Abbeville 1734–1816 Paris), After François Boucher (French, Paris 1703–1770 Paris

Triptolemus from The Rural Gods, 1565, Engraving, oval sheet: 11 9/16 x 8 3/4 in. (29.3 x 22.3 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Frans Floris I

Naked man viewed from behind climbing a river bank, after Michelangelo, ca. 1509, Engraving, Sheet: 8 1/4 × 5 3/8 in. (20.9 × 13.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Hardouin de Péréfixe, 1662, Engraving; second state of four (Petitjean & Wickert), sheet: 12 9/16 x 9 13/16 in. (31.9 x 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Saint Anthony of Padua standing, lillies in his raised right hand, a book in his left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/16 x 1 15/16 in. (7.8 x 4.9 cm), Prints, Marcantonio Raimondi (Italian,

A Roman emperor sitting in a niche holding a sceptre in his raised left hand and a globe in his right hand, ca. 1500–1534, Etching and engraving, Sheet: 4 5/16 × 3 1/8 in. (11 × 8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Nicolas Parfaict Abbé de Bouzonville, 17th century, Engraving, sheet: 12 11/16 x 9 15/16 in. (32.2 x 25.2 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris

Chinese Curiosities, 1741–63, Etching and engraving, sheet: 8 9/16 x 5 11/16 in. (21.8 x 14.4 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: A Satyr and a Ram Clashing, 16th century, Engraving, mount: 16 3/4 x 11 11/16 in. (42.5 x 29.7 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Floorplan of Chateau d'Anet, from Les plus excellents bastiments de France, 1607, Engraving, Sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Speculum Romanae Magnificentiae: Man Removing a Thorn from his Foot, 16th century, Engraving, sheet: 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Speculum Romanae Magnificentiae: Perseus, late 16th century, Engraving, sheet: 14 x 9 7/16 in. (35.5 x 24 cm), Prints, Giacomo Lauri (1585–1612

Epileptics Walking to the Left, 1642, Engraving, Sheet: 9 1/16 x 6 11/16 in. (23 x 17 cm), Prints, Hendrick Hondius I (Netherlandish, Duffel 1573–1650 Amsterdam), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Reverse Copy of Jan van Leiden, 1650–83, Engraving, Sheet: 12 1/2 × 9 3/16 in. (31.8 × 23.4 cm), Prints, Frans Carelse (Dutch, 1631–1683 Amsterdam), after Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), after Heinrich

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 5/8 × 6 15/16 in. (27 × 17.7 cm), Prints, Marco Dente (Italian,

The Pointed Rock, Engraving; third state of three, Sheet: 3 15/16 × 5 5/8 in. (10 × 14.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

May and June from The Peasants' Feast or the Twelve Months, 1546–47, Engraving; second state of three (Pauli), sheet: 1 15/16 x 2 7/8 in. (5 x 7.3 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Two couples dancing left.

The Pool of Bethesda (St. John, Chapter 5), ca. 1772, Etching and engraving; early unfinished state, proof, Plate: 18 9/16 x 23 1/4 in. (47.2 x 59 cm), Prints, After William Hogarth (British, London 1697–1764 London

Female Figure holding a Cushion, 1643, Engraving, sheet: 9 13/16 x 5 15/16 in. (25 x 15.1 cm), Prints, Monogrammist VCP (Italian (?)), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

The Illustrated American Biography; containing correct Portraits and Brief Notices of the Principal Actors in American History, embracing distinguished women, naval and military heroes, statesmen, civilians, jurists, divines authors and

Pensant-ils à ce mouton? (Are They Thinking of the Sheep), late 18th century, Etching and engraving, Sheet: 18 1/16 x 13 1/8 in. (45.8 x 33.4 cm), Prints, Madame Jourdan (active late 18th century), After François Boucher (French, Paris

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Children Catching Birds, Etching and engraving, sheet: 8 9/16 x 6 5/8 in. (21.8 x 16.8 cm), Prints, Marie Madeleine Igonet (French, active Paris, 1744–60), After François Boucher (French, Paris 1703–1770 Paris

Attilius Regulus, from Roman Heroes, 1535, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Moses Brought to Pharaoh's Daughter (Exodus 2:10), February 5, 1752, Engraving; fourth state of four, plate: 16 9/16 x 20 9/16 in. (42 x 52.3 cm), Prints, Luke Sullivan (Irish, 1705–1771 London

Plate 31: view of the column of Trajan, shown with its pedestal dug out from the earth, surrounded by buildings at the base of the Quirinal Hill, Rome, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places'

A naked man at left showing an axe to a woman at right, ca. 1510–27, Engraving, Sheet: 7 3/16 × 4 7/8 in. (18.2 × 12.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Cimon seated against a column at right, suckling from Pero who is kneeling next to him, 1544, Engraving, sheet: 2 3/4 x 1 15/16 in. (7 x 5 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), After Barthel Beham (German,

Mercury descending from the sky a trumpet in his right hand after Raphael's fresco in the Chigi Gallery of the Villa Farnesina in Rome, 1517–20, Engraving, 12 1/16 x 8 1/16 in. (30.7 x 20.5 cm), Prints, Marcantonio Raimondi (Italian, Argini

View near Bruges (Vue Prés [sic] de Bruges), Etching and engraving, Sheet: 8 x 10 1/8 in. (20.3 x 25.7 cm), Prints, Martin de Monchy (French, Paris 1746–after 1815), After Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637

The Calumny of Apelles, 1560, Engraving; first state of six, sheet: 12 15/16 x 12 1/2 in. (32.8 x 31.7 cm) trimmed inside borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Luca Penni (Italian, Florence

Speculum Romanae Magnificentiae: Corinthian base, ca. 1537, Engraving, sheet: 4 15/16 x 5 7/8 in. (12.5 x 15 cm), Prints, Master G.A. (Italian, active ca. 1535

Head of a Man Wearing a Turban, mid to late 18th century, Crayon manner engraving printed in brown ink, Sheet (trimmed): 11 in. × 8 3/4 in. (28 × 22.3 cm), Prints, Hakman, After François Boucher (French, Paris 1703–1770 Paris

Title Page, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving; first of two states (SKB), Sheet: 1 5/16 × 1 15/16 in. (3.4 × 4.9 cm), Paul Birckenhultz (1561–1639), Title page with the title on a plaque at bottom center

The Martrydom of St. Barbara, late 1570s, Engraving, sheet: 10 1/2 x 7 1/16 in. (26.7 x 18 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

The Betrayal of Christ, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 9/16 × 4 15/16 in. (19.2 × 12.5 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

Morning: The Four Times of the Day, March 25, 1738, Etching and engraving; first state of two, sheet: 19 5/16 x 15 9/16 in. (49 x 39.5 cm), Prints, William Hogarth (British, London 1697–1764 London

A Rake's Progress, Plate 2, June 25, 1735, Etching and engraving; third state of four, sheet: 13 7/8 x 15 7/8 in. (35.3 x 40.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Carpenter, Engraving, Sheet: 1 15/16 × 1 11/16 in. (5 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Annunciation from The Birth and Early Life of Christ, 1594, Engraving, Sheet: 18 15/16 x 14 in. (48.1 x 35.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Horatius Cocles Leaping into the Tiber, Engraving, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Madonna and Child with Saints (after Parmigianino), Engraving, sheet: 11 x 8 in. (28 x 20.3 cm), Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian,

Hudibras and the Skimmington (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 9), 1721–26, Etching and engraving, sheet: 4 3/4 x 9 9/16 in. (12.1 x 24.3 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

Speculum Romanae Magnificentiae: Atreus Farnese, late 16th century, Engraving, sheet: 13 5/8 x 8 11/16 in. (34.6 x 22 cm), Prints, Anonymous, After Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

The Blue Egyptian Water Lily, from 'The Temple of Flora, or Garden of Nature', September 11, 1804, Aquatint and stipple engraving printed in colors with hand coloring, Image: 17 1/8 x 14 in. (43.5 x 35.6 cm), Prints, After Peter Charles

Guillame-Égon, Cardinal de Fürstenberg, 1671, Engraving; first state of two (Petitjean & Wickert), Sheet: 20 13/16 × 17 15/16 in. (52.8 × 45.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Virgin and Joseph with the Young Jesus, 1710–40, Engraving and etching, sheet: 16 13/16 x 11 5/8 in. (42.7 x 29.5 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), After Carlo Maratti (Italian, Camerano

Head of an Elderly Man with a Long Beard and Turban, n.d., Engraving, Sheet: 7 11/16 × 4 7/8 in. (19.5 × 12.4 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Christ before Caiaphas, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 13/16 × 5 1/16 in. (19.8 × 12.8 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

Saint Sebastian, 15th century, Engraving, Sheet: 6 1/4 x 4 7/16 in. (15.8 x 11.3 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, ca. 1530–60, Engraving, Sheet: 11 7/8 × 16 3/4 in. (30.1 × 42.6 cm), Prints, Anonymous, Italian, 16th to early 17th century,

Basile Fouquet, 1658, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 15/16 × 9 13/16 in. (32.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Allegory on the Glory of Emperor Ferdinand II, Engraving, sheet: 17 1/4 x 20 3/8 in. (43.8 x 51.8 cm), Prints, After Antonio Circignano or Circignani (Italian, 1560–1620), Claude Mellan (French, Abbeville 1598–1688 Paris

The Sleep of Cupid, Etching and Engraving, Sheet: 8 5/16 x 9 13/16 in. (21.1 x 25 cm), Prints, Jean-Baptiste Michel (French, Paris 1748–1804 Paris), After François Boucher (French, Paris 1703–1770 Paris

Jean Perrault, 1652, Engraving, sheet: 13 9/16 x 9 7/16 in. (34.5 x 24 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Lost Path, 1920, Wood engraving, block: 8 x 5 1/16 in. (20.3 x 12.8 cm), Prints, Charles Macowin Tuttle (American, 1861–1935

Aeneas and Mercury, 1654, Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698, Plate: 10 1/4 × 7 11/16 in. (26 × 19.5 cm), Prints, After Franz Cleyn (German, Rostock 1582–1658 London), 1 of 30

Marriage A-la-Mode, Plate III, April 1, 1745, Etching and engraving; first state of three, Sheet: 15 1/4 x 16 in. (38.7 x 40.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

Designs for Goldsmiths, n.d., Engraving, plate: 2 1/2 x 3 1/2 in. (6.4 x 8.9 cm), Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt), After Master ES (German, active ca. 1450–67

Germanicus Habitus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 11/16 x 5 7/8 in. (24.6 x 15 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen Vrancx

Hudibras beats Sidrophel and his man Whacum (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 8), February 1725–26, Etching and engraving; first state of two, sheet: 10 3/16 x 13 3/8 in. (25.8 x 34 cm) (trimmed to and within

City Hall Park, Broadway, from Park Place to Chambers Street (West Section of the City, Hudson River and Jersey Shore), 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

Vertical Panel with Three Winged Boys Carrying a Bear on a Tray, 1529, Engraving, Sheet: 2 1/2 × 1 5/8 in. (6.4 × 4.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design with three winged children or

Venus Crouching, Engraving; first state of two (New Hollstein), Sheet: 2 3/8 × 1 9/16 in. (6.1 × 4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg), after Marcantonio Raimondi (Italian, Argini (?) ca.

Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761, Etching and engraving; first state of three, sheet: 7 1/4 x 9/16 in. (18.4 x 1.5 cm), Prints, Charles Grignion, I (British, London baptised 1721–1810

Jupiter and Callisto, 1540–56, Engraving, Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Girl Sewing by Lamplight, 1911, Wood engraving, Image: 6 13/16 × 5 1/4 in. (17.3 × 13.3 cm), Prints, Engraved by Timothy Cole (American, London 1852–1931 Poughkeepsie, New York), After Jean-François Millet (French, Gruchy 1814–1875

Portrait of Son Altesse Royale Madame, Duchesse d'Angoulême, Daughter of Louis XVI and Marie Antoinette, 1791, Etching and engraving; second state of five (Bocher), Sheet: 10 11/16 × 7 13/16 in. (27.2 × 19.9 cm), Prints, Augustin de

Illustration for 'Philosophie de la nature', 1776, Etching with engraving, Plate: 6 7/8 x 4 5/8 in. (17.4 x 11.7 cm), Prints, Clément Pierre Marillier (French, Dijon 1740–1808 Melun), François Denis Née (French, Paris 1732–1817 Paris

A Nun and a Friar, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/8 × 3 5/16 in. (6 × 8.4 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A friar at right greets a nun, at left, who holds a book and rosary. At

On the Beach at Long Branch – The Children's Hour – Drawn by Winslow Homer (Harper's Weekly, Vol. XVIII), August 15, 1874, Wood engraving, image: 9 1/4 x 13 5/8 in. (23.5 x 34.6 cm), Prints

Paris in a Decorative Frame with Grotesques, ca. 1580–1600 , engraving, Sheet: 5 3/8 x 3 7/16 in. (13.6 x 8.8 cm

Sinon Deceiving the Trojans, mid-1540s, Engraving, sheet: 14 3/8 x 18 11/16 in. (36.5 x 47.5 cm) trimmed to borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

A man with two trumpets in the centre flanked by other figures including an old and a young man at left, ca. 1520–50, Engraving, Sheet: 3 1/4 × 4 11/16 in. (8.3 × 11.9 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?)

Two Fencers, from Fencers, plate 5, 1552, Etching and engraving., Sheet: 7 11/16 x 9 13/16 in. (19.5 x 24.9 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda), After Maarten van Heemskerck (Netherlandish,

Charles of Gonzague and of Cleves, Duke of Nevers and of Retellois, Governor of Champagne and Brie at age eighteen, 16th–17th Century, Engraving; second and last state, sheet: 5 15/16 x 3 7/8 in. (15.1 x 9.8 cm), Prints, Thomas de Leu

Plate 2: Emperor Augustus on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, 1610–50, Etching and engraving, Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650

St. Jerome Meditating on a Skull, ca. 1550-60, Etching and engraving, second state, sheet: 17 1/2 x 11 1/2 in. (44.5 x 29.2 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Mars (from The Planets), ca. 1597, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Judith and her maidservant with the head of Holofernes, 1500–1530, Engraving, Sheet: 13 3/16 × 8 7/16 in. (33.5 × 21.5 cm) trimmed, Prints, Girolamo Mocetto (Italian, ca. 1470–1531), After Andrea Mantegna (Italian, Isola di Carturo

Soldier riding a rearing horse and wearing feathered helmet, cuirass, pteruges, and greaves, the soldier looks and points to his right, ca. 1530–75, Engraving, sheet: 8 1/16 x 5 1/4 in. (20.5 x 13.4 cm), Prints, Giovanni Battista Scultori

Intemperance, from Vice and Virtues, 1528, Engraving, Sheet: 3 1/4 × 2 1/2 in. (8.2 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Face of Christ on St. Veronica's Cloth, 1649, Engraving; second state of two (copy?), sheet: 19 3/8 x 15 9/16 in. (49.2 x 39.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Hercules Raping Jole from The Labors of Hercules, 1544, Engraving, Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

The Scolding Woman and the Cackling Hen, ca. 1568, Engraving, Plate diameter: 7 1/16 in. (18 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Jan (Johannes) Wierix (Netherlandish, Antwerp

La Danse Chinoise (The Chinese Dance), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 7/8 x 21 3/4 in. (42.8 x 55.2 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), Gabriel Huquier (French, Orléans

Copy of Attilius Regulus, from Roman Heroes, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Hans Bol, 1593, Engraving, 10 1/4 x 7 3/16 in. (26 x 18.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Alphonse III Delbène, Bishop of Orléans, Engraving, sheet: 12 x 8 3/4 in. (30.5 x 22.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Jupiter and Antiope, Engraving, sheet: 6 5/16 x 11 9/16 in. (16 x 29.4 cm), Prints, Attributed to Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

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