Images at Librifly


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The dwarf Gilles Platfues as a French dance master, c. 1710, Monsr. Gilles Platfues, Maitre de Danse a l'Academie des Lourdeaux (title on object), Il Callotto resurcitato oder Neu eingerichtes Zwerchen Cabinet (series title), The dwarf Gilles
Siege of Ath, 1706, Plan des environs d'Ath assiegé par les trouppes des alliés et pris le 2. octobre 1706 (title on object), Map of the siege of Ath by the Allies, taken on October 2, 1706. Bottom right a cartouche listing the Allied
Soldier carrying his spear with both hands far apart above his right shoulder, the point directed obliquely to the ground (no. 12), c. 1600, A soldier, full-length, carrying a spear (lance) above his right shoulder, the point directed obliquely
Portrait of the pharmacist Abraham Francen, Recueil de quatre-vingt-cinq estampes originales (series title), The print is part of an album., print maker: Rembrandt van Rijn, publisher: Henry Louis Basan, Paris, 1655 - 1807 and/or 1807 - 1808,
Cabinet des Modes ou les Modes Nouvelles, 15 Mars 1786, pl. I, Robe en chemise.According to the accompanying text, la brillante Céphise goes to the theater in a parure to which all the ladies cast envious glances. She is dressed in a robe en
The exercise with shield and spear: the soldier holds the shield with the left hand in front of the body (nr. 6), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, en gestelt na de nieuwe
Soldier on guard with a rudder grabbing his fuse (no. 38), c. 1600, A soldier on guard, full-length, to the right, holding a rudder (a particular type of firearm) with his left hand. In his left hand, in addition to the rudder, there is a
Petit Courrier des Dames, 1827 (510), Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, 1827, paper, engraving
Westzaandam, ca. 1790, De Binnen-Zaan naar de kerk in West-Zaandam, Saan Interieur prise du Coté de L'Eglise de West-Zaandam (title on object), View of the village of Westzaandam, seen across the water from the Zaan to the church, ca. 1790.
Four Spanish merchant women, dressed according to the fashion of c. 1580, Contadine spagnole (title on object), Print no. 27 from album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi',
Photoreproduction of a painting of the stormers of the Bastille by Paul Delaroche, Les vainqueurs de la Bastille devant l'Hotel-de-Ville (title on object), Robert Jefferson Bingham (mentioned on object), after: Paul Delaroche (mentioned on
Lutheran Church in Rotterdam, ca. 1790, The Lutheran Church in Rotterdam, L'Eglise Lutérienne à Rotterdam (title on object), View of the Lutheran Church in Rotterdam, ca. 1790. Part of a plate work from c. 1824-1825 containing 74 (unnumbered)
Admiralty Warehouse Rotterdam, ca. 1790, Admiralties-Magazyn te Rotterdam, Les magasins de L'admirauté à Rotterdam (title on object), View of the Admiralty Warehouse at 's Lands Werf in Rotterdam, ca. 1790. Part of a plate work from c.
Writing sample with the text: Aristotle under-vraecht synde wat (...), Exemplaer-Boeck. Containing d'alder-gebruyckelyckste Geschriften (series title on object), Writing sample with the text: Aristotle under-vraecht synde wat (...). This print is
Photoreproduction of a print of a painting of Oliver Cromwell and King Charles I by Paul Delaroche, Cromwell et Charles Ier (title on object), Robert Jefferson Bingham (mentioned on object), anonymous, Paris, c. 1853 - in or before 1858, paper,
Front of Hendrik de Keyser's old stock exchange in Amsterdam, The front of the old stock exchange (title on object), Frontispiece showing a view of the front of Hendrik de Keyser's old stock exchange in Amsterdam. Illustration in a book published
Three women dressed according to the fashion in Nuremberg of ca. 1580, Nobil'Donna di Norrabergha (title on object), Print from album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi',
Horse from Scythia, Cimber (title on object), Horse breeds from the royal stables of Don Juan of Austria (series title), Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus (...) (series title on
Wide Ship or Lighter, A Wyt-ship orte Lichter groot omtrent 30 Last, Lichter de 30 Tonneaux, Diverse navires dont on se sert dans les Provinces Unies, Icones variarum navium Hollandicarum quarum usus maximè in aquis interioribus regionis (series
Soldier raising his spear forward by transferring his right hand from the point to the foot of the weapon (No. 23), c. 1600, A soldier, full-length, to the right, raising his spear (lance) forward by transferring his right hand from the point to
Soldier closing the pan of his musket (no. 18), c. 1600, A soldier, full-length, to the right, closing the pan (the powder reservoir) of his musket (a particular type of firearm) with his right hand (no. 18), c. 1600. In his left hand, in
Soldier carrying his spear on his right shoulder, the point directed obliquely to the ground (no. 11), c. 1600, A soldier, full-length, to the right, carrying a spear (lance) on his right shoulder, the point directed obliquely to the ground
Elegantia, or magazine of fashion, luxury and taste for ladies, May 1808, No. 44: Robe de Moire brochée, ..., According to the accompanying text (p. 160): Gown of brocaded 'moire' with gold flowers embroidered and garnished with tulle 'en
Soldier holding his rudder with his left hand angled upward (no. 12), c. 1600, A soldier, full-length, to the right, holding a rudder (a particular type of firearm) with his left hand after firing, the barrel angled upward to prevent him from
Map of North Flanders, 1708, Carte particuliere des environs d'Anvers, Gand, Hulst, et de totut le Pays de Waes (title on object), Map of North Flanders with the cities of Antwerp, Ghent, Hulst and the Waasland Waes, 1708. Part of a bundled
Soldier pressing his fuse on the cock of his helm (no. 7), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand (no. 7), c. 1600. With his right hand, he presses a burning wick onto
The exercise with shield and spear: the soldier draws his arm from the belt of the shield (no. 25), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, en gestelt na de nieuwe ordening [of,
Soldier, seen from the front, holding his spear with both hands upright in front of him slightly above the ground (no. 16), c. 1600, A soldier, full-length, holding a spear (lance) with both hands upright in front of him slightly above the
Epirota (title on object), Man from the Pyrenees, Diversarum gentium nostrae aetatis habitus (series title), Man from the Pyrenees, with bow, sword and club, walking to the left. Print from album 'Diversarum gentium nostrae aetatis habitus'.,
View of the Nieuwe Stadsherberg, ca. 1790, Nieuwe Stads-Herberg te Amsterdam, Vue de L'Edifice dite Nieuwe Stadsherberg - passage pour le Nord-hollande et Endroite au arrive les Barques de Buiksloot (title on object), De Nieuwe Stadsherberg te
The exercise with the targe and rapier: how the soldier should close the visor of his helmet with the targe and the drawn rapier in his hand (no. 7), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick
Soldier holding his helm upright with his left hand (no. 30), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand, the barrel pointing upward, before transferring the weapon to his
Portraits of Elisabeth Stuart and Louisa Juliana, both as shepherdesses, Tebassilea R.B., Palatina B.P. (title on object), Les vrais pourtraits de quelques unes des plus grandes dames de la chrestiente desguisees en bergeres. (series title), Two
Odysseus kills the suitors with the help of Telemachus, Les Travaux d'Ulysse (series title), The works of Odysseus (series title), Odysseus kills the suitors of his wife Penelope with the help of his son Telemachus. The print is part of an album.,
Ashkenazi Synagogue in Amsterdam, ca. 1790, High German Jewish Church in Amsterdam, Sijnagogue Allemandé à Amsterdam (title on object), View of the Ashkenazi Synagogue in Amsterdam, ca. 1790. Part of a plate work from c. 1824-1825 with 74
Sculpture of Apollo, Apollinis statua in viridario cardinalis de Medicis (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), Caption in Latin. Print
Writing sample with capital WSchat oft voorbeelt ende verthooninge van verscheyden geschriften (...) (series title), Writing sample in Dutch with four lines of text, followed by the capital U with eight lines of text: For the fear of the Lord
Five Moors from Granada , dressed according to the fashion of ca. 1580, Moreschi di granata (title on object), Print no. 29 from album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi',
Sculpture group with Venus between Eros and Anteros, Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), Caption in Latin. Print is part of an album., print maker:
Photoreproduction of a drawing of the Duke of Burgundy by Paul Delaroche, Le duc de Bourgogne (title on object), Robert Jefferson Bingham (mentioned on object), intermediary draughtsman: Paul Delaroche (mentioned on object), Paris, c. 1853 - in
Sculpture of Hercules in combat with the Nemean lion, Herculis cum leone colluitantis effigies Romae in aedibus Vallensibus (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis
Soldier raising his spear forward by transferring his right hand from the point to the foot of the weapon (No. 23), c. 1600, A soldier, full-length, to the right, raising his spear (lance) forward by transferring his right hand from the point to
Soldier holding his helm with his left hand by his right (no. 4), c. 1600, A soldier, full-length, to the right, holding a helm (a certain type of firearm) with his left hand by his right (no. 4), c. 1600. In his left hand, in addition to the
Soldier pouring powder into the pan of his helm (no. 16), c. 1600, A soldier, full-length, pouring powder from a powder bottle into the pan (the powder reservoir) of a helm (a particular type of firearm) (no. 16), c. 1600. In his left hand, in
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (637) Touffes de Maronnier, en Paille, Woman seen from the back, in a white gown with buttons down the back and dotted long sleeves. Purple ribbon with bow on back.Green scarf over
Portrait of the Remonstrant preacher Jan Wtenbogaert, Recueil de quatre-vingt-cinq estampes originales (series title), The print is part of an album., print maker: Rembrandt van Rijn (mentioned on object), Hugo de Groot (mentioned on object),
Soldier raising the tip of his spear forward with his right hand and grasping the shaft with his left (no. 22), c. 1600, A soldier, full-length, to the right, raising the tip of his spear (lance) forward with his right hand and grasping the
Map of Hainaut and Northern France, 1706, Carte particuliere des environs de Mons, d'Ath, de Charleroy, de Maubeuge, du Quesnoy, de Condé, et autres (title on object), Map of Hainaut and Northern France with the towns of Mons, Ath,
Waalse kerk at Rotterdam, ca. 1790, Fransche kerk at Rotterdam, L'Eglise Vallonne à Rotterdam (title on object), View of the Waalse kerk at Rotterdam, ca. 1790. Part of a plate work from c. 1824-1825 with 74 (unnumbered) plates of the most
Soldier pushing powder and bullet into the barrel of his musket with his ramrod (no. 27), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with his left hand near his left thigh and bringing his ramrod
Soldier on guard giving the fuse on the cock of his musket its proper place and shape (no. 42), c. 1600, A soldier on guard, full-length, to the right, holding a musket (a certain type of firearm) with his left hand by the fork of the furket
Soldier holding his spear with both hands upright in front of him high above the ground (No. 3), ca. 1600, A soldier, full-length, holding a spear (lance) with both hands upright in front of him high above the ground (No. 3), ca. 1600. This is
Blindmaking of Polyphemus, Les Travaux d'Ulysse (series title), The works of Odysseus (series title), Odysseus and his warriors stick out the eye of the giant Polyphemus. The print is part of an album., print maker: Theodoor van Thulden
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (605) Peigne et Aigrette en Diamans, Woman seen from the front, in a white gown with ruffled puff sleeves, high waist and train. Blue shawl wrapped loosely. Hair is braided tightly
Soldier raising the tip of his spear forward with his right hand and grasping the shaft with his left (no. 22), c. 1600, A soldier, full-length, to the right, raising the tip of his spear (lance) forward with his right hand and grasping the
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (662) Dessus de Peigne en feuille de Chêne, Woman to the right, in white gown with train. Blue scarf over right arm. Hair is combed tightly back and has ringlets at back of head.
Countess Jacoba of Bavaria, Affkomst ende korte historie der graven van Hollandt Zeelandt ende Vrieslandt (series title), Counts and Countesses of Holland (series title), Countess Jacoba of Bavaria, full-length, and with coat of arms. Numbered 7
Soldier holding his musket upright with his left hand (no. 31), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with his left hand, pointing the barrel upward, before transferring the weapon to his
Odysseus as a beggar at the door of his house, Les Travaux d'Ulysse (series title), The works of Odysseus (series title), Odysseus sits as a beggar under a tree in front of his palace at Ithaca. The print is part of an album., print maker:
A woman from Spain, dressed according to the fashion of c. 1550, Diversarum gentium nostrae aetatis habitus (series title), Spanish woman to the right. Untitled print from album 'Diversarum gentium nostrae aetatis habitus'., print maker: Enea
Cabinet des Modes ou les Modes Nouvelles, 1 Février 1786, pl. III, Rest bed or Causeuse., print maker: A.B. Duhamel (possibly), publisher: Buisson, Paris, 1786, paper, engraving, height 205 mm × width 125 mm
Three women, dressed according to the fashion of Antwerp, ca. 1580, Donne di Anversa (title on object), Left and right woman in house, left seen from the back. Print no. 32 from album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo
Map of the province of Antwerp, 1706, Carte particuliere des environs de Lier et d'une partie de la Campine (title on object), Map of the province of Antwerp with the city of Lier and part of the Kempen, 1706. Part of a bundled collection of
Photoreproduction of an engraving after a painting of a woman reading, by Gerard Dou, anonymous, anonymous, 1850 - 1900, photographic support, cardboard, albumen print, height 82 mm × width 55 mmheight 105 mm × width 63 mm
Photoreproduction of an engraving of the interior of the Pantheon in Rome, Panthéon à Rome (title on object), anonymous, anonymous, 1855 - 1885, cardboard, paper, albumen print, height 65 mm × width 106 mm
Map of the Strait of Dover, 1709, Les Costes du Boulenois, et le Pas de Calais (title on object), Map of the Strait of Dover, 1709. Part of a bundled collection of plans of battles and cities renowned in the War of the Spanish Succession. This
Soldier carrying his spear horizontally on his right shoulder (no. 10), c. 1600, A soldier, full-length, to the right, carrying a spear (lance) horizontally on his right shoulder (no. 10), c. 1600. His right hand around the spear. This is the
Title page for: La rigenerazione dell'Olanda, 1799, La rigenerazione dell'Olanda : spechio a tutti i popoli rigenerati (title on object), Hollandia Regenerata (Italian copy) (series title), Engraved title page for the bound print series: La
Soldier on guard with a musket picking up its fuse (no. 39), c. 1600, A soldier on guard, full-length, to the right, holding a musket (a particular type of firearm) with his left hand by the fork of the furket (musket fork) on which the barrel
Map of Allied Attacks on Douai, 1710, Plan des attaques de la ville de Douay. Jusqu' au 3. Juin 1710 (title on object), Map showing the Allied attacks on Douai, up to 2 June 1710. Part of a bundled collection of plans of battles and towns
Photoreproduction of an engraving of the deathbed of Adolf of Nassau in 1609, anonymous, anonymous, Netherlands, 1850 - 1900, photographic support, cardboard, albumen print, height 57 mm × width 80 mmheight 63 mm × width 105 mm
Photoreproduction of a painting of the death of Queen Elizabeth I of England by Paul Delaroche, Mort d'Élisabeth, Reine d'Angleterre en 1603 (title on object), Robert Jefferson Bingham (mentioned on object), after: Paul Delaroche (mentioned on
Afra mulier nupta (title on object), Married woman from Africa, Woman with veil over head, eyes lowered, seen from front. Print from album 'Diversarum gentium nostrae aetatis habitus'., print maker: Enea Vico, Venice, in or before 1558,
Soldier raising rudder with both hands (no. 10), c. 1600, A soldier, full-length, to the right, holding a rudder (a particular type of firearm) with both hands and raising it diagonally (no. 10), c. 1600. Plate 10 in the instructions for
Soldier with a helm grabbing his fuse (no. 5), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand (no. 5), c. 1600. In his left hand, in addition to the rudder, there is a burning
Photoreproduction of an engraving of the surprise attack on the castle of Breda using a peat barge on 4 March 1590, anonymous, anonymous, Netherlands, 1850 - 1900, photographic support, cardboard, albumen print, height 57 mm × width 79
Centaur family, Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus (...) (series title on object), A female centaur is feeding her two young. The male centaur shows a feline, which he holds by the
Horse from Greece, Achivus (title on object), Horse breeds from the royal stables of Don Juan of Austria (series title), Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus (...) (series title on
Sculpture of Bellona, Bellona marmorea in hortis cardinalis Farrariae (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), Caption in Latin. Print is
Sculpture of Flora, Flora in aedibus Card. Farnesij (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), Caption in Latin. Print is part of an
Siege of Tournai, 1709, Plan de la Ville et Citadelle de Tournay. Investie par l'Armée des Hauts-Alliés le 29 Juin 1709. Commandée par S.A.S. Le Prince Eugene de Savoye, et S.A. Le Prince et Duc de Marlboroug (title on object), Map of the
The dwarf Vincentz Zipperling in a fur coat, c. 1710, Herr Vincentz Zipperling, ältester Raths verwandter zu Hirschau in seinem bequemen Schlaffpelz (title on object), Il Callotto resurcitato oder Neu eingerichtes Zwerchen Cabinet (series
Montelbaanstoren te Amsterdam, ca. 1790, De Mont-Albaans Toren te Amsterdam, Tour du Mont Alban à Amsterdam (title on object), View of the Montelbaanstoren on the Oudeschans in Amsterdam, in the foreground the Kalkmarkt, ca. 1790. Part of a
Sculpture of Jupiter as eagle with Ganymede, Ganimedis figura in viridario Cardinalis de Medicis (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title),
German horse, Equus Germanus (title on object), Horse breeds from the royal stables of Don Juan of Austria (series title), Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus (...) (series title on
Photoreproduction of a painting of Cardinal Richelieu on a boat on the Rhone by Paul Delaroche, Richelieu (title on object), Robert Jefferson Bingham (mentioned on object), after: Paul Delaroche (mentioned on object), Paris, c. 1853 - in or
Two arms, Two representations on an album leaf. At top a blank coat of arms. Below that a coat of arms with two shields related to the Trip family. The left shield with three wooden shoes or triples. An emergent stag as the helmet sign. The prints
Hispana m(ulier) (title on object), Woman to the right, in Spanish dress. ca. 1550, Diversarum gentium nostrae aetatis habitus (series title), A married woman, seen from the side, standing, to the right. Hat with wide brim on head, wide
Journal des Dames et des Modes, edition Frankfurt 27 octobre 1806, Costume Parisien (44): Grande Parure, According to the accompanying text (p. 132) Hairstyle with braids and ringlets. Earrings with pearls. Gown of white muslin with canezou
Portraits of the courtesans named Mademoiselle E.S.R. and Bassonpiere of Rockefort, Madammoselle des E.S.R., La Bassonpiere ou R.F. (title on object), Miroir des plus belles courtisanes de ce temps (series title), Two representations on an album
Sculpture of Roma, Romae colocius celebris cui Dacia captasubest Romae in hortis Caerijs (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), Caption
Soldier with a musket sliding his right hand to the end of his ramrod (no. 26), c. 1600, A soldier, full-length, to the right, holding a musket (a particular type of firearm) with his left hand near his left thigh and bringing his right hand to
Title print with Roma, Minerva and Saturn, Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title on object), An oval cartouche depicting Roma seated next to the Lupa
Soldier holding his helm upright with his right hand (no. 31), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his right hand, the barrel pointing upward, before placing the weapon on his left
Soldier blowing sparks away from the pan of his rudder (no. 15), c. 1600, A soldier, full-length, to the right, holding a rudder (a certain type of firearm) near his mouth and blowing over the pan (the powder reservoir) (no. 15), c. 1600. In
Neude at Utrecht, ca. 1790, The Neude at Utrecht, Marché dite Neude à Utrecht (title on object), View of the Neude at Utrecht, ca. 1790. Part of a plate work from c. 1824-1825 containing 74 (unnumbered) plates of the most important
Soldier blowing powder from his musket (no. 20), c. 1600, A soldier, full-length, holding a musket (a certain type of firearm) near his mouth with both hands and blowing on it, to get off any powder that may have fallen outside the pan (the
Soldier carrying his spear vertically in his right hand (no. 18), c. 1600, A soldier, full-length, holding a spear (lance) vertically in his right hand leaning against his right arm (no. 18), c. 1600. Plate 18 in the instructions for handling
Equestrian statue of Marcus Aurelius, Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), The equestrian statue of Marcus Aurelius in Piazza del Campidoglio in Rome.
Battle of Marciano, Family History of the de' Medici Family (volume 2) (series title), Mediceae Familiae rerum feliciter gestarum victoriae et triumphi (series title), The Battle of Marciano in 1554. The army of de' Medici led by Gian Giacomo de'

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