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Louis Hesselin, 1660, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 3/8 × 9 9/16 in. (31.5 × 24.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Cadwallader David Colden, Mayor of New York City, ca. 1825, Engraving; first state of two, Plate: 12 1/2 x 9 3/4 in. (31.8 x 24.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), Peter

Two Riders, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/8 × 3 7/16 in. (6.1 × 8.8 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A rider, at left, faces right and aims his gun at a second rider, at right,

The Death of St. Joseph, 1766, Engraving, sheet: 11 x 14 15/16 in. (28 x 38 cm), Prints, After Alonso Cano (Spanish, Granada 1601–1667 Granada

Two Children, One Holding a Basket with Flowers, 1738–45, Etching and engraving, Sheet: 11 7/8 × 17 11/16 in. (30.2 × 45 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris

Speculum Romanae Magnificentiae: Doric Base, 1528, Engraving, sheet: 4 7/16 x 6 15/16 in. (11.3 x 17.7 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Headband: Two Infants with a Cardinal's Hat, a Third with a Banderole, Engraving, sheet: 2 7/16 x 5 1/4 in. (6.2 x 13.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Portraits of Turkish Sultans, late 16th century, Engraving and etching, sheet: 13 3/4 x 17 11/16 in. (35 x 45 cm), Prints, Anonymous

Renard is Sentenced to Death from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 9/16 in. (9.4 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

St. Christopher, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Rocky Landscape with St. Jerome, Engraving, Plate: 8 1/2 x 10 7/8 in. (21.6 x 27.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Portrait of Colbert, 1800, Etching and engraving; third state of three (Bocher), Sheet: 10 5/8 × 7 3/16 in. (27 × 18.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Portrait of Jacques Du Mont, Le Romain, 1770, Etching and engraving; third state of three (Bocher), Mount: 15 1/4 × 10 7/16 in. (38.8 × 26.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas

Rhetoric (Retorique), 16th century, Engraving, image: 2 15/16 x 2 3/16 in. (7.4 x 5.5 cm), Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Banknote motif: number 500 in an ornamental frame, ca. 1824–42, Engraving and etching, plate: 2 7/16 x 3 1/4 in. (6.2 x 8.2 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

St. Paul, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

God Forbidding Adam and Eve to Eat from the Tree of Knowledge, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 3/8 × 2 1/2 in. (8.6 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), God, at

Celebration for the Elector Johann Georg II, Leipzig, July 8, 1667: Fireworks Display by Night, ca. 1667, Etching and engraving, Prints

François Mallier du Houssay, ca. 1656, Engraving; second state of two (Adamczak), Sheet: 12 3/4 × 10 13/16 in. (32.4 × 27.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Blackwork Print with a Roundel with Tendrils and Birds Above Two Ovals, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 5 × 3 3/4 in. (12.7 × 9.6 cm), Etienne Carteron (French, born

Joseph and Potiphar's Wife, from The Story of Joseph, 1532, Engraving; second state of two, Sheet: 4 3/4 x 3 in. (12 x 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

A Rake's Progress, Plate 3, June 25, 1735, Etching and engraving, third state of three, plate: 14 x 16 1/8 in. (35.5 x 40.9 cm), Prints, William Hogarth (British, London 1697–1764 London

Apollo Killing the Python, Engraving, plate: 6 7/8 x 9 13/16 in. (17.4 x 25 cm), Prints, Possibly by Robert Willemsz de Baudous (Netherlandish, 1574/5–1659), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Rape of a Woman by a Satyr, 1530, Engraving; first state of two, Sheet: 5 7/8 × 4 in. (14.9 × 10.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Christ in the Garden of Olives, 17th century, Engraving; second state of two (BN), sheet: 17 9/16 x 11 3/8 in. (44.6 x 28.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Jean Rouillé, 1702, Engraving, Sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris

Riverscape, n.d., Engraving, sheet: 8 1/4 x 10 7/8 in. (21 x 27.6 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Christ Crucified, before 1619, Engraving; second state of two, Sheet: 3 7/8 × 2 1/2 in. (9.9 × 6.4 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Speculum Romanae Magnificentiae: Corinthian base, ca. 1537, Engraving, sheet: 4 1/2 x 6 3/16 in. (11.5 x 15.7 cm), Prints, Master G.A. (Italian, active ca. 1535

Before, December 15, 1736, Etching and engraving; first state of three, sheet: 15 3/8 x 12 5/8 in. (39.1 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

Hudibras Wooing the Widow (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 13), 1721–26, Etching and engraving, sheet: 4 11/16 x 2 5/8 in. (11.9 x 6.7 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

Woman Showing Curiosities to Soldier, ca. 1742, Etching and engraving, Sheet (trimmed): 11 7/8 × 9 5/16 in. (30.1 × 23.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770

The Crozier, 15th century, Engraving, Mat: 19 3/16 x 14 3/16 in. (48.8 x 36.1 cm), Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Portrait of Jean-Baptiste Pigalle, 1782, Etching and engraving; third state of three (Bocher), Sheet: 7 3/8 × 5 3/16 in. (18.7 × 13.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

First View of Clarenton near Paris, mid to late 18th century, Engraving, Sheet (trimmed): 8 1/4 × 9 15/16 in. (21 × 25.3 cm), Prints, Peter Paul Benazech (British, ca. 1730–1783 (?)), After François Boucher (French, Paris 1703–1770

Cupid Sleeping, 16th century, Engraving, sheet: 9 1/16 x 7 3/16 in. (23 x 18.2 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Banknote motif: number 2 against a circular panel of lathe work with a scalloped edge, ca. 1824–42, Engraving, sheet: 1 5/8 x 1 5/8 in. (4.2 x 4.2 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Portrait of Louis XVI, Marie Antoinette and The Dauphin, 1791, Etching and engraving; second state of three (Bocher), Sheet: 7 1/16 × 5 3/16 in. (18 × 13.2 cm), Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Piat Joseph

Portrait of Blaise Pascal, 1802, Etching and engraving; third state of three (Bocher), Sheet: 8 11/16 × 5 11/16 in. (22 × 14.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Augustin Pajou (French, Paris

Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair, ca. 1520–25, Engraving, 9 5/16 x 13 7/8 in. (23.7 x 35.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

The Sower (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), When

The Adoration of the Magi, ca. 1585, Engraving;second state of three, plate: 7 7/8 x 5 7/8 in. (20 x 15 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Bernardino Passeri (Italian, active Rome, ca.

Abraham's Sacrifice, from The Story of Abraham, Engraving, Sheet: 2 3/16 × 3 9/16 in. (5.6 × 9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Jacques Amelot, ca. 1655, Engraving; first state of three (Petitjean & Wickert), sheet: 12 3/16 x 9 7/16 in. (31 x 24 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Luna, 1533, Engraving, Sheet: 3 5/16 × 2 1/16 in. (8.4 × 5.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Blackwork Design with Five Motifs, ca. 1581–1636, Engraving and blackwork, Sheet: 1 9/16 × 2 in. (4 × 5.1 cm), attributed to Georg Arnoldt (German, 1563–1636), Blackwork print with five small motifs for goldsmiths work. The two outer

Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond, from a series of five engravings after the destroyed or detached frescoes of 1532/33 by Giovanni Antonio da Pordenone

The Letter E, from The Alphabet, 1466–67, Engraving, 5 9/16 × 4 1/2 in. (14.1 × 11.4 cm), Prints, Master ES (German, active ca. 1450–67), Among Master ES’s most remarkable engravings is a delightful series of letters consisting of

Le chancelier Louis Boucherat, 1676, Engraving, Sheet: 19 7/8 × 16 7/8 in. (50.5 × 42.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Banquet of Alexander, Engraving, Sheet: 9 13/16 x 14 1/2 in. (25 x 36.9 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Renard Promises the Bear to Take Him to a Place Where He Will Find Honey from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 3/16 in. (9.3 × 10.6 cm), Prints, Allart van Everdingen (Dutch,

Saint Paul holding a book and a sword facing right, ca. 1500–1540, Engraving, 3 3/16 x 1 7/8 in. (8.1 x 4.8 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Hogarth's Crest, ca. 1790, Etching and engraving, Sheet: 3 3/16 x 2 13/16 in. (8.1 x 7.2 cm), Prints, Said to be designed by William Hogarth (British, London 1697–1764 London

Étienne Jehannot de Bartillat, ca. 1666, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 3/4 × 9 15/16 in. (32.4 × 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes

The Resurrection, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 11/16 × 5 1/16 in. (19.5 × 12.8 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

The Triumph of Chastity on Love, from the Triumphs of Petrarch, Engraving, Sheet: 5 9/16 × 8 1/8 in. (14.1 × 20.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Plate 3: Psyche's two sisters are married to kings, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Coriolanus: 'The God of Soldiers, to shame invulnerable...' (Shakespeare, Coriolanus, Act 5), November 3, 1785, Etching and stipple engraving, image: 14 x 17 5/16 in. (35.5 x 44 cm) oval, Prints, Francesco Bartolozzi (Italian, Florence

Entombment of Christ, 1775, Etching and engraving, 27 3/8 × 16 1/8 in. (69.5 × 41 cm), Prints, Domenico Cunego (Italian, Verona 1727–1803 Rome), Intermediary draughtsman Angelo Ricci (Italian, 1749–1827), After Jusepe de Ribera (called

Mid-Day, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 11/16 in. (15 x 22 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French,

View of the Campidoglio as re-designed by Michelangelo from the 'Speculum Romanae Magnificentiae', 1569, Etching and engraving, Mount: 18 1/8 × 22 1/4 in. (46 × 56.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Octagonal Case and Two Other Motifs Held by Ignudi, 1622, Blackwork and Engraving, Plate: 3 1/16 x 4 3/16 in. (7.8 x 10.6 cm), Print from a series of six with goldsmith's designs in blackwork. This print shows three designs for goldsmith's work,

An Angel Indicates a Cross to a Man Kneeling, Engraving, sheet: 4 9/16 x 2 7/8 in. (11.6 x 7.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

1 of 8 plates on Hunting and Fishing, Engraving, Plate: 3 1/8 x 8 7/16 in. (8 x 21.4 cm), Prints, After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

Speculum Romanae Magnificentiae: Port of Rome, 1581, Etching and engraving, sheet: 11 5/8 x 20 3/16 in. (29.6 x 51.2 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), After Etienne DuPérac (French, ca. 1535–1604

Design for a Brooch with Judith Holding the Head of Holofernes, 1580–1600, Engraving and blackwork, Sheet: 2 3/4 × 3 1/8 in. (7 × 8 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a brooch with

The Prodigal Son (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It

Portrait of Marie de Gillier, 17th century, Engraving, Sheet: 15 7/16 x 10 5/8 in. (39.2 x 27 cm), Robert Nanteuil (French, Reims 1623–1678 Paris), Part of a bound album containing 92 drawings and prints of anonymous and famous women of

Louis-Isaac Lemaistre de Sacy, 1661, Engraving; second state of two (Petitjean & Wickert), Sheet: 5 7/8 × 3 15/16 in. (15 × 10 cm), Prints, Antoine Masson (French, Loury 1636–1700 Paris), After Robert Nanteuil (French, Reims 1623–1678

Christ as the Man of Sorrows with the Virgin and St. John, 15th century, Engraving; first state, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Speculum Romanae Magnificentiae: Carnival games held in the Mount Testaccio in Rome, 1558, Engraving, sheet: 12 3/8 x 19 5/16 in. (31.5 x 49 cm), Prints, Monogrammist ITF (Italian (?), active ca. 1540–60

Louis-Phélypeaux de La Vrillière, 1662, Engraving, Sheet: 12 3/4 × 10 1/8 in. (32.4 × 25.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Grâces au Bain (The Graces at the Bath), 18th century, Etching and engraving in red ink, Sheet: 21 1/2 x 15 3/16 in. (54.6 x 38.5 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris), Buldet (French

Epileptics Walking to the Left from Pilgrimage of the Epileptics to the Church at Molenbeeck, 1642, Engraving; first state of two, Sheet: 8 3/4 x 6 1/2 in. (22.3 x 16.5 cm), Prints, Hendrick Hondius I (Netherlandish, Duffel 1573–1650

Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 11 7/16 x 6 1/2 in. (29 x 16.5 cm)

Speculum Romanae Magnificentiae: Baths of Agrippa, 1583, Engraving, sheet: 13 7/16 x 20 1/2 in. (34.1 x 52 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), Paolo Graziani (Italian, active Rome, 1577–84

Charity, from the Cardinal Virtues, 1648–56, Engraving, Sheet: 4 5/16 × 3 1/4 in. (10.9 × 8.2 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), The female figure Charity is depicted holding a child in her arms (to her

David from Heroes and Heroines of the Old Testament, ca. 1597, Engraving, Sheet: 17 1/2 x 13 in. (44.5 x 33 cm), Prints, Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586–died 1600), After Hendrick Goltzius (Netherlandish,

Desire (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Prints,

Hercules and Antaeus, ca. 1497, Engraving, Plate: 13 3/8 x 9 1/16 in. (34 x 23 cm), Prints, School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

The King of Cambodia standing with a sceptre in his right hand, ca. 1670–1700, Engraving, sheet: 11 x 6 11/16 in. (27.9 x 17 cm), Prints, Anonymous

Louis de France, called Le Grand Dauphin or Monseigneur, 1677, Engraving, Sheet: 20 3/16 × 17 5/8 in. (51.2 × 44.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Banknote motif: rounded ornamental lathe work design witha wavy edge, ca. 1824–42, Engraving on chine collé, sheet: 2 15/16 x 2 5/16 in. (7.5 x 5.8 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

St. Simon standing before an open book with the fingers of his left hand pressed onto the pages, his chin resting in his right hand, a shallow barrel vault with oculus beyond, from a series of full-length figures of Christ and the Twelve Apostles,

The Painter, 17th century, Etching and engraving, Sheet: 9 5/8 x 7 3/16 in. (24.5 x 18.3 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Men with seive, 1675–1741, Engraving, sheet: 5 7/16 x 20 1/4 in. (13.8 x 51.5 cm), Prints, Giovanni Girolamo Frezza (Italian, 1659–1741), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Speculum Romanae Magnificentiae: Arch of Constantine, 1583, Engraving and etching, sheet: 11 5/8 x 16 5/16 in. (29.5 x 41.5 cm), Prints, Anonymous

Bookplate inscribed 'William Hogarth', 18th–19th century, Engraving, Sheet: 3 15/16 x 2 3/4 in. (10 x 7 cm), Prints

Saint Cecilia standing holding a palm of martyrdom in her right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.3 x 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Portrait of Joannes Neyen, General of the Order of Franciscan Friars, Ambassador in Trier, 1608, Engraving; second state of five, 33.3 x 23.6 cm, Prints, Michiel Jansz. van Mierevelt (Netherlandish, Delft 1567–1641 Delft), Jan Muller

Frieze with Nine Birds Perched on a Vine, ca. 1555–1610, Engraving, Sheet: 1 3/8 × 5 11/16 in. (3.5 × 14.5 cm), Franz Isaac Brun (German, ca. 1535–ca0/20 Strasbourg), Horizontal panel with nine birds in different poses perched on a vine.

Jean Dorieu, 1660, Engraving, Sheet: 12 7/8 × 9 15/16 in. (32.7 × 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Flora, mid-16th century, Engraving, sheet: 19 5/16 x 11 7/16 in. (49 x 29 cm), Prints, Anonymous, Italian, 16th century, After (?) Battista Franco (Italian, Venice ca. 1510–1561 Venice

Pendant Design with Cimon and Pero, from Des Pendants de Cleffs pour les Femmes, 1580–1600, Engraving and blackwork, Sheet: 3 1/2 × 1 3/8 in. (8.9 × 3.5 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

Titus Manlius Torquatus, from the series The Roman Heroes, 1586, Engraving, 14 3/8 x 10 7/16 in. (36.5 x 26.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Two Satyrs Fighting Over a Nymph, Engraving, Sheet: 2 1/2 × 1 11/16 in. (6.4 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond, ca. 1624, Etching and engraving, plate: 7 1/2 x 9 13/16 in. (19 x 24.9 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto)

Decembre, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris

Portrait of Georg Pencz (Imago Gregori Peins), Engraving; second state of two, Sheet: 4 13/16 × 3 3/16 in. (12.3 × 8.1 cm), Prints

Renard Sends the Ram Back to the Lion with a Package Containing the Rabbit's Head from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm), Prints, Allart van Everdingen

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