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Hardouin de Beaumont de Péréfixe, 1662, Engraving; second state of four (Petitjean & Wickert), Sheet: 13 7/16 × 10 11/16 in. (34.1 × 27.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Rhetoric: a young woman standing in a decorated interior with a caduceus in her right hand and a closed fan in her left hand, from the series 'The liberal arts' (Les arts liberaux), 1633–35, Engraving, image: 11 15/16 x 8 3/8 in. (30.3 x 21.3

Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from a series of six engravings of Herculean Subjects, ca. 1526–27, Engraving, Sheet (trimmed to platemark): 8 3/8 × 6 15/16

Sultan Ahmed III Crowned in the Mosque at Eyups (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, pl. 17B), 1723–24, Etching and engraving, plate: 9 5/8 x 6 7/8 in. (24.5 x 17.4 cm),

Descent from the Cross, before 1619, Engraving; second state of two, Sheet: 3 7/8 × 2 9/16 in. (9.8 × 6.5 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Un enfant assis sur une motte de terre (An enfant seated on a clod of earth), after Le Petit Savoyard by François Boucher, from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi,

Panel with Grotesque Candelabrum Containing a Mask, a Couple of Tritons and Two Children, 1549, Engraving, Sheet: 2 11/16 × 2 in. (6.8 × 5.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design with

View of Ranby's House, May 1, 1781, Etching and engraving; second state of two, plate: 3 15/16 x 5 7/8 in. (10 x 15 cm), Prints, William Hogarth (British, London 1697–1764 London

Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 7/16 x 7 in. (24 x 17.8 cm), Prints, William Hogarth (British, London 1697–1764 London

The triumph of a Roman Emperor; a young naked hero stands at centre on a pile of armour; a woman at right holds aloft a laurel wreath, ca. 1510, Engraving, Sheet: 14 × 20 in. (35.5 × 50.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)

Panel with Candelabrum Containing Two Couples of Satyrs, 1549, Engraving, Sheet: 3 9/16 × 1 11/16 in. (9 × 4.3 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Two satyr couples, with females at left and males at

St. Charles Borromeo, Engraving, sheet: 7 1/16 x 5 3/16 in. (18 x 13.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Two Genii with Two Dogs Fighting, 1594, Engraving, Sheet: 2 3/8 × 3 7/8 in. (6.1 × 9.9 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti against a landscape with two dogs fighting at center. Putto at left seen

A Rake's Progress, Plate 3, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/16 x 16 1/4 in. (35.7 x 41.2 cm), Prints, William Hogarth (British, London 1697–1764 London

A Turkish Bath (Aubry de La Motraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, pl. 10), 1723–24, Etching and engraving, sheet: 9 13/16 x 6 3/4 in. (24.9 x 17.1 cm), Prints, William Hogarth

The Cyder Feast, 1828, Wood engraving on India paper, laid down; third state of three, Image: 2 15/16 in. × 5 in. (7.5 × 12.7 cm), Prints, Edward Calvert (British, Appledore, Devon 1799–1833 Hackney (London)), A couple dances within a

Speculum Romanae Magnificentiae: Apollo Belvedere, 1552, Engraving, sheet: 18 5/16 x 13 3/16 in. (46.5 x 33.5 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Arithmetic, 1460s, Engraving with gold wash, Sheet: 7 in. × 3 7/8 in. (17.8 × 9.8 cm), Prints, Master of the E-Series Tarocchi (Italian, active Ferrara, 1460's

Isaac Blessing Jacob, 18th century, Engraving, Sheet: 18 5/16 x 22 1/2 in. (46.5 x 57.2 cm), Prints, Martin Gottfried Crophius (German, 1717–1765), After François Boucher (French, Paris 1703–1770 Paris), after Jean Daullé (French,

The Beggar's Opera, Act III, July 1, 1790, Engraving, Plate: 17 15/16 x 23 1/16 in. (45.5 x 58.6 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Death of Mark Anthony – Le Mort de Marc Antoine (Shakespeare, Antony and Cleopatra, Act 4, Scene 15), January 15, 1805, Stipple engraving, printed in reddish-brown ink, Image (round): 11 × 11 in. (27.9 × 27.9 cm), Prints, After

Speculum Romanae Magnificentiae: Ionic base, ca. 1537, Engraving, mount: 8 1/4 x 8 1/4 in. (21 x 21 cm), Prints, Master G.A. (Italian, active ca. 1535

The Virgin of Sorrows: The Crucifixion; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 1/16 in. (7.2 × 5.3 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca.

Frontispiece, Etching and engraving, sheet: 12 1/8 x 10 3/4 in. (30.8 x 27.3 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

St. John, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 x 4 3/16 in. (15.3 x 10.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

St. Francis of Assisi, Engraving; copy in reverse, sheet: 16 7/16 x 11 7/16 in. (41.7 x 29.1 cm), Prints, Nicolas Bazin (French, Troyes ca. 1681–1707 Troyes), After Claude Mellan (French, Abbeville 1598–1688 Paris

The First Wall of the Porcelain Room, from: 'Fürstlicher Baumeister Oder: Architectura civilis', 1711, Engraving, Plate: 13 × 11 3/8 in. (33 × 28.9 cm), Paul Decker the Elder (German, 1677–1713), This print comes from a book, published

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Banknote motif: ten different ornamental lathe work elements including a disk embellished with berries and flowers, a wreathed sword, a set of scales, a berried vine, an anchor and chain, a bracket of vine leaves and four designs for borders,

Louis Berryer, 1667, Engraving; second state of four (BN), sheet: 7 13/16 x 5 1/4 in. (19.9 x 13.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788, Etching and engraving, Sheet: 9 x 9 15/16 in. (22.8 x 25.2 cm), Prints, After Charles Townley (British, 1746?–1801 or later), After William Hogarth (British, London 1697–1764

Solomon's Idolatry, Engraving, Sheet: 2 1/2 × 1 11/16 in. (6.3 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Hares Roasting the Hunter, n.d., Engraving, sheet: 1 11/16 x 9 3/4 in. (4.3 x 24.8 cm), Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Apollo, Neptune, Pluto, and Athena seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, ca.

Christ before Pilate, from The Passion of Christ, 1596, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

The Frontispiece and Its Explanation (Plate 1: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 1/2 in. (19.7 x 24.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

David standing, sword in lowered right hand, sack in the left, the head of Goliath on the ground beneath him, ca. 1506, Engraving; the figure, ground and tree stump cut out and pasted to secondary support, 6 3/4 x 4 1/4 in. (17.2 x 10.8 cm),

Vase with Two Winged Satyrs, 17th century, Engraving, Sheet: 10 5/8 x 7 3/8 in. (27 x 18.8 cm), Depiction of a vase or ewer. The vase is characterized by two large satyr figures placed below the handle and the spout.The print is part of a series

Vase with a Sacrificial Scene, 17th century, Engraving, Sheet: 10 1/4 x 6 15/16 in. (26 x 17.6 cm), Depiction of a vase or ewer. The vase is caracterized by a frieze with a scene showing putti sacrificing a bull. The print is part of a series of

Portrait of Cardinal Guido Bentivoglio, 1633, Engraving, sheet: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Hugh Williamson, M.D., L.L.D. (1735–1819), 1821, Engraving, sheet: 8 1/2 x 5 1/4 in. (21.6 x 13.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Trumbull (American,

Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul, 1771, Etching and engraving, Sheet: 5 5/16 x 6 15/16 in. (13.5 x 17.7 cm), Prints, Anonymous, French, 18th century, After Jan Brueghel the Elder

Medal, 17th–18th century, Engraving, sheet: 3 1/8 x 3 1/8 in. (8 x 8 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris

The Second Wise Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Speculum Romanae Magnificentiae: Statue of Pasquin in the House of Cardinal Ursino, 1550, Engraving and etching, sheet: 18 1/2 x 13 9/16 in. (47 x 34.5 cm), Prints, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Battle of the Sea Gods (Right portion of a frieze), ca. 1485–88, Engraving, sheet: 11 1/4 x 14 3/4 in. (28.6 x 37.5 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight, 1531, Engraving, Sheet: 10 13/16 × 11 13/16 in. (27.4 × 30 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca.

Jacob arrives in Mesopotamia, 18th century, Engraving, Sheet: 26 x 19 3/4 in. (66 x 50.2 cm), Prints, Anonymous, After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Papal Benediction, 16th century, Engraving and etching, sheet: 15 15/16 x 22 1/4 in. (40.5 x 56.5 cm), Prints, Anonymous

Titus and Vespanian both on horseback, ca. 1510–27, Engraving, Sheet: 6 7/8 × 4 9/16 in. (17.5 × 11.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Silenus reclining before wine vats, he grasps a grapevine and is surrounded by four nude children, ca. 1535–73, Engraving, sheet: 6 1/4 x 5 1/2 in. (15.8 x 14 cm), Prints, Hans Liefrinck (Augsburg (?) 1518?–1573 Antwerp

Allegory of the Government of a Childish King, 1588, Engraving; first state of four (New Hollstein), sheet: 8 11/16 x 12 3/8 in. (22 x 31.5 cm), Prints, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), After Karel van Mander

The Return from the Hunt, ca. 1738, Etching and engraving, Sheet (trimmed): 9 1/8 × 10 3/8 in. (23.1 × 26.3 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Design for knife handle to commemorate a marriage, ca. 1580–1600, Engraving, sheet: 4 3/16 x 3 1/8 in. (10.6 x 8 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), After Jan (Pietersz.) Saenredam

The Laughing Audience, ca. 1800, Engraving, Sheet: 3 1/16 x 2 11/16 in. (7.8 x 6.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Great Hall within the Villa of Pope Julius, 16th century, Engraving, sheet: 13 5/8 x 18 1/8 in. (34.6 x 46 cm), Prints, Anonymous

Banknote vignette with three putti as a shepherd, a farmer, and a sailor, ca. 1824–37, Engraving and etching, plate: 1 15/16 x 2 11/16 in. (5 x 6.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Speculum Romanae Magnificentiae: Decorated base, ca. 1537, Engraving, mount: 8 1/16 x 8 7/16 in. (20.5 x 21.5 cm), Prints, Master G.A. (Italian, active ca. 1535

The Creation of Eve, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 7/16 × 2 1/2 in. (8.8 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Eve, at center, emerges from Adam's side, while

Potiphar's Wife Accusing Joseph, from The Story of Joseph, 1532, Engraving; second state of two, Sheet: 4 11/16 × 3 in. (11.9 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), At left, Potiphar's wife

An Aged Soldier and An Aged Lover Are Sad Sights, from 'Mascarades', 1597, Engraving, Sheet (trimmed): 7 11/16 × 5 3/8 in. (19.5 × 13.7 cm), Prints, Robert Boissard (French, born Valence, ca. 1591), After Jean Jacques Boissard (French,

Speculum Romanae Magnificentiae: Sacrifice on the Campus Martius, 16th century, Engraving, sheet: 10 1/4 x 18 1/8 in. (26 x 46 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: The Septizodium, 1556, Etching and engraving, sheet: 18 7/8 x 13 in. (48 x 33 cm), Prints, Anonymous

La Famille Renouard (The Renouard Family), 1800–1801, Etching and engraving; third state of three (Bocher), Sheet: 8 3/8 × 5 9/16 in. (21.3 × 14.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Paul Before Felix, February 5, 1752, Etching and engraving; third state of three, sheet: 16 3/4 x 20 9/16 in. (42.5 x 52.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Banknote vignette showing city buildings around a fenced-in green with children playing around an American flag, ca. 1824–37, Engraving and etching, plate: 2 1/2 x 4 13/16 in. (6.3 x 12.2 cm), Prints, Attributed to Asher Brown Durand

Mary Magdalen, n.d., Engraving, sheet: 8 7/8 x 6 15/16 in. (22.5 x 17.7 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels

New Inventions of Modern Times [Nova Reperta], The Invention of the Olive Oil Press, plate 12, ca. 1600, Engraving, sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm), Prints, Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), After Jan

Saint Luke, from The Four Evangelists, 1539, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 11/16 x 9 7/16 in. (19.5 x 23.9 cm), Prints, After William Hogarth (British, London 1697–1764

St. Bartholomew, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 x 4 3/16 in. (15.2 x 10.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Fortitude or Strength personified by a woman standing in a nice resting her arm on a column, from 'The Virtues', ca. 1515–25, Engraving, Plate: 8 7/16 × 4 1/4 in. (21.5 × 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

The Cascade Near the Watermill, Engraving; fifth state of five, Sheet: 5 13/16 × 8 1/4 in. (14.7 × 20.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

St. Claire, 1667, Engraving, sheet: 17 5/16 x 11 5/16 in. (44 x 28.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Apollo sitting on Parnassus surrounded by the muses and famous poets, ca. 1517–20, Engraving, 14 x 18 1/2 in. (35.6 x 47 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

Banknote motif: the number 50 against an ornamental lathe work rondel resembling lace, ca. 1824–42, Engraving, sheet: 1 1/4 x 1 5/16 in. (3.2 x 3.3 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Titus Manlius Torquatus Ordering the Execution of His Son, 1553, Engraving, Sheet: 4 1/2 × 2 7/8 in. (11.5 × 7.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

House of Cards, Etching and engraving, sheet: 13 5/8 x 10 1/4 in. (34.6 x 26 cm), Prints, Jean Michel Liotard (Swiss, Geneva 1702–1796 Geneva), After François Boucher (French, Paris 1703–1770 Paris

Juno and two goddesses reclining on clouds with two child figures and fruits at right, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at

Adam and Eve, 1566, Engraving; third state of three, Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Peasants Fighting over a Game of Cards, Etching and engraving, Plate: 16 15/16 x 20 1/2 in. (43 x 52 cm), Prints, Lucas Vorsterman I (Flemish, Zaltbommel 1595–1675 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

The Skiff near the Pierced Rock, Engraving; third state of three, Sheet: 4 1/8 × 5 5/8 in. (10.5 × 14.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Two Gods on a Cloud, mid-16th century, Engraving, Sheet: 8 7/16 x 13 3/8 in. (21.4 x 34 cm), Prints, Attributed to Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Blackwork Print with Three Crosses and Foliate Scrolls, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 3/4 × 3 9/16 in. (12.1 × 9.1 cm), Etienne Carteron (French, born Châtillon-sur-Seine, ca.

Henri-Jules de Bourdon, duc d'Enghien, 1661, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 1/2 × 9 13/16 in. (31.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French,

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Dead Child with Four Skulls, mid-16th century, Engraving, first state of three, Sheet: 2 1/8 x 3 in. (5.4 x 7.6 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock, Engraving, Sheet: 10 13/16 x 13 13/16 in. (27.5 x 35.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Polidoro da

Design for Silverwork with Garlands, Birds, and Grotesque Motifs, ca. 1568–1633, Engraving, Sheet: 2 13/16 × 4 3/8 in. (7.1 × 11.1 cm), Hieronymus Bang (German, Osnabrück 1553–1630 Nuremberg), Ornament design with a bird standing on

Pietro Aretino, 1640, Etching; first state of four (NH) before letters but very damaged., sheet: 7 11/16 x 5 5/16 in. (19.5 x 13.5 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Titian

Four Putti, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/8 × 3 3/8 in. (6.1 × 8.6 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Four putti with gardening tools. The central pair of putti hold a basket of fruit

Ladies' Ticket of Admission to the Annual Caledonian Ball, 1824, Engraving, plate: 3 9/16 x 5 1/4 in. (9.1 x 13.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Allan (American

Portrait of François I, 1744, Etching and engraving; second state of three, plate: 17 3/8 x 14 1/4 in. (44.2 x 36.2 cm), Prints, Johann Christoph Reinsperger (German, Nürnberg 1711–1777 Vienna), After Jean Étienne Liotard (Swiss, Geneva

Two Children, One With A Sword, Another With A Helmet, Etching and Engraving, sheet: 12 x 17 5/8 in. (30.5 x 44.8 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Emmanuel-Théodose de La Tour d'Auverge, cardinal de Bouillon, 1670, Engraving; second state of three (Petitjean & Wickert), Sheet: 19 9/16 x 16 11/16 in. (49.7 x 42.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

William Hogarth, June 4, 1795, Stipple engraving, sheet: 15 3/8 x 11 5/8 in. (39.1 x 29.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Martin Folkes, 1742, Etching and engraving; fourth state of four, sheet: 13 3/16 x 9 1/4 in. (33.5 x 23.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 3/16 × 4 5/16

The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace), 1550–60, Etching and Engraving, plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm), Prints, Michele Lucchese (Italian, active Rome, 1534–64),

Calliope, ca. 1540–45, Engraving, Sheet (trimmed): 9 1/4 × 6 11/16 in. (23.5 × 17 cm), Prints, Anonymous, French-Italian, 17th century, After Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna

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