Images at Librifly

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Map of the coast of northern France with the mouths of the Somme and Bresle rivers, 1710, Les embouchures de la Somme et de Bresle riv, ou est St. Valeri, eu et Dieppe (title on object), Map of the coast of northern France with the mouths of the

Three women, dressed according to Venetian fashion ca. 1580, Gentil donna venetiana, Vergine da marito, Vedova venetiana, On the left a noblewoman from Venice, feather fan in raised right hand. In the center, an unmarried virgin, veil over

Elegantia, or magazine of fashion, luxury and taste for ladies, March 1809, No. 73: Peigne en Couronne..., According to the accompanying text (p. 96): Ball Costume. Ball gown of gauze with satin stripes, trimmed at the bottom with flowers and

Photographic reproduction of an engraving of the presentation of an entreaty by Dutch nobles to the governess Margaret of Parma, anonymous, anonymous, Netherlands, 1850 - 1900, photographic support, cardboard, albumen print, height 57 mm ×

Fighting horses with an underfoot horse, Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus (...) (series title on object), A group of fighting horses in a landscape. Print is part of an album.,

Title page of Réunion des Tuileries au Louvre 1852-1857, album 2, Part of Réunion des Tuileries au Louvre 1852-1857, album 2., print maker: Barthelemier frères (mentioned on object), printer: F. Chardon ainé (mentioned on object), Paris,

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (603) Capote d'Alpaga, Man seen from the front, dressed in a light brown fur coat with pelerine (Carrick). High bowed cravat. On the head a high hat of alpaca with raised brim.

Writing sample with capital XSchat oft voorbeelt ende verthooninge van verscheyden geschriften (...) (series title), Writing sample with capital X and four lines of text in French, between two alphabets: Xantippe femme de Socrates (...).

Cheater and extender, Isaac la Roche filou, D Jacqueline conporteuse (title on object), Les abus du mariage (series title), Two representations on an album leaf. On the left, an impostor named Isaac la Roche with cloak and broad-brimmed hat. In

The exercise with the targe and rapier: the soldier puts his rapier back in the scabbard, (no. 11), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieuwe ordening

Galla serva seu Flandren. (title on object), Servant from Flanders, dressed according to the fashion of c. 1550, Diversarum gentium nostrae aetatis habitus (series title), Woman with basket on arm, to the right, round hat on head. Print from

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (633) Négligé, Woman to the right, in a white house dress with raised collerette; red scarf over the shoulders. On head, hat with bands and bow at front., print maker: Horace

Three women, dressed according to the fashion in Nuremberg of ca. 1580, Nobile di Norinbergha (title on object), The middle woman, with long braids, seen from the back. Print from album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo

Petit Courrier des Dames, 1829 no. 688, Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, printer: Dondey-Dupré, Paris, 1829, paper, engraving

Cabinet des Modes ou les Modes Nouvelles, 1 Aout 1786, pl. III, Two female busts with straw hats in frames. According to the accompanying text, the woman on the left is wearing a yellow caraco and has a straw hat on her head, decorated with

Photoreproduction of a painting of Beatrice Cenci on her way to her execution by Paul Delaroche, La Cenci marchant au supplice (title on object), Robert Jefferson Bingham (mentioned on object), after: Paul Delaroche (mentioned on object), Paris,

The exercise with shield and spear: the soldier standing with the spear resting on the ground next to the right foot (nr. 30), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende

The Soho Manufactory near Birmingham Belonging to Messers Boulton & Watt Engraving. View of Soho manufactory, Handsworth. From The Monthly Magazine and British Register, May 1797, Social history, Topographical Views, Science and Industry, Lunar

Engraving, Cherry St Chapel, Topographical Views, Birmingham history, Architecture, Church

Engraving, Swan Hotel, High Street, Birmingham, 25, 07, 1829 Engraver: Thomas Radclyffe Publisher: William Emans Drawn by: Thomas Radclyffe Topographical Views, Vol iii, Topographical Views, Animal, Horse, Birmingham history, Carriage,

Engraving, Jeremiah Scudamore, Spiceal St, Birmingham

Engraving, Sketch Map of Birmingham, Circa 1876 Topographical Views, Vol ii Sketch map of the centre of Birmingham, indicating the areas of proposed improvements in the 1870s, including Corporation Street, Topographical Views, Plan,

Wood engraving, Temujin, Published, 1860 Artist: William Holman Hunt Engraver: Joseph Swain, Illustration for Temujin, also known as Genghis Khan, Drawing, Ink, Sketch, Pre-Raphaelite, Illustration, Printing, Engraving

Engraving, C Brandauer & Co, New John Street West, Birmingham Topographical Views, Vol iv C Brandauer's Steel Pen Works In New John St West., Topographical Views, Science and Industry, Manufacturers, Factory, Birmingham history,

Engraving, King Edward's Grammar School, Birmingham, Back View, Vol I Engraver: T Kearnan, Education, Topographical Views, Architecture, Printing, Engraving, School, Birmingham history, Teaching

Recto, Front Tsuba (Hand Guard for Sword), 1860 Recto, Of mokko form, in relief, with a Samosso dancer wearing a mask. (Verso- Chased in Kebori (an engraving technique) with musical instruments)., Applied Arts, Asia, Arms, Armour, Sword,

Town Hall Birmingham, undated L Tallis, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Town Hall

Coloured Engraving, Birmingham Loyal Association, 05, 09, 1799, Engraver: E Rudge, After: S W Fores, Showing uniforms and weapons of three infantrymen from the Birmingham Loyal Association, Grenadier. Battalion and Light Infantry

Engraving, St Philip's Church, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

Graphic Illustrations of Warwickshire: High Street Market, Birmingham, 1827 Engraver: William Radclyffe Artist: David Cox, Social history, Topographical Views, Printing, Engraving, Birmingham history, England, Midlands

Plate 2 of 6 Satirical Cartoon, Birmingham Bag Man: Out of His Road, 24, 10, 1792 Engraver: Edward Hedges Cornhill, Social history, Topographical Views, Printing, Engraving, Satire, Birmingham history, Hand-Tinted

Print of Steam Coach 'Dr. Church's London & Birmingham Steam Coach, Built at Birmingham, 1833.' Engraved by Josiah Allen, Topographical Views, Transport, Printing, Engraving, Birmingham history

Engraving, Christ Church, Topographical Views, Religion, Christian, Birmingham history, Architecture, Church

Engraving, Waterloo Street, Bennett's Hill, Birmingham, Vol I, Engraver: Martin Billing

Engraving, Great Exhibition, Crystal Palace, London 1851 View of the 'Medieval Court' at the Great Exhibition, 1851. Display of Gothic Style furnishings, including that of J Hardman & Co, Birmingham. In ink, to left:- 'Crystal Palace;

Engraving, St Paul's Church, Publisher: James Granger, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

Engraving, Mount Zion Chapel, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

Engraving, Design for Free Grammar School, Education, Topographical Views, Architecture, Design, Illustration, Plan, School, Birmingham history, Teaching

Engraving, Welch Cross, Engraver: J Smith, Topographical Views, Architecture, Printing, Engraving, Birmingham history

Engraving, Parish Church, Handsworth, 19th Century, Vol I, Topographical Views, Printing, Engraving, Birmingham history

Topographical view of Birmingham, Engraving New Street looking up to Christ Church, Birmingham, 1828, Social history, Topographical Views, England, Midlands

Engraving, Spring Hill College, Moseley, Birmingham, , Vol I, school

Engraving of Old Meeting House, Topographical Views, Birmingham history

Engraving, Queen's College, Birmingham, Vol I

Angels Adoring (Fresco, Palazzo, Riccardi, Florence), 1884 Engraver: Edward Kaiser After Benozzo Gozzoli (1420-1497), Italy, Religion, Angel, Frame, Printing, Engraving, Works on Paper

Engraving, Niche Statues, Blue Coat School, Birmingham, Topographical Views

Engraving, St Philip's Church, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

Engraving, Parish Church, Edgbaston Publisher: R Matthison & Co, Vol I, Topographical Views, Birmingham history, Architecture, Church

Henry Clay, Birmingham, 1808 Social History, Trade Document Collection, Cutting from James Bisset's Magnificent Directory and Grand National Register, Decorative Arts, Printing, Engraving, Birmingham history, Advertising, Japanning, Social

Engraving, Trinity Chapel, Bordesley, Vol I Artist: Thomas Radclyffe, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

At Night, Published, 1860 William Holman Hunt, Drawing, Ink, Bedroom, Sketch, Pre-Raphaelite, Printing, Wood Engraving, Female, Male, Sadness, Death, Emotion, Sad, Furniture, Bed

Engraving, Public Office, Moor Street, Artist: Frederick Calvert Artist: T Wrighton Publisher: William Emans, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Civic Building

Engraving, Council House, Birmingham 02, 03, 1878, Vol I Engraver: Walmsley Drawn by: B Sly, Topographical Views, Birmingham history, Architecture, Civic Building

The East Prospect of Birmingham, 1732 Drawn by: William Westley Sculptor: John Harris, 18th Century, Topographical Views, Frame, Printing, Engraving, Birmingham history, Townscape, Works on Paper

Engraving-A Central View of Birmingham From the, Vol ii, One of a collection of engravings of local views, contained in a volume. Distant view of Birmingham, showing church spires & smoking chimneys., Topographical Views, Social history,

Engraving, Yardley Church & Vicarage, Birmingham, 19th century, Vol I Artist: H H Horton, Topographical Views, Birmingham history, Architecture, Church

Hand-tinted Engraving, Public Office, Moor Street, Birmingham, 1830 Engraver: T Wrighton After: Frederick Calvert Publisher: William Emans, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Civic Building

Engraving, King Edward's Grammar School, Engraver: A B Johnson, Education, Topographical Views, Architecture, Printing, Engraving, School, Birmingham history, Teaching

Portrait of Matthew Boulton, 1749-1824 William Sharp (d.1824), 19th Century, 18th Century, Topographical Views, Science and Industry, Portrait, Frame, Printing, Engraving, Works on Paper

Engraving, St George's Church & Schools, Engraver: Tolley, Topographical Views, Printing, Engraving, School, Birmingham history, Architecture, Church

Perspective View of The Crescent Now Erecting Near The Town of Birmingham 10, 09, 1792 Engraver: Francis Jukes Architect: John Rawsthorne, Topographical Views, Illustration, Plan, Printing, Engraving, Birmingham history, Architecture,

Framley Parsonage, Was it not a Lie?, 1860 John Everett Millais (d.1896) and Dalziel Brothers, Fine Art, 19th Century, Paper, Bedroom, Printing, Wood Engraving, Female, Emotion, Crying

Engraving, King Edward's Grammar School, Birmingham, Vol I

Engraving, East View of Birmingham In Warwickshire, 1750-1800, Landscape, Topographical Views, Windmill, Printing, Engraving, Birmingham history

Engraving, St Mary's Chapel, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

Engraving, Birmingham & Edgbaston Proprietary School, 1874, Vol I, Education, Topographical Views, Printing, Engraving, School, Birmingham history, Teaching

Topographical view of Birmingham, Engraving from Newspaper Birmingham New Street, new Grand Central Railway Station, at Birmingham Opened on Thursday, June 1, 1854, Social history, Topographical Views, England, Midlands

Engraving, Public Office, Moor Street, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Civic Building

Portrait of Joseph Priestley, 1789 Engraver: W Nutter After: John Hazlitt Publisher: John Hazlitt, Joseph Priestley, (1733-1804) was a clergyman, political theorist, and physical scientist whose work contributed to advances in liberal political

Engraving of New Meeting Destroyed At The Riots 1791, Topographical Views, Birmingham history

Engraving, Hen & Chickens Hotel, New Street, Birmingham Topographical Views, Vol iii, Topographical Views, Animal, Horse, Birmingham history, Carriage, Hotel

Engraving, St Philip's Church, Lithographer: Allan & Ferguson Engraver: W H Smith, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

The Meeting, 1860 John Everett Millais (d.1896) and Joseph Swain (d.1909), 19th Century, Printing, Wood Engraving, Female, Child, Male, Field

Three Engravings, St Paul's, St Mary's, St Bartholomew's, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

Engraving, St Michael's Cemetery, Engraver: H Umfreville Publisher: James Granger, Topographical Views, Printing, Engraving, Birmingham history, Cemetery

Engraving, Interior of St Chad's Cathedral, Topographical Views, , Catholic, Birmingham history, Architecture, Cathedral

The High Street Market, Birmingham, 1827 Topographical Views, Vol ii Engraver: William Radclyffe Drawn by: David Cox, Topographical Views, Animal, Dog, Printing, Engraving, Bird, Goose, Marketplace, Birmingham history, Architecture,

Engraving, Birmingham Society of Arts, New Street, Vol I, Topographical Views, Printing, Etching, Birmingham history, Birmingham Society of Artists, RBSA

Sister Anna's Probation, Anna and Henry Are United, 1862 John Everett Millais (d.1896) and Joseph Swain (d.1909), Reading, Tree, 19th Century, Wood, Animal, Horse, Printing, Wood Engraving, Female, Male, Seated

Engraving, Canal Office, Paradise Row, Topographical Views, Architecture, Canal, Birmingham history

The Turnpike Road, 1806 Engraver: William Ward (d.1826), After George Morland (d.1804), Mezzontint engraving printed in colours., 19th Century, Paper, Transport, Animal, Dog, Frame, Animal, Horse, Printing, Mezzotint, Printing,

Son Christopher, The Constables breaks into the House, 1863 John Everett Millais (d.1896) and Joseph Swain (d.1909), 19th Century, Paper, Printing, Wood Engraving, Female, Child, Men, Letter

Engraving, Queen's College, Birmingham, Vol I

Engraving, Picture Gallery, Birmingham Society of Arts, Vol I

Engraving, Protestant Dissenting Charity School, Birmingham Artist: Thomas Radclyffe Topographical Views, Vol i, Social history, Topographical Views, Printing, Engraving, School, Birmingham history, Teaching

Engraving, Hen & Chickens Hotel, New Street, Birmingham One of a collection of engravings of local views contained in volume:, Vol.iii, Topographical Views, Printing, Engraving, Birmingham history, Street scene, Hotel

Engraving, Birmingham Station, Curzon Street, 1839 Topographical Views, Vol iii, Travel, Classical, Topographical Views, Architecture, Printing, Engraving, Birmingham history, Railway, Station, Transport, Train

Engraving, J Gillott, Birmingham Topographical Views, Vol iv Joseph Gillott's Metallin Pen Manufactory, probably Graham St, Birmingham., Topographical Views, Science and Industry, Manufacturers, Factory, Printing, Engraving, Birmingham

Engraving, Handsworth Church, Publisher: Rock & Co, Topographical Views, Birmingham history, Architecture, Church

Engraving, St Philip's Church, Engraver: A B Johnson Publisher: R Matthison, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

Engraving, Public Office, Moor Street, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Civic Building

Engraving, Birmingham & Edgbaston Proprietary School, Vol I, Education, Topographical Views, Printing, Engraving, School, Birmingham history, Teaching

O the Lark is Singing in the Sky, 1864 Joseph Swain (d.1909) and John Everett Millais (d.1896), Landscape, 19th Century, Jug, Garden, Printing, Wood Engraving, Female, Clothing, Dress

Engraving, Church of the Messiah, Topographical Views, Printing, Engraving, Birmingham history

Engraving, Livery St Meeting House, Topographical Views, Printing, Engraving, Birmingham history

Engraving, Old Cross, Engraver: J Smith, Topographical Views, Architecture, Printing, Engraving, Birmingham history

Engraving, King Edward's Grammar School, Birmingham, Vol I

Engraving, St Luke's Church & Schools, Publisher: B Hunt & Sons, Topographical Views, School, Birmingham history, Architecture, Church

Engraving, Free Grammar School, Birmingham, 1829-1926, Vol I Artist: Thomas Radclyffe After: Thomas Underwood Publisher: William Emans, Education, Topographical Views, Architecture, Printing, Engraving, School, Birmingham history,

Engraving, Christ Church, Topographical Views, Printing, Engraving, Birmingham history, Architecture, Church

search results: Engraving clear search