Images at Librifly

search results: Engraving clear search

Paolo Lombardi, wooden pilaster at the Istituto di Belle Arti, Siena, albumin paper, black and white positive process, sheet size: height: 26.00 cm; width: 20.30 cm, stamp engraving: recto and left: Lombardi, Fotografo, Siena, inscribed:

Martin Engelbrecht, Siegmund Richter, garden parterre and floor plan of a summer house, copperplate engraving, etching, sheet size: height: 37.40 cm; width: 22.20 cm, signed, numbered and inscribed on the plate: Sigmund Richter inv. et del,

Hans Sebald Beham, Die Grammatik aus der Folge der sieben freien Künste, paper, copperplate engraving, sheet size (sheet trimmed = plate): height: 9.00 cm; width: 5.60 cm, monogrammed, numbered and titled: in the plate lower right and upper

Joachim Tielke, Guitar, Spruce, Ebony, Ivory, Gold, Total: Length: 968 mm (total length); Length: 438 mm (body length); Length: 691 mm (string length); Width: 235 mm (max. width); Height: 100 mm (rib height), Engraving: on ivory strips when

Paolo Lombardi, The marble pulpit in the cathedral of Siena - detail, albumin paper, black and white positive process, sheet size: height: 19.2 cm; width: 25.1 cm, stamp engraving, Cav. Paolo Lombardi, Siena, Photografo, inscribed: recto on

Abraham Bloemaert, head, hand and leg study, sheet 12 from the series Fondamente der Teecken-Konst aerdigh geinvertaert door Abraham Bloemaert, paper, copperplate engraving, copperplate engraving on ribbed paper, sheet size: height: 32.70 cm;

Theodor de Bry, Sigmund Feyerabend, framed with coat of arms, paper, copperplate engraving, sheet size: height: 18.90 cm; width: 14, 70 cm, unsigned, prints, grotesque (ornament), framed with white grotesque tails on black ground with

Carlo Naya, Venezia - Ponte dei Sospiri, 1892, albumin paper, cardboard, black and white positive process, sheet size: height: 35.50 cm; width: 27.00 cm, stamp engraving: below: Naya - Fotografo, architectural photography, travel

Ernst Christian Schmidt, Verlag Friedrich Vieweg and son, Gottfried Semper, details of the boxes. From the portfolio Das Königliche Hoftheater zu Dresden, ed. by Gottfried Semper, Braunschweig 1849, old stock, probably a 1903, paper,

Paolo Lombardi, candlestick by Benedetto da Maiano in the cathedral of Siena, albumin paper, black and white positive process, sheet size: height: 26.10 cm; width: 19.40 cm, stamp engraving: recto and left: blind stamp: Lombardi, Fotografo,

Paolo Lombardi, pedestal from the cathedral of Siena, albumin paper, black and white positive process, sheet size: height: 25.00 cm; width: 18.50 cm, stamp engraving: recto and left. : blind stamp: Lombardi, Fotografo, Siena, inscribed: recto

Kelmscott Press, William Morris, Ralph Robinson, Frederick Startridge Ellis, Thomas More: Utopia, Paper, Parchment, Letterpress, Wood engraving, Total: Height: 21 cm; Width: 15 cm, Plant ornaments, Art Nouveau, The well-known novel Utopia

Hans Sebald Beham, The Rhetoric from the Series of the Seven Liberal Arts, paper, copperplate engraving, sheet size (sheet trimmed = plate): height: 9.00 cm; width: 5.70 cm, monogrammed, numbered and titled: in the plate o. r, lower right and

Paolo Lombardi, bronze ring for tying the horses at the Palazzo del Magnifico in Siena, albumin paper, black and white positive process, sheet size: height: 21.70 cm; width: 12.70 cm, stamp engraving: recto and left Blind stamp: Lombardi,

Marcus Grundler, ornamental surface with trophies, copperplate engraving, sheet size (sheet cut): height: 7, 90 cm; width: 6, 10 cm, signed and dated: in the plate: MARCVS GRVNDLER AVGVSTA: NVS FECIT 1617, prints, printed matter, ornaments,

Joachim Tielke, Hamburger Cithrinchen, cypress, ebony, ivory, parchment, brass, Total: Length: 640 mm (total length); Length: 278 mm (body length); Length: 375 mm (string length); Height: 41 mm (max. height: 41 mm (max. rib height); width: 239

Johann Leonhard Eisler, Acanthus leaves, sheet 6 from the series Thorough instruction on how a clean foliage with its divisions should be designed drawn by Johann Leonhard Eisler, copperplate engraving, sheet size: height: 15.60 cm; width: 22.20

Heinrich Kühn, Spaziergang, Sammlung Juhl, paper, heliogravure, picture size: height: 17, 80 cm; width: 13, 00 cm, inscribed: recto: top right typographical margin: Verlag von Wilhelm Knapp in Halle a/ S. and bottom left and right

Paolo Lombardi, The high altar in the church Santa Maria in Portico a Fontegiusta, Siena - detail, albumin paper, black and white positive process, sheet size: height: 25, 50 cm; width: 19, 70 cm, stamp engraving: recto u. right: blind stamp:

Heinrich Ullrich, can lid with tail grotesque on punched ground, sheet 11 from a series of can lids, paper, copperplate engraving, sheet size : height: 7, 90 cm; width: 11, 90 cm, signed and numbered: in the plate in the motif: Heinrich:

Paolo Lombardi, The marble pulpit in the cathedral of Siena - detail, albumin paper, black and white positive process, sheet size: height: 25.6 cm; width: 20.3 cm, stamp engraving: recto and left: blind stamp: P. Lombardi, Fotografo, Siena,

Johann Christoph Weigel, Johann Georg Waldtreich, Abraham Bloemaert, figure study, sheet 17 from the series Fondamente der Teecken-Konst aerdigh geinverteert door Abraham Bloemaert, paper, copperplate engraving, copperplate engraving on ribbed

Gustav Heinrich Wolff, Kassandra (title page of the Trojan Women), copperplate engraving, image size: height: 23.9 cm; width: 18 cm, monogrammed and inscribed: recto lower left: in pencil: Troerinnen, GHW, Illustrations, printmaking, printing,

Paolo Lombardi, The Piccolomini Altar in the Cathedral of Siena - detail, albumin paper, black and white positive process, sheet size: height: 24, 80 cm; width: 19, 00 cm, stamp engraving, blind stamp: P. Lombardi, Fotografo, Siena,

Paul Birckenholtz, Agraffe, sheet of a series Varii Generis Opera Aurifabris Necessaria, paper, copperplate engraving, sheet size : height: 12.10 cm; width: 9.30 cm, monogrammed on the plate: PBF, prints, printed matter, ornaments

Lucas van Leyden, (artist), Netherlandish, 1489/1494 - 1533, Esther before Ahasuerus, 1518, engraving

American 19th Century, (artist), Winslow Homer, (artist after), American, 1836 - 1910, The Morning Bell, From 'Harper's Weekly', December 13, 1873, p.1116, (series), published 1873, wood engraving

Jean Lepautre, (artist), French, 1618 - 1682, Midas with Apollo and Pan, Benserade's 'Metamorphoses d'Ovide': p.350, (series), published 1676, etching and engraving on laid paper, plate: 7.5 x 9.1 cm (2 15/16 x 3 9/16 in.), Anonymous Gift

Carel Collaert, (artist), Flemish, active c. 1650, Castle with a Moat, Small Landscapes, (series), published in or before 1676, etching retouched with engraving

Sébastien Bourdon, (artist), French, 1616 - 1671, Aegros Curare, Seven Acts of Mercy, (series), 1665/1670, engraving

Arnold von Westerhout, (artist), Flemish, 1651 - 1725, Il Greco in Troia: Plate 8, Quadreria Medicea, vol.4, (series), etching and engraving on laid paper

Netherlandish 16th Century, (artist), Castle by a River, Small Landscapes, (series), published in or before 1676, etching retouched with engraving

American 19th Century, (artist), Winslow Homer, (artist after), American, 1836 - 1910, The Last Days of Harvest, From 'Harper's Weekly, December 6, 1873, p.1092, (series), published 1873, wood engraving

Ottavio Leoni, (artist), Roman, c. 1578 - 1630, Cristoforo Roncalli, 1623, engraving

Hans Collaert, (artist), Flemish, 1566 - 1628, Jewelry Design, Bullarum Inaurium ... Archetypi Arteficiosi, (series), 1582, engraving

Giovanni Pietro Birago, (artist), Italian, active 1471 - 1513 or after, Andrea Zoan, (artist), Italian, active c.1475/1519, Ornament Panel: Triton and Two Infant Satyrs, Twelve Ornamental Panels, (series), c. 1505/1515, engraving, sheet:

Pierre Drevet, (artist), French, 1663 - 1738, Hyacinthe Rigaud, (artist after), French, 1659 - 1743, Louis de France, duc de Bourgogne, 1707, engraving

Claude Mellan, (artist), French, 1598 - 1688, Jean-Louis Guez de Balzac, probably 1637, engraving on laid paper, plate: 18.4 x 11.7 cm (7 1/4 x 4 5/8 in.), sheet: 23.5 x 15.6 cm (9 1/4 x 6 1/8 in

Domenico Campagnola, (artist), Venetian, before 1500 - 1564, Beheading of Saint Catherine, 1517, engraving, sheet: 19 x 17.8 cm (7 1/2 x 7 in

Francisco de Goya, (artist), Spanish, 1746 - 1828, Que valor! (What Courage!), Desastres de la guerra: pl.7, (series), published 1863, etching, aquatint, drypoint, engraving, and burnishing

Robert Havell, Jr., (artist), American, born England, 1793 - 1878, John James Audubon, (artist after), American, 1785 - 1851, Ruddy Duck, The Birds of America: Plate CCCXLIII, (series), 1836, hand-colored engraving and aquatint on

Abraham Bosse, (artist), French, 1602 - 1676, Claude Vignon, (artist after), French, 1593 - 1670, Illustration to Jean Desmarets' 'L'Ariane', Jean Desmarets' 'L'Ariane', (series), published 1639, etching and engraving

Paulus Pontius, (artist), Flemish, 1603 - 1658, Sir Anthony van Dyck, (artist after), Flemish, 1599 - 1641, Gerrit van Honthorst, Iconography, (series), probably 1626/1641, engraving

Martin Schongauer, (artist), German, c. 1450 - 1491, The Bearing of the Cross with Saint Veronica, Twelve Scenes Illustrating Christ's Passion, (series), c. 1480, engraving, sheet (trimmed to plate mark): 16.5 x 11.8 cm (6 1/2 x 4 5/8 in

Daniel Mignot, (artist), German, active 1593/1596, Brooch with Fantasy Animals at Top and Fauns with Vases at Bottom, Brooches: pl.8, (series), 1596, engraving

Master IB, (artist), German, active c. 1523/1530, Emblem with Hope, Tribulation, Envy, and Tolerance, 1529, engraving

Claude Mellan, (artist), French, 1598 - 1688, Leonardos Philaras, engraving on laid paper, plate: 16.8 x 12.7 cm (6 5/8 x 5 in.), sheet: 24.2 x 15.7 cm (9 1/2 x 6 3/16 in

Martin Schongauer, (artist), German, c. 1450 - 1491, The Flight into Egypt, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to platemark): 25.7 x 16.9 cm (10 1/8 x 6 5/8 in

Robert Nanteuil, (artist), French, 1623 - 1678, Francois de Nesmond, 1663, engraving

Simon Charles Miger, (artist), French, 1736 - 1820, Louis Michel Van Loo, (artist after), French, 1707 - 1771, Louis Michel Vanloo, 1779, engraving with etching on wove paper, plate: 40.2 x 28.2 cm (15 13/16 x 11 1/8 in.), sheet: 42.5 x

Baron Auguste-Gaspard-Louis Desnoyers, (artist), French, 1779 - 1857, Raphael, (artist after), Marchigian, 1483 - 1520, The Alba Madonna, engraving

Francois-Nicolas-Barthelemy Dequevauviller, (artist), French, 1745 - c. 1807, Nicolas Lavreince, (artist after), Swedish, 1737 - 1807, Le lever des ouvrieres en modes, 1784, etching and engraving

Robert Nanteuil, (artist), French, 1623 - 1678, Bernard, Duc d'Epernon, 1650, engraving

Sebald Beham, (artist), German, 1500 - 1550, Satyr Blowing a Horn, engraving

Jacques Callot, (artist), French, 1592 - 1635, Greed, Seven Capital Sins, (series), probably after 1621, etching and engraving

French 17th Century, (artist), Sébastien Le Clerc I, (artist after), French, 1637 - 1714, The Resurrection, Passion of Christ: pl.32, (series), engraving

William Hogarth, (artist), English, 1697 - 1764, A Rake's Progress: pl.8, 1735, etching and engraving

Theodor de Bry, (artist), Flemish, 1528 - 1598, Ornament for Knife Handle, engraving

Etienne Delaune, (artist), French, 1518/1519 - 1583, Neptune, Various Ornament Subjects, (series), engraving

Nicolas de Larmessin IV, (artist), French, 1684 - 1753 or 1755, Nicolas Lancret, (artist after), French, 1690 - 1743, Mlle. Salle, 1732, engraving and etching

William Blake, (artist), British, 1757 - 1827, Job Rebuked by His Friends, Book of Job: pl.10, (series), 1825, engraving with border and lettering in graphite onthick paper

Martin Schongauer, (artist), German, c. 1450 - 1491, Leaf Ornament, c. 1480/1490, engraving

German 16th Century, (artist), Master IB, (artist after), German, active c. 1523/1530, Jesus Preaching in the Temple, The Life of Christ, (series), engraving

Sebald Beham, (artist), German, 1500 - 1550, Misfortune, engraving, sheet (trimmed to plate mark): 7.8 x 5.2 cm (3 1/16 x 2 1/16 in

Antoine Masson, (artist), French, 1636 - 1700, Nicolas Mignard, (artist after), French, 1606 - 1668, Henri de Lorraine, 1667, engraving

Giovanni Antonio da Brescia, (artist), Italian, active c. 1490 - 1525 or after, Raphael, (artist after), Marchigian, 1483 - 1520, Two Sibyls and an Angel, c. 1520/1525, engraving, sheet: 31.3 x 25.9 cm (12 5/16 x 10 3/16 in

Francesco Bartolozzi, (artist), Florentine, 1727 - 1815, Robert Walker, (artist after), English, 1607 - 1658 or 1660, Oliver Cromwell, 1802, stipple engraving

Hendrick Goltzius, (artist), Dutch, 1558 - 1617, The Holy Family, c. 1583, engraving on laid paper, plate (oval): 7 cm (2 3/4 in.), sheet: 17.5 x 11.7 cm (6 7/8 x 4 5/8 in

German 16th Century, (artist), Ich schlag das Positif mit Schall die Zytternavchmacht frolich all, Six Musical Subjects, (series), c. 1580, engraving

Lucas van Leyden, (artist), Netherlandish, 1489/1494 - 1533, Christ Crowned with Thorns, The Round Passion, (series), 1509, engraving

Sebald Beham, (artist), German, 1500 - 1550, Ornament with Two Grotesque Dolphins, engraving

American 19th Century, (artist), Winslow Homer, (artist after), American, 1836 - 1910, 'Dad's Coming!', From 'Harper's Weekly', November 1, 1873, p.969, (series), published 1873, wood engraving on newsprint, image: 23.5 x 34.7 cm (9 1/4

Albrecht Altdorfer, (artist), German, 1480 or before - 1538, Martin Luther, c. 1525, engraving, sheet (trimmed to plate mark): 6.2 x 4.2 cm (2 7/16 x 1 5/8 in

Antoine Francois Dennel, (artist), French, active 1760/1815, Gabriel de Saint-Aubin, (artist after), French, 1724 - 1780, La Comparison du bouton de rose, 1780, etching and engraving

Hendrick Goltzius, (artist), Dutch, 1558 - 1617, The Great Hercules, 1589, engraving on laid paper, sheet (trimmed to plate mark): 56.5 x 40.9 cm (22 1/4 x 16 1/8 in

German 16th Century, (artist), Barthel Beham, (artist after), German, 1502 - 1540, Copy in reverse of 'Sea-God to the Left Riding on a Dolphin', engraving

Robert Nanteuil, (artist), French, 1623 - 1678, Godefroi-Maurice, Duc de Bouillon, 1657, engraving

Albrecht Altdorfer, (artist), German, 1480 or before - 1538, The 'Beautiful Virgin' of Ratisbon in a Landscape, c. 1519/1520, engraving

Jacques Callot, (artist), French, 1592 - 1635, Solimano, Act II, Solimano, (series), 1620, etching and engraving

Jacques Callot, (artist), French, 1592 - 1635, The Stopping Place, The Bohemians, (series), 1621, etching and engraving

Jacques Callot, (artist), French, 1592 - 1635, Sapphira Punished by Death, Roman Pictures, (series), 1608/1611, engraving

Jacques Callot, (artist), French, 1592 - 1635, The Siege of La Rochelle, Callot's 'The Siege of La Rochelle', (series), 1628/1631, etching and engraving

Johannes van Doetechum the Elder, (artist), Dutch, died 1605, Lucas van Doetechum, (artist), Dutch, active 1554/1572; died before 1589, Master of the Small Landscapes, (artist after), Netherlandish, Village Street, Small Landscapes (New

Lucas van Leyden, (artist), Netherlandish, 1489/1494 - 1533, Mars, Venus, and Cupid, 1530, engraving

Jacques Callot, (artist), French, 1592 - 1635, Saint John on the Isle of Patmos, 1625, etching and engraving

Heinrich Aldegrever, (artist), German, 1502 - 1555/1561, Dancing Children, 1535, engraving

Giovanni Battista Piranesi, (artist), Venetian, 1720 - 1778, The Giant Wheel, Carceri (First Edition, First Issue), (series), published 1749/1750, etching, engraving

Albrecht Dürer, (artist), German, 1471 - 1528, The Virgin and Child with the Pear, 1511, engraving

Robert Nanteuil, (artist), French, 1623 - 1678, Cardinal de Bouillon, 1678, engraving

Robert Havell, Jr., (artist), American, born England, 1793 - 1878, John James Audubon, (artist after), American, 1785 - 1851, Pigmy Curlew, The Birds of America: Plate CCLXIII, (series), 1835, hand-colored engraving and aquatint on

Claude Mellan, (artist), French, 1598 - 1688, Saint Bruno, engraving

Valerien Regnard, (artist), French, 17th century, Section of the Church of Saint John the Baptist, engraving on laid paper, plate: 28.1 x 32.9 cm (11 1/16 x 12 15/16 in.), sheet: 36.1 x 48.8 cm (14 3/16 x 19 3/16 in

Lucas van Leyden, (artist), Netherlandish, 1489/1494 - 1533, The Fall of Man, 1529, engraving, sheet (trimmed to plate mark): 11.8 x 7.8 cm (4 5/8 x 3 1/16 in

Jacques Callot, (artist), French, 1592 - 1635, Elevations of the Holy Manger and the Sepulchre of Rachel, Guide Book to Buildings in the Holy Land: pl.8, (series), 1619, etching and engraving on laid paper

Jacques Callot, (artist), French, 1592 - 1635, Pantalone, Three Italian Comedians, (series), 1618/1620, etching and engraving

Charles Maurand, (artist), French, 1824 - 1904, Honoré Daumier, (artist after), French, 1808 - 1879, Le Couplet final, H. Daumier, tirage unique de trente-six bois, (series), 1862, wood engraving

Robert Havell, Jr., (artist), American, born England, 1793 - 1878, John James Audubon, (artist after), American, 1785 - 1851, Great Esquimaux Curlew, The Birds of America: Plate CCXXXVII, (series), 1835, hand-colored engraving and

Master MZ, (artist), German, active c. 1500, Madonna and Child at a Fountain, 1501, engraving

Marcantonio Raimondi, (artist), Roman, c. 1480 - c. 1534, Orpheus and Eurydice, engraving

Karel van Sichem, (artist), Dutch, c. 1575 - active 1604, Franciscus de Mendoza, published 1626, engraving, plate: 17.5 x 12.6 cm (6 7/8 x 4 15/16 in.), sheet: 18.3 x 13.5 cm (7 3/16 x 5 5/16 in

search results: Engraving clear search