Images at Librifly

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Vision, 18th century, Etching and engraving, Sheet: 14 13/16 × 10 7/8 in. (37.6 × 27.7 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris

A young naked man standing at left leaning on the trunk, another seen from behind, holding two snakes in his right hand and a convex mirror in his raised left hand, ca. 1510–27, Engraving, Sheet: 8 1/4 × 5 11/16 in. (20.9 × 14.5 cm),

Armand de Bourbon, prince de Conti, Engraving; first state of two (BN), sheet: 13 9/16 x 9 3/8 in. (34.5 x 23.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Pendant Design with a Sea Monster Ridden by Thetis and a Man with a Sail, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 1/16 × 5 3/16 in. (17.9 × 13.2 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp),

Drawings and Prints, Print, The Nativity, Artist, Mair von Landshut, German, possibly Freising ca. 1450–after 1504 possibly Landshut, Mair von Landshut, German, 1450, 1504, 1499, 1499, Engraving

Balthazar's Feast, ca. 1624, Engraving; second state of three, 13 15/16 × 15 1/2 in. (35.4 × 39.3 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Some of the Principal Inhabitants of the Moon, as They Were Perfectly Discovered by a Telescope..., May 1, 1788, Etching and engraving, sheet: 10 5/16 x 7 13/16 in. (26.2 x 19.8 cm), Prints, After William Hogarth (British, London 1697–1764

Hudibras Triumphant (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 4), 1725–68, Etching and engraving; third state of three, plate: 10 9/16 x 13 5/8 in. (26.8 x 34.6 cm), Prints, William Hogarth (British, London 1697–1764

Speculum Romanae Magnificentiae: Composite of Corinthian and Ionic, ca. 1537, Engraving, Sheet: 7 3/16 x 5 7/16 in. (18.2 x 13.8 cm), Master G.A. (Italian, active ca. 1535

Imaginaria Visio (La vision de l'imagination), n.d., Engraving, sheet: 5 x 3 1/4 in. (12.7 x 8.3 cm), Prints, Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

Christ and the Woman Taken in Adultery, 1579, Engraving; second state of two, Sheet: 10 9/16 x 13 3/4 in. (26.9 x 34.9 cm), Prints, Pieter Perret (Netherlandish, 1555–1639), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

The Wheat & The Chaff, 1728, Engraving, sheet: 10 1/8 x 16 5/8 in. (25.7 x 42.2 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), de Poilly, After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Specimen Sheet of Bank Note Engraving, ca. 1828, Engraving, sheet: 17 5/16 x 13 in. (44 x 33 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Hudibras Beating Sidrophel and Whachum (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 12), 1721–26, Etching and engraving, sheet: 4 11/16 x 2 3/4 in. (11.9 x 7 cm) (trimmed), Prints, William Hogarth (British, London

The Lottery, after 1724, Etching and engraving; eighth state of eight, sheet: 10 x 12 5/8 in. (25.4 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

Eve with a Stag, 1529, Engraving, Sheet: 3 3/16 × 2 1/4 in. (8.1 × 5.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Eve, standing at center and receiving the apple from the serpent at top right. In her

The Angel Staying the Arm of Abraham, after 1552, Etching and engraving. Second state, sheet: 14 x 10 7/16 in. (35.5 x 26.5 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Panel with Grotesque Candelabrum Containing Satyrs, Children and a Trophy, 1550, Engraving, Sheet: 2 11/16 × 1 15/16 in. (6.9 × 5 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design with a mask at

Bathsheba at the Bath, 1532, Engraving; second state of three (New Hollstein), Sheet: 5 13/16 × 3 15/16 in. (14.7 × 10 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Bathesday, seated on the edge of a bath

Annual Caledonian Ball Ticket, 19th century, Engraving; second state of two, plate: 3 15/16 x 5 5/16 in. (10 x 13.5 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Allan

Banknote motif: two bands of ornamental lathe work resembling florets and hexagons, ca. 1824–42, Engraving, sheet: 2 13/16 x 1 5/16 in. (7.2 x 3.4 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Portrait of Isabella Clara Eugenia, Governess of Southern Netherlands, 1615, Engraving; fourth state of four, 41.2 x 28.9 cm, Prints, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Jan Muller (Netherlandish, Amsterdam 1571–1628

Vulcan's Forge, mid-16th century, Engraving, sheet: 12 1/2 x 16 7/16 in. (31.7 x 41.7 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Louis-François de la Baume de Suze, 1656, Engraving; first state of four [?] (Petitjean & Wickert), Sheet: 12 1/2 × 9 11/16 in. (31.8 × 24.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Blackwork Print with Grotesques Fighting on Top of a Large Motif Surrounded by Ten Smaller Motifs, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 15/16 × 3 5/8 in. (12.6 × 9.2 cm), Etienne Carteron

Speculum Romanae Magnificentiae: Orpheus (Orpheus in aedibus Card. Burghesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Hudibras and the Lawyer (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 12), 1725–68, Etching and engraving; third state of three (Paulson 1970), or four of four (Paulson 1989), plate: 10 3/4 x 13 7/8 in. (27.3 x 35.2 cm),

Bernard de Goix de La Valette duc d'Epernon, 1630, Engraving; third state of three (Petitjean & Wickert), sheet: 12 3/8 x 9 5/8 in. (31.5 x 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Two men nailing Christ to cross before onlookers, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/4 × 3 7/8 in. (13.3 × 9.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Eight Beatitudes, ca. 1578, Engraving, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome, ca. 1500–34 , Engraving, sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm), Prints, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580),

The Lion Frees the Bear and the Wolf from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 3/4 × 4 9/16 in. (9.5 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Castello Sant' Angelo, 1557, Engraving and etching, sheet: 12 3/8 x 16 3/4 in. (31.5 x 42.5 cm), Prints, Giulio de Musi (Italian, active 1550–1555

Detail with a Horned Mask Wearing a Whimple, from a Design for a Sword or Dagger Handle, 1592–93, Engraving and blackwork, Sheet (trimmed): 7/8 × 1 9/16 in. (2.3 × 4 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt),

Ignatius Sancho, 1802, Stipple engraving and etching; third? state of three, image: 3 1/2 x 2 3/4 in. (8.9 x 7 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Thomas Gainsborough (British, Sudbury 1727–1788

The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole, 1554, Engraving, Plate: 16 1/8 x 26 1/2 in. (41 x 67.3 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582

The Expulsion from Paradise, Engraving, sheet: 9 3/8 x 12 5/8 in. (23.8 x 32 cm), Prints, Amico Aspertini (Italian, Bologna ca. 1474–1552 Bologna) (after

The Company of Undertakers, after 1736, Engraving, sheet: 10 5/16 x 7 1/16 in. (26.2 x 18 cm), Prints, After William Hogarth (British, London 1697–1764 London

Satyr and Child, ca. 1515–16, Engraving, Sheet: 4 13/16 × 3 3/4 in. (12.3 × 9.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

The Saviour Covered in a Large Cloak, Etching and engraving; first state, sheet: 7 1/2 x 6 5/16 in. (19.1 x 16 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

A soldier, seen from the rear, while turning to the right and holding his pike horizontally, from the Lansquenets series, plate 30, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of three

Copy of The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, after 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm), Prints, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The

The Times, Plate 2, May 29, 1790, Etching and engraving; fourth state of four, sheet: 10 1/8 x 12 5/16 in. (25.7 x 31.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Cavalry Battle, ca. 1515–20, Engraving with burr, Prints, Engraved by Master of 1515

Allegory of the Hunt; a hunter holding a large spear carrying a woman (Diana?) on his shoulders; five hunting dogs in the foreground and a retinue of male and female hunters in the background, 1556, Engraving, sheet: 14 7/16 x 10 1/8 in. (36.7 x

Speculum Romanae Magnificentiae: Small Portraits of the French Kings from Pharamond to Henri III, 1586, Engraving, sheet: 11 7/8 x 17 11/16 in. (30.1 x 45 cm), Prints, Anonymous

Hudibras Triumphant (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 4), February 1725–26, Etching and engraving; first state of three, sheet: 10 x 13 1/16 in. (25.4 x 33.2 cm) (trimmed within platemark), Prints, William

An accident while traveling, a kneeling man fixing a broken saddle, a horse pissing at the left, 1740–50, Etching and engraving, Sheet: 14 3/8 x 17 in. (36.5 x 43.2 cm), Prints, Charles Nicolas Cochin I (French, Paris 1688–1754 Paris),

Portrait of Bartholomeus Spranger, ca. 1617, Engraving; fourth state of seven, 25.5 x 17.8 cm, Prints, Hans von Aachen (German, Cologne 1552–1616 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Cardinal Jules Mazarin, 1659, Engraving; first state of two (Petitjean & Wickert), Sheet: 14 1/16 × 10 13/16 in. (35.7 × 27.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Prince Maurits of Orange, 1608, Engraving; second state of four, 41.3 x 28.8 cm, Prints, Michiel Jansz. van Mierevelt (Netherlandish, Delft 1567–1641 Delft), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Chinese Gardener, 1741–63, Etching and engraving, sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

The Death of Hercules from The Labors of Hercules, Engraving, Sheet: 2 1/8 x 3 1/8 in. (5.4 x 7.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

The Bruiser (Caricature of Charles Churchill), August 1, 1762, Etching and engraving; fourth state of seven, sheet: 14 3/16 x 10 7/16 in. (36 x 26.5 cm), Prints, William Hogarth (British, London 1697–1764 London

The Stone Operation or the Witch of Mallegem, 1559, Engraving; third state of five, sheet (cut to plate line): 13 15/16 x 18 3/4 in. (35.4 x 47.6 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels),

The beginning of the Flood: men and women climb to higher ground at right, water overtaking animals and people at left, Noah's Ark beyond, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3

Two Genii Riding Rams, 1594, Engraving, Sheet: 1 13/16 × 3 3/8 in. (4.6 × 8.5 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti on rams jousting, flanked by two putti with horns. From a series of six plates

Rocky Landscape with the Stigmatization of St. Francis (reverse copy), Engraving, Sheet: 8 1/4 x 10 11/16 in. (21 x 27.1 cm), Prints, After Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Crispijn de Passe the Elder

Michel Larcher, ca. 1648–49, Etching and engraving; first state of three (Petitjean & Wickert), Sheet: 12 7/16 × 9 1/16 in. (31.6 × 23 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Battle of the Pictures, 1745, Etching and engraving; only state, sheet: 8 3/16 x 8 3/8 in. (20.8 x 21.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Ensign, Drummer and Piper, 1543, Engraving, Sheet: 2 7/8 x 2 in. (7.3 x 5.1 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Christ Appearing to Mary in the Garden, before 1766, Engraving, sheet: 12 1/2 x 9 3/4 in. (31.7 x 24.7 cm), Prints, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome

Mankind surrendering to lechery before the Flood: embracing couples on benches around a table with food and drink, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3 7/16 x 5 in. (8.8 x 12.7

Frieze with Sea Monsters, 1580–1600, Engraving, Sheet: 1 5/16 × 8 3/8 in. (3.3 × 21.3 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Giovanni Andrea Maglioli (Italian, active 1580–1610), Frieze

Arion and a Nereid, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Apollo sitting on Parnassus surrounded by the muses and famous poets, ca. 1517–20, Engraving, Sheet: 14 x 18 7/16 in. (35.6 x 46.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Raphael (Raffaello

Paul Before Felix, ca. 1800, Engraving, Sheet: 2 1/2 x 3 1/4 in. (6.4 x 8.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Seraglio (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, pl. 18), 1723–24, Etching and engraving; second state of two, plate: 10 x 13 7/8 in. (25.4 x 35.2 cm), Prints, After

Portrait of George Washington, August 1836, Etching and engraving, after fourth state (Bocher), Sheet: 8 1/2 × 6 3/16 in. (21.6 × 15.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

A satyr carrying a nymph on his back and another raising his right hand to slap her, ca. 1510–27, Engraving, Sheet: 7 1/4 × 5 7/16 in. (18.4 × 13.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Speculum Romanae Magnificentiae: Sacrifice to Priapus, 16th century, Engraving, sheet: 10 1/16 x 12 1/16 in. (25.5 x 30.6 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After(?) Giulio Romano (Italian, Rome

Eight putti playing, 1530–60, Engraving, sheet: 7 5/16 x 11 1/4 in. (18.5 x 28.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

The Madonna and Child with the Parrot, 15th century, Engraving; second state, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Banknote motif: panel of lathe work ornament composed of tiny 2s each set in a diamond surrounded by a star, ca. 1824–42, Engraving, sheet: 4 5/16 x 4 3/4 in. (11 x 12.1 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

The Reward of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; third state of three, plate: 15 1/4 x 12 5/8 in. (38.8 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

The Visitation, mid-15th century, Engraving, Prints, Master ES (German, active ca. 1450–67

Speculum Romanae Magnificentiae: Bacchus on the Shoulders of a Satyr, 16th century, Engraving, sheet: 13 11/16 x 6 7/8 in. (34.7 x 17.5 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Portrait of Jean-Baptiste-Marie Pierre, 1775, Etching and engraving; third state of three (Bocher), Sheet: 10 1/2 × 7 5/8 in. (26.7 × 19.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, ca. 1520–40, Engraving, 10 9/16 x 5 7/8 in. (26.8 x 15.0 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marcantonio

The Prison, 16th century, Engraving, sheet: 10 5/8 x 16 5/16 in. (27 x 41.5 cm) borderline, Prints, Anonymous, Italian, 16th century, After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Lion Allows a Fight Between the Wolf and Renard from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

L'Air (The Air): A Group of Three Putti on Clouds, 18th century, Crayon-manner engraving in red ink, Sheet: 20 5/8 x 15 7/8 in. (52.4 x 40.3 cm), Prints, Louis Marin Bonnet (French, Paris 1736–1793 Saint-Mandé, Val-de-Marne), After

Benedicta tu in Mulieribus, from Christian and Profane Allegories, Engraving, sheet: 10 5/16 x 7 5/16 in. (26.2 x 18.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Portrait of Madame de Maintenon, ca. 1804, Etching and engraving; fourth state of four (Bocher), Sheet: 10 5/8 × 7 in. (27 × 17.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

The Rest on the Flight into Egypt, Engraving, Sheet: 3 7/8 × 2 1/16 in. (9.8 × 5.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Charles Faure, ca. 1648, Etching and engraving, Sheet: 4 3/4 × 3 5/16 in. (12.1 × 8.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Shepherd and the Lamb, Engraving; first state of two, Sheet: 4 3/4 × 6 3/16 in. (12.1 × 15.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Naked Man Pursuing a Naiad, ca. 1515–1527, Engraving, mount: 16 15/16 x 11 5/8 in. (43 x 29.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Marc Bochart, ca. 1651, Engraving; first state of two (Petitjean & Wickert), Sheet: 16 7/8 × 11 5/16 in. (42.9 × 28.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Death of the Virgin, 15th century, Engraving; second state, 255 x 168 mm, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition, ca. 1610, Engraving, Sheet: 6 13/16 x 5 13/16 in. (17.3 x 14.8 cm), Prints,

Dover Plains, from Gallery of American Art, No. 1, 1850, Steel engraving, image: 6 7/8 x 10 3/8 in. (17.5 x 26.4 cm), Prints, James Smillie (American, Edinburgh 1807–1885 Poughkeepsie, New York), After Asher Brown Durand (American,

Death and the Bishop, from The Power of Death (Allegory of Original Sin and Death), 1541, Engraving, Sheet: 3 1/8 × 2 1/16 in. (7.9 × 5.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Hans Holbein

Marie d'Orleans, Duchesse de Nemours, ca. 1657, Etching and engraving, Sheet: 7 1/16 × 4 13/16 in. (18 × 12.2 cm), Prints, After Robert Nanteuil (French, Reims 1623–1678 Paris

Jean-Baptiste Colbert, 1660, Engraving; second state of four (Petitjean & Wickert), Sheet: 12 1/2 × 9 3/4 in. (31.8 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), Designed by Philippe de Champaigne (French, Brussels

Achilles and Hector, 1518–30, Engraving, Sheet: 1 1/16 x 3 5/16 in. (2.7 x 8.4 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At center, Achilles (left) and Hector (right) duel on horseback. Groups of other nude figures are

Renard Exonerates Himself of His Crimes Before the Lion from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.4 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Rev. William Buell Sprague, 1834, Engraving; second state of three, plate: 9 5/8 x 6 5/8 in. (24.4 x 16.9 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Samuel F. B. Morse

Man sleeping at the edge of a wood with a woman knealing at his side with one hand on a pot and the other on the shoulder of an old man who gestures with left hand towards the sky, ca. 1500–1534, Etching and engraving; only state, Sheet: 3 3/4

Adam and Eve with apple and serpent, ca. 1500–1534, Engraving; third state of three, Sheet: 5 3/16 in. × 4 in. (13.2 × 10.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht Dürer

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