Images at Librifly

search results: Engraving clear search

Southwark Fair, 1734, Etching and engraving; only state, plate: 14 3/8 x 18 11/16 in. (36.5 x 47.5 cm), Prints, William Hogarth (British, London 1697–1764 London

The Pied Piper of Hamelin, 1868, Wood engraving, Block: 6 11/16 x 5 7/16 in. (17 x 13.8 cm), Prints, Henry Marsh (American, 1826–1912), After John La Farge (American, New York 1835–1910 Providence, Rhode Island

Apollo, 1588, Engraving, Sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), The elegant figure of Apollo strides forward on a swirling bank of clouds. The sun god's hair

His Excellency Oliver Wolcott, Governor of the State of Connecticut, 1820, Engraving, plate: 12 11/16 x 10 in. (32.2 x 25.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Thomas

Portrait of Jean-Baptiste Le Blanc, 1750, Etching and engraving; third state of five (Bocher), plate: 7 1/2 x 5 1/4 in. (19 x 13.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

Frontispiece Portrait (Seventeen Small Illustrations for Samuel Butler's Hudibras), April 1726, Etching and engraving, sheet (trimmed within plate): 4 1/2 x 2 13/16 in. (11.5 x 7.1 cm), Prints, Published as a frontispiece to Samuel Butler's

Knight, Death, and the Devil, 1513, Engraving, Sheet: 9 3/4 × 7 7/16 in. (24.7 × 18.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Speculum Romanae Magnificentiae: Circus Maximus, 1553, Engraving; first state of three (Robert-Dumesnil), sheet: 15 3/16 x 21 7/8 in. (38.5 x 55.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Pirro

Four boys, a young satyr and a goat (copy), 17th century, Etching and engraving, Plate: 5 1/16 × 7 7/8 in. (12.8 × 20 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

La Rêvuse (The Dream), 18th century, Etching and engraving, Sheet: 18 11/16 x 13 7/8 in. (47.4 x 35.3 cm), Prints, Jacques Firmin Beauvarlet (French, Abbeville 1731–1797), After François Boucher (French, Paris 1703–1770 Paris

Leaf from Aedes Walpolinae mounted with a hand-written sheet, two prints and a printed sheet with drawn additions: (a): Sermon on Painting, continued; (b): St. Peter's Church at Walpole; (c): Chateau de Picton; (d): Monument of Eudo de Arsie; (e)

Henry Blackwood, n.d., Engraving; third state of four (BN), sheet: 5 13/16 x 4 in. (14.7 x 10.2 cm), Prints

A Friar and a Soldier, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/8 × 3 3/8 in. (6.1 × 8.6 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A friar at left greets a military captain at right. A cathedral with a

Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 5/16 in. (20.9 × 10.9 cm), Prints, Giovanni Jacopo

Saint Jude, holding a halberd in his right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Painting, 1752, Etching and engraving, sheet: 14 5/16 x 9 5/8 in. (36.4 x 24.5 cm), Prints, Marie Madeleine Igonet (French, active Paris, 1744–60), After François Boucher (French, Paris 1703–1770 Paris

Horizontal Panel with Three Birds, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving; second of two states (SKB), Sheet: 1 7/16 × 2 1/16 in. (3.7 × 5.3 cm), Paul Birckenhultz (1561–1639), Ornamental frieze with three birds

Design for a Knife Handle with a Scene of Christ Joining a Man and Woman, 1580–1600, Engraving and blackwork, Sheet: 4 × 2 5/8 in. (10.2 × 6.7 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a

The Landscape with the Wooden Bridge, Engraving; fourth state of four, Sheet (trimmed to oval plate): 6 1/2 × 7 11/16 in. (16.5 × 19.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Triumph of Chastity: unicorns draw a carriage bearing a female figure seated next to a sphinx and holding a standard, Vestal virgins walk behind the carriage, round temple of Vesta at right, from the series 'The Triumphs of Petrarch', ca. 1539,

Renard Falsely Accuses His Father of Conspiring Against the Lion from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Around the Council Fire, The Young Brave's Speech (Harper's Weekly, May 10, 1873), May 10, 1873, Wood engraving, Image: 9 1/8 × 13 9/16 in. (23.1 × 34.5 cm), Prints, Theodore Russell Davis (American, 1840–1894), After Edwin Austin

Plate 3: Saint Luke with his head turned in profile to the right, a book in each hand, a bull at his feet, from 'The four evangelists', 1541, Engraving, Sheet: 1 11/16 x 1 1/8 in. (4.3 x 2.9 cm), Prints, Sebald Beham (German, Nuremberg

The Triumph of Love, from The Triumphs of Petrarch, 1480–1500, Engraving; first state of two (Bartsch), sheet: 10 5/16 x 6 3/4 in. (26.2 x 17.2 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice (?)), This representation of

The Last Supper, from The Passion of Christ, ca. 1623, Engraving; first state of three, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.6 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish,

Allegory Against the Pelagian Heresy (Allégorie contre l'hérésy pélagienne et armoires), 17th century, Engraving; second state of three, sheet: 9 7/8 x 13 3/8 in. (25.1 x 34 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Fury personified as an old man riding a monster, holding a skull in his left hand, ca0–39, Engraving, Sheet: 9 5/16 × 7 in. (23.6 × 17.8 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)),

Calvary, from Life of the Virgin and Christ, 1490–1500, Hand-colored engraving; second state of three (Bartsch), Sheet: 10 3/8 × 7 9/16 in. (26.3 × 19.2 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice

The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca.

Saint Paul preaching in Athens, after Raphael, ca. 1517–20, Engraving, 10 3/8 x 14 1/16 in. (26.3 x 35.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi)

Hercules Killing Diomedes, 16th century, Engraving, sheet: 2 9/16 x 3 3/16 in. (6.5 x 8.1 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Speculum Romanae Magnificentiae: The Base of the Column of Theodosius, 16th century, Engraving, sheet: 11 7/16 x 8 3/8 in. (29 x 21.2 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Design for the Engraving 'Réjouissances du Peuple . . . à Reims le 27 aout 1765', 1767, Pen and black ink, brush and black and gray wash, 17 3/4 x 24 5/8 in. (45.1 x 62.5 cm), Drawings, Jean Michel Moreau the Younger (French, Paris

Saint André, 1726, Etching and engraving, Sheet (trimmed): 13 1/2 × 8 9/16 in. (34.3 × 21.8 cm), Prints, Louis Jacob (French, Lisieux 1712–1802 Paris), After François Boucher (French, Paris 1703–1770 Paris

Two Wrestlers, from Wrestlers, plate 4, 1552, Etching and engraving, Sheet: 9 3/4 x 7 5/8 in. (24.7 x 19.4 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda), After Maarten van Heemskerck (Netherlandish,

Dancing Couple, from The Large Wedding Dancers, from The Large Wedding Dancers, 1538, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.8 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Solomon Worshipping Idols, Engraving, Sheet: 1 15/16 × 3 1/16 in. (4.9 × 7.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Venus and Cupid, Engraving, Sheet: 3 1/8 x 1 7/16 in. (8 x 3.6 cm), Prints, Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg

Eight Portraits, n.d., Etching and engraving, each plate approx.: 4 15/16 x 3 9/16 in. (12.5 x 9 cm), Prints, Hubert (French), Antoine Louis Romanet (French, Paris, 1748–after 1810), Gerard René Le Vilain (French, Paris ca. 1740–1836

Foliate Ornament, ca. 1465–90, Engraving, 10 3/4 x 3 3/16 in; 11 5/8 x 4 3/16 in. (cut to plate line at right side), Prints, Master W with Key (Netherlandish, active ca. 1465–90), This Gothic leaf design, known only in this impression,

A child sleeping on a cushion, holding a piece of fruit (?), a curtain behind him, after Reni (?), 17th century, Engraving, Sheet: 5 3/4 × 8 1/8 in. (14.6 × 20.6 cm), Prints, Anonymous, 17th century

Three Cupids Holding a Helmet, Etching and engraving, sheet: 12 1/16 x 9 15/16 in. (30.7 x 25.3 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

Hudibras and the Lawyer (Seventeen Small Illustrations for Samuel Butler's Hudibras, no.16), 1721–26, Etching and engraving, sheet: 4 3/4 x 2 5/8 in. (12 x 6.7 cm), Prints, William Hogarth (British, London 1697–1764 London

The One to Whom Fortune Is Playing Will Dance Merrily from Six Sayings about Fortune, ca. 1560, Engraving, Plate: 8 1/8 × 9 11/16 in. (20.7 × 24.6 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Cardinal Jules Mazarin, 1655, Engraving; third state of three (Petitjean & Wickert), Sheet: 12 3/8 × 9 7/16 in. (31.5 × 23.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Hercules Fighting the River-God Achelous, from The Labors of Hercules, 1550, Engraving, Sheet: 4 5/8 × 3 1/16 in. (11.7 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Speculum Romanae Magnificentiae: Mars (Mars in Capitolio), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

The Virgin seated on clouds being crowned by angels, 1530–60, Engraving, sheet: 9 1/16 x 7 7/8 in. (23 x 20 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Michel de Marolles, 1657, Engraving; first state of three (Petitjean & Wickert), Sheet: 7 3/16 × 4 15/16 in. (18.2 × 12.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Goldsmith's Bouquet, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 6 × 4 5/16 in. (15.3 × 11 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Decorative floral arrangment in a

Moses Brought to Pharaoh's Daughter, February 5, 1752, Etching and engraving; fourth state of four, sheet: 16 1/4 x 22 11/16 in. (41.3 x 57.6 cm), Prints

Saint Roch staff in his left hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 × 1 15/16 in. (8.3 × 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Plate 14: Cupid airborne gleeing from Psyche, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Portrait of Warren Hastings, Esq., April 30, 1795, Stipple engraving, image: 6 5/8 x 5 1/2 in. (16.8 x 14 cm), Prints, George Townley Stubbs (British, Liverpool 1756–1815), After George Stubbs (British, Liverpool 1724–1806 London

Copy of July and August from The Peasants' Feast or the Twelve Months, after 1547, Engraving; copy after first state of three (Pauli), sheet: 1 15/16 x 2 13/16 in. (5 x 7.1 cm), Prints, after Sebald Beham (German, Nuremberg 1500–1550

The Miller, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Wisdom of Fools, from Six Proverbs, Engraving, Sheet: 9 5/8 x 6 7/8 in. (24.5 x 17.5 cm), Prints, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), After Karel van Mander I (Netherlandish, Meulebeke 1548–1606

Les Deux Vaches Au Bord De L'Eau, Engraving, sheet: 7 15/16 x 10 13/16 in. (20.2 x 27.5 cm), Prints, Jan Both (Dutch, Utrecht ca. 1618–1652 Utrecht

Ancient Statue of the Muse Thalia, 1669, Engraving; second state of two (BN), sheet: 15 3/4 x 11 1/8 in. (40 x 28.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Virgin of Sorrows; an image of the Virgin Mary surrounded by nine vignettes depicting scenes of her life, by 1575, Engraving, sheet: 11 3/4 x 8 3/4 in. (29.9 x 22.2 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca.

François Servien, 1656, Engraving; first state of three (Petitjean & Wickert), Sheet: 13 15/16 × 10 11/16 in. (35.4 × 27.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Naiades, Tritons and the Bath of Priap, 1736, Etching and engraving, Sheet (trimmed): 10 1/16 × 6 1/16 in. (25.5 × 15.4 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), François Boucher (French, Paris 1703–1770

The Distrest Poet, December 15, 1740, Etching and engraving; third state of three, plate: 14 3/16 x 16 1/4 in. (36 x 41.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Warrior Pulling a Rider from His Horse, from 'Ex Antiquis Camorum et Gemmae Delineata', published ca. 1599–1622, Engraving, 3 3/8 x 5 in. (8.6 x 12.7 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice

Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, 1610–50, Etching and engraving, Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650

Saint Catherine standing in a niche, resting on a wheel, her instrument of torture, ca. 1500–1527, Engraving, 4 1/8 x 3 1/16 in. (10.5 x 7.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

The Nativity, Engraving, sheet: 9 x 6 in. (22.9 x 15.2 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Speculum Romanae Magnificentiae: Front view of St. Lawrence Gateway, Rome, 1566, Engraving, sheet: 19 1/8 x 12 3/16 in. (48.5 x 31 cm), Prints, Anonymous

Design for a Dish with Portraits of the Roman Emperors Vetllius, Domitian, and Augustus, ca. 1588, Engraving, Sheet: 5 × 5 1/8 in. (12.7 × 13 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a dish with

Pierre da Maridat, ca. 1653, Engraving, Sheet: 5 3/8 × 3 9/16 in. (13.7 × 9.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Shepherd and the Lamb, Engraving; second state of two, Sheet: 5 in. × 6 3/8 in. (12.7 × 16.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Canopy Bed from 'Verscheyden Schrynwerck (...)' ['Plusieurs Menuiseries (...)'], 1658, Engraving, Sheet: 8 1/16 × 9 7/8 in. (20.5 × 25.1 cm) [cropped within plate mark], Paul Vredeman de Vries (Netherlandish, Antwerp 1567–1630), Design for

Beer Street, February 4, 1751, Engraving; third state of three, sheet: 15 1/8 x 12 11/16 in. (38.4 x 32.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Portico of the Temple of Romulus, 16th century, Engraving, sheet: 18 7/8 x 13 3/16 in. (48 x 33.5 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: The Pediment Base of Trajan's Column, 16th century, Engraving, sheet: 12 5/8 x 9 1/4 in. (32 x 23.5 cm), Prints, Anonymous

Raising of Lazarus (Reverse Copy), n.d., Engraving, 40.4 x 51.5 cm, Prints, Designed by Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

The Humours and Diversions of the Southwark Fair / Les Bizarerries et Les Plaisirs de La Foire de Southwark, 1733–1825 [after 1733 oriiginal], Engraving, sheet: 9 13/16 x 13 3/4 in. (24.9 x 35 cm), Prints, After William Hogarth (British,

Prudence as a young woman, sitting on a lion and holding the neck of a dragon with her left hand, holding a mirror in her right hand, ca. 1510–27, Engraving, Sheet: 4 3/16 × 3 1/8 in. (10.7 × 8 cm), Prints, Marcantonio Raimondi (Italian,

Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11), 1725–68, Engraving; fourth state of four, sheet: 10 3/4 x 19 3/4 in. (27.3 x 50.1 cm), Prints, William Hogarth (British, London 1697–1764

The Lamentation, ca. 1475, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

Design for a Commode and Console (Plate 10), in Collection de Meubles et Objets de Goût, vol. 1, [1802–07], Engraving, hand-colored, Book: 16 1/4 × 11 7/16 × 2 3/4 in. (41.3 × 29 × 7 cm), Books, La Mésangère's serially published

Rustic Dance (Danse Rustique), Etching and engraving, Sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm), Prints, Robert Daudet (French, 1737–1824), Carl Wilhelm Weisbrod (German, 1713–1806), After Jan Brueghel the Elder (Netherlandish, Brussels

Beauty and the Beast, [ca. 1901], Illustrations: wood engraving, printed in colors, 10 9/16 x 9 3/16 x 1/8 in. (26.8 x 23.3 x 0.3 cm), Books

Punitio Tirannorum, from Allegories of the Christian Faith, from Christian and Profane Allegories, Engraving, sheet: 10 1/16 x 7 5/16 in. (25.6 x 18.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Jesuit's Church, 1589, Engraving, sheet: 19 x 15 7/8 in. (48.2 x 40.3 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Title Page, from Barberinae aulae fornix, ca. 1677, Engraving, Mount: 15 7/8 in. × 21 3/8 in. (40.3 × 54.3 cm), Anonymous, Italian, 17th century, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), This print

Guillaume de Lamoignon, 17th century, Engraving, sheet: 9 1/2 x 7 3/16 in. (24.2 x 18.3 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris

Lot and His Daughters, 1629, Engraving, sheet: 7 5/16 x 5 3/16 in. (18.5 x 13.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Allegory of Life, 1561, Engraving, sheet: 15 3/16 x 21 in. (38.5 x 53.4 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Louis XIV, 1667, Engraving; first state of seven (Petitjean & Wickert), Sheet: 15 × 10 15/16 in. (38.1 × 27.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Frontispiece for New Testament in Greek, 1642, Engraving; second state of four, sheet: 14 11/16 x 10 1/8 in. (37.3 x 25.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Skating on the Ladies' Skating Pond in Central Park, New York (Harper's Weekly, Vol. IV), January 28, 1860, Wood engraving, image: 13 3/4 x 20 3/16 in. (34.9 x 51.2 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910

Saint Anthony Tormented by Demons, ca. 1470–75, Engraving, sheet: 11 13/16 x 8 9/16 in. (30 x 21.8 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach), Saint Anthony gazes serenely out at the viewer as frenzied demons

Banknote motif: oval lathe work ornament resembling a lace ruff, ca. 1824–42, Engraving, printed in green ink on chine collé, sheet: 3 7/16 x 2 5/16 in. (8.7 x 5.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

The Cottages at the Bank, Engraving; second state of three, Sheet: 3 7/16 × 5 5/16 in. (8.7 × 13.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

François Bosquet, 1671, Engraving, sheet: 15 1/4 x 12 1/4 in. (38.8 x 31.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Georges de Scudéry, ca. 1654, Engraving; first state of four (petitjean & Wickert), Sheet: 10 3/16 × 7 3/4 in. (25.9 × 19.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Marriage A-la-Mode, Plate VI, April1745, Engraving; third state of three, Plate: 15 3/16 x 18 3/8 in. (38.6 x 46.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Badger Imposes as Punishment to Jump Three Times Over a Stick on the Ground from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 3/4 × 4 11/16 in. (9.5 × 11.9 cm), Prints, Allart van Everdingen

Speculum Romanae Magnificentiae: Sepulchre of Julius II, 1554, Engraving, sheet: 19 x 13 1/4 in. (48.2 x 33.6 cm), Prints, Anonymous

search results: Engraving clear search