Images at Librifly

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Hercules Squeezing Antaeus to Death, from The Labors of Hercules, 1550, Engraving, Sheet: 4 1/4 × 2 11/16 in. (10.8 × 6.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Pendant Design with Adam and Eve, from Des Pendants de Cleffs pour les Femmes, 1580–1600, Engraving and blackwork, Sheet: 3 11/16 × 1 1/2 in. (9.3 × 3.8 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

Saint Jerome Hearing the Trumpet of the Last Judgment, 1621, Etching, engraving, and drypoint; first state of two (Brown), Sheet: 12 15/16 × 9 5/8 in. (32.8 × 24.4 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva

Delilah preparing to cut Samson's hair with scissors in her right hand, below her chest are the head and shoulders of the sleeping Samson, ca. 1630, Engraving, sheet: 6 x 4 1/2 in. (15.3 x 11.4 cm), Prints, Nicolas Viennot (fl 1630–1635),

Speculum Romanae Magnificentiae: Daican War, 1553, Engraving; second state of two (Robert-Dumesnil), sheet: 14 x 19 1/2 in. (35.5 x 49.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Speculum Romanae Magnificentiae: Doric base, ca. 1537, Engraving, sheet: 4 1/8 x 6 1/8 in. (10.5 x 15.5 cm), Prints, Master G.A. (Italian, active ca. 1535

The Fourth Wise Virgin, from the series The Wise and Foolish Virgins, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Corinthian Base, Engraving, sheet: 5 1/4 x 6 7/8 in. (13.4 x 17.5 cm), Master G.A. (Italian, active ca. 1535

The Annunciation, etching and engraving; second state of three, image: 13 3/16 x 12 9/16 in. (33.5 x 31.9 cm), trimmed to image, Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Europe, from the Four Continents, ca. 1590–1600, Engraving, sheet: 8 3/16 x 5 5/8 in. (20.8 x 14.3 cm), After Marcus Gheraerts the Elder (Flemish, Bruges ca. 1520–ca. 1590 London (?) (active England

Woman sitting with her head turned downwards to her right and eyes closed, ca. 1500–1600, Engraving; second copy, Sheet: 4 7/16 × 3 7/16 in. (11.3 × 8.7 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca.

Claude Auvry, 1660, Engraving; third state of four (Petitjean & Wickert), sheet: 12 x 9 1/2 in. (30.5 x 24.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Vignette (Tome 1.er, page 164, lib. II, fab. 15), Jupiter Carries Europa Away, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des

Bacchanal, 17th–18th century, Etching with engraving, sheet: 3 1/8 x 3 13/16 in. (7.9 x 9.7 cm), Prints, Pierre Parrocel (French, 1664–1739

The Draftsman at the Rock, Engraving; third state of four, Plate: 3 1/4 × 5 13/16 in. (8.2 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Contadina, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet),

Concave Lozenge-shaped Panel and Grotesque Figures, ca. 1620–30, Blackwork engraving, Plate: 2 9/16 x 2 11/16 in. (6.5 x 6.9 cm), Small print from a series of twelve with goldsmiths designs and grotesques. This print is characterized by a large

The Third Spring, Engraving; first state of two, Plate: 5 3/8 × 7 1/16 in. (13.6 × 18 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Christ Child with an Orb, 1469–1482, Engraving, Sheet: 3 7/16 × 2 3/8 in. (8.8 × 6 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Speculum Romanae Magnificentiae: The Lion Hunt, ca. 1500–1534, Engraving, sheet: 10 1/4 x 16 in. (26.1 x 40.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Speculum Romanae Magnificentiae: Roma Victrix, 1549, Engraving, sheet: 19 1/8 x 15 3/16 in. (48.5 x 38.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Portrait of Christian IV, King of Denmark, in Decorated Oval, ca. 1606, Engraving; third state of three, 7 5/16 × 4 13/16 in. (18.6 × 12.2 cm), Prints, Remmert Petersen, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Wife, 1830, Engraving on chine collé, plate: 7 13/16 x 5 13/16 in. (19.9 x 14.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Samuel F. B. Morse (American, Charlestown,

The Resurrection, from The Passion of Christ, 1596, Engraving, Sheet: 7 7/8 x 5 1/4 in. (20 x 13.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Virgin and Child on a Grassy Bench, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Banknote vignette showing three men on a scaffold laying a brick wall, ca. 1824–37, Engraving and etching, plate: 2 x 3 3/4 in. (5.1 x 9.5 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood,

Wood engraving after painting by Delacroix of Hamlet and Horatio, December 1837, Wood engraving, Image: 7 1/2 x 5 15/16 in. (19 x 15.1 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Speculum Romanae Magnificentiae: Basket capital with fruit and satyr head, ca. 1537, Engraving, sheet: 4 3/16 x 5 11/16 in. (10.6 x 14.4 cm), Prints, Master G.A. (Italian, active ca. 1535

Coast Scene with a Windmill, n.d., Engraving; second state, sheet: 7 3/8 x 11 1/4 in. (18.7 x 28.6 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625

The Triumph of the Sea-Gods, Engraving, Sheet: 1 13/16 × 3 3/16 in. (4.6 × 8.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Zenobia, an illustration from Pierre Le Moyne's 'La Gallerie des femmes fortes', ca. 1647, Etching and engraving, Sheet (trimmed): 13 7/16 × 8 1/2 in. (34.1 × 21.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), Gilles

The Third Day ( Dies III), from the series The Creation of the World, ca. 1595, Engraving; second state of two, Diameter: 10 5/16 in. (26.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

Speculum Romanae Magnificentiae: Corinthian capital, 1535, Engraving, sheet: 7 7/8 x 4 15/16 in. (20 x 12.5 cm), Prints, Master PS (Italian or French, active 1530s

Judith slaying Holofernes, 1705–62, Engraving, sheet: 10 7/16 x 8 1/4 in. (26.5 x 21 cm), Prints, Johann Georg Bergmüller (German, Türkheim 1688–1762 Augsburg), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, plate: 11

Speculum Romanae Magnificentiae: Egyptian Obelisk, mid-to-late 16th century, Engraving, sheet: 15 3/8 x 10 1/16 in. (39 x 25.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Thesis Proclamation of José Vicente Maldonado y Trespalacios, dedicated to the Virgin of Guadalupe, 1756, Woodcut, letterpress and engraving (image of the Virgin) printed on white silk with a decorative metalic thread border backed with a panel

Christ on the Cross, 1553, Engraving, Sheet: 4 1/2 × 2 7/8 in. (11.4 × 7.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig), Christ on the Cross,

Lord and lady walking with figure of death hiding behind a tree, holding an hourglass, after Dürer, ca. 1500–1534, Engraving; onlyl state, Sheet: 7 11/16 × 4 13/16 in. (19.5 × 12.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)

The Fourth Day (Dies IV), from the series The Creation of the World, ca. 1596, Engraving; second state of two, Diameter: 10 3/8 in. (26.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

Renard Convinces the Rabbit to Enter His Burrow and Kills Him from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Plate 6: Zephir carrying off Psyche to an enchanted palace, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie

Chief Justice John Marshall, 1833, Engraving; third state of five, image: 4 5/8 x 3 3/4 in. (11.7 x 9.5 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Henry Inman (American, Utica,

Title Page, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 1/2 × 3 5/8 in. (13.9 × 9.2 cm), Paul Birckenhultz (1561–1639), Ornamental design with the title on a tablet at bottom center, and jewelry

Jenny Cameron, February 8, 1788, Stipple engraving, printed in brown ink, Sheet: 10 13/16 x 9 7/8 in. (27.5 x 25.1 cm), Prints, Supposedly after a painting by William Hogarth (British, London 1697–1764 London

The Giant Wheel, from Carceri d'invenzioni (Imaginary Prisons), ca. 1749–50, Etching, engraving; second state of eight (Robison), Sheet: 25 1/16 x 19 1/2 in. (63.6 x 49.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

Frontispiece to Moliere's 'Sganarelle, ou le Cocu Imaginaire' (The Imaginary Cuckold), ca. 1732, Engraving; second state of two, sheet: 5 3/8 x 3 1/8 in. (13.7 x 8 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Waterfall, Engraving; third state of three, Sheet: 5 in. × 4 1/8 in. (12.7 × 10.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Portrait of De Larive, 1785, Etching and engraving; sixth state of seven (Bocher), Sheet: 6 9/16 × 4 3/16 in. (16.7 × 10.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), According to the Bocher catalogue, Mercure de

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, 1786, Etching and engraving, Plate: 7 7/8 x 6 5/16 in. (20 x 16 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da

Portrait of Galileo Galilei, 1613, Engraving, Plate: 8 x 6 1/8 in. (20.3 x 15.5 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome

The Resurrection, 1577, Engraving, sheet: 7 7/16 x 4 15/16 in. (18.9 x 12.5 cm), Prints, Melchior Meier (German, active Italy, ca. 1572–82

Speculum Romanae Magnificentiae: Two Dogs, 1558, Engraving, sheet: 13 x 19 7/16 in. (33 x 49.4 cm), Prints, Sebastiano di Re (Italian, active Rome, 1557–63

Plate 17: Bacchus standing in a niche, holding grapes over a plate, accompanied by an infant satyr, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 11/16 × 4 1/2 in. (22 × 11.5 cm), Prints, Giovanni Jacopo

Portrait of Hendrick Goltzius, ca. 1617, Engraving; second state of three, sheet: 22 11/16 x 16 15/16 in. (57.7 x 43 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Rich Man Playing Violin on a Jaw Bone, Engraving, Sheet: 3 11/16 x 3 5/8 in. (9.4 x 9.2 cm), Prints, Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

St. Benedict in Ecstasy, Engraving; third state of three, sheet: 19 9/16 x 13 5/16 in. (49.7 x 33.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Gaspard de Fieubet, ca. 1654, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 13/16 × 9 3/4 in. (32.6 × 24.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Titus Manlius, from Roman Heroes, 1535, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Peasant Woman from Around Ferrara, 1734, Etching and engraving, sheet: 8 3/8 x 5 3/4 in. (21.3 x 14.6 cm), Prints, Edme Jeaurat (French, Vermenton 1688–1738 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Virgin of Sorrows: The Flight into Egypt; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 1/4 in. (7.1 × 5.7 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua

Chatham Square Elevated Railroad Crossing, 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

The Sacrifice of Isaac set in a landscape with a flock of sheep at left and an angel guiding Abraham's sword at upper left, 1570–1615, Engraving, Sheet: 7 1/8 × 8 3/4 in. (18.1 × 22.3 cm), Prints, Cherubino Alberti (Zaccaria Mattia)

Saint James Major, book is his right hand, staff in his left facing right, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Hercules and a Muse, Engraving; second state of two (New Hollstein), Sheet: 3 1/16 × 1 3/4 in. (7.8 × 4.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Charity personified by a woman with two childen, from 'The Virtues', ca. 1515–25, Engraving, 8 7/16 x 4 1/4 in. (21.5 x 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Possibly after Raphael

'Villain, thou diest': plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900, Etching, engraving, and aquatint on chine collé; second edition (Gazette des Beaux-Arts), plate: 13 11/16 x 9 13/16 in. (34.8 x 25 cm), Prints,

The Third Wise Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Louis XIV as a Child, Engraving, sheet: 13 9/16 x 9 1/2 in. (34.5 x 24.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Goetz and Friar Martin, after 1845, Wood engraving (or possibly stereotype), Block: 8 5/16 x 5 1/2 in. (21.1 x 14 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject of this print is based on a

Seated figure of Diana the huntress, 1625–77, Etching, drypoint and engraving added by Paulus Pontius; third state of, Sheet: 8 5/8 × 6 1/4 in. (21.9 × 15.9 cm), Prints, After Pieter van Avont (Flemish, 1599–1652), Diana seated naked

The Virgin of Sorrows; central part of a print with nine surounding compartments, now separated, by 1575, Engraving, Sheet: 8 3/8 × 4 7/16 in. (21.2 × 11.2 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Speculum Romanae Magnificentiae: Small Portraits of the Popes from Christ to Sixtus V, 1585, Engraving, sheet: 15 7/8 x 20 7/16 in. (40.4 x 51.9 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Napoleon Crossing the Alps, 1851, Engraving; proof before letters, image: 24 7/8 x 19 7/16 in. (63.2 x 49.4 cm), Prints, Alphonse François (French, Paris 1814–1888 Paris), After Paul (Hippolyte) Delaroche (French, Paris 1797–1856 Paris

The Sleeping Congregation, April 21, 1762, Etching and engraving; fourth state of four, plate: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm), Prints, William Hogarth (British, London 1697–1764 London

David: Title Page for Talon, L'Histoire sainte, III, 1645, Engraving; first state of four (BN), sheet: 8 15/16 x 6 7/16 in. (22.7 x 16.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Scholars at a Lecture, ca. 1800, Engraving, Sheet: 2 15/16 x 2 11/16 in. (7.5 x 6.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Chapel, Engraving; fourth state four, Sheet: 5 3/16 × 4 9/16 in. (13.2 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Saint Jacques Le Majeur, 1726, Etching and engraving, Sheet (trimmed): 13 9/16 × 8 7/16 in. (34.5 × 21.4 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Horizontal Panel with a Bird Perched at Center, 16th–17th century, Engraving, Sheet: 2 7/16 × 3 1/4 in. (6.2 × 8.3 cm), J. Boissevain, Ornament design with a large bird with spread wings at center, surrounded by various floral motifs,

Frontispiece to 'The Humours of Oxford', November 1, 1807, Engraving, Sheet: 7 5/16 x 4 13/16 in. (18.5 x 12.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Diana Sourtant du Bain (Diana Leaving the Bath), 1864, Etching and engraving, Sheet: 15 11/16 x 15 13/16 in. (39.8 x 40.2 cm), Prints, Pierre-Edmund-Alexandre Hedouin (French, Boulogne-sur-Mer 1820–1889), After François Boucher (French,

Hercules Fighting Against the Trojans from The Labors of Hercules, 1545, Engraving, Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Drawings and Prints, Print, The arrival of Henry III of France at the Lido in Venice in 1574, Artist, Master G.D.Master G.D.M., 1550, 1600, 1591, 1591, Etching and engraving, Sheet: 14 in. × 23 13/16 in. (35.5 × 60.5 cm

Minerva and Mercury Arming Perseus, 1604, Engraving; third state of three, sheet: 22 3/16 x 15 11/16 in. (56.4 x 39.8 cm), Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam

Tobiolus Catches the Fish, from The Story of Tobias, 1543, Engraving; second state of two (Landau), Sheet: 2 11/16 × 4 1/16 in. (6.9 × 10.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Pearl of Great Price (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Christ in the House of Mary, 16th century, Engraving, image: 7 11/16 x 9 15/16 in. (19.5 x 25.2 cm), Prints, Gerard de Jode (Netherlandish, 1509/17–1591), After Ambrosius Francken I (Flemish, 1544–1618 Antwerp

Jean Le Camus, 1674, Engraving; third state of three (Petitjean & Wickert), Sheet: 19 3/4 × 16 3/4 in. (50.1 × 42.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Hudibras First Adventure (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 2), 1721–26, Etching and engraving, sheet: 4 5/8 x 4 7/8 in. (11.8 x 12.4 cm), Prints, William Hogarth (British, London 1697–1764 London

The Merchant Robbed by Monkeys, 1562, Engraving; first state of five, Sheet: 10 1/4 x 13 1/2 in. (26.1 x 34.3 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Allegory in Honor of Louis XIV, Engraving; second state of three (BN), sheet: 9 3/4 x 14 1/8 in. (24.7 x 35.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Cybele in her chariot drawn by two lions, 1530–60, Engraving, sheet: 8 7/16 x 7 1/16 in. (21.5 x 18 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481–1536 Rome

Battle with a Cutlass, ca. 1515–27, Engraving, sheet: 12 11/16 x 18 1/16 in. (32.2 x 45.8 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

A Lapland Hut (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 38), 1723–24, Etching and engraving, sheet: 9 15/16 x 13 1/2 in. (25.2 x 34.3 cm), Prints, William Hogarth

A Sacrifice, 17th century, Etching and engraving, sheet: 6 13/16 x 14 11/16 in. (17.3 x 37.3 cm), Prints, Giovanni Francesco Venturini (Italian, active ca. 1650–1700), After Giovanni Battista Galestruzzi (Italian, Florence, 1615 or

Plate 5: Psyche carried on a litter, from the 'Fable of Cupd and Psyche', 1530–60, Engraving, sheet: 7 3/4 x 8 13/16 in. (19.7 x 22.4 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

The Adoration of the Shepherds, late 1570s, Engraving, sheet: 10 11/16 x 7 1/16 in. (27.2 x 17.9 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

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