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Henri II de Sevoie, ca. 1651, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 17 1/2 × 13 3/4 in. (44.5 × 34.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna Theresa, 1724, Etching and engraving, sheet: 5 1/2 x 2 7/8 in. (14 x 7.3 cm), Prints, William Hogarth (British, London 1697–1764 London

River landscape after a painting in the cabinet of Mr. Le Brun, Etching and engraving, Sheet: 7 1/2 x 8 3/16 in. (19.1 x 20.8 cm), Prints, Carl Wilhelm Weisbrod (German, 1713–1806), After Jan Brueghel the Elder (Netherlandish, Brussels

Chancelier Michel IV Le Tellier, 1661, Engraving; first state off two (Petitjean & Wickert), sheet: 11 15/16 x 10 7/16 in. (30.4 x 26.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Post Office, Broadway, Hudson River and Jersey Shore, after 1878, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

Saint John, from The Four Evangelists, 1539, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Henriette-Anne d'Angleterre, duchesse d'Orléans, Engraving; first state of two, sheet: 8 1/2 x 6 3/8 in. (21.6 x 16.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Faith personified by a woman standing in a niche, pointing to rays in the upper left, from 'The Virtues', ca. 1515–25, Engraving, Plate: 8 9/16 × 4 1/4 in. (21.8 × 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

James Howel Standing in a Forest, 1641, Engraving of face, hat, hand and collar by Mellan; the rest by Bosse. Third state of four (BN), sheet: 8 1/16 x 5 11/16 in. (20.5 x 14.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris),

Old Fraunce's Tavern, New York, 1880–1935, Wood engraving block, block: 16 x 21 7/8 x 3/8 in. (40.6 x 55.6 x 1 cm), Blocks, Charles Macowin Tuttle (American, 1861–1935

Speculum Romanae Magnificentiae: Laocoon, 16th century, Engraving, mount: 20 x 15 3/16 in. (50.8 x 38.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Taste in High Life, May 1, 1798, Engraving and aquatint; second state, Plate: 15 1/4 x 18 3/8 in. (38.7 x 46.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Cheerful Cupids, 1750, Etching and engraving, Plate: 13 1/2 × 10 1/4 in. (34.3 × 26.1 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

Pendant Design with a Domed Church and Urn Above Axe-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 13/16 × 4 in. (14.8 × 10.1 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Copy of a Design for a Knife Handle with the Death of Lucretia, 1580–1600, Engraving and blackwork, Sheet: 2 15/16 × 7/8 in. (7.4 × 2.3 cm), after Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a knife handle with

Combats et Triomphes, n.d., Engraving, probably first state of four, sheet: 2 11/16 x 8 11/16 in. (6.9 x 22 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Frontispice pour le 'Tombeau de Charles Sackville, comte de Dorset' (Frontispiece for the 'Tomb of Charles Sackville, Earl of Dorset', from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains,

The Reward of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; third state of three, sheet: 14 7/8 x 12 1/2 in. (37.8 x 31.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Standing men presenting a horse before a group of seated men, ca. 1725–83, Etching with engraving, sheet: 5 3/16 x 9 in. (13.2 x 22.9 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After Charles Parrocel (French,

Flautist and a Child Timpanist, ca. 1742, Etching and engraving, Sheet (trimmed): 11 3/4 × 9 1/4 in. (29.8 × 23.5 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Jean de Saint-Bonnet, marquis de Toiras, Engraving; copy, sheet: 10 x 7 in. (25.4 x 17.8 cm), Prints, Pierre Daret (French, Paris ca. 1604–1675 Dax), After Claude Mellan (French, Abbeville 1598–1688 Paris

Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 3/16 x 4 1/4 in. (20.8 x 10.8 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona

Cardinal Jules Mazarin Seated Within the Gallery of his Palace, 1659, Engraving, Sheet: 18 11/16 × 26 7/16 in. (47.5 × 67.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), François Chauveau (French, Paris 1613–1676

The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 5/8 x 6 11/16 in. (24.5 x 17 cm), Prints, William Hogarth (British,

Pendant Design with Niche and a Vase with Two Handles Above Rectangular Ornaments, 1604, Engraving and blackwork; second state of two (New Hollstein), Sheet: 6 7/16 × 4 13/16 in. (16.3 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca.

St. Thomas, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: A Fountain and Basin, 1581, Engraving and etching, sheet: 16 15/16 x 12 3/16 in. (43 x 31 cm), Prints, Pieter Perret (Netherlandish, 1555–1639

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano,

Design for the Verso of a Pear-Shaped Pendant Flanked by Lozenge Ornaments and Circular Ornaments Below, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 11/16 × 3 7/8 in. (14.5 × 9.8 cm), Jan Collaert I

A satyr fighting for a nymph, after Francia, ca. 1510–20, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.7 × 8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), ?After Francesco Francia (Italian,

Ophelia (Shakespeare, Hamlet, Act 4, Scene 5), 1784, Stipple engraving; printed in sepia ink, Sheet (trimmed to plate): 15 1/16 × 17 13/16 in. (38.2 × 45.2 cm), Prints, Caroline Watson (British, London 1760/61–1814 London), after Robert

Cunicularii, or the Wise Men of Godlimon in Consultation, December 1726, Etching and engraving; only state, sheet: 7 3/8 x 9 13/16 in. (18.8 x 24.9 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of Guillaume Coustou, 1770, Etching and engraving; third state of five (Bocher), Sheet: 10 3/4 × 8 3/16 in. (27.3 × 20.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

The Last Supper, 1564, Engraving, 13 11/16 x 21 5/16 in. (34.7 x 54.2 cm); trimmed, Prints, Gaspare Osello (Italian, ca. 1536–1560/80), After Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish,

Saint Paul, sword in his right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Crucifixion, 1670–90, Etching and engraving, sheet: 21 7/8 x 15 15/16 in. (55.5 x 40.5 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Two Cupids, One with Bat Wings, mid to late 18th century, Etching and engraving, Sheet: 18 in. × 11 15/16 in. (45.7 × 30.3 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Bishop Saint, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

A satyr about to remove drapery covering a Nymph, ca. 1510–20, Engraving, Sheet: 5 11/16 × 5 1/16 in. (14.5 × 12.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Christ with the Doctors in the Temple, from The Story of Christ, 1534–35, Engraving, Sheet: 1 1/2 × 1 7/8 in. (3.8 × 4.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

A Rake's Progress, Plate 6, June 25, 1735, Etching and engraving; second state of three, sheet: 14 3/16 x 16 1/4 in. (36 x 41.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Plate 4: Saint John with his head turned three-quarters to the left, with a book in his right hand and an eagle at his feet, from 'The four evangelists', 1541, Engraving, Sheet: 1 11/16 x 1 1/8 in. (4.3 x 2.9 cm), Prints, Sebald Beham (German,

Saint John, from Christ and the Apostles, ca. 1590, Engraving; second state of two, plate: 5 13/16 x 3 15/16 in. (14.8 x 10 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Possibly by Conrad

François Guénault, ca. 1664, Engraving, Sheet: 12 3/16 × 9 15/16 in. (31 × 25.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Jean-Antoine de Mesmes, 1655, Engraving; first state of seven (Petitjean & Wickert), Sheet: 12 1/2 × 9 9/16 in. (31.7 × 24.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Philip de Mornay, 17th century, Engraving, Sheet: 10 × 7 9/16 in. (25.4 × 19.2 cm), Prints, Léonard Gaultier (French, Mayence 1561–1641 Paris

Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5), June 15, 1785, Stipple engraving, and etching, printed in brown ink, oval image: 8 1/4 x 6 9/16 in. (21 x 16.7 cm), Prints, After William Hamilton

Emperor Charles V, 16th century, Engraving; third state, Sheet: 8 5/8 x 5 5/16 in. (21.9 x 13.5 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

The Bearing of the Cross; Christ bearing the cross, supporting himself with one arm on the ground, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/2 × 3 7/8 in. (13.9 × 9.9 cm), Prints, Marcantonio Raimondi

Panel of ornament with a bird-cage in the centre, ca. 1500–1510, Engraving, sheet: 10 7/16 x 5 1/8 in. (26.5 x 13 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Renard Leaves with the badger from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of four, Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Pallas Athena standing on a globe, a spear in her left hand, a shield in her right, ca. 1520–27, Engraving, 10 9/16 x 6 3/16 in. (26.9 x 15.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Banknote vignette with haymakers symbolizing rural industry, ca. 1824–37, Engraving and etching on chine collé, plate: 2 1/2 x 4 13/16 in. (6.3 x 12.3 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey

Two Nude Shepherds, 17th century, Engraving, sheet: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Prints, Lucas Vorsterman I (Flemish, Zaltbommel 1595–1675 Antwerp), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Title Page: Desmarets de Saint-Sorlin, L'Office de la Vierge Marie, 1645, Engraving; first state of two, sheet: 4 1/16 x 2 5/16 in. (10.3 x 5.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Temple of Janus, 1564, Engraving, sheet: 18 7/8 x 13 1/4 in. (48 x 33.7 cm), Prints, Anonymous

Actress Charlotte Desmares playing the role of a pilgrim, shown from behind with her head turned toward the right, she holds a walking stick, scallop shells adorn her cape, ca. 1710–39, Etching with engraving, sheet: 5 1/2 x 3 1/16 in. (13.9

Alms-giving: a woman with pearl headdress and halo hands bread to two male beggars, one bearded and the other a child, a portal showing a maidservant in a domestic interior beyond, from the series 'Christian Virtues' after Maerten de Vos, 1589,

Bust of St. Joseph in an Oval, Engraving, sheet: 16 13/16 x 11 5/16 in. (42.7 x 28.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Tailpiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761, Etching and engraving; second state of two, sheet: 8 1/4 x 12 5/16 in. (21 x 31.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Arch of Constantine, 16th century, Engraving and etching, sheet: 13 1/2 x 16 3/4 in. (34.3 x 42.5 cm), Prints, Anonymous

Les deux Confidentes (The two Confidants), 18th century, Etching and engraving, Sheet: 18 7/8 x 14 1/16 in. (48 x 35.7 cm), Prints, Jean Ouvrier (French, 1725–1784), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Bust of Livy, 1582, Engraving and etching, sheet: 14 3/16 x 11 in. (36 x 28 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), After Nicolas Beatrizet (French, Lunéville 1515–ca.

Ornament Print with Schweifwerk and Two (Allegorical?) Figures, ca. 1615–20, Blackwork engraving, Sheet: 5 1/2 x 7 5/16 in. (14 x 18.6 cm), Esaias von Hulsen (Dutch, Middelburg ca. 1570–before 1626 Stuttgart), This rare, intricate print

The Idle 'Prentice Turned Away and Sent to Sea (Industry and Idleness, plate 5), September 30, 1747, Etching and engraving; second state of three, plate: 10 3/8 x 13 9/16 in. (26.4 x 34.5 cm), Prints, William Hogarth (British, London

Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape, ca. 1500–1534, Engraving, Sheet: 10 1/4 × 7 1/16 in. (26 × 18 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

The Little Schoolmistress, mid to late 18th century, Etching and engraving, Sheet (trimmed): 10 5/8 × 7 15/16 in. (27 × 20.2 cm), Prints, A. J. Defehrt (French (born Denmark), Huring 1723–1774), After François Boucher (French, Paris

Judge Herkinbald (Archambauld) Stabbing His Nephew, 1553, Engraving, Sheet: 4 7/16 × 3 1/16 in. (11.2 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Blackwork Design for Goldsmithwork with a Putto, Birds and Insects, 1612, Engraving and blackwork, Sheet: 2 1/16 × 1 7/8 in. (5.2 × 4.7 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel with putto at center

Goetz von Berlichingen Writing His Memoirs, after 1845, Wood engraving (or possibly stereotype), Block: 8 3/8 x 5 5/8 in. (21.3 x 14.3 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Based on a scene

Speculum Romanae Magnificentiae: St. Peter's, 1547, Engraving, sheet: 17 13/16 x 22 1/16 in. (45.2 x 56 cm), Prints, After Antonio da Sangallo, the Younger (Italian, Florence 1484–1546 Terni), After Antonio da Labacco (Italian, near

Jupiter and Antiope, Engraving, sheet: 6 7/8 x 11 9/16 in. (17.5 x 29.4 cm), Prints, Attributed to Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Three Loves, One holding a Quiver, the Other, Grapes, 1727–60, Etching and engraving, Sheet: 11 9/16 x 15 9/16 in. (29.4 x 39.5 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French,

Vignette with a Medal depicting Harpocrate and Lotus Flowers, Volume I, Page 12, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au

Madonna and Child, n.d., Engraving, sheet (oval): 4 3/16 x 5 1/2 in. (10.6 x 14 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Speculum Romanae Magnificentiae: Capital with ram heads and masks, ca. 1537, Engraving, sheet: 6 5/16 x 5 7/8 in. (16 x 15 cm), Prints, Master G.A. (Italian, active ca. 1535

Antoine Barillon, 1661, Engraving, Sheet: 12 1/2 × 9 3/4 in. (31.7 × 24.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Haybarn with Movable Roof, Engraving, second state of two, Sheet: 4 15/16 × 6 5/16 in. (12.6 × 16 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Antonio da Sangallo's project for St Peters, plan of the façade extended to the left with a tower, 1540–49, Engraving, sheet: 13 1/2 x 20 3/8 in. (34.3 x 51.7 cm), Prints, After Antonio da Labacco (Italian, near Vigevano ca. 1495–after

Alpine Landscape with a Deep Valley from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of two, Sheet: 13 9/16 x 17 5/8 in. (34.5 x 44.7 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Flora with Putti in a Garden, Etching and engraving, Sheet: 6 1/8 x 8 3/4 in. (15.5 x 22.3 cm), Prints, Anton Joseph von Prenner (Austrian, 1683–1761), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

The Second Stage of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; first state of two, plate: 15 1/4 x 12 9/16 in. (38.8 x 31.9 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of Louis XVI, Marie Antoinette and The Dauphin, ca. 1791, Etching and engraving, Sheet: 8 1/16 × 9 1/16 in. (20.5 × 23 cm), Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Piat Joseph Sauvage (Flemish, Tournai

The Lion Announces a Durable Peace to the Animals who Surround Him from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of five, Plate: 3 5/8 × 4 9/16 in. (9.2 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

The Rich Man at His Table, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 11 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Dives, at center, dining with a

The Dragon Devouring the Companions of Cadmus, 1588, Engraving, sheet: 9 15/16 x 12 1/2 in. (25.2 x 31.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After painting by Cornelis van Haarlem (Netherlandish,

Frieze with Eleven Birds and an Insect, 1590–1612, Engraving, Sheet: 1 1/2 × 7 3/8 in. (3.8 × 18.8 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Frieze with eleven birds perched on the ground, with a large

Speculum Romanae Magnificentiae: Corinthian base from the Temple of Mars Ultor, Rome, ca. 1537, Engraving, mount: 8 7/16 x 8 7/16 in. (21.5 x 21.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Portrait of a Boy with a Falcon, Oil on canvas, 29 3/4 x 25 in. (75.6 x 63.5 cm), Paintings, Wallerant Vaillant (Flemish, Lille 1623–1677 Amsterdam), A native of Lille, Vaillant trained in Antwerp and by the mid-1650s was well established as

The Prison; a group of men in a dungeon bound in chains and shackles; to the right a figure hanging from his arms, tied to a boulder, n.d., Engraving, plate: 10 1/4 x 14 3/16 in. (26 x 36 cm) trimmed within borderline, Prints, Anonymous, After

Hudibras in Tribulation (Plate 6: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 5/8 x 9 5/16 in. (19.4 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

A Rake's Progress, Plate 1, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/16 x 16 1/16 in. (35.7 x 40.8 cm), Prints, William Hogarth (British, London 1697–1764 London

A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of three (New Hollstein), plate: 10 1/2 x 7 9/16 in.

Pompone II de Bellièvre, ca. 1657, Engraving; second state of four (Petitjean & Wickert), Sheet: 13 × 10 1/16 in. (33 × 25.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Charles Le Brun (French, Paris 1619–1690

Landscape with Gypsy Camp, n.d., Engraving; first state, Sheet: 7 3/8 x 11 3/16 in. (18.7 x 28.4 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625

Hudibras Beats Sidrophel and His Man Wacum (Plate 8: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 5/16 in. (19.7 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764

Mucius Scaevola, from the series The Roman Heroes, 1586, Engraving; second state, 14 5/16 x 9 3/16 in. (36.4 x 23.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Saint John, book in right hand chalice in left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 5/16 x 2 in. (8.4 x 5.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

The Bear is Attacked by the Peasants from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of five, Plate: 3 7/8 × 4 9/16 in. (9.8 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

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