Images at Librifly

search results: Engraving clear search

Pierre Gassendi, ca. 1637 or 1638, Engraving; first state of two, sheet: 8 7/16 x 5 1/2 in. (21.4 x 13.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by

Portrait of Pierre Laurent de Belloy, ca. 1765, Etching and engraving; fifth state of five (Bocher), Sheet: 7 11/16 × 5 1/8 in. (19.6 × 13 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After De Sompsois (French,

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, plate: 16 3/4 x 11 5/8 in. (42.5 x 29.5 cm), Prints, After William Hogarth

Sardanapal in the Bath, 1576–1623, Engraving, Sheet: 2 1/2 × 2 9/16 in. (6.4 × 6.5 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637

A panel of ornament with a woman holding a vase in centre, 1532, Engraving, 22.5 x 15.3 cm (including text), 20 x 15.5 cm (image only), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro

Tailpiece, or The Bathos, March 3, 1764, Etching and engraving; only state, plate: 12 11/16 x 13 5/16 in. (32.2 x 33.8 cm), Prints, William Hogarth (British, London 1697–1764 London

L'Asie, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris

The Crafty Bird-Catcher (Insidiosus auceps) from The Large Landscapes, ca. 1555–56, Etching and engraving; first state of two, Sheet: 13 3/4 x 18 in. (35 x 45.7 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Speculum Romanae Magnificentiae: Marsias (Marsias apud nobile quende), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Justice personified by a young woman holding a sword in her raised right hand, scales in her left, from 'The Virtues', ca. 1515–25, Engraving, 8 7/16 x 4 1/4 in. (21.4 x 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Children playing, 1750, Etching and engraving, Sheet (trimmed): 12 1/2 × 9 1/2 in. (31.7 × 24.1 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Courtesan Punished, from The Story of the Magician Virgil, Engraving; second state of three (Landau), Sheet: 2 3/8 × 3 1/4 in. (6.1 × 8.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Crucifixion: Christ on the cross with Magdalen in foreground, after Dürer, 1500–1534, Engraving; third state of three, Sheet: 5 1/16 × 3 15/16 in. (12.8 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

Blackwork Design for Goldsmithwork with a Hunter and a Fisherman, 1612, Engraving and blackwork, Sheet: 1 7/8 × 2 3/16 in. (4.7 × 5.6 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel, divided into three

Madame de Gillier (Marie Jolly), ca. 1652, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 1/8 × 9 1/8 in. (30.8 × 23.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Bust of Hollar in a Circular Frame (published in Vertue's, Description of the Works of the Ingenious Delineator & Engraver, Wenceslaus Hollar), 1745, Etching and engraving, Image diameter: 2 1/4 in. (5.7 cm), Prints

Sweeping from Top to Bottom, Etching and Engraving, sheet: 13 7/8 x 9 15/16 in. (35.2 x 25.2 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Adoration of the Magi, ca. 1475–80, Engraving, Plate: 14 x 10 1/2 in. (35.6 x 26.7 cm), Prints, After school of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

The Haybarn with Movable Roof, Engraving; first state of two, Sheet: 4 13/16 × 6 1/4 in. (12.2 × 15.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

David standing, sword in lowered right hand, sack in the left, the head of Goliath on the ground beneath him, ca. 1506, Engraving, damaged and partially cut along left side and bottom and made up with pen and ink, 6 1/2 x 4 3/8 in. (16.5 x

The Good Samaritan Tending the Traveller's Wounds with Oil and Wine or The Priest and the Levite Passing, from The Parable of the Good Samaritan, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (7.9 × 10.9 cm), Prints, Heinrich Aldegrever (German,

Bust portrait of Cosimo I de' Medici, in an oval frame set within a rectangular plaque, surrounded by fantastical ornament, 1567, Etching and engraving, plate: 6 7/8 x 5 7/16 in. (17.5 x 13.8 cm), Nicolò Nelli (Italian, active Venice, ca.

The Fire, ca. 1740, Etching and engraving, Sheet: 12 3/16 x 9 5/8 in. (31 x 24.4 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

A Bacchanal, Silenus supported by two bacchants in the centre, at right a female satyr reclining on a bed and another pulling the horns on a statue of Priapus, various other figures fill the composition, ca. 1510–27, Engraving, Sheet: 5 7/8

Perseus in the Garden of the Hesperides, 1628, Engraving, Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina

The Good Shepherd, from Grotisch fur alle Kunstler, 1580–1600, Engraving, Sheet: 2 5/8 × 5 3/4 in. (6.7 × 14.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), A scene with the Good Shepherd framed in an oval at center,

Saint Thomas, 1726, Etching and engraving, Sheet: 13 5/8 x 8 9/16 in. (34.6 x 21.8 cm), Prints, Louis Jacob (French, Lisieux 1712–1802 Paris), After François Boucher (French, Paris 1703–1770 Paris

Pluto, 16th–17th Century, Engraving, sheet: 14 1/8 x 8 11/16 in. (35.9 x 22 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina

Charlels-Paris d'Orléans-Longueville, comte de Saint-Pol, 1660, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 3/8 × 9 5/8 in. (31.5 × 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Louis Elle

Neptune in a Decorative Frame with Grotesques, from the Judgment of Paris, ca. 1580–1600, Engraving, Sheet: 5 9/16 × 3 3/4 in. (14.1 × 9.6 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Plate 2 from a series of six

Nicolas Grillié, Bishop of Uzès, n.d., Engraving; first state of four, sheet: 13 3/4 x 9 1/4 in. (35 x 23.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Lion of Saint Mark, 15th century, Engraving, image: 3 3/8 in. diameter, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Speculum Romanae Magnificentiae: Corinthian base, 1528, Engraving, sheet: 4 9/16 x 7 5/16 in. (11.6 x 18.6 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Speculum Romanae Magnificentiae: Stazzi Palace, 1549, Engraving, sheet: 12 x 15 3/8 in. (30.5 x 39 cm), Prints, Anonymous

The Distrest Poet, December 15, 1740, Etching and engraving; third state of three, sheet: 14 1/16 x 16 1/16 in. (35.7 x 40.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Sepulchre of Vibius, 1551, Engraving, sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm), Prints, Anonymous

'Tristram Shandy, ' Volume 4, page 112, January 1761, Etching and engraving, sheet: 5 7/16 x 3 1/8 in. (13.8 x 7.9 cm), Prints, after William Hogarth (British, London 1697–1764 London

The Distrest Poet, December 15, 1740, Etching and engraving; third state of three, plate: 14 3/16 x 16 3/16 in. (36 x 41.1 cm), Prints, William Hogarth (British, London 1697–1764 London

Child with a dog, holding a basket of grapes, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de

Oval Pendant Decorated with Schweifwerk, Surrounded by Smaller Motifs and Crowned by a Baldachin, ca. 1614–19, Blackwork and engraving, Sheet: 4 1/16 x 2 13/16 in. (10.3 x 7.1 cm), Jacques Hurtu (French (active 1584–1635)), Part of a series

Hope personified as a woman standing in a niche facing right, holding a container of unleavened bread in both hands, from 'The Virtues', ca. 1515–25, Engraving, 8 7/16 x 4 1/4 in. (21.4 x 10.8 cm), Prints, Marcantonio Raimondi (Italian,

The Pool of Bethesda (St. John, Chapter 5), February 24, 1772, Etching and engraving, Plate: 16 9/16 x 22 7/16 in. (42 x 57 cm), Prints, after William Hogarth (British, London 1697–1764 London

Rest on the Flight into Egypt; the Holy Family under a palm tree surrounded by angels, putti, and a male cleric or saint, 1578, Engraving, Sheet: 18 11/16 x 12 1/2 in. (47.5 x 31.7 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582

Blackwork Design for Goldsmithwork, after 1616, Engraving and blackwork, Sheet: 2 1/8 × 1 13/16 in. (5.4 × 4.6 cm), after Mathais Beitler (German, Ansbach, active ca. 1582–1616), Panel with grotesques around a central cartouche. Two

The Four Evangelists, ca. 1653, Engraving; third state of five (Petitjean & Wickert), Sheet: 6 3/8 × 4 in. (16.2 × 10.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Eustache Le Sueur (French, Paris 1616–1655

Copy of The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man, after 1554, Engraving, Sheet: 3 1/8 × 3 7/8 in. (8 × 9.8 cm), Prints, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), At left, the

The Virgin and Child on a Crescent Moon, 1553, Engraving, Sheet: 4 5/8 × 3 1/16 in. (11.7 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The crowned figure of the Virgin holds the Child to her left

Blackwork Print with Two Small Horizontal Panels Above a Pair of Lunar-Shaped Fillets with Two Motifs at Center, 1592, Blackwork engraving, Sheet: 1 7/8 × 2 1/4 in. (4.7 × 5.7 cm), Hans de Bull (German, active 1592–1604), Small blackwork

A Harlot's Progress, Plate 4, before April 1732, Etching and engraving; first state of three, sheet: 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm), Prints, William Hogarth (British, London 1697–1764 London

St. George Slaying the Dragon, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

1 of 8 plates on Hunting and Fishing, Engraving, Plate: 3 1/16 x 8 11/16 in. (7.7 x 22 cm), Prints, After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

Peasants' Feast from The Peasants' Feast or the Twelve Months, 1546–47, Engraving; third state of three (Pauli), sheet: 1 15/16 x 3 1/16 in. (5 x 7.7 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Eight figures gathered

Portrait of P.A. Caron de Beaumarchais, 1773, Etching and engraving; second state of two (Bocher), Sheet: 9 5/8 × 7 1/2 in. (24.5 × 19 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Title Page, from Two Genii with Animals, 1594, Engraving, Sheet: 2 7/16 × 3 7/8 in. (6.2 × 9.9 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti, holding ferns in each hand, flank a signed and dated plaque at

Blackwork Design with Fifteen Motifs, ca. 1592–1616, Engraving and blackwork, Sheet: 2 3/8 × 1 3/4 in. (6 × 4.5 cm), attributed to Jonas Bentzen (ca. 1592–1616), Blackwork print with fifteen small motifs for goldsmiths work. The motifs are

Two Wooden Portals from 'Verscheyden Schrynwerck (...)' ['Plusieurs Menuiseries (...)'], 1658, Engraving, Sheet: 7 7/8 × 10 3/16 in. (20 × 25.9 cm) [cropped within plate mark], Paul Vredeman de Vries (Netherlandish, Antwerp 1567–1630), Two

Dewitt Clinton, 1834, Engraving on chine collé; third state of three, chine collé sheet: 9 1/16 x 6 1/4 in. (23 x 15.9 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Charles

Hercules Killing Nessus from The Labors of Hercules, 1542, Engraving, Sheet: 2 x 3 1/8 in. (5.1 x 7.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

William Hogarth, Serjeant Painter to His Majesty, 1764, Etching and engraving; seventh state of seven, Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

The Triumph of Fame on Chastity, from The Triumphs of Petrarch, Engraving; third state of four (Landau), Sheet: 5 1/2 × 8 1/8 in. (13.9 × 20.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Renard Continues with His Lies from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 13/16 × 4 9/16 in. (9.7 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The victory of Scipio over Syphax, 1530–60, Engraving, sheet: 7 11/16 x 9 7/16 in. (19.5 x 24 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

The Lion Orders All the Animals to Follow Him to Renard's Burrow from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 3/4 × 4 1/2 in. (9.6 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Jupiter (from The Planets), ca. 1597, Engraving, sheet: 4 1/4 x 2 15/16 in. (10.8 x 7.4 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Vertical Panel with a Candelabrum Stemming from a Leaf-Faced Grostesque at Bottom, ca. 1520–55, Engraving, Sheet: 3 9/16 × 13/16 in. (9.1 × 2.1 cm), Allaert Claesz. (Dutch, active 1520–55), Candelabrum with a grotesque at bottom with a

Portrait of René Herault, n.d., Etching and engraving, plate: 5 3/8 x 3 15/16 in. (13.7 x 10 cm), Prints, Pierre Dupin (ca. 1690–1751), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Cardinal Jules Mazarin, ca. 1657, Engraving; fifth state of six (Petitjean & Wickert), Sheet: 13 × 9 13/16 in. (33 × 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pieter van Mol (Flemish, 1599–1650

Les Adieux, from Le Monument du Costume, 1777, Etching and engraving, Image: 10 5/8 x 8 9/16 in. (27 x 21.8 cm), Prints, After Jean Michel Moreau the Younger (French, Paris 1741–1814 Paris), Engraved by Robert de Launay (French, Paris

Allegory of Birth, 1558, Engraving, sheet: 10 13/16 x 16 5/16 in. (27.4 x 41.5 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Tomb of Annibale Carracci, 1690–1735, Engraving and etching, sheet: 11 5/8 x 20 5/16 in. (29.6 x 51.6 cm), Prints, Karl Remshardt (German, 1678–1735), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

St. Mary Magdalen Reclining in a Grotto, Engraving; reverse copy, sheet: 7 1/16 x 8 9/16 in. (18 x 21.8 cm), Prints, Jean Ganier (French, Paris died 1666), After Claude Mellan (French, Abbeville 1598–1688 Paris

Groups of Children, Etching and Engraving, sheet: 8 7/16 x 12 3/16 in. (21.4 x 30.9 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris), Etched by Lanelly (French, 18th century

Childhood (Dawn) from The Four Ages of Man and Death with the Last Judgment, Before 1619, Engraving; state before Hollstein's first state of seven (before astrological symbols added to the flag on left and before any publisher's address), Sheet: 9

Speculum Romanae Magnificentiae: Column of Trajan, 1589, Engraving, sheet: 19 1/2 x 11 11/16 in. (49.5 x 29.7 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Virgin and Child Seated on a Rock (Vierge à l'Enfant dans des ruines), 1659, Engraving, sheet: 12 1/2 x 14 1/2 in. (31.7 x 36.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Child with Three Skulls (reverse copy), early 16th century, Engraving, Sheet: 1 5/8 × 2 1/4 in. (4.1 × 5.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Satyr and Nymph, ca. 1500–1534, Engraving, 8-11/16 x 7-1/8 in. (22.1 x 18.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Design for a Knife Handle with the Marriage at Cana, 1580–1600, Engraving and blackwork, Sheet: 4 1/16 × 2 7/16 in. (10.3 × 6.2 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a knife handle

Judge Herkinbald Cutting the Throat of his Nephew, 1553, Engraving, Sheet: 4 5/16 x 3 1/16 in. (10.9 x 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

St. George, ca. 1480–90, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

Pluto, Neptune, Minerva, and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 6 15/16 x 9 1/4 in. (17.7 x

Christ Sleeping During the Storm on Lake Tiberias, from The Story of Christ, 1534–35, Engraving, Sheet: 1 7/16 × 2 1/4 in. (3.7 × 5.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Bruiser, ca. 1800, Engraving, Sheet: 3 x 2 1/4 in. (7.6 x 5.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Wild Animals, from antique wall paintings, plate 1, late 16th century, Engraving, sheet: 11 5/8 x 16 3/8 in. (29.6 x 41.6 cm), Prints, Anonymous

Chancelier Michel IV Le Tellier, 1659, Engraving; first state of three (Petitjean & Wickert), sheet: 13 3/16 x 10 1/16 in. (33.5 x 25.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Banknote motif: two six-lobed lathe work ornaments, ca. 1824–42, Engraving, printed in green ink, sheet: 3 11/16 x 1 15/16 in. (9.4 x 4.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Faith, from the Cardinal Virtues, 1648–56, Engraving, second state of two., Sheet: 4 1/4 × 3 1/4 in. (10.8 × 8.2 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), The female figure Faith is depicted holding a cross to

Credulity, Superstition, and Fanaticism, March 15, 1762, Etching and engraving; second state of two, plate: 17 1/4 x 13 in. (43.8 x 33 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Porta della fabrica of the Farnese Palace, Caprarola, 16th century, Engraving, sheet: 13 3/16 x 7 15/16 in. (33.5 x 20.1 cm), Prints, Anonymous

The Angel Staying the Arm of Abraham, After 1552, Etching and engraving. Second state, sheet: 13 3/4 x 10 3/8 in. (35 x 26.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute: Industry and Idleness, plate 7, September 30, 1747, Etching and engraving; only state, sheet: 10 5/16 x 13 5/8 in. (26.2 x 34.6 cm), Prints, William Hogarth

St. Thomas, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/4 x 4 7/16 in. (15.9 x 11.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Copy of the Center of a Design for a Brooch, after 1580–1600, Engraving and blackwork, Sheet: 1 7/8 × 2 5/16 in. (4.8 × 5.9 cm), after Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Copy of the center of a

Design for the Verso of a Pendant with an Oval Motif Between Strapwork, 1604, Engraving and blackwork; second state of two (New Hollstein), Sheet: 6 7/16 × 4 3/4 in. (16.3 × 12 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Footsoldier in front of a Tree, mid-17th century, Engraving, Sheet: 1 7/8 × 1 9/16 in. (4.8 × 4 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Hercules Being Shown the Mountainous Road to the Temple of Immortal Fame in the Company of Minerva and Mars, ca. 1591, Engraving, Sheet: 9 1/2 × 6 5/16 in. (24.1 × 16 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam),

Banditti at Market, November 9, 1780, Engraving, Sheet: 14 x 10 1/16 in. (35.5 x 25.6 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

Cardinal Albrecht of Brandenburg, 1520, Engraving, Sheet: 6 5/8 × 4 1/2 in. (16.9 × 11.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

St. John the Baptist in the Desert, 15th century, Engraving; second state, Sheet: 7 1/4 × 7 7/16 in. (18.3 × 18.9 cm), Prints, Master ES (German, active ca. 1450–67

search results: Engraving clear search