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Plate 1: Saint Matthew with his head turned in profile to the left, a cherub at bottom left, from 'The four evangelists', 1541, Engraving, Sheet: 1 5/8 x 1 1/8 in. (4.2 x 2.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

The Pier with a Lamp, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison), Sheet: 19 7/16 x 25 in. (49.4 x 63.5 cm), Prints, Giovanni

Speculum Romanae Magnificentiae: Trophies of Marius, late 16th century, Engraving and etching, sheet: 18 7/8 x 13 3/16 in. (48 x 33.5 cm), Prints, Anonymous

Taste in High Life, May 1, 1798, Engraving and aquatint; second state, Sheet (trimmed to plate line): 15 1/16 x 18 1/8 in. (38.2 x 46 cm), Prints, After William Hogarth (British, London 1697–1764 London

François Lotin de Charny, ca. 1657, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 11 7/16 x 9 1/2 in. (29 x 24.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius, ca. 1520–50, Engraving, 8 7/16 x 4 3/8 in. (21.4 x 11.1 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini

Jupiter's Eagle Bringing Water of the Styx to Psyche, 1540–56, Engraving, Sheet (lunette/trimmed): 8 1/8 × 15 1/16 in. (20.6 × 38.3 cm), Prints, Léon Davent (French, active 1540–56), After Giulio Romano (Italian, Rome 1499?–1546

Cardinal Jules Mazarin, Engraving; first state of three (BN), sheet: 13 9/16 x 9 3/8 in. (34.5 x 23.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Third Wise Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Reverse Copy of Joseph and Potiphar's Wife, from The Story of Joseph, Engraving, Sheet: 4 7/16 × 3 1/16 in. (11.2 × 7.8 cm), Prints, after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Veelderhande cierlijcke Compartementen profitelijck voor Schilders goutsmeden beeltsnijders ende ander constenaren., 1564, Engraving, 11 x 7 7/8 x 1/8 in. (28 x 20 x 0.3 cm), Books, Jacob Floris the Elder (Flemish, 1524–1581

Naked man wearing an elaborate helmet viewed from behind holding a banner, a lion seated on the ground, ca. 1500–1534, Engraving, Sheet: 9 11/16 × 6 15/16 in. (24.6 × 17.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

A soldier shaking the powder from the top of the pan, from the Musketeers series, plate 19, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; third state of four (New Hollstein), plate: 10 1/2 x 7 1/2 in.

Mars, from The Seven Planets, 1533, Engraving, Sheet: 3 13/16 x 2 1/2 in. (9.7 x 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Dream of the Doctor, ca. 1498, Engraving, sheet: 7 7/16 x 4 11/16 in. (18.9 x 11.9 cm) plate line shows only at top, clipped nearly to picture line at sides and bottom., Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Expulsion from the Paradise, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 7/16 × 3 7/8 in. (13.8 × 9.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Hercules in Bed with Omphale, 1540–56, Engraving, Sheet: 8 11/16 × 16 1/8 in. (22 × 40.9 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Design for a Pendant Combined with Sirens and Dragonflies, 1616, Blackwork and Engraving, Plate: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Daniel Mignot (French, active Augsburg, fl. 1593–1616), Design for a pendant, hanging from a ribbon. The

Plate from Battles and Victories (Combats et Triomphes), n.d., Engraving, probably first state of four, sheet: 2 11/16 x 8 3/4 in. (6.8 x 22.2 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

An Emerald Vessel (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, plate 5), 1723–24, Etching and engraving, sheet: 4 1/2 x 15 1/16 in. (11.4 x 38.2 cm), Prints, After Guiseppe

New York, to Estimate its Present Grandeur Look at our 50 Illustrations of the City in Color...and acquaint your Friends with the actual features of the Metropolis of America., 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x

Old Age (Night) from The Four Ages of Man and Death with the Last Judgment, Before 1619, Engraving; state before Hollstein's first state of two (before astrological symbols added to the flag on left), Sheet: 9 x 12 1/2 in. (22.9 x 31.7 cm),

The Inside of a Mosque, the Dervishes Dancing (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, pl. 16), 1723–24, Etching and engraving, sheet: 9 15/16 x 13 7/8 in. (25.2 x 35.2

The Crucified Christ Surrounded by Mourning Angels, 1575–1679, Engraving, sheet: 13 3/16 x 9 5/8 in. (33.5 x 24.4 cm); trimmed, Prints, Anonymous, Italian, 16th century, After Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua),

Venus and Vulcan Seated on a Bed and Three Putti, mid-1550s, Engraving, plate: 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence

Henri II de Lorraine, marquis de Mouy, ca. 1651, Engraving; first state of three (Petitjean & Wickert), Sheet: 13 7/16 × 10 1/2 in. (34.2 × 26.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Contadina, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet),

Portrait of Cardinal Richelieu, 1651, Engraving; first state of two, sheet: 13 11/16 x 9 5/16 in. (34.7 x 23.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 9/16 × 3 5/8 in. (14.1 × 9.2 cm), Paul Birckenhultz (1561–1639), Design for a jewelry pendant, hanging from a putto

Speculum Romanae Magnificentiae: St. Peter's, 1564, Engraving, Plate: 15 3/16 x 21 7/16 in. (38.5 x 54.5 cm), Prints, Vincenzo Luchino (Italian, active Rome and Venice from 1552, died Venice (?), 1569/71

Columbus Breaking the Egg, April 1752, Etching and engraving; first state of two, sheet: 7 1/2 x 7 1/2 in. (19 x 19 cm), Prints, William Hogarth (British, London 1697–1764 London

Chanceliere Pierre Séguier, 1657, Engraving; first state of four (Petitjean & Wickert), Sheet: 15 1/2 × 11 11/16 in. (39.4 × 29.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Charles Le Brun (French, Paris

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Flagellation, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 11/16 in. × 5 in. (19.6 × 12.7 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Analysis of Beauty, Plate 2, March 5, 1753, Engraving; first state of three, sheet: 15 3/8 x 20 11/16 in. (39 x 52.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Blackwork Design for Goldsmithwork with Monkey, Birds, and Insects, 1582–1616, Engraving and blackwork, Sheet: 1 9/16 × 2 5/16 in. (3.9 × 5.8 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel with a monkey

Ludovica Maria Gonzaga, Queen of Poland, 1645, Engraving; second state of two, sheet: 13 7/8 x 9 3/8 in. (35.2 x 23.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

A man holding a staff and seated on a tree trunk; with two goats to either side; surrounded by downed trees, foliage, and a stream; from a series of six landscapes after Roelandt Savery, ca. 1600, Engraving, plate: 8 7/8 x 11 3/16 in. (22.6 x

Pompone II de Bellièvre, 1653, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 15/16 × 10 1/4 in. (32.8 × 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Stylus of a Machine Used for Engraving Bank notes, 19th century, Graphite on thin cardboard, sheet: 3 11/16 x 6 7/16 in. (9.3 x 16.4 cm), Drawings, Attributed to Cyrus Durand (American, 1787–1868

Temperance, from The Seven Virtues, Engraving, sheet: 6 1/16 x 4 1/16 in. (15.4 x 10.3 cm), Prints, Anonymous, Netherlandish, 17th century, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Jacob Matham

Christ on the Cross, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 5/8 in. × 5 in. (19.4 × 12.7 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Industrious 'Prentice Out of his Time and Married to his Master's Daughter: Industry and Idleness, plate 6, September 30, 1747, Etching and engraving; first state of four, sheet: 10 3/8 x 13 9/16 in. (26.3 x 34.5 cm), Prints, William

François de Harlay de Champvallon, 1673, Engraving; second state of four (Petitjean & Wickert), Sheet: 19 11/16 × 16 13/16 in. (50 × 42.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Judgment of Paris, ca. 1515–27, Engraving, 11 1/4 x 16 3/4 in. (28.6 x 42.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Cassandra, Frontispiece, Vol. 2:, 1725, Etching and engraving, sheet: 5 3/8 x 2 15/16 in. (13.6 x 7.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Frontispiece: Horace, Quinti Horatii Flacci Opera, 1642, Engraving; first state of two, sheet: 13 7/8 x 9 in. (35.2 x 22.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Nicolas Poussin (French, Les Andelys

Euterpe, from The Muses, Engraving with etching, Sheet: 7 5/8 x 5 9/16 in. (19.3 x 14.2 cm), Prints, Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637 Utrecht

The Pentecost; the Holy Dove appears above, below sits the Virgin surrounded by Apostles, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 3/16 × 3 15/16 in. (13.1 × 10 cm), Prints, Marcantonio Raimondi (Italian,

Portrait of Michel de Marolles, 1648, Engraving; first state (?) of three (BN), sheet: 9 3/16 x 6 3/4 in. (23.3 x 17.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Roman Soldiers Before an Emperor, before 1540 (?), Engraving, sheet: 8 1/16 x 12 5/16 in. (20.4 x 31.2 cm) borderline, Prints, Attributed to Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), Designed by Giulio Romano (Italian, Rome

The Penitent Magdalene (Magdalena Poenitens) from the series The Large Landscapes, ca. 1555–56, Etching with engraving; first state of two, sheet: 12 11/16 x 16 7/8 in. (32.3 x 42.8 cm), Prints, Johannes van Doetecum the elder (Netherlandish,

Jean-François-Paul de Gondi, Le cardinal de Retz, 1650, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 3/16 × 9 11/16 in. (31 × 24.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Jean Morin

Fragment of a horizontal frieze with female bust in the center, garlands, anthemia, cut from a plate of border segments, 1490–1500, Engraving, Mount: 16 × 9 11/16 in. (40.6 × 24.6 cm), Prints, Francesco Rosselli (Florence 1448–1508/27

Sleeping figure of Diana the huntress, 1644–52, Etching and engraving by Paulus Pontius; second state of two, Sheet: 5 11/16 × 8 3/8 in. (14.5 × 21.2 cm), Prints, After Pieter van Avont (Flemish, 1599–1652), Landscape with Diana sleeping

The Badger Hurries to Warn Renard of the Lion's Intention from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

A woman kneeling at centre reaching up with her right hand to place a ring on the finger of a naked man holding a curved stick that is also held by another man at left, ca. 1510–27, Engraving, Sheet: 3 1/8 × 3 1/8 in. (8 × 8 cm), Prints,

Speculum Romanae Magnificentiae: Interior of the Lateran, 16th century, Engraving, sheet: 15 15/16 x 19 11/16 in. (40.5 x 50 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Speculum Romanae Magnificentiae: The Septizodium, 1582, Etching and engraving, sheet: 18 11/16 x 12 3/4 in. (47.5 x 32.4 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Christ Carrying the Cross, from The Passion of Christ, 1596–98, Engraving, Sheet: 7 11/16 x 5 1/8 in. (19.6 x 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this

Design for a Sword Pommel with a Crouching Satyr, 1592–93, Engraving and blackwork, Sheet (trimmed): 1 1/4 × 7/8 in. (3.2 × 2.3 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Pommel design trimmed from the center right

Arcus and Callisto, Engraving, plate: 7 x 10 1/16 in. (17.8 x 25.6 cm), Prints, Possibly by Robert Willemsz de Baudous (Netherlandish, 1574/5–1659), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Flagellation, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 11/16 × 4 15/16 in. (19.5 × 12.6 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Triumphal Procession of the Noble Glorious Women, after 1549, Engraving, Sheet: 7/8 x 3 1/4 in. (2.2 x 8.3 cm), After Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Frieze with a procession moving from left to right. At center, a

Amphiaraus, 1540–50, Engraving, Sheet: 13 1/16 x 8 7/8 in. (33.1 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris

Speculum Romanae Magnificentiae: Corinthian Entablature, 1528, Engraving, sheet: 4 3/4 x 7 5/8 in. (12 x 19.4 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Louis II de Bourbon, Prince de Condé, 1662, Engraving; second state of three (Petitjean & Wickert), Sheet: 13 7/8 × 10 5/8 in. (35.2 × 27 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Man on Horseback holding a Falcon, Artist, Master IS, German, active ca. 1525–50, Master IS, German, 1500, 1600, ca. 1525–50, 1525, 1550, Engraving

Bacchus surrounded by Putti, a statue of Priapus at right, 1530–60, Engraving, sheet: 7 5/16 x 11 in. (18.5 x 28 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Frontispiece to 'The Jacobite's Journal', November 27, 1781, Engraving, sheet: 6 7/8 x 9 7/16 in. (17.4 x 23.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Scourging of Christ, 1680–1719, Engraving, sheet: 17 1/2 x 15 7/8 in. (44.5 x 40.4 cm), Prints, Benoit Thiboust (French, ?1660–1719?), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Shield with Stag Held by Wild Man, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Cupid asleep, resting his right arm on his quiver and his left arm on his bow, an oval composition, after Reni, 1640–60, Engraving, Sheet: 7 in. × 5 3/16 in. (17.8 × 13.1 cm), Prints, Francesco Curti (Italian, 1603–1670), After Guido

The Prison, n.d., Engraving, sheet: 10 11/16 x 16 3/8 in. (27.1 x 41.6 cm) borderline, Prints, Anonymous, After Giulio Romano (Italian, Rome 1499?–1546 Mantua

A Love Letter, Etching and Engraving; second state of two, sheet: 15 3/16 x 10 7/8 in. (38.5 x 27.6 cm), Prints, Simon Charles Miger (French, Nemours 1736–1820 Paris), After François Boucher (French, Paris 1703–1770 Paris

Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, February 1, 1791, Etching and engraving, Sheet: 5 7/8 x 8 3/8 in. (15 x 21.2 cm), Prints, After William Hogarth (British, London 1697–1764

Renard Wants to Find a Rooster from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 5/8 × 4 5/8 in. (9.2 × 11.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Pierre Bouchu, 1669, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 1/2 × 9 13/16 in. (31.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Ionic base, ca. 1537, Engraving, sheet: 4 1/2 x 6 7/8 in. (11.5 x 17.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Frieze with Sea Monsters, 1580–1600, Engraving, Sheet: 1 5/8 × 7 13/16 in. (4.2 × 19.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Giovanni Andrea Maglioli (Italian, active 1580–1610), Frieze

Jupiter's Eagle Bringing the Water to the Styx to Psyche, 1540–56, Engraving, Sheet: 9 in. × 16 1/4 in. (22.8 × 41.2 cm), Prints, Léon Davent (French, active 1540–56), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Jacques-Bénigne Bossuet, 1674, Engraving; second state of four (Petitjean & Wickert), Sheet: 17 15/16 × 14 3/4 in. (45.5 × 37.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Emblem of Lucrezia Gonzaga, before 1566, Engraving, 3 3/4 x 2 15/16 in. (9.6 x 7.4 cm) platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Reverse copy of Balais Balais (Brushes Brushes), from Le Cris de Paris (The Cries of Paris), plate 5, 18th century, Etching and engraving, Sheet: 10 13/16 x 7 7/16 in. (27.5 x 18.9 cm) trimmed, Prints, Jacques Philippe Le Bas (French, Paris

The Banquet of Alexander, 1540–50, Engraving, Sheet (trimmed): 9 15/16 × 14 7/16 in. (25.2 × 36.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570

Bureau of Printing & Engraving in Washington, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from

David and Bathsheba, Engraving; first state of two (Landau), Sheet: 1 7/8 × 3 1/16 in. (4.7 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Charity, from The Virtues, 1552, Engraving, Sheet: 4 1/16 × 2 7/16 in. (10.3 × 6.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Last Supper, 1585, Engraving; second state of three, sheet: 10 9/16 x 14 1/8 in. (26.8 x 35.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Pieter Coecke van Aelst (Netherlandish, Aelst 1502–1550

Salon de 1850-51; Un Paysage, par M. Théodore Rousseau, 1850–51, Wood engraving, sheet: 5 1/8 x 7 1/16 in. (13 x 18 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris), After Théodore Rousseau (French, Paris

The Parson's Head, October 1788, Etching and engraving, plate: 6 1/4 x 5 3/8 in. (15.9 x 13.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

St Cecilia holding an organ, flanked by St Paul, St John the Evangelist, St Augustine and Mary Magdalen, musical angels above, ca. 1515–16, Engraving, 10 7/16 x 6 1/4 in. (26.5 x 15.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)

Saint Christopher with the Christ Child on his shoulder, ca. 1500–1510, Engraving, sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Speculum Romanae Magnificentiae: Moses after the sculpture by Michelangelo, 16th century, Engraving, mount: 19 1/8 x 12 13/16 in. (48.5 x 32.5 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Michelangelo

Bernt Knipperdolling, 1536, Engraving, Sheet: 12 5/16 × 8 15/16 in. (31.3 × 22.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Fantastical Mask with Strapwork, mid-16th century, Etching and engraving, sheet: 5 9/16 x 5 in. (14.2 x 12.7 cm), Anonymous, French, 16th century, Possibly by René Boyvin (French, Angers ca. 1525–ca. 1625 Angers

Speculum Romanae Magnificentiae: Julius Caesar, from The Twelve Caesars, ca. 1500–1534, Engraving; third state of three, mount: 11 x 16 3/4 in. (28 x 42.6 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Portrait of Anne Marie Louise d'Orléans, 1642, Engraving, Sheet: 15 5/16 x 11 in. (38.9 x 28 cm), Prints, Jeremias Falck (Polish, Danzig ca. 1610–ca7 Danzig (?)), After Justus van Egmont (Flemish, Leiden 1601–1674 Antwerp

The Three Graces, 1659, Engraving; first state of four (BN), sheet: 8 5/16 x 5 7/16 in. (21.1 x 13.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Blackwork Print with Foliate Scrolls in an Oval at Center, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 7/8 × 3 1/2 in. (12.4 × 8.9 cm), Etienne Carteron (French, born Châtillon-sur-Seine, ca.

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