Images at Librifly

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Virgin and Child, Engraving (reverse copy), sheet: 7 5/8 x 5 3/8 in. (19.3 x 13.7 cm), Prints, Abraham Blooteling (Dutch, 1640–1690), After Claude Mellan (French, Abbeville 1598–1688 Paris

Copy of Bernt Knipperdolling, 1536, Engraving, Sheet: 12 1/2 × 9 1/8 in. (31.7 × 23.2 cm), Prints, Clement de Jonghe (Dutch, Brunsbüttel (Landkreis Dithmarschen) 1624/1625–1677 Amsterdam), after Jan Muller (Netherlandish, Amsterdam

Saint John and Saint Jerome (fragment from a Crucifixion), ca. 1490s, Engraving, Sheet: 5 11/16 × 2 7/8 in. (14.5 × 7.3 cm) trimmed around the figures, Prints, Francesco Rosselli (Florence 1448–1508/27 Venice (?)), Possibly after a design

The Bear's Snout and Paws Are Caught in the Trunk of a Tree from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of five, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

St. Bernard Taking a Brother to an Assembly, Engraving, sheet: 9 1/4 x 13 1/8 in. (23.5 x 33.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Charles de Bouques, Engraving, sheet: 10 1/2 x 7 1/16 in. (26.6 x 17.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Triumph of Eternity on Death, from The Triumph of Petrarch, Engraving; second state of two (Landau), Sheet: 5 1/2 × 8 1/4 in. (13.9 × 21 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

'Tristram Shandy, ' Frontispiece, Volume 1, April 1760, Etching and engraving; first state of two, sheet: 5 1/2 x 3 1/8 in. (13.9 x 7.9 cm), Prints, after William Hogarth (British, London 1697–1764 London

Mountainous Landscape with a Group of Gypsies, 1586–1629, Engraving, Sheet: 7 9/16 x 11 5/16 in. (19.2 x 28.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish,

François Servien, 1657, Engraving; second state of four (Petitjean & Wickert), Sheet: 19 1/4 × 12 3/16 in. (48.9 × 31 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Fantastic Architecture Structure with Strapwork and Two Pergolas and a Small Scene with Vulcan's Forge at the Top, 1557, Etching and engraving, plate: 11 7/8 x 8 1/16 in. (30.1 x 20.5 cm), Cornelis Floris II (Netherlandish, Antwerp before

Robbery on a Road after a painting in the collection of the Duc de Choiseul, 1771, Etching and engraving, Sheet: 5 11/16 x 7 5/8 in. (14.4 x 19.4 cm), Prints, Louis Germain (French, 1733–ca. 1791), After Jan Brueghel the Elder

Saint Agnes standing a holding a palm in her right hand, a sheep lower left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 3/16 x 1 7/8 in. (8.1 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Michel IV Le Tellier (Le Chancelier), 1653, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 13/16 × 10 1/16 in. (32.5 × 25.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne

Title Plate with Two Pendant Designs Above and Neptune Standing on a Cartouche Below, 1582, Engraving; second state of four (New Hollstein), Sheet: 7 1/16 × 5 3/16 in. (17.9 × 13.2 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618

Christ Child with Instruments of the Passion, ca. 1550–1650, Engraving with hand coloring on vellum, Sheet: 3 3/4 x 2 3/4 in. (9.5 x 7 cm), Prints, Anonymous, The name lettered on the print 'I. P. Peruet' cannot be identified at this time

Banditti Gambling, November 9, 1780, Engraving, Sheet: 14 x 10 1/16 in. (35.5 x 25.6 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

The Two Peasants Seated on the Hill, Engraving; third state of three, Sheet: 3 7/8 × 5 13/16 in. (9.8 × 14.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Christ on the Cross (The Small Crucifixion), Engraving, Sheet: 2 3/8 × 1 1/4 in. (6.1 × 3.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Garden of Vertumnus, 1540–56, Engraving; first state, Sheet (trimmed): 13 1/8 × 13 1/4 in. (33.4 × 33.7 cm), Prints, Léon Davent (French, active 1540–56), after Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Betrayal of Christ, from The Passion of Christ, 1598, Engraving; second state of two, Sheet: 7 7/8 x 5 1/8 in. (20 x 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius

Hudibras' First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3), February 1725–26, Etching and engraving; second state of five, sheet: 9 7/8 x 12 7/8 in. (25.1 x 32.7 cm) (trimmed within platemark), Prints,

The Industrious 'Prentice Performing the Duty of a Christian: Industry and Idleness, plate 2, September 30, 1747, Etching and engraving; first state of two, sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm), Prints, William Hogarth (British, London

A Young Girl holding a Cat, 1769, Crayon-manner engraving printed in sanguine ink; second state of two, Sheet (trimmed): 8 3/16 in. × 6 in. (20.8 × 15.3 cm), Prints, Louis Marin Bonnet (French, Paris 1736–1793 Saint-Mandé, Val-de-Marne),

Diana at the Bath, Etching and engraving, sheet: 15 5/8 x 18 1/8 in. (39.7 x 46 cm), Prints, Louis Desplaces (French, Paris 1682–1739 Paris), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Christ in Limbo, after Raphael, 1541, Engraving, Sheet (trimmed): 11 1/4 × 6 7/8 in. (28.5 × 17.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Goetz Aided by the Gypsies, after 1845, Wood engraving (or possibly stereotype) on newsprint, proof before letters, Image: 8 3/8 x 5 3/4 in. (21.3 x 14.6 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris),

Speculum Romanae Magnificentiae: The Pantheon, 16th century, Engraving; copy, second state of three (Robert-Dumesnil), sheet: 13 11/16 x 17 3/16 in. (34.7 x 43.6 cm), Prints, Anonymous, After Nicolas Beatrizet (French, Lunéville 1515–ca.

Gods Summons Noah and His Family into the Ark, 1827 (?), Wood engraving, sheet: 6 5/16 x 8 7/8 in. (16 x 22.5 cm), Prints, Joseph von Führich (Austrian, Kratzau 1800–1876 Vienna

The Parable of the Leaven (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

The Parable of the [Ten] Virgins (he Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton

Combats et Triomphes, n.d., Engraving, probably first state of four, sheet: 2 13/16 x 8 13/16 in. (7.1 x 22.4 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Lust, from The Vices, 1552, Engraving, Sheet: 4 × 2 7/16 in. (10.2 × 6.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Sign Poster, 1742, Etching with some engraving, image: 9 x 7 1/16 in. (22.9 x 18 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Proofs of Bank of New York One Dollar Bill and Two Dollar Bill, 1824–27, Engraving, each image: 3 1/8 x 11/16 in. (7.9 x 1.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey),

Anne of Austria, ca. 1645, Engraving; second state of two (BN), sheet: 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Greek Lovers, 1825, Engraving, sheet: 3 11/16 x 2 3/4 in. (9.3 x 7 cm), Prints

Couple Seated on a Bed, from Scenes of Daily Life, n.d., Engraving, Sheet: 6 5/8 in. × 4 in. (16.9 × 10.2 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Portrait of Jean-Michel Moreau, 1787, Etching and engraving; third state of three (Bocher), Sheet: 8 7/16 × 7 3/8 in. (21.4 × 18.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

The Stage Coach, or The Country Inn Yard, 1747, Etching and engraving; second state of three, sheet: 8 3/8 x 11 11/16 in. (21.3 x 29.7 cm), Prints, William Hogarth (British, London 1697–1764 London

The Entombment, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 11/16 x 5 1/16 in. (19.5 x 12.8 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Louis-Dominique de Bailleul, 1660, Engraving; fifth state of seven (Petitjean & Wickert), Sheet: 12 13/16 × 9 13/16 in. (32.5 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Renard Convinces the Lion and Lioness of Finding a Treasure His Father Stole from Them from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 5/8 × 4 9/16 in. (9.2 × 11.6 cm), Prints, Allart van

Leonhart von Eck, 1527, Engraving; second state, Sheet: 4 3/16 × 3 1/4 in. (10.7 × 8.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Cassandra, Frontispiece, Vol. 1, 1725, Etching and engraving, sheet: 5 5/16 x 2 15/16 in. (13.5 x 7.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Renard Escapes with a Chicken that he Stole from a Clergyman's Table from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm), Prints, Allart van Everdingen (Dutch,

Sadness (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Prints,

The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding Fantasio, 1724, Etching and engraving; second state of two, sheet: 5 1/2 x 3 in. (14 x 7.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Corinthian base, ca. 1537, Engraving, sheet: 5 1/8 x 6 1/8 in. (13 x 15.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Venus Giving Nectar to Cupid, 18th century, Engraving, Sheet (trimmed): 10 5/8 × 15 7/16 in. (27 × 39.2 cm), Prints, Pierre François Basan (French, Paris 1723–1797 Paris (?)), After François Boucher (French, Paris 1703–1770 Paris

The Crowning with Thorns, from The Passion of Christ, 1597, Engraving, Sheet: 7 11/16 x 5 1/16 in. (19.5 x 12.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this

The Monumental Tablet, from Grotteschi (Grotesques), ca. 1748, Etching, engraving, drypoint, scratching; second state of four (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano

Christ, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Jean de Maupeou, 1671, Engraving; second state of two (Petitjean & Wickert), sheet: 15 7/16 x 12 3/8 in. (39.2 x 31.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Wooded Region (Pagus Nemorosus) from The Large Landscapes, ca. 1555–56, Etching with engraving; first state of two, sheet: 13 5/8 x 17 7/8 in. (34.6 x 45.4 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

David Strangling the Lion, 1631, Engraving, sheet: 8 7/16 x 5 3/4 in. (21.5 x 14.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Gian Lorenzo Bernini (Italian, Naples 1598–1680 Rome

Blackwork Design for Goldsmithwork with Grotesques, Garlands, and Birds, 1582–1616, Engraving and blackwork, Sheet: 1 1/16 × 1 9/16 in. (2.7 × 3.9 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental grotesque panel

Architecture, 18th century, Etching and engraving, Sheet (trimmed): 8 7/16 × 12 1/16 in. (21.5 × 30.6 cm), Prints, Johann Georg Hertel (German, Augsburg ca. 1700–1775 Augsburg), After François Boucher (French, Paris 1703–1770 Paris

The Egg Merchant, 1741–63, Etching and engraving, sheet: 8 7/8 x 5 7/8 in. (22.6 x 14.9 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Absalom Inviting David and His Brothers, 1540, Engraving; second state of two (New Hollstein), Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Absalom standing with his

The Penance of Saint John Chrisostom, 1509, Engraving, Sheet: 10 1/8 × 7 13/16 in. (25.7 × 19.8 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

A young woman personifying Force or Strength holding a column, ca. 1510–27, Engraving, Sheet: 5 3/8 x 3 in. (13.6 x 7.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Wrestlers, from Wrestlers, plate 3, 1552, Etching and engraving, Sheet: 9 3/4 x 76 3/8 in. (24.8 x 194 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda), After Maarten van Heemskerck (Netherlandish,

Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro da Caravaggio, ca. 1570–1615, Engraving, sheet: 9 13/16 x 6 5/16 in. (25 x 16 cm),

Woman pulling Her Hair, ca. 1515, Etching and engraving (essentially etched), 4 1/8 x 2 3/8 in. (10.5 x 6.0 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Designed(?) by Francesco Francia

Jean-Baptiste Colbert, 1662, Engraving; first state of four [?] (Petitjean & Wickert), sheet: 12 1/2 x 9 13/16 in. (31.8 x 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Chevaux Poulonnois, Engraving, image: 8 1/4 x 9 3/16 in. (21 x 23.4 cm), Prints, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

Cleopatra, partly naked laying on a bed, ca. 1515–40, Engraving, 4 1/8 x 6 15/16 in. (10.5 x 17.6 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio

Abraham sending away Hagar and Ishmael: Abraham holds forth a vessel as Hagar and Ishmael stride before him, from the series 'The Story of Abraham', ca. 1543, Engraving, sheet: 2 1/16 x 3 3/8 in. (5.2 x 8.5 cm), Prints, Georg Pencz (German,

Portrait of Madame Gavaudan, Engraving, Sheet: 9 13/16 × 7 5/16 in. (25 × 18.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

St. Augustine, 1660, Engraving; third state of four (BN), sheet: 17 1/8 x 11 1/4 in. (43.5 x 28.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Young and Old Bacchant, ca. 1514–36, Engraving, sheet: 6 3/4 x 5 1/8 in. (17.2 x 13 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio

Design for Knife Handles with an Armed Woman and Susanna and the Elders, from Mansches de Coutiaus, 1580–1600, Engraving and blackwork, Sheet: 5 3/16 × 4 1/16 in. (13.1 × 10.3 cm), Johann Theodor de Bry (Netherlandish, Strasbourg

Landscape with Windmills and Cart, Etching and engraving, Sheet: 3 1/16 x 3 11/16 in. (7.7 x 9.4 cm), Prints, Anonymous, French, 18th century

Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm),

Garden Scene, n.d., Engraving, Sheet: 8 7/16 x 5 9/16 in. (21.5 x 14.2 cm), Prints, Quentin Pierre Chedel (French, Châlons-en-Champagne 1705–1763 Châlons-en-Champagne

Marriage A-la-Mode, Plate II, April 1, 1745, Etching and engraving; second state of four, Sheet: 15 1/16 x 18 1/4 in. (38.3 x 46.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 1/4 x 4 1/4 in. (20.9 x 10.8 cm), Prints,

Allegory of Justice (Sanctity of the Law) with a court scene depicting a man being pardoned by a judge, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 12, 1605, Engraving, sheet: 11 9/16 x 16 3/4 in. (29.3 x 42.5 cm), Prints,

The Peasant on Horseback, Engraving; fourth state of four, Sheet: 4 1/16 × 5 7/8 in. (10.3 × 15 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Joseph lowered into a well by his brothers, from the series 'The Story of Joseph', 1546, Engraving, sheet: 4 5/16 x 2 15/16 in. (11 x 7.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 3/8 x 11 9/16 in. (21.2 x 29.3 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon (French,

The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction, ca. 1520–27, Engraving, Sheet: 11 9/16 x 16 5/8 in. (29.4 x 42.2 cm), Prints,

Claude Thévenin, 1653, Engraving, Sheet: 13 15/16 × 10 5/8 in. (35.4 × 27 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Saint Christopher Carrying the Christ Child, Engraving, Sheet: 2 3/4 × 2 9/16 in. (7 × 6.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Holy Family, Engraving; third state of three (BN), sheet: 8 3/8 x 11 3/4 in. (21.3 x 29.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Jupiter, from The Seven Planets, 1533, Engraving, Sheet: 3 13/16 × 2 9/16 in. (9.7 × 6.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Christ Carrying the Cross, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Chinoiserie scene with figures in a landscape, 18th century, Etching and engraving, Sheet: 20 15/16 x 13 11/16 in. (53.2 x 34.8 cm), Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770

The Angel Gabriel standing, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Rich's Glory, or His Triumphant Entry into Covent Garden, December 1732, November 1, 1809, Engraving, sheet: 5 3/4 x 9 1/8 in. (14.6 x 23.1 cm), Prints, After design attributed to William Hogarth (British, London 1697–1764 London

The Savoyard with His Box, 1741–63, Etching and engraving, sheet: 8 3/4 x 5 13/16 in. (22.2 x 14.8 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

A man steps toward a woman who holds a goblet to her mouth, a watermill and mountains beyond, an oval composition, ca. 1585–1621, Engraving, Sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Heinrich Ulrich (German, 1567–1621

Musidora, 1825, Engraving, plate: 16 7/8 x 12 1/8 in. (42.9 x 30.8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Pleasures of Occupation, Etching and engraving, sheet: 4 1/4 x 6 in. (10.8 x 15.2 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Diana and Acteon, Etching and Engraving, sheet: 10 13/16 x 13 11/16 in. (27.4 x 34.7 cm), Prints, Pierre François Tardieu (French, Paris 1711–1771 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Falconer and the Lady, from the series Scenes of Daily Life, ca. 1495, Engraving, sheet: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt), This depiction of courtly love is the

Broadway at 42nd Street, New York, 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

St. Jerome Praying in His Cell (Saint Jérôme pénitent), 1665, Engraving, sheet: 17 3/16 x 11 9/16 in. (43.7 x 29.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right, Engraving, sheet: 9 1/8 x 6 1/8 in. (23.2 x 15.6 cm), Prints, Attributed to Giorgio Ghisi (Italian, Mantua

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