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Martyrdom of St. Catherine, 1625, Engraving, sheet: 17 1/2 x 11 1/4 in. (44.5 x 28.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Simon Vouet (French, Paris 1590–1649 Paris

Anne of Austria, 1666, Engraving; third state of three (Petitjean & Wickert), Sheet: 19 3/8 × 16 5/8 in. (49.2 × 42.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Pendant Design with a Sea Monster Carrying Neptune Flanked by Two Nerieds, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 1/16 × 5 1/4 in. (18 × 13.3 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp),

Judith with the Head of Holofernes, Engraving, Sheet: 11 11/16 x 10 9/16 in. (29.7 x 26.8 cm), Prints, Balthazar van den Bos (Flemish, Hertogenbosch 1518–1580 Antwerp

Paul Before Felix, February 5, 1752, Engraving, sheet: 16 1/8 x 20 11/16 in. (41 x 52.5 cm), Prints, Luke Sullivan (Irish, 1705–1771 London

Cardinal Antonio Barberini, 1664, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 13/16 × 10 1/16 in. (32.5 × 25.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Death of the Virgin, 15th century, Engraving; second state, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Rebecca at the Well, Engraving and etching, sheet: 21 5/8 x 15 15/16 in. (55 x 40.5 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Plan of the City of Rome. Part 11 with the San Pancrazio (left bank), 1645, Etching with some engraving, undescribed state., Sheet: 21 13/16 x 16 5/16 in. (55.4 x 41.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome), Part

The Belgian Wagon (Plaustrum Belgicum) from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of two, Sheet: 13 3/4 x 17 11/16 in. (35 x 45 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Denis Talon, ca. 1669, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 20 × 17 3/8 in. (50.8 × 44.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The New Metamorphosis: Frontispiece, Vol.1, 1724, Etching and engraving; second state of two, sheet: 5 9/16 x 3 1/16 in. (14.1 x 7.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Mensura, from Proposopographia, ca. 1585–90, Engraving, plate: 6 x 3 9/16 in. (15.2 x 9 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

Jean de Montpezat de Carbon, 1673, Engraving; third state of three (Petitjean & Wickert), Sheet: 12 13/16 × 10 1/16 in. (32.5 × 25.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Emperor Commodus as Hercules, 1550, Engraving, sheet: 17 5/8 x 11 5/8 in. (44.7 x 29.5 cm), Prints, Attributed to Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 1/2 × 3 5/8 in. (13.9 × 9.2 cm), Paul Birckenhultz (1561–1639), Design for a jewelry pendant, hanging from a mask

Charles-Maurice Le Tellier, 1670, Engraving, Sheet: 15 7/16 × 12 1/8 in. (39.2 × 30.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Poet, ca. 1753, Etching and engraving, Sheet (trimmed): 10 9/16 in. × 8 in. (26.9 × 20.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Indulgence for donation of alms towards the building of a Church to the Virgin of Guadalupe (modern facsimile impression), 1608 (facsimile 1930–40), Facsimile of engraving, plate: 13 x 8 3/8 in. (33 x 21.3 cm), Prints, Samuel Stradanus

Adam with a Bear, 1529, Engraving, Sheet (trimmed): 3 1/16 × 1 13/16 in. (7.8 × 4.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam, facing slightly towards the right and with his head in profile,

The Doubting Thomas; Christ among his disciples, Saint Thomas touching Christ's wound, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 3 15/16 in. (12.9 × 10 cm), Prints, Marcantonio Raimondi (Italian,

Saint Sebastian, 15th century, Engraving, sheet: 5 9/16 x 8 1/4 in. (14.1 x 20.9 cm), Prints, attributed to Master of the Playing Cards (German, active ca. 1425–50), Only two early impressions of this print are known. Its technique,

Aeneas and his family fleeing Troy, 1595, Engraving, Sheet (Trimmed): 15 1/4 × 20 7/8 in. (38.7 × 53 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma), After Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino),

François Blanchart, 1673, Engraving; second state of three (Petitjean & Wickert), Sheet: 15 1/4 × 12 5/16 in. (38.7 × 31.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Labourers in the Vineyard (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Venus in her dove-drawn chariot complaining to Jupiter who is accompanied by Mercury, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 6 11/16 x 8 7/8 in. (17 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca.

Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, n.d., Engraving, Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), Designed by Michelangelo

Sight (Visus), from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 3/4 × 7 15/16 in. (9.5 × 20.2 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the personification of Visus (Sight) shown as a female figure

Trophy with Monogram Containing the Letters of LEONARDOS, 1651, Engraving; proof without text, sheet: 4 3/16 x 6 7/8 in. (10.7 x 17.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Saint Agatha tied to a tree, her breasts have been cut off, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1540, Engraving, 3-1/4 x 1-7/8 in. (8.3 x 4.8 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca.

Allegory of Time, 1690–1733, Engraving, sheet: 22 1/16 x 15 3/4 in. (56 x 40 cm), Prints, Bernard Picart (French, Paris 1673–1733 Amsterdam), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Charles-Maurice le Tellier, 1672, Engraving; first state of four (Petitjean & Wickert), Sheet: 17 7/16 × 14 7/16 in. (44.3 × 36.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Painting (La Peinture): a monkey seated at an easel, dressed in a robe and beret and holding a painter's palette, a framed painting hanging on the wall beyond, ca. 1700–1739, Etching and engraving, sheet: 10 1/16 x 7 5/16 in. (25.6 x 18.5 cm),

The Resurrection (copy), n.d., Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Henri de Guénégaud, ca. 1654, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 9/16 × 9 11/16 in. (31.9 × 24.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

A Negro Regiment in Action (from Harper's Weekly), March 14, 1863, Wood engraving, Sheet: 14 11/16 × 20 11/16 in. (37.3 × 52.5 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Speculum Romanae Magnificentiae: Trophies of Marius, 16th century, Engraving and etching, sheet: 19 1/8 x 13 3/8 in. (48.5 x 34 cm), Prints, Anonymous

St. Mary Magdalene Penitent, 1585, Engraving; second state of two, sheet: 11 5/8 x 7 15/16 in. (29.6 x 20.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Horizontal Panel with Armor at Center, Flanked by Two Genii, 1544, Engraving; first state of two (Pauli), Sheet: 2 1/4 x 2 1/8 in. (5.8 x 5.4 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Reverse copy after Barthel Beham

Avarice, from The Vices, 1552, Engraving, Sheet: 4 1/8 × 2 1/2 in. (10.4 × 6.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Henri II de Montmorency, Engraving, sheet: 7 3/16 x 5 in. (18.3 x 12.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Triumph of Caesar: Soldiers carrying Trophies, ca. 1490, Engraving, sheet: 11 5/16 x 10 1/4 in. (28.7 x 26 cm), Prints, School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Noh Dancer, ca. 1886, Wood engraving on Japan tissue, image: 6 1/2 x 5 1/16 in. (16.5 x 12.8 cm), Prints, John La Farge (American, New York 1835–1910 Providence, Rhode Island

Speculum Romanae Magnificentiae: A Triton Carrying off a Nymph, 16th century, Engraving, sheet: 4 1/2 x 6 7/8 in. (11.4 x 17.4 cm) trimmed to platemark, Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Raphael

Little boy holding a vessel, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de France, devised in

Horizontal Panel with Three Thimble Designs and Three Medallions, 1580–1600, Engraving and blackwork, Sheet: 2 3/8 × 2 13/16 in. (6.1 × 7.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with two

Abduction of Helen, Engraving, Sheet: 4 5/8 x 6 15/16 in. (11.7 x 17.7 cm), Prints, Anonymous, French, 16th century

The Mystic Marriage of St. Catherine, ca. 1555–56, Engraving, sheet: 12 11/16 x 9 13/16 in. (32.2 x 25 cm) trimmed to platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Primaticcio (Italian, Bologna

The Penitent Magdalene (Magdalena poenitens) from The Large Landscapes, ca. 1555–56, Etching and engraving; first state of two, Sheet: 13 11/16 x 17 5/8 in. (34.7 x 44.7 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active

Plan of the City of Rome. Part 9 with Piazza Navona, the Campo di Fiore and the Sant' Onofrio (left bank), 1645, Etching with some engraving, undescribed state., Sheet: 21 3/4 x 16 5/16 in. (55.3 x 41.5 cm), Prints, Antonio Tempesta (Italian,

Frieze with Sea Monsters, 1580–1600, Engraving, Sheet: 1 9/16 × 7 15/16 in. (3.9 × 20.2 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Giovanni Andrea Maglioli (Italian, active 1580–1610),

Design for Knife Handles with Terra and Aqua, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 2 5/16 in. (9.2 × 5.9 cm), attributed to Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for two knife

The Lamentation, before 1619, Engraving; second state of two, Sheet: 3 7/8 × 2 9/16 in. (9.9 × 6.5 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Fountain with Two Cupids, ca. 1773, Crayon manner engraving printed in brown ink, Sheet (trimmed): 13 1/2 × 9 1/2 in. (34.3 × 24.2 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris

Dancing Couple, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/16 × 1 1/2 in. (5.2 × 3.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Design for Silverwork with Garlands, Birds, and Grotesque Motifs, ca. 1568–1633, Engraving, Sheet: 2 15/16 × 4 5/16 in. (7.4 × 10.9 cm), Hieronymus Bang (German, Osnabrück 1553–1630 Nuremberg), Ornament design with a bird standing on a

The Resurrection, 1683, Engraving, sheet: 17 3/8 x 11 3/16 in. (44.2 x 28.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Cook and His Wife (copy), n.d., Engraving, Sheet: 4 1/2 × 3 1/16 in. (11.4 × 7.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, 1583, Engraving, Sheet (Trimmed): 9 1/2 × 7 3/16 in. (24.1 × 18.2 cm), Prints, Agostino Carracci (Italian, Bologna

Big Fish Eat Little Fish, 1557, Engraving; first state of four, Sheet: 10 1/4 x 13 1/4 in. (26.1 x 33.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

The Politician, October 31, 1775, Etching and stipple engraving, sheet: 14 9/16 x 11 7/16 in. (37 x 29 cm), Prints, After William Hogarth (British, London 1697–1764 London

Portrait of Hyacinthe Rigaud, 1721, Engraving, Sheet: 18 7/16 x 13 1/2 in. (46.9 x 34.3 cm), Prints, Pierre Imbert Drevet (French, Paris 1697–1739 Paris

Triumphal Procession of the Noble Glorious Women, 1549, Engraving; first state of two (Pauli), Sheet: 7/8 x 5 5/16 in. (2.2 x 13.5 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Frieze with a procession moving from left to right.

Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber, 1645, Etching with some engraving, undescribed state., Sheet: 21 7/8 x 16 3/8 in. (55.6 x 41.6 cm), Prints, Antonio Tempesta (Italian,

Apollo (from The Planets), ca. 1597, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition, after ca. 1610, Engraving, Sheet: 2 11/16 x 2 1/16 in. (6.8 x 5.3 cm), Prints,

Two Roman Soldiers, 17th century, Etching and engraving, sheet: 6 13/16 x 14 11/16 in. (17.3 x 37.3 cm), Prints, Giovanni Francesco Venturini (Italian, active ca. 1650–1700), After Giovanni Battista Galestruzzi (Italian, Florence, 1615 or

Statues of the Dioscuri at the Quirinal, 1546, Engraving, sheet: 20 1/4 x 14 3/8 in. (51.5 x 36.5 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is likely

Frontispiece to 'The Humours of Oxford', April 1730, Etching and engraving, sheet: 6 11/16 x 4 1/16 in. (17 x 10.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Louis-Joseph de Lorraine, duc de Guise, as a Child, 1659, Engraving, sheet: 13 3/8 x 10 3/8 in. (34 x 26.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Print of a Portrait Medal of Louis XVI, possibly 1789–90, Etching and engraving, Sheet: 3 1/2 × 2 3/4 in. (8.9 × 7 cm), Prints, Attributed to Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Dissidium In Ecclesia, from Allegories of the Christian Faith, from Christian and Profane Allegories, 1575–1617, Engraving, sheet: 10 3/16 x 7 5/16 in. (25.8 x 18.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Speculum Romanae Magnificentiae: Della Valle Museum, 16th century, Engraving, sheet: 11 1/4 x 16 5/16 in. (28.5 x 41.5 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem

Strength, 1528, Engraving, Sheet (trimmed): 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Christ before Caiphas, from The Passion of Christ, 1597, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

Two panels of grotesque decoration, with winged human figures, birds, and griffins, from a series of panels of different dimensions representing grotesques, 1541, Engraving, image: 3 15/16 x 5 11/16 in. (10 x 14.5 cm), Enea Vico (Italian,

The Last Supper, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 13/16 x 5 3/16 in. (19.8 x 13.1 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Astronomy (Astronomie), 16th century, Engraving, image: 2 3/4 x 2 1/16 in. (7 x 5.3 cm), Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, ca. 1570, Engraving, plate: 11 1/2 x 8 5/16 in. (29.2 x 21.1 cm) platemark, Prints, Engraved by Giorgio Ghisi

Lamentation, 1683, Engraving, sheet: 19 3/8 x 14 7/16 in. (49.2 x 36.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Grand Review of the Army of the Potomac – Drawn by Mr. Thomas Nast (from Harper's Weekly), October 10, 1863, Wood engraving, Sheet: 14 1/2 × 21 1/16 in. (36.9 × 53.5 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902

The Beggars, n.d., Engraving, sheet: 4 5/16 x 3 1/8 in. (11 x 7.9 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Catherine Maria Sedgwick, 1832, Engraving on chine collé, plate: 9 3/8 x 6 3/8 in. (23.8 x 16.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Charles Cromwell Ingham (American

Pietà, 1596, Engraving; second state of two, sheet: 7 7/16 × 5 1/8 in. (18.9 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Lunar-shaped Ring Bezel and Grotesque Figures, ca. 1620–30, Blackwork engraving, Plate: 2 9/16 x 2 3/4 in. (6.5 x 7 cm), Although this is a very small print, it has been very finely cut by the artist Noël Rouillard. He was the son of a

Vertumnus Transforms Himself into an Old Woman and Attempts to Woo Pomona, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications

The Monkey Opens the Package and Removes the Rabbit's Head to the Great Surprise of the Animals from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 5/8 × 4 1/2 in. (9.2 × 11.5 cm), Prints, Allart van

Bacchanal with Silenus; a frieze composition with ten figures around Silenus who is carried by two satyrs, early 1470s, Engraving with drypoint, Sheet: 12 in. × 17 1/4 in. (30.5 × 43.8 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo

Speculum Romanae Magnificentiae: Sacrifice on the Campus Martius, 1553, Engraving, sheet: 13 13/16 x 19 3/16 in. (35.1 x 48.7 cm), Prints, Anonymous

Mucius Scaevola, 1537, Engraving, sheet: 4 1/2 x 3 1/8 in. (11.5 x 8 cm), Prints, Master FG (Italian, active mid-16th century

Hercules and Omphale, ca. 1600, Engraving, Sheet: 17 1/16 × 12 1/2 in. (43.3 × 31.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

Speculum Romanae Magnificentiae: Pyramid of Caius Cestius, 1547, Engraving, sheet: 18 3/16 x 12 3/8 in. (46.2 x 31.5 cm), Prints, Anonymous

Village Street with Two Carts, n.d., Engraving; second state, sheet: 7 5/16 x 11 5/16 in. (18.6 x 28.8 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels

Planiglobii Terrestris Mappa Universalis..., 1746, Engraving, hand colored, Plate: 18 3/4 × 22 3/8 in. (47.7 × 56.9 cm), Prints, Johann Baptist Homann (German, Oberkammlach 1663–1724 Nuremberg

Origin of Painting, Etching and engraving, Sheet: 19 1/8 x 13 1/4 in. (48.5 x 33.6 cm), Prints, Jean Ouvrier (French, 1725–1784), After Johann Eleazar Zeissig, called Schenau (German, Grossschönau (Gross-Schönau) 1737–1806 Dresden

Two satyrs leading Silenus to King Midas, who stands at left with two male attendants, a mule trails behind the satyrs, ca. 1550–80, Engraving, sheet: 5 1/2 x 8 11/16 in. (14 x 22 cm), Prints, Giulio Bonasone (Italian, active Rome and

Christ and the Children, Engraving, Sheet: 3 1/8 × 4 5/8 in. (8 × 11.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Goatherd on the Hill, Engraving; first state of two, Plate: 2 9/16 × 4 1/2 in. (6.5 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

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