Images at Librifly

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Cephalus and Procris: Procris turns her head over her right shoulder while seated nude in a thicket, Cephalus draws an arrow with a bow beyond, from a series of four mythological scenes, 1539, Engraving, sheet: 4 11/16 x 3 in. (11.9 x 7.6 cm),

Vignette (Tome 1.er, page 200, lib. III, fab. 3), depicting Diana Turning Actaeon into a Stag, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et

Fashion Merchant, 1746–55, Etching and engraving, Sheet (trimmed): 14 3/4 × 10 1/8 in. (37.5 × 25.7 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 16 9/16 in. (56.5 x 42 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

Sancho Pursued by the Kitchen Boys of the Duke, 18th century, Etching and engraving, Sheet: 12 3/8 × 13 1/4 in. (31.5 × 33.6 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris

Design for Silverwork with Garlands, Birds, and Grotesque Motifs, ca. 1568–1633, Engraving, Sheet: 2 15/16 × 4 5/16 in. (7.4 × 10.9 cm), Hieronymus Bang (German, Osnabrück 1553–1630 Nuremberg), Ornament design with a bird standing on a

The Agony in the Garden, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 3/4 × 5 1/16 in. (19.7 × 12.9 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Analysis of Beauty, Plate 2, March 5, 1753, Engraving; third state of three, sheet: 16 3/4 x 21 1/16 in. (42.5 x 53.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: The Three Graces, ca. 1515–27, Engraving, sheet: 18 1/2 x 13 3/16 in. (47 x 33.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Marcantonio Raimondi (Italian, Argini (?)

Sight, 18th century, Etching and engraving, Sheet: 14 7/16 x 10 13/16 in. (36.6 x 27.5 cm), François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: The Fate of Dirce, 1579, Engraving, sheet: 19 9/16 x 14 3/16 in. (49.7 x 36 cm), Prints, Georges Reverdy (French, active Lyon, 1529–57

Cimon and Pero, mid-17th century, Engraving, Sheet: 2 3/16 × 1 1/2 in. (5.5 × 3.8 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

The Wise Men out of the East, 1868, Wood engraving, image: 5 7/16 x 6 15/16 in. (13.8 x 17.6 cm), Prints, John La Farge (American, New York 1835–1910 Providence, Rhode Island

The Wolf Accuses Renard of Eating the Fish that He Stole from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 13/16 × 4 9/16 in. (9.7 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Frontispiece and Its Explanation: Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 1, February 1725–26, Etching and engraving; first state of four, sheet: 9 13/16 x 13 1/8 in. (25 x 33.3 cm) (trimmed within platemark), Prints,

Neapolitan Shepherd, 1758, Etching and engraving, Sheet (trimmed): 11 7/8 × 14 1/8 in. (30.1 × 35.8 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

Title page: a smiling man holds a corner of a cloth tied to a fig tree and points with a stick to the cloth's inscription, from 'Recueil de plusieurs jeux d'enfants chinois' after Jean Pillement, 1759, Engraving, sheet: 19 3/16 x 12 15/16 in.

Soldier, Armed with Broadsword and Shield, from Officers and Soldiers, 1587, Engraving; first state of two (New Hollstein), sheet: 8 7/16 x 6 1/8 in. (21.5 x 15.5 cm), Prints, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The

Speculum Romanae Magnificentiae: Circus Maximus, 1581, Engraving, sheet: 14 3/4 x 21 9/16 in. (37.5 x 54.7 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Hardouin de Beaumont de Péréfixe, 1665, Engraving, Sheet: 10 9/16 × 8 3/8 in. (26.9 × 21.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: St. Peter's, 16th century, Engraving and etching, sheet: 17 7/8 x 22 1/16 in. (45.4 x 56 cm), Prints, Anonymous

Christ seated on the tomb supported by angels, 1530–60, Engraving, sheet: 8 1/4 x 6 11/16 in. (21 x 17 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Water, ca. 1748, Etching and engraving, Sheet: 12 3/4 × 10 1/2 in. (32.4 × 26.7 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

Horizontal Panel with a Bird, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving; first of two states (SKB), Sheet: 1 3/8 × 2 in. (3.5 × 5.1 cm), Paul Birckenhultz (1561–1639), Ornamental frieze with a bird bending right at

Speculum Romanae Magnificentiae: Theater of Marcellus, 16th century, Engraving, sheet: 14 3/8 x 21 1/4 in. (36.5 x 54 cm), Prints, Anonymous

Daniel Cross-Examining the Elders, from The Story of Susanna, 1555, Engraving; first state of two, Sheet: 4 1/2 × 3 3/16 in. (11.5 × 8.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Daniel, seated on a

The Marriage of the Virgin, ca. 1525, Engraving, Sheet: 17 15/16 × 9 1/16 in. (45.5 × 23 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), After Parmigianino (Girolamo Francesco Maria Mazzola)

Tombeau de Turenne à Salsbach, 1835–78, Wood engraving, sheet: 5 9/16 x 7 1/4 in. (14.2 x 18.4 cm), Prints, after Charles-François Daubigny (French, Paris 1817–1878 Paris

Christ Before Pilate, from The Passion of Christ, 1596, Engraving, sheet: 8 1/16 x 5 3/8 in. (20.4 x 13.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

St. Francis de Paul, Engraving; second state of three (BN), sheet: 6 5/8 x 4 7/16 in. (16.8 x 11.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

St. Peter's Church at Walpole, 18th century, Engraving, Sheet: 4 1/4 x 7 3/16 in. (10.8 x 18.2 cm), Prints, Anonymous, British, 18th century

Doric capital with measurements, ca. 1537, Engraving, Sheet: 4 13/16 x 6 1/4 in. (12.3 x 15.8 cm), Master G.A. (Italian, active ca. 1535

Jupiter tumbling from a horse-drawn carriage at right, Ganymede in the form of an eagle carries a woman in the upper centre, below Venus in he cnetre flanked at the left by the three Graces, 1530–60, Engraving, sheet: 7 1/2 x 8 11/16 in. (19 x

St. John, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Temptation of Two Hermits, 1506, Engraving, Sheet: 4 3/8 × 4 1/4 in. (11.1 × 10.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Rocaille (Rock Garden), ca. 1737, Etching with engraving, Sheet: 19 5/8 x 9 13/16 in. (49.8 x 25 cm), Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Blackwork Print with a Large Bezel Design at Center Surrounded by Four Smaller Fillets, 1592, Blackwork engraving, Sheet: 1 7/8 × 2 5/16 in. (4.8 × 5.9 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with a large central

Feminine Figure, Engraving;second state of three (BN), sheet: 6 5/16 x 3 7/8 in. (16.1 x 9.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Two Loves, one of which holds a crown, 1727–60, Etching and engraving, Sheet (trimmed): 10 3/8 × 8 7/16 in. (26.3 × 21.5 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris

Speculum Romanae Magnificentiae: Sepulchre of Julius II, 1582, Engraving, sheet: 16 1/4 x 10 5/8 in. (41.3 x 27 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Selling Fish at Scheveningen (Vente de Poisson a Schevelinghe [sic]) after the painting in the collection of the Comte de Vence, Etching and engraving, Sheet: 12 3/4 x 15 1/16 in. (32.4 x 38.3 cm), Prints, Quentin Pierre Chedel (French,

Lichas Bringing the Garment of Nessus to Hercules from The Labors of Hercules, Engraving, Sheet: 2 1/8 x 3 1/8 in. (5.4 x 7.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

The Elephant, 15th century, Engraving, sheet 104 x 140 mm, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

A naked man holding Fortune by the hair and whipping her, ca. 1510–27, Engraving, Sheet: 5 5/8 × 5 3/16 in. (14.3 × 13.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Triumph of Eternity on Death, from The Triumph of Petrarch, Engraving; first state of two (Landau), Sheet: 6 3/4 × 9 13/16 in. (17.1 × 24.9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Girl with a Cat, 1545, Etching with engraving, plate 8-3/4 x 5-7/8 in. (22.2 x 15 cm), Prints, Jan Cornelisz Vermeyen (Netherlandish, Beverwijk 1500–1559 Brussels

Hercules Killing the Dragon Ladon, from The Labors of Hercules, 1550, Engraving, Sheet: 4 5/8 × 3 1/4 in. (11.8 × 8.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Second Spring, Engraving; first state of three, Sheet: 5 7/16 × 7 3/16 in. (13.8 × 18.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Cupid with Weapons of Mars, ca. 1547–62, Engraving, first state, Sheet: 5 3/4 x 4 7/16 in. (14.6 x 11.3 cm), Prints, Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530–1587 Rome), The union between Venus, goddess of love, and Mars, god

The Four Elements, 1588, Engraving, Sheet: 11 3/4 × 8 3/16 in. (29.8 × 20.8 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth': Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2, February 1725–26, Etching and engraving; second state of three, sheet: 9 13/16 x 13 1/16 in. (25 x 33.2 cm),

The second movement for bringing the pike on to the shoulder and holding it horizontally, from the Lansquenet series, plate 9, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of three (New

Nicolas Potier de Novion, 1664, Engraving; second state of two (Petitjean & Wickert), Sheet: 13 1/2 × 10 5/16 in. (34.3 × 26.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Arch by Master GA with the Caltrop, 16th century, Engraving, sheet: 10 1/16 x 7 1/2 in. (25.5 x 19 cm), Prints, Master G.A. (Italian, active ca. 1535

François-Théodore de Nesmond, 1653, Engraving, Sheet: 12 7/8 × 9 3/4 in. (32.7 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

St. Bartholomew, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Mocking of the Prisoners, ca. 1540, Engraving, sheet: 16 15/16 x 22 1/4 in. (43 x 56.5 cm) [trimmed?], Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Venus Pricked by the Thorns of a Rose Bush; Cupid Asleep in the Foreground, 1556, Engraving, sheet: 12 1/8 x 8 3/8 in. (30.8 x 21.3 cm) within platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Luca

Newes ABC Buchlein, 1627, plates: engraving, 8 11/16 × 7 × 9/16 in. (22.1 × 17.8 × 1.5 cm), Books

Halberdier on Horseback, early 16th century, Engraving, Sheet: 2 3/8 × 1 3/4 in. (6.1 × 4.4 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Portrait of Fénélon, 1803, Etching and engraving; third state of three (Bocher), Plate: 8 11/16 × 6 3/4 in. (22 × 17.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

The Distressed Poet, ca. 1800, Engraving, Sheet: 2 11/16 x 3 1/4 in. (6.8 x 8.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

Design for Two Spoons and a Dog Whistle, 1539, Engraving, Sheet: 3 1/16 × 4 in. (7.8 × 10.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Horizontal Panel with a Thimble Design Below a Frieze with Three Scenes in Arches, 1580–1600, Engraving and blackwork, Sheet: 2 3/8 × 2 11/16 in. (6.1 × 6.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

The Vatican Obelisk, 16th century, Engraving, sheet: 19 11/16 x 11 7/8 in. (50 x 30.2 cm), Prints, Anonymous, Italian, 16th century, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It

Pride, from The Vices, 1552, Engraving, Sheet: 4 × 2 7/16 in. (10.2 × 6.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Venus and Cupid standing in a niche, ca. 1500–1527, Engraving, Sheet: 8 1/16 × 4 1/8 in. (20.4 × 10.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Tomb of Nero, from the Grotteschi (Grotesques), ca. 1748, Etching, engraving, drypoint, scratching; second state of six (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

Design for a Buckle with Tendrils, 1537, Engraving; first state of two (Hollstein), Sheet: 5 3/4 × 2 11/16 in. (14.6 × 6.9 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Design for a belt buckle with cherub in

St. Matthew, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Head in Profile of Prodigal Son, 1766, Engraving, sheet: 13 7/8 x 10 1/16 in. (35.2 x 25.5 cm), Prints, After Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

François de Harlay de Champvallon, 1671, Engraving; third state of three (Petitjean & Wickert), Sheet: 15 5/16 × 12 3/8 in. (38.9 × 31.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Three Cottages on the Hill, 17th century, Engraving; fifth state of five, Sheet: 3 15/16 × 5 5/8 in. (10 × 14.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Portrait of Everhard van Reyd, Councillor of William, Prince of Orange, 1602, Engraving; third state of four, 8 7/8 × 5 1/2 in. (22.5 × 14 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Pictura, n.d., Engraving, sheet: 11 7/16 x 7 7/8 in. (29 x 20 cm), Prints, Cornelis Galle I (Netherlandish, Antwerp 1576–1650 Antwerp), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Two Torchères, 1692, Etching and engraving, plate: 11 7/16 x 7 3/4 in. (29 x 19.7 cm), Juan Dolivar (Spanish, Zaragoza 1641–1692 Paris), After Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Etching and engraving with designs for two

The firework display called 'Girandola' at the Castello Sant'Angelo in Rome, a nocturnal scene with fireworks issuing from the castle and a crowd of spectators in the foreground, 1579, Etching and engraving, sheet: 21 x 15 15/16 in. (53.3 x 40.5

The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 5/8 x 17 1/16 in. (57.5 x 43.4 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 1/4 × 3 5/8 in. (13.4 × 9.2 cm), after Paul Birckenhultz (1561–1639), Design for a jewelry pendant, hanging from a

Hercules, grasping Antaeus at the waist with both arms and lifting him off his feet, in background at right the ruins of a temple, at left a group of trees against which are posed a club and the skin of a lion, ca. 1500–1550, Engraving; only

The Servants of Absalom Killing Amnon, 1540, Engraving; second state of two (New Hollstein), Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Two of Absalom's servants

Ornamental Engraving with the Tree of Jesse, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Vase with Dancing Women and Satyrs, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.2 cm), Depiction of a vase or ewer. The vase is caracterized by a frieze filled with a circle of women and satyrs dancing. The foot of the vase

The Landscape with the Wooden Bridge, Engraving; fourth state of four, Sheet: 6 1/2 × 7 5/8 in. (16.5 × 19.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The triumph of a Roman Emperor, ca. 1530–50, Engraving made up in parts with pen and black ink, Sheet: 13 3/8 × 19 5/16 in. (34 × 49 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Frontispiece, from Nouveau Livre d'Academies Peintes a Rome par les Eleves de l'Académie Royale de Peinture et Sculpture (New Book of the Academy Painted in Rome by the Pupils of the Royal Academy of Painting and Sculpture), 1759, Etching and

Plate 5: Neptune standing in a niche holding a trident, with a hippocampus (sea-horse) behind him, from a series of gods and goddesses, 1526, Engraving, sheet: 8 3/16 x 4 3/16 in. (20.8 x 10.7 cm), Prints, Giovanni Jacopo Caraglio (Italian,

Blackwork Design for Goldsmithwork with Satyrs and Meanads, 1616, Engraving and blackwork, Sheet: 1 3/4 × 2 1/16 in. (4.5 × 5.3 cm), Andreas Gentzsch (German, active Augsburg, ca. 1600), after Mathais Beitler (German, Ansbach, active ca.

Christ kneeling and washing St Peter's feet, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/8 × 4 1/16 in. (13 × 10.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

Frontispiece, 1738–45, Etching and engraving, Sheet: 11 7/8 × 17 5/8 in. (30.2 × 44.8 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Gardener, 1741–63, Etching and engraving, sheet: 8 3/4 x 5 13/16 in. (22.2 x 14.7 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris), John Ingram (British, London 1721 active to 1763

Six putti playing with the arms of Mars, four holding onto a large lance, one on the left wearing a helmet and a sword belt, holding a shield upright, and one placing a garland of flowers and leaves in a basket at right, 1769, Etching and

Harbor Scene, Engraving, Sheet: 8 7/8 x 12 1/2 in. (22.5 x 31.8 cm), Prints, Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637 Utrecht), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Hudibras Triumphant (Plate 4: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 7/16 in. (19.7 x 23.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Blackwork Design for Goldsmithwork with a Putto, Birds and Insects, 1616, Engraving and blackwork, Sheet: 2 1/16 × 1 13/16 in. (5.2 × 4.6 cm), Andreas Gentzsch (German, active Augsburg, ca. 1600), after Mathais Beitler (German, Ansbach,

Minerva, Engraving; second state of two, sheet: 9 7/16 x 13 3/8 in. (24 x 34 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Ceres Seated on Clouds with Two Goddesses and Two Putti, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 7 1/4 x 9

Pierre and Jacques Dupuy, ca. 1648–49, Etching and engraving; first state of two (Petitjean & Wickert), Sheet: 7 7/8 × 11 5/16 in. (20 × 28.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Trinity, 1576, Engraving, sheet: 15 11/16 x 11 15/16 in. (39.9 x 30.4 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Vintage scene, 1704, Engraving, plate: 9 3/4 x 16 1/8 in. (24.7 x 41 cm), Prints, Giovanni Girolamo Frezza (Italian, 1659–1741), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

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