Images at Librifly

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A satyr fighting for a nymph, ca. 1510–40, Engraving, Sheet: 4 5/8 × 3 3/16 in. (11.8 × 8.1 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), ?After Francesco Francia (Italian,

Speculum Romanae Magnificentiae: Portraits of the Ancient Philosophers, 16th century, Engraving, sheet: 18 5/16 x 15 3/8 in. (46.5 x 39 cm), Prints, Anonymous, Italian, 16th century

The Entombment, 1567, Engraving, plate: 4 7/16 x 2 7/8 in. (11.3 x 7.3 cm), Prints, Engraved by Mario Cartaro (Italian, born Viterbo, active Rome ca. 1557–88, died 1620), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Night (The Four Times of Day), March 25, 1738, Engraving; second state of two, plate: 19 7/16 x 15 3/4 in. (49.3 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

Frontispice pour le 'Tombeau de John Tillotson, archevêque de Cantorbéry' (Frontispiece for the 'Tomb of John Tillotson, Archbishop fo Canterbery), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes,

Relation de l' Inauguration Solemnelle de Sa Sacrée Majesté Imperiale et Catholique Charles VI .. comme Comte de Flandres. [Illuminations at the Hôtel de Ville and Fireworks behind the Belfry, Ghent, October 19, 1717], 1719, Engraving,

Fountain of Hercules in Augsburg (Copy), 1602, Engraving, 47 x 35.5, Prints

Two candlestick designs, ca. 1550–60, Engraving, plate: 5 1/2 x 7 1/16 in. (14 x 18 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), Possibly by Pierre Milan (French, active 1537–40), Print with two designs for

The Entombment, ca. 1465–75, Engraving, second state., plate: 11 7/16 x 16 3/8 in. (29 x 41.6 cm) irregular, Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Self-Portrait at Age Twenty-Eight, 1530, Engraving; second state of two, Sheet: 5 11/16 × 4 1/16 in. (14.4 × 10.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Louis de Bourbon-Vendôme, duc de Mercoeur, 1649, Engraving; first state of two (Petitjean & Wickert), Sheet: 11 1/4 × 7 7/8 in. (28.5 × 20 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Second Spring, Engraving; first state of three, Sheet: 5 1/4 in. × 7 in. (13.3 × 17.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

View of the Tiber Island represented as a ship, the Temple of Aesculapius at left, 1582, Engraving and etching, sheet: 15 13/16 x 21 11/16 in. (40.2 x 55.1 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Speculum Romanae Magnificentiae: Ancient bas-reliefs with Laocoon, ca. 1516–20 (?), Engraving, plate: 10 13/16 x 15 5/16 in. (27.4 x 38.9 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

The Forges of Vulcan, from Book of Cartouches, mid-18th century, Etching and engraving (reverse copy), Sheet (trimmed): 11 13/16 × 7 13/16 in. (30 × 19.8 cm), After François Boucher (French, Paris 1703–1770 Paris

The Knight and the Lady, 15th century, Engraving, Plate: 5 1/2 x 4 1/2 in. (13.9 x 11.4 cm), Prints, Master ES (German, active ca. 1450–67

Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro

Samson from Heroes and Heroines of the Old Testament, ca. 1597, Engraving, Sheet: 17 x 13 3/16 in. (43.2 x 33.5 cm), Prints, Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586–died 1600), After Hendrick Goltzius (Netherlandish,

Pan foiled by Diana, 1675–1741, Engraving, sheet: 15 3/4 x 20 1/2 in. (40 x 52 cm), Prints, Giovanni Girolamo Frezza (Italian, 1659–1741), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Two heads, 1625–77, Engraving, only state, 3 3/4 x 5 5/16 in. (9.5 x 13.5 cm) impression clipped at sides, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise),

The death of St Cecilia, ca. 1640–60, Engraving, sheet: 6 x 6 7/8 in. (15.3 x 17.4 cm), Prints, Johann Friedrich Greuter (German, active Rome, ca. 1590/93–1662), After Domenichino (Domenico Zampieri) (Italian, Bologna 1581–1641 Naples

The Rest on the Return from Egypt, 1575, Engraving, Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino

Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican, ca. 1545–60, Engraving, Sheet: 16 7/8 x 21 1/8 in. (42.9 x 53.7 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After

Frédéric-Maurice, Duc de Bouillon, ca. 1655, Engraving; third state of six [?] (Petitjean & Wickert), Sheet: 14 15/16 × 11 1/16 in. (38 × 28.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Roman Naval Battle, late 16th century, Engraving, sheet: 12 3/16 x 17 13/16 in. (31 x 45.3 cm), Prints, Anonymous

King Henry the Eighth and Anna Bullen, 19th century, Engraving, plate: 19 x 15 1/16 in. (48.3 x 38.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

Portrait of Albert, Archduke of Austria, Sovereign of Southern Netherlands, 1615, Engraving; fourth state of four, Plate: 42.3 x 30.0 cm, Prints, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Jan Muller (Netherlandish, Amsterdam

Moses striking the Rock, 1530–50, Engraving, Sheet: 10 9/16 x 16 9/16 in. (26.8 x 42 cm), Prints, Anonymous, Italian?, 16th century, After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina

Lyrical Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Cockpit, November 5, 1759, Etching and engraving; only state, plate: 12 5/8 x 15 1/4 in. (32 x 38.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Florizel and Perdita–'The Winter's Tale', January 1867, Etching and engraving, sheet (trimmed to plate): 9 3/4 x 13 1/16 in. (24.8 x 33.2 cm), Prints, After Charles Robert Leslie (British, London 1794–1859 London

Design for a Heart-Shaped Brooch, 1580–1600, Engraving and blackwork, Sheet: 2 5/8 × 3 3/16 in. (6.6 × 8.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a brooch with an oval scene showing a

Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 3/16 x 4 1/4 in. (20.8 x 10.8 cm), Prints, Giovanni Jacopo Caraglio (Italian,

Portrait of Alexis Piron, 1776, Etching and engraving; fifth state of five (Bocher), Sheet: 8 3/4 × 6 9/16 in. (22.2 × 16.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

The Good Samaritan Putting the Traveller on His Donkey, from The Parable of the Good Samaritan, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (7.9 × 10.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), At left,

Garrick Speaking the Jubilee Ode, 1784, Stipple engraving, Sheet (trimmed to plate): 24 7/16 × 17 1/2 in. (62 × 44.5 cm), Prints, after Robert Edge Pine (British, London (?) 1720/30?–1788 Philadelphia, Pennsylvania), In 1769, David

Potier de Gesvre, 17th century, Etching and engraving, sheet: 11 7/8 x 13 9/16 in. (30.2 x 34.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

The Preparation of the Cross, before 1619, Engraving; second state of two, Sheet: 3 7/8 × 2 1/2 in. (9.8 × 6.3 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Design for a Dagger Sheath, with Cain and Abel, 1539, Engraving, Sheet: 15 7/16 × 3 5/8 in. (39.2 × 9.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Venus and Aeneas, mid-18th century, Etching and engraving, Sheet (trimmed): 10 13/16 × 13 11/16 in. (27.5 × 34.8 cm), Prints, Pierre François Courtois (French, Paris 1736–1763 Rochefort), After François Boucher (French, Paris

Jean-François Sarrazin, 1656, Engraving, Sheet: 9 1/16 × 6 9/16 in. (23 × 16.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Theater of Marcellus, 16th century, Engraving, sheet: 14 5/16 x 21 11/16 in. (36.4 x 55.1 cm), Prints, Pirro Ligorio (Italian, Naples ca. 1512/13–1583 Ferrara

The Industrious 'Prentice Grown Rich and Sheriff of London: Industry and Idleness, plate 8, September 30, 1747, Etching and engraving; first state of two, sheet: 10 3/8 x 13 5/8 in. (26.3 x 34.6 cm), Prints, William Hogarth (British, London

A personification of Philosophy sitting on clouds with her feet resting on a globe, two putti at right holding a tablet, ca. 1510–15, Engraving, 7 x 5-3/4 in. (17.8 x 14.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

A Night Scout in the Southwest – Surprise of an Outpost, and Survey of the Rebel Guns (from Harper's Weekly), April 4, 1863, Wood engraving, Sheet: 10 7/8 × 16 in. (27.7 × 40.7 cm), Prints, Thomas Nast (American (born Germany), Landau

Mrs. Abington as Thalia, 1783, Stipple engraving and etching; working proof, printed in brown ink, Plate: 10 3/4 x 8 1/2 in. (27.3 x 21.6 cm), Prints, After Richard Cosway (British, Oakford, Devon 1742–1821 London), Beauty and talent

Frieze with Two Female Figures Holding Books, ca. 1590, Engraving, Sheet: 1 5/8 × 7 1/16 in. (4.1 × 17.9 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with the artist's name lettered on a plaque at center, with a

Speculum Romanae Magnificentiae: The Sepulchre of Hadrian, 1583, Engraving, sheet: 18 7/8 x 16 7/16 in. (48 x 41.8 cm), Prints, Anonymous

Silenus sleeping at right, taunted by a Satyr, and a Goat climbing on a table at left, ca. 1540, Engraving, sheet: 8 x 11 7/8 in. (20.3 x 30.2 cm) trimmed within platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua),

Thomas Morell, S.T.P.- S.S.A., February 1762, Engraving; third state of three, sheet: 8 1/4 x 5 7/8 in. (21 x 14.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

View of the Capitoline Hill during Michelangelo's restoration, the equestrian monument of Marcus Aurelius in the centre from the 'Speculum Romanae Magnificentiae:', ca. 1561–63, Etching and engraving, Mount: 18 1/8 × 22 1/16 in. (46 × 56 cm),

Design for Knife Handles with the Temptation of Adam and Eve and a Memento Mori Scene, 1580–1600, Engraving and blackwork, Sheet: 4 15/16 × 4 in. (12.5 × 10.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

Le chancelier Pierre Séguier, ca. 1656, Engraving; second state of two (Petitjean & Wickert), Sheet: 17 15/16 × 23 9/16 in. (45.5 × 59.8 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Charles Le Brun (French,

Speculum Romanae Magnificentiae: Hercules with the apples of the Hesperides, 1581, Engraving, plate: 13 3/4 x 9 1/4 in. (35 x 23.5 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome

Feminine Figure, Engraving; first state of three (BN), sheet: 6 1/16 x 3 11/16 in. (15.4 x 9.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Child Swimming, ca. 1741, Etching and engraving, Sheet (trimmed): 11 15/16 × 8 7/8 in. (30.4 × 22.6 cm), Prints, Dominique Sornique (French, 1708–1756 Paris), Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François

John the Baptist, lying on the ground naked except for a cloth covering his thighs, with his right arm curled around a rock, a reed cross lies on a rock in the foreground, Etching and engraving, sheet: 7 x 11 5/16 in. (17.8 x 28.7 cm), Prints,

Summer, 1735–86, Etching and engraving, Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Various Animals, Engraving, Plate: 11 7/8 x 16 7/8 in. (30.2 x 42.8 cm), Prints, Anonymous, Italian, 16th century

Sinon Deceiving the Trojans, mid-1540s, Engraving, sheet: 14 1/4 x 18 11/16 in. (36.2 x 47.5 cm) platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Scultori (Italian, 1503–1575

Speculum Romanae Magnificentiae: Plan of St. Peter's, 1569, Engraving, sheet: 18 11/16 x 15 15/16 in. (47.4 x 40.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Portrait of Le Père Yves, 1677, Engraving; second state of four (BN), sheet: 9 1/8 x 6 15/16 in. (23.2 x 17.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Blackwork Print with a Trophy at Center Surrounded by Grotesques and Swag Drapery, 1592–1604, Blackwork engraving, Sheet: 1 15/16 × 2 1/2 in. (5 × 6.4 cm), Hans de Bull (German, active 1592–1604), Blackwork print with fabric draped at top

Speculum Romanae Magnificentiae: Naval Battle, 16th century, Engraving, sheet: 9 7/16 x 15 3/8 in. (24 x 39 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After(?) Giulio Romano (Italian, Rome 1499?–1546 Mantua

Banknote motif: number 500 at the center of a circular design of lathe work with wavy edges, surrounded by an open wreath of leaves, berries and flowers, ca. 1824–42, Engraving and etching, printed in green ink, plate: 2 7/16 x 3 1/4 in. (6.2

An elderly winged man with a long beard walking with crutches, possibly representing Time gesturing towards a young child holding a sieve, ca. 1510–27, Engraving, Sheet: 2 7/8 in. × 2 in. (7.3 × 5.1 cm), Prints

A Harlot's Progress, Plate 5, April 1732, Etching and engraving; third state of three, plate: 12 5/8 x 15 3/8 in. (32.1 x 39.1 cm), Prints, William Hogarth (British, London 1697–1764 London

A statue of Apollo, naked standing in a niche, holding a lyre in his left hand and leaning on a tree trunk, 1512–15, Engraving, 8 11/16 x 4 1/4 in. (22.1 x 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Saint John the Baptist, 1500–1506, Engraving; second state, Sheet: 13 5/16 × 8 11/16 in. (33.8 × 22 cm) trimmed, Prints, Girolamo Mocetto (Italian, ca. 1470–1531

Beer Street, February 1, 1751, Etching and engraving; third state of three, plate: 15 3/8 x 12 13/16 in. (39 x 32.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Delilah preparing to cut Samson's hair with scissors in her right hand, below her chest are the head and shoulders of the sleeping Samson, ca. 1629, Engraving, sheet: 6 5/8 x 4 9/16 in. (16.8 x 11.6 cm), Prints, Claude Mellan (French,

St. Philip, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: The Arch of Constantine, Rome, ca. 1514–36, Engraving, mount: 17 1/2 x 12 3/8 in. (44.5 x 31.5 cm), Prints, Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Speculum Romanae Magnificentiae: Portal of the Temple of Romulus and Remus, 1582, Engraving, sheet: 11 7/16 x 8 1/4 in. (29 x 21 cm), Prints, Anonymous

Fodina argentea Sahlensis – A Silver Mine at Sala - II (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 33, no. 2), 1723–24, Etchng and engraving, sheet: 9 13/16 x 6 1/2 in.

Speculum Romanae Magnificentiae: Column of Trajan, 16th century, Engraving and etching, sheet: 19 1/2 x 11 11/16 in. (49.5 x 29.7 cm), Prints, Anonymous

Venus and Cupid standing in a niche, ca. 1500–1527, Engraving, Sheet: 8 in. × 3 1/4 in. (20.3 × 8.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi)

General Andrew Jackson, June 1828, Engraving; third state of three, plate: 23 5/8 x 16 15/16 in. (60 x 43 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Vanderlyn (American,

Saint Sebastian tied to tree pierced with arrows, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 1 15/16 x 3 1/4 in. (4.9 x 8.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Canapé executé pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier', ca. 1742–48, Etching and engraving, Plate: 12 1/2 × 14 5/16 in. (31.7 × 36.4 cm), Juste Aurèle Meissonnier (French, Turin 1695–1750 Paris),

The Virgin of the Fish, ca. 1500–1550, Engraving, 10 1/16 x 8 1/2 in. (25.6 x 21.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), or Marco Dente (Italian, Ravenna, active by 1515–died 1527

Man Grappling with Winged Horse, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Melancholia, Engraving, Sheet: 3 1/8 x 2 1/16 in. (7.9 x 5.2 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Three Loves, one of which is seated, holding a quiver, 1727–60, Etching and engraving, Sheet: 11 5/8 × 15 3/4 in. (29.5 × 40 cm), Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris

Empedocles, standing frontally with his head turned in three-quarter view, directs his gaze toward a flame (the crater of Mount Aetna?) emerging from a horizontal ground line, a walking stick leans toward the right margin, ca. 1545–63,

The Sawhorse, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, scratching, Sheet: 19 7/16 x 25 1/16 in. (49.4 x 63.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano

The Fall of Babylon, 1569, Engraving, Sheet: 9 3/8 × 16 1/4 in. (23.8 × 41.3 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem

St. Claude, 1664, Engraving; second state of two (BN), sheet: 17 11/16 x 11 1/8 in. (45 x 28.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Column of Trajan, 1582, Engraving, sheet: 21 1/8 x 14 1/4 in. (53.6 x 36.2 cm), Prints, Anonymous

The Iron Age (L'âge de fer), Etching with engraving, Prints, Nicolas Arnoult (French, ca. 1650–ca. 1722

Before, December 15, 1736, Etching and engraving; second state of three, sheet: 16 1/2 x 12 5/8 in. (41.9 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

O the Roast Beef of Old England--The Gate of Calais, March 6, 1749, Etching and engraving; second state of two, sheet: 15 1/16 x 18 1/8 in. (38.2 x 46 cm), Prints

William Hog-garth Esq. Drawn from the Life, 1763, Engraving, plate: 10 1/2 x 6 3/4 in. (26.7 x 17.1 cm), Prints, Anonymous, British, 18th century

Christ Before Caiaphas, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 13/16 x 5 1/16 in. (19.8 x 12.9 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Christ Sitting on the Cold Stone, before ca. 1586, Engraving, Plate: 9 1/2 × 7 1/4 in. (24.2 × 18.4 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Speculum Romanae Magnificentiae: The Coloseum, 16th century, Engraving, sheet: 13 5/8 x 19 3/16 in. (34.6 x 48.8 cm), Prints, Anonymous

America, from the Four Continents, n.d., Engraving; second state, 8 3/8 x 10 1/16 in. (21.3 x 25.6 cm) (clipped), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos (Netherlandish, Antwerp

Joseph explains his dream to his brothers and father in an interior setting; the sun, moon, and stars above a landscape in the portal beyond, from the series 'The Story of Joseph', 1544, Engraving, sheet: 4 3/8 x 2 15/16 in. (11.1 x 7.5 cm),

Mercury Abducting Psyche, ca. 1622, Engraving, 44.5 x 25.0 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Peasant Couples Dancing, 1580–1600, Engraving, Sheet: 1 3/4 × 10 3/16 in. (4.5 × 25.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Seven

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