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Seated Woman with two Children, 16th century, Engraving, sheet: 6 1/8 x 4 1/8 in. (15.5 x 10.5 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Lot and His Family Fleeing from Sodom, from The Story of Lot, 1555, Engraving, Sheet: 4 1/2 × 3 1/8 in. (11.4 × 8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lot being being led out of Sodom by an angel

Sultana at Her Toilet, 1746–47, Etching and engraving, Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770

Justice, from the Cardinal Virtues, 1648–56, Engraving, Sheet: 4 3/8 × 3 3/8 in. (11.1 × 8.6 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), The blindfolded female figure Justice is depicted holding a scale in her

Omnia Vincit Amor, 1599, Engraving, Plate: 5 × 7 3/8 in. (12.7 × 18.8 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma), This image is a pun derived on a famous line in Virgil's tenth Eclogue, 'Love conquers all.' The

A Rake's Progress, Plate 4, ca. 1800, Engraving, Sheet: 2 11/16 x 3 1/8 in. (6.8 x 8 cm), Prints, After William Hogarth (British, London 1697–1764 London

Chastity, from The Virtues, 1552, Engraving, Sheet: 4 × 2 3/8 in. (10.2 × 6.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Unjust Judge and the Importunate Widow (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton

Four boys, a young satyr, and a goat (copy in reverse), 17th century (?), Etching and engraving, Plate: 4 15/16 × 7 7/8 in. (12.6 × 20 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

The Betrayal of Christ, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 13/16 x 5 1/16 in. (19.8 x 12.8 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Banknote motif: the number 20 against an ornamental lathe work oval resembling woven rope, ca. 1824–42, Engraving, sheet: 1 5/16 x 1 7/16 in. (3.4 x 3.6 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

St. James Minor(?) in an arcuated niche, holding a walking stick in his hands, which are covered by his cloak, from a series of full-length figures of Christ and the Twelve Apostles, 1545, Engraving, sheet: 7 5/8 x 3 7/16 in. (19.4 x 8.7 cm),

Vase with Two Winged Satyrs, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.2 cm), Depiction of a vase or ewer. The vase is characterized by two large satyr figures placed below the handle and the spout.The print is part of a

Paul Before Felix, February 5, 1752, Engraving, sheet: 16 7/8 x 20 11/16 in. (42.8 x 52.6 cm), Prints, Luke Sullivan (Irish, 1705–1771 London

Joel Barlow, 1835, Engraving, plate: 9 1/2 x 6 5/8 in. (24.1 x 16.8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Robert Fulton (American, Little Britain, Pennsylvania

Saint Christopher Carrying the Christ Child, Engraving, Sheet: 2 3/4 × 2 5/8 in. (7 × 6.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Euntes in Emaus (Landscape with Pilgrims at Emmaus) from the series The Large Landscapes, ca. 1555–56, Etching and engraving, sheet: 12 13/16 x 16 15/16 in. (32.5 x 43 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

A Rake's Progress, Plate 8, June 25, 1735, Etching and engraving; second state of three, plate: 12 1/16 x 16 1/8 in. (30.6 x 41 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of a Man, after Rembrandt, 1633, Etching and engraving, plate: 8 5/16 x 7 in. (21.1 x 17.8 cm), Prints, Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610–ca. 1635), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669

The Pier with Chains, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints, Giovanni

Little boy holding a basket of grapes, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France), after 1757, Etching and engraving,

Horizontal Panel with a Bird, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving; first of two states (SKB), Sheet: 1 5/16 × 2 in. (3.4 × 5.1 cm), Paul Birckenhultz (1561–1639), Ornamental frieze with a large bird with

Venus removing a thorn from her foot, 1532, Engraving, sheet: 7 1/2 x 6 1/2 in. (19 x 16.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

Le Père Étienne de Cesena, 1674, Engraving; first state of two (BN), sheet: 7 1/2 x 5 5/8 in. (19 x 14.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Mercury Abducting Psyche, ca. 1620, Engraving, 43.8 x 25.9 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Philip Melanchthon, 1540, Engraving, Sheet: 6 13/16 × 5 1/16 in. (17.3 × 12.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Cardinal Jules Mazarin, 1656, Engraving; first state of four (Petitjean & Wickert), Sheet: 12 5/8 × 9 11/16 in. (32.1 × 24.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Two deformed heads facing each other, 1625–77, Etching and engraving; second state of two, Sheet: 3 3/4 × 5 1/2 in. (9.5 × 14 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Two deformed figures face each other,

Traveling Women Drinking Water, 1758, Etching and engraving, Sheet (trimmed): 11 7/8 × 14 3/16 in. (30.2 × 36 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

Robed woman standing next to a plinth, her right hand bears a palm branch, a harp rests against the plinth, ca. 1620–88, Engraving, sheet: 4 13/16 x 2 3/4 in. (12.2 x 7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Saint John on Patmos, 15th century, Engraving, 6-1/4 x 4-7/16 in., Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Portraits of Lord Melcombe and Lord Winchelsea, December 22, 1781, Etching and engraving, plate: 5 13/16 x 7 5/16 in. (14.8 x 18.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Frontispiece of Fasti Senenses, 1645–1704, Engraving, sheet: 9 5/16 x 6 5/16 in. (23.7 x 16.1 cm), Prints, Guillaume Vallet (French, Paris 1632–1704 (active Rome and Paris)), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Lesson in Horsemanship, 1913, Wood engraving, Image: 6 5/16 × 5 3/16 in. (16 × 13.1 cm), Prints, Engraved by Timothy Cole (American, London 1852–1931 Poughkeepsie, New York), After Jean-François Millet (French, Gruchy 1814–1875

Dagger Sheath Decorated with Tendrils and Two Profiles, 1537, Engraving, Sheet: 11 3/4 × 3 9/16 in. (29.9 × 9.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Design for a dagger sheath with ornate foliate design.

Banknote motif: number 5 against a circular panel of lace-like lathe work with a scalloped edge, ca. 1824–42, Engraving, sheet: 1 9/16 x 1 9/16 in. (4 x 3.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Head of a Child, from Livre de Têtes Gravées d'apres F. Boucher et Autres (Book of Heads Engraved after F. Boucher and Others), 18th century, Etching and engraving, Sheet: 7 x 5 1/4 in. (17.8 x 13.3 cm) trimmed to platemark, Prints,

Sir Hudibras His Passing Worth the Manner How He Sallyed Forth (Plate 2: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 11/16 x 9 7/16 in. (19.5 x 23.9 cm), Prints, After William Hogarth (British,

Judah with the Head of Adonibezek, from Willem van Haecht, Tyrannorum proemia, 1578, 1578, Engraving, sheet: 5 11/16 x 3 13/16 in. (14.4 x 9.7 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Maerten

The Bear Calls Renard to Appear Before the Council of the Animals from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

The Woman Looking Towards the Boat, Engraving; third state of three, Plate: 3 9/16 × 5 11/16 in. (9.1 × 14.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: The Pineapple in the Courtyard of S. Pietro, 16th century, Engraving, mount: 11 5/8 x 12 3/8 in. (29.5 x 31.5 cm), Prints, Anonymous

Cardinal Antonio Barberini, ca. 1657, Engraving, Sheet: 12 3/8 × 9 3/4 in. (31.5 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Marriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565, 1565, Engraving, sheet: 14 3/4 x 20 1/4 in. (37.5 x 51.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice

The Small Madonna and Child, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Soap Bubble, 1756–76, Crayon manner engraving printed in brown ink, Sheet: 14 3/16 × 10 1/8 in. (36 × 25.7 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Triumph of Galatea, Engraving, sheet: 7 5/16 x 8 3/8 in. (18.5 x 21.2 cm), Prints, Philippe Trière (French, Paris 1756–1815 Paris), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Fodina argentea Sahlensis – A Silver Mine at Sala - I (from Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 33, no. 1), 1723–24, Etching and engraving, sheet: 9 11/16 x 6

Speculum Romanae Magnificentiae: Castrum, 16th century, Engraving, sheet: 12 13/16 x 8 1/16 in. (32.5 x 20.5 cm), Prints, Anonymous

Design for a Dish with Portraits of the Roman Emperors Caesar, Claudius, and Otho, ca. 1588, Engraving, Sheet: 5 1/16 × 4 15/16 in. (12.8 × 12.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a dish with

Dagger Sheath with a Nude Woman Above, Engraving, Sheet: 6 7/16 × 1 7/16 in. (16.3 × 3.6 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Ruins of Athens with a vaulted portico, ca. 1770–1808, Hand-colored engraving, sheet: 11 5/16 x 8 3/16 in. (28.8 x 20.8 cm), Laurent Guyot (French, Paris 1756–1808), After Jean Henri Alexandre Pernet (French, Paris 1763–after 1789

Vase with Two Winged Figures Draping a Term, 17th century, Engraving, Sheet: 10 9/16 x 7 5/16 in. (26.9 x 18.5 cm), Depiction of a vase or ewer. The vase is characterized by a double handle, shaped like a snake. The body of the vase is decorated

Head of an Old Man, mid to late 18th century, Crayon manner engraving printed in brown ink, Sheet (trimmed): 16 3/8 × 11 5/16 in. (41.6 × 28.8 cm), Prints, Louis Marin Bonnet (French, Paris 1736–1793 Saint-Mandé, Val-de-Marne), After

Drunken Silenus holding a cup aloft into which a Satyr pours wine, 1628, Etching with drypoint, engraving, and burnishing, Sheet: 10 11/16 in. × 14 in. (27.2 × 35.5 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva

Saint Pierre, 1726, Etching and engraving, Sheet (trimmed): 13 1/2 × 8 11/16 in. (34.3 × 22.1 cm), Prints, Jean-Baptiste Haussard (French, Paris 1679 or 1680–1749 Paris), After François Boucher (French, Paris 1703–1770 Paris

Jean-Baptiste van Steenberghen, 1668, Engraving; first or second state of two (Petitjean & Wickert), Sheet: 12 7/16 × 9 7/16 in. (31.6 × 24 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After François Duchâtel (Flemish,

Speculum Romanae Magnificentiae: Nerva, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 11 1/4 x 16 3/4 in. (28.5 x 42.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Speculum Romanae Magnificentiae: The Triumph of Scipio, 16th century, Engraving; second state, plate: 8 9/16 x 10 1/16 in. (21.8 x 25.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), Aftter (?) Raphael (Raffaello Sanzio

The Industrious 'Prentice Grown Rich and Sheriff of London (Industry and Idleness, plate 8), September 30, 1747, Etching and engraving; second state of two, plate: 10 1/4 x 13 1/2 in. (26 x 34.3 cm), Prints, William Hogarth (British, London

St. Philip and St. James the Less, from the series The Apostles, 15th century, Engraving, Sheet: 3 3/4 × 2 9/16 in. (9.6 × 6.5 cm), Prints, Master ES (German, active ca. 1450–67

Portrait of La Baronne de Rebecque, 1780, Etching and engraving; third state of three (Bocher), Sheet: 11 5/16 × 8 1/16 in. (28.7 × 20.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Chancelier Michel IV Le Tellier, 1658, Engraving, Sheet: 12 3/8 × 9 1/8 in. (31.5 × 23.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Sarah presenting Hagar to Abraham, who sits at the foot of a bed, from the series 'The Story of Abraham', ca. 1543, Engraving, sheet: 1 15/16 x 3 1/4 in. (4.9 x 8.2 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Title Page, from Omnia Conando Docilis Solertia Vincit, ca. 1600, Engraving, Sheet: 5 7/16 × 3 3/4 in. (13.8 × 9.6 cm), Paul Birckenhultz (1561–1639), Ornament design with lettered title on cartouche at center, suspended from a horned mask

Portrait of J. J. Rousseau, 1801, Etching and engraving; third state of three (Bocher), Sheet: 10 3/8 × 6 9/16 in. (26.3 × 16.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean Antoine Houdon (French,

The Man of Sorrows; an image of Christ surrounded by nine vignettes depicting scenes of the Passion, by 1575, Engraving, sheet: 11 1/8 x 8 3/4 in. (28.3 x 22.3 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582

Shield with Swan Held by Woman, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Frontispiece, 1727–60, Etching and engraving, Sheet: 10 1/2 × 8 11/16 in. (26.6 × 22 cm), Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Ionic Base, 1528, Engraving, sheet: 4 1/2 x 7 1/16 in. (11.4 x 17.9 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Design for a Dish with Portraits of the Roman Emperors Nero, Galba, and Caligula, ca. 1588, Engraving, Sheet: 5 × 5 in. (12.7 × 12.7 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a dish with medallions

Frieze with Sea Monsters, 1580–1600, Engraving, Sheet: 1 1/2 × 8 9/16 in. (3.8 × 21.7 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Giovanni Andrea Maglioli (Italian, active 1580–1610), Frieze

Portrait of Louis d'Orléans, 1622, Engraving; second state of four, sheet: 11 9/16 x 8 5/16 in. (29.4 x 21.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Ziarnko (Joan Z. Grano

The New Metamorphosis, Plate 2: Fantasio at Church, 1724, Etching and engraving, sheet: 5 1/2 x 2 15/16 in. (14 x 7.5 cm), Prints, William Hogarth (British, London 1697–1764 London

The Industrious 'Prentice Alderman of London, The Idle One Brought Before Him and Impeached by his Accomplices (Industry and Idleness, plate 10), September 30, 1747, Etching and engraving; second state of two, sheet: 10 3/16 x 13 11/16 in.

Lafontaine Tales, Amsterdam, 1763, Etching with engraving, sheet: 8 7/16 x 5 5/16 in. (21.5 x 13.5 cm), Prints, Joseph de Longueil (French, Givet, Ardennes 1730–1792 Paris

Hogarth's Shop Card, 1790s, Etching and engraving, plate: 3 7/8 x 5 in. (9.9 x 12.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

Lot and His Daughters, 1530, Engraving, Sheet: 3 9/16 × 2 3/8 in. (9 × 6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lot, seated at center, receives a vessel from one of his daughters, who is seated

Frontispiece to the Bible, 1642, Engraving; first state (?) of three (BN), sheet: 16 7/16 x 10 9/16 in. (41.7 x 26.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Nicolas Poussin (French, Les Andelys 1594–1665

Lot and His Daughters, Engraving, Sheet: 1 7/8 × 3 in. (4.8 × 7.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Antony and Cleopatra, Act 1, Scene 2: Charmian–'Good Sir, give me good fortune', January 1, 1817, Engraving and etching, sheet (trimmed to plate): 13 11/16 x 11 1/16 in. (34.8 x 28.1 cm), Prints, After Matthew William Peters (British,

Fancy & Windsor Chair Manufactory, Wholesale & Retail, Thomas Ash, No. 33 John Street, New York, 1817, Engraving, plate: 3 3/16 x 4 13/16 in. (8.1 x 12.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

The Broad River, Engraving; second state of two, Sheet: 5 1/16 × 6 3/8 in. (12.8 × 16.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of

Speculum Romanae Magnificentiae: Naval Battle, 16th century, Engraving, sheet: 9 5/8 x 15 11/16 in. (24.4 x 39.9 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After(?) Giulio Romano (Italian, Rome 1499?–1546 Mantua

Henry de Beringhen Premier Ecuyer du Roy et Chevalier de ses Ordres Gouverneur des Citadelles de Marseille, 1710, 1710, Engraving, Sheet: 14 × 10 3/16 in. (35.6 × 25.8 cm), Prints, Benoit Audran the Elder (French, Lyon 1661–1721 Paris),

Diana the Huntress in a Landscape, ca. 1530–42, Engraving, sheet: 10 x 8 1/16 in. (25.4 x 20.5 cm), Prints, Vincenzo Caccianemici (Italian, died 1542), After a design by Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

Woman in Roman Costume Picking Fruit from a Tree, ca. 1560, Etching and engraving, sheet: 8 7/8 x 5 7/8 in. (22.5 x 15 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Griffin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Last Supper; The last supper with Christ sitting in the center embracing John, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 4 1/16 in. (12.8 × 10.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Rev. William Patton, before 1837, Engraving; second state of two, plate: 10 13/16 x 8 3/8 in. (27.5 x 21.3 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Eliab Metcalf (American,

Column of Trajan, 1544, Engraving, sheet: 19 7/16 x 11 1/2 in. (49.4 x 29.2 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is likely that individuals who

Pendant Design with a Winged Sea Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, Engraving; second state of two (New Hollstein), Sheet: 6 15/16 × 5 3/16 in. (17.7 × 13.2 cm), Adriaen Collaert (Netherlandish, Antwerp

Fisherman, ca. 1753, Etching and engraving, Sheet (trimmed): 9 1/16 × 9 13/16 in. (23 × 25 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Portraits of the Wives of Emperors, 1587, Engraving, sheet: 13 15/16 x 18 13/16 in. (35.4 x 47.8 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: The Vatican Obelisk, 16th century, Engraving, sheet: 19 5/16 x 11 5/8 in. (49 x 29.5 cm), Prints, Anonymous

The Third Spring, Engraving; first state of two, Sheet: 5 3/8 × 7 3/16 in. (13.7 × 18.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Saint Matthias, ca. 1500–1534, Engraving, 3 1/4 x 2 in. (8.3 x 5.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

Plate 19: Vulcan standing in a niche swinging a hammer, with an anvil, hammer, and tongs at his feet, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 3/16 in. (20.9 × 10.7 cm), Prints, Giovanni Jacopo

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