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Speculum Romanae Magnificentiae: Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), 1553, Engraving, sheet: 20 13/16 x 15 15/16 in. (52.8 x 40.5 cm), Prints, Anonymous, Italian, 16th century, Depicts a statue by Bartolomeo

Face of Christ on St. Veronica's Veil, 1735, Engraving; copy after Mellan, sheet: 20 9/16 x 14 11/16 in. (52.2 x 37.3 cm), Prints, Dudesert or Du Desert (French (?), 18th century), After Claude Mellan (French, Abbeville 1598–1688 Paris

Diploma of Free Masons of Bordeaux, 1765–66, Etching and engraving, Sheet: 16 1/8 x 11 1/8 in. (41 x 28.3 cm), Pierre Philippe Choffard (French, Paris 1730–1809 Paris), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican, 1514, Engraving, sheet: 17 5/8 x 22 1/16 in. (44.8 x 56 cm), Prints, After Antonio da Labacco (Italian, near Vigevano ca. 1495–after 1567), After Antonio

Portrait of De Larive, 1785, Etching and engraving; sixth state of seven (Bocher), Sheet: 6 7/8 × 4 1/2 in. (17.5 × 11.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), According to the Bocher catalogue, Mercure de

Marie-Jeanne-Baptiste, Duchesse de Savoie, 1678, Engraving, Sheet: 14 15/16 × 9 1/2 in. (38 × 24.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Laurent du Sour (French

The Assumption of the Virgin, below the apostles surround the tomb, 1530–60, Engraving, sheet: 10 1/4 x 8 1/4 in. (26 x 21 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi)

Holy Family with St. Elizabeth & St. John the Baptist, 1588, Engraving; second state of four, 36.8 x 29.2 cm, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Dirck Barendsz. (Netherlandish, Amsterdam 1534–1592

Antique Lidded Vase with Two Handles emerging from the Heads of Hybrid Female Sphinxes, from Vases after the Antique, ca, 1543–1573, Engraving [second state], Image: 11 x 8 1/16 in. (28 x 20.4 cm) [cropped within plate marks on all sides],

The Curate and the Barber Disguising Themselves to convey Don Quixote Home (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 10 3/16 x 6 7/8 in. (25.8 x 17.5 cm), Prints, William Hogarth

Adoration of the Magi, 1598, Engraving, Sheet: 10 5/8 x 8 1/4 in. (27 x 20.9 cm), Prints, Raphael Sadeler I (Netherlandish, Antwerp 1560–1628 Venice (?)), After Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510–1592

Jahel from Heroes and Heroines of the Old Testament, ca. 1597, Engraving, Sheet: 17 x 12 11/16 in. (43.2 x 32.3 cm), Prints, Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586–died 1600), After Hendrick Goltzius (Netherlandish,

Four Dancing Children (Bacchantes) and Two Making Music, Etching and engraving, Prints, Erasmus Quellinus (Flemish, Antwerp 1607–1678 Antwerp

The Wolf Accuses Renard Once Again from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 5/8 in. (9.6 × 11.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Fall of Troy and the Escape of Aeneas, mid-1540s, Engraving, sheet: 15 3/16 x 19 7/16 in. (38.6 x 49.3 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Scultori (Italian, 1503–1575

Drawings and Prints, Print, The cardinal virtue of Justice represented by a seated woman holding a pair of scales and a sword (possibly a modern impression), Artist, Anonymous, ca. 1480–1520, 1475, 1485, Engraving, printed from a plate

Vase with Helios or Phaeton on the Chariot of the Sun, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.2 cm), Depiction of a vase or ewer. The vase is abundantly decorated with motifs from the Fontainebleau School. Within a

Guillaume de Lamoignon, 1659, Engraving; first state of two (Petitjean & Wickert), sheet: 12 3/8 x 9 1/4 in. (31.5 x 23.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Triumph of Time, 1574, Engraving; first state of four, Sheet: 8 3/8 x 11 15/16 in. (21.2 x 30.4 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

The Satyr's Family, 1763, Etching, Sheet: 9 1/4 in. × 12 in. (23.5 × 30.5 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Few painters in eighteenth-century France were formally trained in printmaking and, for the

Centaur Carrying a Vase with Fire, Engraving, Sheet: 1 9/16 × 1 1/4 in. (4 × 3.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

A young man sitting at right resting his head in his hand, a snake with a womans head before him, a young woman holding a pan pipes standing in the centre and a young man leaving at left, ca. 1510–20, Engraving, Sheet: 10 3/8 × 8 7/16 in.

St. Paul, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving; second state of two, sheet: 6 x 4 1/4 in. (15.3 x 10.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Gilles Ménage, ca. 1652, Engraving; first state of three (Petitjean & Wickert), Sheet: 8 1/2 × 6 in. (21.6 × 15.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Death and the Bishop, from The Power of Death (Allegory of Original Sin and Death), 1541, Engraving, Sheet: 4 3/16 × 2 15/16 in. (10.7 × 7.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Hans Holbein

Hercules holding Antaeus by the waist and lifting him off his feet, ca. 1520–22, Engraving, 12 1/16 x 8 3/8 in. (30.6 x 21.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

Saint Barbara (left), Saint Catherine, (center), Saint Lucy (right), ca. 1500–1527, Engraving, 3 1/16 x 4 5/8 in. (7.7 x 11.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Face of Christ on St. Veronica's Cloth, 1649, Engraving; second state of two, sheet: 16 7/8 x 12 5/16 in. (42.8 x 31.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Peasants Behind the Hedge from The Peasants' Feast or the Twelve Months, 1546–47, Engraving; second state of two (Pauli), sheet: 1 15/16 x 2 7/8 in. (5 x 7.3 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Peasant at

The Conversion of St Paul, 1576, Engraving, Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Giulio Clovio (Italian, Brizane 1498–1578 Rome

Thetis Seated with a Triton, 16th century, Engraving, sheet: 9 3/16 x 6 1/8 in. (23.3 x 15.5 cm) borderline, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Portrait of Victor Amédée, roi de Sairdaigne, 1777, Etching and engraving; second state of five (Bocher), Sheet: 20 13/16 × 15 1/4 in. (52.8 × 38.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After

Blackwork Print with a Bezel Supporting Grotesques Above Three Smaller Bezels, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 13/16 × 3 7/16 in. (12.2 × 8.8 cm), Etienne Carteron (French, born

Design for the Verso of a Pendant with Three Large Flowers, before 1573, Engraving; second state of three (New Hollstein), Sheet: 5 3/4 × 4 in. (14.6 × 10.1 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel

Speculum Romanae Magnificentiae: Marforius, 1550, Engraving, sheet: 14 5/8 x 17 1/8 in. (37.2 x 43.5 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Horizontal Panel with Tendrils Rising from Center, 1532, Engraving, Sheet: 2 × 2 13/16 in. (5.1 × 7.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Tomyris, shown nude from behind, placing the head of Cyrus into a sack held by a soldier, the decapitated body of Cyrus on the ground at her feet, from a series of four mythological scenes, ca. 1539, Engraving, sheet: 4 11/16 x 2 15/16 in.

The Entombment, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 11/16 x 5 1/16 in. (19.6 x 12.9 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Adoration of the Magi, n.d., Engraving, sheet: 18 1/2 x 13 3/4 in. (47 x 35 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Design for a Gilt Leather Panel, ca. 1660–70, Engraving, Sheet: 4 7/8 × 3 1/4 in. (12.4 × 8.3 cm) [cropped within plate mark], Anonymous, Dutch, 17th century

Fire, ca. 1748, Etching and engraving, Sheet (trimmed): 12 13/16 × 10 3/8 in. (32.5 × 26.4 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

Inigo Jones, 1655, Etching, first state of two (NH), Plate: 8 1/16 × 5 5/16 in. (20.5 × 13.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of Inigo Jones, half-length, seated to front, with head turned to

The Virgin and Child, ca. 1485–91, Engraving, image: 8 1/8 x 8 3/16 in. (20.6 x 20.8 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

The Coronation of the Virgin, at lower left stands St John the Baptist, at lower right St Jerome, God the father above, 1530–60, Engraving, sheet: 13 13/16 x 9 1/2 in. (35.1 x 24.2 cm), Prints, Master of the Die (Italian, active Rome, ca.

A soldier blowing on a match, from the Musketeers series, plate 40, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; third state of five (New Hollstein), plate: 10 9/16 x 7 1/2 in. (26.9 x 19.1 cm),

Midday. A Lady Setting Her Watch, Etching and engraving, sheet: 12 1/4 x 8 9/16 in. (31.1 x 21.7 cm), Prints, Gilles Edme Petit (French, Paris 1694–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Trois Amours dont un tient un couronne, de Quatrième Livre de Groupes d'Enfans, 18th century, Etching and engraving, Sheet: 10 7/16 x 8 9/16 in. (26.5 x 21.8 cm), Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François

Speculum Romanae Magnificentiae: Diomedes with the Palladium in his left hand, 1582, Engraving, sheet: 13 7/16 x 9 13/16 in. (34.2 x 25 cm), Prints, Pieter Perret (Netherlandish, 1555–1639

Charles II de Gonzague-Clèves, duc de Mantoue, ca. 1652, Engraving, Sheet: 10 15/16 × 7 1/16 in. (27.8 × 18 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Death of Arthur, 1793, Engraving, Sheet: 13 1/16 × 9 3/16 in. (33.1 × 23.4 cm), Prints, After William Hamilton (British, London 1751–1801 London

Christ Sleeping During the Storm on Lake Tiberias, from The Story of Christ, 1534–35, Engraving, Sheet: 1 1/2 × 2 1/4 in. (3.8 × 5.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Second Day (Dies II), from the series The Creation of the World, ca. 1594, Engraving; second state of two, Diameter: 10 5/16 in. (26.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

Portrait of Leonardos Philaras, 1651, Engraving; second state of four (BN), sheet: 11 1/4 x 9 5/16 in. (28.5 x 23.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Temple near the Appian Way, 16th century, Engraving, sheet: 13 5/8 x 11 1/4 in. (34.6 x 28.5 cm), Prints, Anonymous

Adam and Eve, 1504, Engraving, Sheet: 9 3/4 × 7 9/16 in. (24.7 × 19.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

President Lincoln and His Cabinet, with Lt. General Scott, in the Council Chamber at the White House, ca. 1861, Etching, engraving and stipple, Plate: 6 7/8 × 9 7/8 in. (17.5 × 25.1 cm), Prints, After Christian Schussele (American (born

Thetis Standing with Two Tritons, Engraving, sheet: 8 7/8 x 6 1/16 in. (22.5 x 15.4 cm) borderline, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Frontispiece to Moliere's 'L'Avare' (The Miser), 1732, Etching and engraving; second state of three, sheet: 5 1/4 x 3 1/16 in. (13.4 x 7.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

Portrait of Pierre-Jean Mariette, 1765, Etching and engraving; third state of five (Bocher), Sheet: 11 3/4 × 5 13/16 in. (29.8 × 14.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Roman soldiers fighting against Dacians, battle scene in shallow depth with horses and horn-players (after a bas-relief on the Arch of Constantine, Rome), 1553, Engraving, Sheet: 11 5/8 x 17 13/16 in. (29.6 x 45.3 cm), Prints, Nicolas

A Rake's Progress, Plate 5, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/16 x 16 1/4 in. (35.7 x 41.2 cm), Prints, William Hogarth (British, London 1697–1764 London

The Times, Plate 2, May 29, 1790, Etching and engraving; fourth state of four, sheet: 10 x 12 5/16 in. (25.4 x 31.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Blackwork Print with a Row of Seven Vertical Fillets Below a Row of Three-Pronged Motifs and Circles, 1592, Blackwork engraving, Sheet: 1 15/16 × 2 5/16 in. (4.9 × 5.8 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with

Speculum Romanae Magnificentiae: Column of Trajan, 1544, Engraving, mount: 22 1/8 x 16 7/8 in. (56.2 x 42.8 cm), Prints, Anonymous

Frontispice pour le 'Tombeau du comte Sidney Godolphin' (Frontispiece for the 'Tomb of Earl Sidney Godolphin'), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious

Cassandra, Frontispiece, Vol. 4, 1725, Etching and engraving, sheet: 5 1/4 x 2 7/8 in. (13.4 x 7.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Design for a Candelabra Grotesque with a Bat in the Center, 1550, Engraving, Sheet: 2 11/16 x 2 in. (6.8 x 5.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Goldsmith's Bouquet, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 6 × 4 5/16 in. (15.3 × 11 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Decorative floral arrangement in the

Reapers of grain, 1704, Engraving, sheet: 13 11/16 x 20 3/8 in. (34.8 x 51.8 cm), Prints, Giovanni Girolamo Frezza (Italian, 1659–1741), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Frieze with Tendrils Growing from a Plant at Right and a Satyr Holding a Shield with the Artist's Monogram, 1532, Engraving, Sheet: 1 7/16 × 6 9/16 in. (3.7 × 16.7 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest),

Speculum Romanae Magnificentiae: Corinthian entablature, 1537, Engraving, sheet: 6 5/16 x 4 3/4 in. (16 x 12 cm), Prints, Master PS (Italian or French, active 1530s

The Dutch Victory over the French and Spanish at Vigo Bay: Fireworks in the Hague, December 13, 1702, Etching and engraving, Prints, Jan van Vianen (Dutch, 1660–1726

Samson and Delilah, Engraving; first state of two (New Hollstein), Sheet: 1 3/4 × 1 7/16 in. (4.4 × 3.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Mountainous Landscape with the Rest on the Flight into Egypt, n.d., Engraving; first state, sheet: 8 1/8 x 10 15/16 in. (20.6 x 27.8 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder

Fame, 1540–50, Engraving, Sheet: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau

Medal of Louis XIV, 17th–18th century, Engraving, sheet: 3 1/8 x 3 1/8 in. (8 x 8 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris

The Virgin of Sorrows: Christ Bearing the Cross; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 4 7/16 in. (7.2 × 11.3 cm), Prints, Engraved by Giorgio Ghisi (Italian,

Gratia Dei, from Proposopographia, ca. 1585–90, Engraving, plate: 6 1/16 x 3 9/16 in. (15.4 x 9.1 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

Christ, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 x 4 1/8 in. (15.2 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Two Carts, Engraving; second state of two, Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

River God Po reclining on a rocky bank, a winged putto and long-necked water bird stand behind his legs, 1538, Engraving, sheet: 4 3/8 x 5 1/4 in. (11.1 x 13.4 cm), Prints, Giovanni Battista Scultori (Italian, 1503–1575

St. Mary Magdelen at the Foot of the Cross, ca. 1612, Engraving; first state of two, 7 9/16 × 11 11/16 in. (19.2 × 29.7 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Portrait of Claude Adrien Helvétius (1715-1771), 1772, Engraving, third state of six (Bocher), Sheet: 9 1/4 × 7 1/16 in. (23.5 × 18 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Louis Michel Vanloo (French,

A View of the Temple of Concord Erected in the Green Park, to Celebrate the Glorious Peace of 1814, Exhibiting the Fireworks on the 1st of August, September 9, 1814, Etching and engraving, hand colored, Plate: 11 5/16 × 17 1/16 in. (28.8 ×

Fiducia, a seated woman holds a book and banner while turning her head away from a bare-breasted woman, who lies at her feet before an assemblage of masks on the ground, from the series 'Virtues conquering vices' after Maerten de Vos, 1579,

Design for Knife Handles with Ovals Containing Fortitude and the Death of Lucretia, 1580–1600, Engraving and blackwork, Sheet: 3 15/16 × 3 1/4 in. (10 × 8.3 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

Poetry personified as a winged woman, ca. 1515, Engraving, 7 1/16 x 5 7/8 in. (17.9 x 14.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Speculum Romanae Magnificentiae: Corinthian capital, 1536, Engraving, mount: 6 15/16 x 7 9/16 in. (17.6 x 19.2 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After Marcantonio Raimondi

'If I do die before thee, pr'ythee shroud me in one of those same sheets': plate 8 from Othello (Act 4, Scene 3), 1844, Etching, engraving, and drypoint on chine collé; first edition of 1844, plate: 13 9/16 x 9 3/4 in. (34.5 x 24.8 cm),

The Innkeeper's Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, Sheet: 9 15/16 x 7 3/16 in. (25.2 x 18.3 cm), Prints, William

The Feast of Bacchus, ca. 1738, Etching and engraving, Sheet (trimmed): 9 3/16 × 10 7/16 in. (23.4 × 26.5 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Victor Bouthillier, 1662, Engraving, Sheet: 14 1/2 × 18 5/8 in. (36.8 × 47.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ratio, from Proposopographia, ca. 1585–90, Engraving, plate: 6 x 3 1/2 in. (15.2 x 8.9 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

Gilles Blondeau, 1653, Engraving, sheet: 12 15/16 x 10 1/4 in. (32.8 x 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Virgin of the Fish, ca. 1515–27, Engraving, 10 1/4 x 8 9/16 in. (26.1 x 21.8 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), or Marco Dente (Italian, Ravenna, active by 1515–died

Vignette en regard du nom de Aug. de St. Aubin (Vignette next to the name of Augustin de Saint-Aubin), volume 2, plate 150 of Dictionnaire des Graveurs. Anciens et Modernes Depuis l'origine de la Gravure, par F. Basan Graveur, Seconde Edition

Thetis Standing with Two Tritons, Engraving, plate: 9 5/16 x 6 3/8 in. (23.7 x 16.2 cm); trimmed to plate, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

A young man, seated and playing the violin at centre, flanked by two woman holding flutes, another woman in the background, ca. 1512–27, Engraving, 10 7/8 x 7 15/16 in. (27.7 x 20.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)

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