Images at Librifly

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Vintage scene, 1704, Engraving, sheet: 15 3/4 x 20 1/2 in. (40 x 52 cm), Prints, Giovanni Girolamo Frezza (Italian, 1659–1741), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Hudibras Vanquished by Trulla (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 5), 1725–68, Etching and engraving; fifth state of five, plate: 10 9/16 x 13 5/8 in. (26.9 x 34.6 cm), Prints, William Hogarth (British, London

St. Philip, from Christ, the Apostles and St. Paul with the Creed, ca9, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.6 x 11 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Rooster Accuses Renard of the Murder of One of His Chickens from Hendrick van Alcmar's Renard The Fox, mid-17th century, Engraving; second state of four, Plate: 3 13/16 × 4 9/16 in. (9.7 × 11.6 cm), Prints, Allart van Everdingen (Dutch,

Design for a Brooch with Jael Killing Sisera, 1580–1600, Engraving and blackwork, Sheet: 2 11/16 × 3 3/16 in. (6.8 × 8.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a brooch with a circular

The Drawbridge, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, scratching; first state of six (Robison), plate: 21 5/8 x 16 1/8 in. (54.9 x 40.9 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano

A Harlot's Progress, Plate 6, April 1732, Etching and engraving; third state of three, mount: 12 1/2 x 15 3/16 in. (31.7 x 38.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Syzygy or the Conjunction of the Macrocosmic Unity with the Microcosmic Triunity from Heinrich Khunrath, Amphiteatrum sapientiae aeternae, n.d., Engraving from a circular plate, sheet: diameter 16 in. (40.6 cm), Prints, Attributed to Peter van

Portrait of the Wife of Georg Pencz (Imago Duxore Gregori Peins), Engraving; second state of two (Hollstein), Sheet: 4 7/8 × 3 3/8 in. (12.4 × 8.5 cm), Prints

Portrait of Despréaux Nicolas Boileau, 1800, Etching and engraving; third state of three (Bocher), Sheet: 10 5/8 × 6 3/4 in. (27 × 17.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After François Girardon

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, sheet: 16 7/16 x 11 3/8 in. (41.8 x 28.9 cm), Prints, After William Hogarth

Banknote motif: hexagonal ornament with rippled edges with a pointed star at its center and flowers and leaves below, ca. 1824–42, Engraving and etching, sheet: 3 3/8 x 2 5/8 in. (8.5 x 6.7 cm), Prints, Associated with Cyrus Durand (American,

The Ox of St. Luke, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Wilhelm V. Duke of Julich, Cleve and Berg, 1540, Engraving; first state of three, Sheet: 12 1/16 × 8 5/8 in. (30.7 × 21.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Minerva, ca. 1632, Engraving, 50.8 x 23 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518, Engraving,

Headband: Basket of Fruit, Engraving, sheet: 3 3/8 x 7 1/2 in. (8.6 x 19 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Ferdinand de Neufville de Villeroy, 1658, Engraving; fourth state of six (Petitjean & Wickert), sheet: 14 1/8 x 10 5/16 in. (35.9 x 26.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French,

L'Assomption, Etching and engraving, sheet: 7 1/2 x 4 3/4 in. (19 x 12 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris

Pendant Design with Faith Standing in a Circular Temple, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 13/16 × 4 1/16 in. (14.8 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel

Banknote vignette with a family in a garden, ca. 1824–37, Engraving and etching, sheet: 2 1/2 x 4 in. (6.3 x 10.2 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Michael IV Le Tellier, 17th century, Engraving, Sheet: 13 3/8 × 10 3/8 in. (34 × 26.4 cm), Prints, Pieter Louis van Schuppen (Flemish, 1627–1702), After Robert Nanteuil (French, Reims 1623–1678 Paris

Frieze with a Putto Holding a Platform, 1580–1600, Engraving, Sheet: 2 7/8 × 6 1/4 in. (7.3 × 15.8 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with dense grotesque ornament decoration on a black background. At

The Company of Undertakers, March 3, 1736, Etching and engraving; second state of two, plate: 10 1/4 x 7 1/16 in. (26 x 18 cm), Prints, William Hogarth (British, London 1697–1764 London

Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 3/16 × 4 3/16 in. (20.8 × 10.7 cm), Prints,

Ornamental Design with a Bat in the Center, 1550, Engraving, Sheet: 2 3/4 × 2 in. (7 × 5.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornament panel design with a bat at center, a trophy above, and a shell at

The Belgian Wagon (Plaustrum Belgicum) from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of two, Sheet: 12 3/16 x 16 3/4 in. (31 x 42.5 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Charles Carrol of Carrolton, 1835, Engraving on chine collé; second state of three, plate: 8 7/8 x 6 9/16 in. (22.5 x 16.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Chester

Leaf Ornament with Lilies of the Valley, Engraving, Sheet: 2 5/8 × 1 3/4 in. (6.7 × 4.5 cm), Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Cardinal Antonio Barberini, 1663, Engraving, sheet: 13 15/16 x 10 13/16 in. (35.4 x 27.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Mars and Venus, 1588, Engraving; first state, Sheet: 16 3/4 x 12 13/16 in. (42.5 x 32.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, plate: 11 3/4 x 6 5/8 in. (29.8 x 16.8

The Alliance of Venus with Bacchus and Ceres, Engraving, sheet: 11 13/16 x 8 1/8 in. (30 x 20.7 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Idle 'Prentice Executed at Tyburn: Industry and Idleness, plate 11, September 30, 1747, Etching and engraving; second state of three, sheet: 10 5/8 x 15 13/16 in. (27 x 40.2 cm), Prints, William Hogarth (British, London 1697–1764

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right, Venus in a chariot drawn by three doves at the left, ca. 1540–60, Engraving, plate: 6 7/8 x 8 7/16 in. (17.5 x 21.5 cm), Prints, Anonymous, 16th century, After

Shrimps!, March 25, 1782, Stipple engraving, sheet: 10 3/16 x 7 5/16 in. (25.8 x 18.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Design for an Ornamental Crest for Silver Plate, early 18th century, Engraving, Sheet (trimmed into an oval): 4 7/8 x 4 3/4 in. (12.4 x 12 cm), Prints

Calphurnius, from the series The Roman Heroes, 1586, Engraving, 14 7/16 x 9 3/16 in. (36.6 x 23.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Plate 21: view from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli,

Pensant-ils au Raisin? (Are They Thinking About the Grape?), 18th century, Etching and engraving, Sheet: 14 1/8 x 18 1/8 in. (35.8 x 46 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French,

Christ in Limbo with Adam and Eve, ca. 1500–1534, Engraving, 8 7/16 x 6 3/4 in. (21.5 x 17.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After (?) Francesco Francia (Italian, Bologna ca.

A Harlot's Progress, Plate 1, before April 1732, Etching and engraving; first state of four, sheet: 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm), Prints, William Hogarth (British, London 1697–1764 London

The Cat, Caught in a Snare, is Mistreated by the People from the House from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm), Prints, Allart van Everdingen (Dutch,

Peasants' Brawl from The Peasants' Feast or the Twelve Months, 1547, Engraving; first state of two (Pauli), sheet: 1 15/16 x 2 7/8 in. (5 x 7.3 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Six peasants brawl with

St. Francis de Paul, 1627, Engraving; third state of three, sheet: 6 1/2 x 4 3/8 in. (16.5 x 11.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Rest on the Flight into Egypt, Engraving, Sheet: 3 3/4 × 1 7/8 in. (9.5 × 4.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

St Leonard standing holding a palm in his right hand and chains in his left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 3/16 x 1 7/8 in. (8.1 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Massacre of the Innocents, Engraving, sheet: 8 1/4 x 10 1/16 in. (21 x 25.6 cm), Prints, Anonymous, After Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1519–1594 Venice

John Wilkes, Esq., May 16, 1763, Etching and engraving; first state of two, sheet: 13 7/16 x 8 11/16 in. (34.2 x 22 cm), Prints, William Hogarth (British, London 1697–1764 London

The Triumph of Time on Fame, from The Triumphs of Petrarch, Engraving, Sheet: 5 1/2 × 8 3/8 in. (13.9 × 21.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Frontispice pour le 'Tombeau de Guillaume III' (Frontispiece for the Tomb of William III), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men), ca. 1736,

Pietro Aretino, 1640, Etching; second state of four (NH), sheet: 8 x 5 7/16 in. (20.3 x 13.8 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Titian (Tiziano Vecellio) (Italian, Pieve di

Henri de Mesmes, Engraving; first state of four (BN), sheet: 13 9/16 x 9 5/16 in. (34.4 x 23.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Coat of Arms with an Eagle Surrounded by Foliage, 1543, Engraving, Sheet: 2 7/8 x 2 in. (7.3 x 5.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for a coat of arms with an eagle. Above the escutcheon, a crowned helm with

Judith, seated nude with a sword in her right hand, gazing down at the head of Holofernes in her left hand, 1523, Engraving, Sheet: 2 3/8 x 1 9/16 in. (6 x 4 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Speculum Romanae Magnificentiae: St. Peter's, 16th century, Engraving and etching, sheet: 13 3/8 x 18 1/8 in. (34 x 46 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), After Michelangelo Buonarroti (Italian,

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius, tree at left, ca. 1517–20, Engraving, Sheet: 8 5/8 × 4 5/8 in. (21.9 × 11.8 cm), Prints, Marcantonio Raimondi (Italian,

Shroud of Oviedo: Virgin Mary holds open shroud for Saint Peter and Saint Paul, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 in. × 4 1/16 in. (12.7 × 10.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)

The Funeral of Chrystom & Marcella vindicating herself (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 9/16 x 7 in. (24.3 x 17.8 cm), Prints, William Hogarth (British, London 1697–1764

Goetz and Friar Martin, 1845, Wood engraving; proof before letters, Block: 8 9/16 x 5 11/16 in. (21.8 x 14.5 cm), Prints, Designed by Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Engraved by Andrew, Best, Leloir,

Delaware Water Gap, 1830, Steel engraving, 9 1/16 x 8 1/16 in. (23 x 20.5 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Speculum Romanae Magnificentiae: The Antonine Column, 1589, Engraving, sheet: 20 7/8 x 12 3/8 in. (53 x 31.5 cm), Prints, Anonymous

Coursier de Naple, Engraving, image: 8 1/8 x 9 1/8 in. (20.6 x 23.2 cm), Prints, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

The Master Gardener, 1741–63, Etching and engraving, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

La gabbia de' matti (The Cage of Fools), mid-16th century, Engraving, plate: 15 1/16 x 20 7/16 in. (38.2 x 51.9 cm), trimmed irregularly, Prints, Sebastiano di Re (Italian, active Rome, 1557–63

Robert C. Sands, ca. 1829, Steel engraving; second state of two, plate: 8 7/8 x 5 13/16 in. (22.6 x 14.8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Robert Walter Weir (American,

François de Villemontée, 1661, Engraving; second state of two, sheet: 12 15/16 x 9 7/16 in. (32.9 x 24 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Illustration to 'Tristram Shandy, ' Volume 4, 19th century, Engraving, image: 5 1/4 x 3 1/8 in. (13.3 x 7.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Plate 4: Psyche's father consulting the oracle, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Christ praying on Mount of Olives; Roman soldiers entering through garden gate in far background, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/8 in. × 4 in. (13 × 10.1 cm), Prints, Marcantonio Raimondi (Italian,

The Mocking of the Prisoners, ca. 1540, Engraving, plate: 17 3/16 x 22 7/16 in. (43.7 x 57 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Study of a Reclining Nude, Etching and Engraving, sheet: 9 3/4 x 11 7/8 in. (24.7 x 30.2 cm), Prints, Jean Edme Nochez (French, born Paris, 1736), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Tablet with Calendar from the Farnese Palace, 16th century, Engraving, sheet: 13 9/16 x 19 5/16 in. (34.5 x 49 cm), Prints, Anonymous

The Agony in the Garden, from The Passion of Christ, 1597, Engraving, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

The Creation of Eve, from The Power of Death (Allegory of Original Sin and Death), 1541, Engraving, Sheet: 2 15/16 × 1 7/8 in. (7.5 × 4.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Hans Holbein

Caius Marius in prison; two Cimbrian soldiers entering his cell, 1560–70, Engraving, sheet: 8 x 10 5/8 in. (20.3 x 27 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), Designed by Polidoro da Caravaggio (Italian,

Sts. Anne, Joseph, Joachim, Bernard and John the Evangelist (Parenté de la Vierge), 1648, Engraving; second state of two (BN), sheet: 16 3/4 x 12 1/8 in. (42.5 x 30.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Wicked Husbandman (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London),

The Entombment, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 3 15/16 in. (12.9 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht Dürer (German, Nuremberg

St Matthew the Evangelist, holding a banderole (possibly a modern impression), ca. 1480–1520, Engraving, printed from a plate engraved in the niello manner, Sheet: 14 3/16 × 12 5/8 in. (36 × 32 cm), Prints, Anonymous

The March to Finchley (A Representation of the March of the Guards towards Scotland in the Year 1745), December 31, 1750, Etching and engraving; fifth state of eight, Sheet: 17 x 21 15/16 in. (43.2 x 55.8 cm), Prints, after William Hogarth

Cardinal Jules Mazarin, 1656, Engraving, Sheet: 13 1/16 × 10 1/16 in. (33.2 × 25.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Portrait of Adrienne-Sophie Marquise de ***, 1779, Etching and engraving; second state of four (Bocher), Sheet: 10 15/16 × 7 7/8 in. (27.8 × 20 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Procession through the Hippodrome, Constantinople (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, plate 15), 1723–24, Etching and engraving, sheet: 9 13/16 x 13 7/16 in. (24.9 x

The Stoning of Saint Stephen, Engraving, Sheet: 10 11/16 x 6 1/8 in. (27.1 x 15.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris

Saint Francis of Assisi praying before a crucifix, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, Sheet: 3 5/16 × 1 15/16 in. (8.4 × 5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Shop Card for Mrs. Holt's Italian Warehouse, 1720–72, Etching and engraving; first state of two, sheet: 9 x 5 9/16 in. (22.8 x 14.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Banknote motifs: panel of lathe work ornament with rounded ends, with a repeating floral pattern, ca. 1824–42, Engraving on chine collé, plate: 3 15/16 x 2 5/16 in. (10 x 5.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Saint Anne and the Virgin with the Infant Christ, ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.3 x 5.0 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

River Landscape after the painting in the cabinet of Mr. Poullain, 1780, Etching and engraving, Sheet: 5 3/4 x 7 5/16 in. (14.6 x 18.5 cm), Prints, J. F. Borgnet (French, active ca. 1780–1790), After Jan Brueghel the Elder (Netherlandish,

Christmas Eve, 1862 (from Harper's Weekly), January 3, 1863, Wood engraving, Sheet: 14 7/16 × 21 7/16 in. (36.7 × 54.4 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil), Nast's image was published in the 1862

Trade Card of Richard Hand, The Oldest Original Chelsey Bunn Baker, 1718, Etching and engraving, Plate: 6 7/8 x 5 1/4 in. (17.5 x 13.3 cm), Prints, Said to be designed by William Hogarth (British, London 1697–1764 London

Winding Column from Saint Peter's, Rome, Engraving, Plate: 18 1/16 x 11 1/4 in. (45.8 x 28.6 cm), Prints, Anonymous, Italian, 16th century

The Expulsion from Paradise from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 7/16 × 2 1/2 in. (8.7 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam and Eve fleeing towards the left, while

The wedding of Jason and Creusa, at left Medea takes her children, 1530–60, Engraving, plate: 4 15/16 x 12 3/16 in. (12.5 x 31 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Joseph Trullier, 1626, Engraving, sheet: 6 1/4 x 4 1/8 in. (15.8 x 10.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Voltaire, 1801, Etching and engraving; third state of three (Bocher), Sheet: 9 3/16 × 5 13/16 in. (23.3 × 14.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean Antoine Houdon (French, Versailles

Cupid Instructed by Mercury, 18th century, Engraving, Sheet (trimmed): 10 9/16 × 15 5/8 in. (26.8 × 39.7 cm), Prints, Pierre François Basan (French, Paris 1723–1797 Paris (?)), After François Boucher (French, Paris 1703–1770 Paris

Joseph and Potiphar's Wife, from The Story of Joseph, 1546, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.7 × 8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Caius Marius in Prison, two Cimbrian soldiers entering his cell, 1560–69, Engraving, sheet: 8 x 10 5/8 in. (20.3 x 27 cm) within platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Polidoro da Caravaggio

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