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Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand, ca. 1520–30, Engraving, Sheet: 7 11/16 × 6 3/8 in. (19.6 × 16.2 cm), Prints, Anonymous, After Marcantonio

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, ca. 1530–60, Engraving, Sheet: 9 3/4 × 14 1/16 in. (24.7 × 35.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 4 15/16 × 3 1/2 in. (12.5 × 8.9 cm), after Paul Birckenhultz (1561–1639), Design for a jewelry pendant, with a ribbon and

Ornamental Design with a Mask and an Eagle between Two Fauns below, 1549, Engraving, sheet: 2 5/8 x 1 15/16 in. (6.7 x 4.9 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden, 18th–19th century, (a, b): engraving, Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm), After Salvator Rosa (Italian, Arenella

Christ on the Cross, from The Passion of Christ, 1596–98, Engraving, Sheet: 7 3/4 x 5 1/16 in. (19.7 x 12.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

St Francis of Assisi Adoring the Christ Child on the Virgin's Lap, Engraving; second state of two (BN), sheet: 9 1/4 x 13 7/8 in. (23.5 x 35.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Two Children, One Playing the Drum, Etching and Engraving, sheet: 11 7/16 x 8 3/8 in. (29 x 21.2 cm), Prints, Attributed to Louis Antoine Crozat, Baron de Thiers, Paris (French, 1699–1770), After François Boucher (French, Paris

A Rake's Progress, Plate 2, June 25, 1735, Etching and engraving; fourth state of four, plate: 14 x 16 1/16 in. (35.5 x 40.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Tobias Blessed by Blind Tobit, from The Story of Tobias, Etching and engraving, sheet: 6 11/16 x 8 1/4 in. (17 x 20.9 cm), Prints, Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen), After Moses van Uyttenbroeck (Dutch,

Saint Jean, 1726, Etching and engraving, Sheet (trimmed): 13 5/8 × 8 7/16 in. (34.6 × 21.5 cm), Prints, Edme Jeaurat (French, Vermenton 1688–1738 Paris), After François Boucher (French, Paris 1703–1770 Paris

Danae and the infant Perseus cast out to sea by Acrisius, 1543, Engraving, Sheet: 5 5/16 x 7 1/2 in. (13.5 x 19 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua) ? [or

Marforius, 1550, Engraving, sheet: 14 5/8 x 17 1/8 in. (37.2 x 43.5 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror

Man and Woman Reading, ca. 1742, Etching and engraving, Sheet (trimmed): 11 7/8 × 9 5/16 in. (30.1 × 23.7 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: The Ocean God, 1560, Engraving; second state of three (Robert-Dumesnil), sheet: 13 9/16 x 17 3/8 in. (34.5 x 44.2 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

The Wolf in in the She-Monkey's Cave Where the Renard Convinced Him to Enter in Order to Make Fun of Him from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 9/16 in. (9.5 × 11.6 cm), Prints,

Sleeping Huntress, 1625–77, Etching with engraving added by Paulus Pontius; second state of two, Plate: 6 × 8 9/16 in. (15.3 × 21.7 cm), Prints, After Pieter van Avont (Flemish, 1599–1652), Landscape with Diana sleeping at the foot of a

The Entombment, 1850, Steel engraving; second state, sheet: 20 1/4 x 23 11/16 in. (51.5 x 60.2 cm), Prints, After Johann Friedrich Overbeck (German, Lübeck 1789–1869 Rome), Engraved by Joseph van Keller (German, 1811–1873

The Adoration of the Shepherds, ca. 1504, Engraving, 14 1/4 x 10 9/16 in. (36.2 x 26.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Christ Carrying the Cross, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 5/8 × 4 15/16 in. (19.3 × 12.6 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

Scheme of Christian Kabbalism from Heinrich Khunrath, Amphiteatrum sapientiae aeternae, n.d., Engraving from a circular plate, sheet: diameter 16 1/16 in. (40.8 cm), Prints, Attributed to Peter van der Doort (born Antwerp, active Hamburg ca.

Title Plate with Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie, 1627, Engraving, Sheet: 9 13/16 × 7 1/16 in. (24.9 × 17.9 cm), Jacques Caillard (French, 17th century), Published by Isaac Briot

A Harlot's Progress, Plate 1, April 1732, Etching and engraving; fourth state of four, plate: 12 1/2 x 15 3/8 in. (31.8 x 39.1 cm), Prints, William Hogarth (British, London 1697–1764 London), Set outside the Bell Inn, London. Mary

Hercules, Bacchus, Pan, and Saturn(?), from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 6 13/16 x 9 in. (17.3 x 22.8

Frieze with Children Fighting Bears, 1537, Engraving; second state of two (New Hollstein), Sheet: 1 3/16 × 9 7/16 in. (3 × 23.9 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Speculum Romanae Magnificentiae: Sacrifice on the Campus Martius, 16th century, Engraving, sheet: 9 5/16 x 15 3/16 in. (23.6 x 38.5 cm), Prints, Anonymous

The Triumph of Death on Time, from The Triumph of Petrarch, Engraving, Sheet: 5 7/8 × 8 5/16 in. (14.9 × 21.1 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Philibert-Emmanuel de Beaumanoir de Lavardin, 1651, Engraving; third state of five [?] (Petitjean & Wickert), Sheet: 12 5/16 × 9 1/2 in. (31.2 × 24.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de

The Lion Delays Renard's Execution for a Final Interrogation from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Madame de Gillier (Marie Jolly), ca. 1652, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 5/8 × 9 3/8 in. (32 × 23.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Three Cupids Turning a Somersault, an Eagle on the Right, Etching and engraving, sheet: 12 1/8 x 9 7/8 in. (30.8 x 25.1 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770

Speculum Romanae Magnificentiae: Trophies of Marius, 16th century, Engraving and etching, sheet: 19 1/8 x 13 3/8 in. (48.5 x 34 cm), Prints, Anonymous

The Annunciation, before 1652, Engraving, Prints, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Vertical Panel with Two Children Supporting a Pedestal with a Satyr Playing a Bagpipe, ca. 1527, Engraving, Sheet: 2 15/16 × 1 1/8 in. (7.5 × 2.8 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Two children or putti

The Two Beams Floating in the Water, Engraving; second state of two, Plate: 2 5/8 × 4 1/2 in. (6.6 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Cross-section of the church of Sant'Andrea al Quirinale, Rome, showing lantern, cupola, and altar, ca. 1658–1700, Engraving, sheet: 11 3/4 x 11 in. (29.9 x 28 cm), Giovanni Francesco Venturini (Italian, active ca. 1650–1700

The First Stage of Cruelty, ca. 1800, Engraving, Sheet: 3 1/16 x 2 11/16 in. (7.7 x 6.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

Edouard Molé, ca. 1653, Engraving; second state of three (Petitjean & Wickert), Sheet: 11 3/4 × 8 3/16 in. (29.8 × 20.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Interior, showing an underground chamber reached by two flights of stairs, one on each side; niches on the landing above., 16th century, Engraving, mount: 17 11/16 x 13 in. (45 x 33 cm), Prints, Anonymous

The Holy Trinity, ca. 1500–1527, Engraving, 3 5/16 x 2 in. (8.4 x 5.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Medal, 17th–18th century, Engraving, sheet: 3 1/8 x 3 1/8 in. (8 x 8 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris

Saint Mark, from The Four Evangelists, 1539, Engraving, Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Banknote motif: the number 1 against an oval of woven lathe work, inside a rectangle decorated with grain, ca. 1824–42, Engraving and etching, sheet: 3 1/8 x 1 5/16 in. (7.9 x 3.3 cm), Prints, Associated with Cyrus Durand (American,

Credulity, Superstition, and Fanaticism, March 15, 1762, Etching and engraving; second state of two?, sheet: 14 5/8 x 12 3/4 in. (37.1 x 32.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Quatrefoil Design in Blackwork, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving and blackwork, Sheet: 1 13/16 × 1 1/2 in. (4.6 × 3.8 cm), Paul Birckenhultz (1561–1639), Ornamental design in quatrefoil at center, with

Marriage A-la-Mode, Plate III, April 1745, Etching and engraving; second state of three, Plate: 15 3/8 x 18 1/2 in. (39 x 47 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Vatican Reception of the Duke of Tuscany, ca. 1570, Etching and engraving, sheet: 14 3/16 x 19 7/16 in. (36 x 49.4 cm), Prints, Attributed to Etienne DuPérac (French, ca. 1535–1604), Attributed to Giovanni

The Triumph of Fame on Chastity, from The Triumphs of Petrarch, Engraving; third state of four (Landau), Sheet: 5 1/2 × 8 1/4 in. (14 × 20.9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Map of Stockholm (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 32), 1723–24, Etching and engraving; first state of two, sheet: 9 15/16 x 6 11/16 in. (25.2 x 17 cm), Prints,

The Lottery, [after 1724], Engraving and etching, plate: 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Marcus Curtius, from the series The Roman Heroes, 1586, Engraving; first state, 14 9/16 x 9 1/2 in. (37 x 24.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Man kneeling at the edge of a wood pointing with his right hand towards a shepherd standing in front of him leaning on a staff, ca. 1500–1534, Engraving; only state, Sheet: 3 3/4 × 3 1/16 in. (9.5 × 7.8 cm), Prints, Marcantonio Raimondi

Martin Luther with Doctoral Cap, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6 × 4.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg), after Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Joseph Sold to the Merchants, from The Story of Joseph, 1546, Engraving, Sheet: 4 9/16 × 3 1/16 in. (11.6 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Massacre of the Innocents, n.d., Engraving, Prints, After Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560 Florence), Attributed to Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Speculum Romanae Magnificentiae: Circus Maximus, 1553, Engraving, sheet: 14 3/4 x 21 3/4 in. (37.5 x 55.2 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Pirro Ligorio (Italian, Naples ca. 1512/13–1583

Portrait of Jean de la Fontaine, 1801, Etching and engraving; third state of three (Bocher), Sheet: 9 1/8 × 5 13/16 in. (23.2 × 14.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After M. Julien (French

Leda with the Swan and Hercules as a Child, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 5/8 in. (10.7 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus, 1576, Engraving, Sheet: 22 1/16 × 15 3/8 in. (56 × 39 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Taddeo Zuccaro (Italian,

The Visitation, 1540–50, Engraving, sheet: 12 11/16 x 19 1/2 in. (32.3 x 49.5 cm) trimmed to borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Salviati (Francesco de' Rossi) (Italian, Florence

Simon Dreux d'Aubray, 1658, Engraving; second state of two (Petitjean & Wickert), Sheet: 9 3/4 × 12 1/2 in. (24.7 × 31.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Solomon Building the Temple, from The Story of Solomon, 1554, Engraving, Sheet: 10 1/8 × 7 7/8 in. (25.7 × 20 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem

Maerten de Vos, Engraving, sheet: 11 5/16 x 8 7/8 in. (28.8 x 22.6 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Joseph Heintz the Elder (Swiss, Basel 1564–1609 Prague

Chinese Bell Music, 1741–63, Etching and Engraving, sheet: 8 11/16 x 5 11/16 in. (22 x 14.4 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Combat Between Greeks and Trojans, 1518–30, Engraving, Sheet: 1 1/8 x 3 1/4 in. (2.8 x 8.3 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Jean-Pierre Camus, Bishop of Belley, Engraving; first state of two (BN), sheet: 8 9/16 x 5 7/8 in. (21.8 x 15 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Christ Appearing to the Magdalen as a gardener, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/8 × 3 15/16 in. (13 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

Drawings and Prints, Print, St Mark the Evangelist, holding a banderole (possibly a modern impression), Artist, Anonymous, ca. 1480–1520, 1475, 1485, Engraving

The Seraglio (Aubry de La Mottraye, Travels throughout Europe, Asia and into Part of Africa..., London, 1724, vol. I, pl. 18), 1723–24, Etching and engraving; second state of two, sheet: 10 x 13 3/4 in. (25.4 x 34.9 cm), Prints, After

Adulthood (Evening) from The Four Ages of Man and Death with the Last Judgment, Before 1619, Engraving; state before Hollstein's first state of two (before astrological symbols added to the flag on left), Sheet: 8 15/16 x 12 5/8 in. (22.7 x 32

Designs for Brackets with Silverwork, late 17th century, Etching and Engraving, plate: 7 1/2 x 10 1/4 in. (19 x 26 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Etching and engraving with designs for brackets with silverwork,

Speculum Romanae Magnificentiae: The Colosseum, 16th century, Engraving, sheet: 15 1/16 x 21 15/16 in. (38.2 x 55.8 cm), Prints, Anonymous

Frieze with a Horned Male Figure at Center with Two Tendrils Held at Either End by Winged Female Figures, 1500–1550, Engraving, Sheet: 5/8 x 5 1/4 in. (1.6 x 13.3 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Ornament

St. Francis of Assisi Adoring the Christ Child on the Virgin's Lap, Engraving; first state of two, sheet: 9 3/8 x 13 7/8 in. (23.8 x 35.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Vertical Panel with a Half-Length Female with Leaves as Arms, 1520–61, Engraving, Sheet: 1 5/16 × 1 in. (3.4 × 2.5 cm), Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg)), Ornament panel with half-length female figure

The Delivery of the Keys to Peter, Engraving, sheet: 4 15/16 x 10 5/8 in. (12.5 x 27 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

The Flight into Egypt, 1571, Engraving, Sheet: 11 in. × 7 1/2 in. (28 × 19.1 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Pierre Grassendi, Engraving; copy, sheet: 5 7/8 x 4 3/8 in. (15 x 11.1 cm), Prints, Anonymous, French, 17th century, After Claude Mellan (French, Abbeville 1598–1688 Paris

Banknote vignette with female figure representing marine commerce, ca. 1824–37, Engraving and etching, plate: 2 1/16 x 2 11/16 in. (5.2 x 6.9 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Baptism of Christ, ca. 1600, Engraving; third state of six, 11 11/16 × 8 7/16 in. (29.7 × 21.5 cm), Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628

Speculum Romanae Magnificentiae: Della Valle Frieze, 1561, Engraving, sheet: 13 1/2 x 19 1/8 in. (34.3 x 48.5 cm), Prints, Anonymous

David with the head of Goliath, ca. 1515–16, Etching and engraving, sheet: 4 3/8 x 3 1/8 in. (11.1 x 8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), ?After Raphael (Raffaello Sanzio or Santi)

Portrait of Johann Friedrich the Magnanimous, Elector of Saxony, 1543, Engraving, Sheet (trimmed; without frame): 13 1/16 × 8 7/16 in. (33.2 × 21.4 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Nativity, from Life of the Virgin and Christ, 1490–1500, Engraving; first state of three (Bartsch), Sheet: 8 3/4 × 6 1/2 in. (22.2 × 16.5 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice

Le cardinal de Coislin, 1661, Engraving, Sheet: 11 × 9 1/16 in. (28 × 23 cm), Prints, Jean Lenfant (French, 1615–1674), After Robert Nanteuil (French, Reims 1623–1678 Paris

Jewish Musician in Mogador Costume, Morocco, 1842, Wood engraving on newsprint; second state, Overall: 6 7/8 x 5 1/16 in. (17.4 x 12.8 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Engraved by Andrew,

Paul Before Felix Burlesqued, May 1751, Etching and engraving with some mezzotint tone; fourth state of five, sheet: 10 1/4 x 13 13/16 in. (26 x 35.1 cm), Prints, William Hogarth (British, London 1697–1764 London

The Crucifixion, 15th century, Engraving, Sheet: 11 3/4 × 8 1/4 in. (29.9 × 21 cm), Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

Jean Loret, 1658, Engraving; second state of three (Petitjean & Wickert), Sheet: 10 1/4 × 7 5/16 in. (26 × 18.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Late Provision, 1771, Etching and engraving, sheet: 15 1/16 x 10 13/16 in. (38.2 x 27.5 cm), Prints, Philippe Trière (French, Paris 1756–1815 Paris), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk, ca. 1543–70, Engraving, mount: 17 15/16 x 12 5/8 in. (45.5 x 32 cm), Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara

The Casks and Planks at the Back of the River, Engraving; second state of three, Plate: 3 15/16 × 5 13/16 in. (10 × 14.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Louis XIV, 1686, Engraving; sixteenth state of sixteen (Petitjean & Wickert), Sheet: 20 × 16 15/16 in. (50.8 × 43 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Little Buffoon, 1542, Engraving; second state of two (Pauli), Sheet: 1 13/16 x 3 3/16 in. (4.6 x 8.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Hercules Slaying the Hydra, ca. 1602, Engraving; second state of four, 49.6 x 35.8 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Seated Woman Bathing Her Feet, Engraving, Sheet: 1 1/2 × 1 3/16 in. (3.8 × 3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Banquet of Alexander, 1540–50, Engraving, Sheet: 9 3/4 x 14 7/16 in. (24.7 x 36.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Thalia, n.d., Engraving, sheet: 9 11/16 x 6 9/16 in. (24.6 x 16.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, ca. 1520–25, Engraving, 8 15/16 x 13 3/8 in. (22.7 x 34.0 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 6 15/16 x 9 5/16 in. (17.6 x

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