Images at Librifly

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Self-portrait in a Turkish Outfit, 18th century, Engraving; first state of two, plate: 10 13/16 x 7 1/16 in. (27.5 x 18 cm), Prints, Carlo Gregori (Italian, Lucca 1702–1759 Florence), After Giovanni Domenico Campiglia (Italian, Lucca,

Hercules Stealing the Horses of Diomedes, 16th century, Engraving, sheet: 2 11/16 x 3 1/16 in. (6.8 x 7.7 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Augustus, 1589, Etching and engraving, sheet: 20 7/8 x 14 7/16 in. (53 x 36.7 cm), Prints, Anonymous

Portrait of Laurent Cars, 1768, Etching and engraving; fifth state of five (Bocher), Mount: 10 1/4 × 8 3/8 in. (26 × 21.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris

Copy of a Panel with Two Dolphins Facing a Vessel at Center, after 1520, Engraving, Sheet: 7/8 × 2 in. (2.3 × 5.1 cm), after Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg)), Ornamental design with vase at center,

Pierre Dupuy, ca. 1648, Engraving, Sheet: 6 × 4 1/8 in. (15.3 × 10.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Guillaume de Lamoignon, 1676, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 19 3/4 × 16 7/8 in. (50.2 × 42.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Venus and Cupid, two other goddesses and a putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 7 1/4 x 9 5/16 in.

Portrait of Victor Amédée, roi de Sairdaigne, 1777, Etching and engraving; fourth state of four (Bocher), Sheet: 19 3/16 × 13 11/16 in. (48.7 × 34.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After

Speculum Romanae Magnificentiae: Title Page engraved within architectonic and sculptural border, 1573–77, Engraving, sheet: 16 15/16 x 11 5/8 in. (43 x 29.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

An Election Entertainment, Plate I: Four Prints of an Election, February 24, 1755, Etching and engraving; eighth state of eight, sheet: 16 5/16 x 21 3/4 in. (41.5 x 55.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Saint Jacques Le Mineur, 1726, Etching and engraving, Sheet (trimmed): 13 11/16 × 8 9/16 in. (34.7 × 21.7 cm), Prints, Edme Jeaurat (French, Vermenton 1688–1738 Paris), After François Boucher (French, Paris 1703–1770 Paris

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left, 1530–60, Engraving, 13 5/8 x 9 15/16 in. (34.6 x 25.2 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60),

John the Baptist Preaching in the Desert, ca. 1527–28, Engraving; first state of five, sheet: 15 1/2 x 21 1/2 in. (39.4 x 54.6 cm), Prints, Engraved by Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), after Lucas van Leyden

Frieze with Grotesques and a Horned and Bearded Figure Between Strapwork at Center, 1589, Engraving, Sheet: 2 13/16 × 5 3/4 in. (7.2 × 14.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Horizontal panel with a central

Venus with Two Putti, Engraving, Sheet: 2 3/8 × 1 7/16 in. (6.1 × 3.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg), after Peregrino da Cesena (Italian, active Bologna, ca. 1490–ca. 1520

Diana followed by cupid at left, Endymion at right, ca. 1500–1534, Engraving, 2 15/16 × 1 15/16 in. (7.5 × 5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Designed by Raphael (Raffaello Sanzio

Panel with Grotesque Candelabrum Containing a Mask and Two Satyrs, 1549, Engraving, Sheet: 2 5/8 × 1 15/16 in. (6.7 × 4.9 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design panel with mask at center,

The Three Cottages, 17th century, Engraving; second state of two, Sheet: 5 1/16 × 6 9/16 in. (12.9 × 16.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Gin Lane, February 1, 1751, Etching and engraving; third state of three, sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Ecce Homo: Christ wearing the crown of thorns standing in a loggia presented to a crowd, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 × 3 15/16 in. (13.2 × 10 cm), Prints, Marcantonio Raimondi (Italian,

The Martyrdom of Saint Bartholomew, 1624, Etching and engraving, Sheet: 12 11/16 × 9 7/16 in. (32.2 × 24 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples

Speculum Romanae Magnificentiae: Ionic capital, ca. 1537, Engraving, sheet: 5 11/16 x 5 5/16 in. (14.5 x 13.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Thalia, ca. 1540–45, Engraving, Sheet (trimmed): 8 13/16 × 7 1/16 in. (22.4 × 18 cm), Prints, Engraved by Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), after Léon Davent (French, active 1540–56),

Hercules Killing Nessus, from The Labors of Hercules, 1550, Engraving, Sheet: 4 1/4 x 2 3/4 in. (10.8 x 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Pendant Design with a Fish Carrying Tobias and the Angel, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 1/16 × 5 1/4 in. (17.9 × 13.3 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), after a design by

Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro da Caravaggio, ca. 1570–1615, Engraving, sheet: 9 3/4 x 6 5/16 in. (24.7 x 16 cm), Prints,

A Harlot's Progress, Plate 4, April 1732, Etching and engraving; third state of three, plate: 12 5/16 x 15 3/16 in. (31.3 x 38.6 cm), Prints, William Hogarth (British, London 1697–1764 London

The Lamentation of Christ, 1841, Etching and engraving, Plate: 14 9/16 × 17 1/16 in. (37 × 43.3 cm), Prints, Franz Anton Erich Moritz Steinla (German, 1791–1858), After Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence

Portrait of Jean-Baptiste Lully, 1770, Etching and engraving; fourth state four (Bocher), Mount: 10 9/16 × 6 3/4 in. (26.8 × 17.1 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Marriage A-la-Mode, plate IV (reverse copy), 18th–19th century, Etching and engraving, Sheet: 19 5/8 x 24 7/8 in. (49.8 x 63.2 cm), Prints, Copy after William Hogarth (British, London 1697–1764 London

Violin-Player, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Horizontal Panel with Two Tritons with Foliate Tails Playing Horns, early 16th century, Engraving, Sheet: 7/8 × 2 1/8 in. (2.2 × 5.4 cm), Barthel Beham (German, Nuremberg ca. 1502–1540 Italy), Ornamental design with two outward-facing

The Good Samaritan, n.d., Engraving, Image: 10 1/16 x 6 15/16 in. (25.6 x 17.6 cm), Prints, Jules Laurens (French, Carpentras 1825–1901 Saint Didier), After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Cyrus, King of Persia, from Four Illustrious Rulers of Antiquity, 1590s, Engraving, Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Jacob's Ladder, 1655, Etching, engraving and dry point, sheet: 4 5/8 x 3 1/16 in. (11.8 x 7.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Vulcan's Forge, Engraving, sheet: 12 1/8 x 16 1/4 in. (30.8 x 41.3 cm), Prints, Master FG (Italian, active mid-16th century), Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Christ flanked by the Virgin and St. John in the upper section, St. Paul and St. Catherine below, ca. 1520–25, Engraving, 16 9/16 x 11 3/8 in. (42.1 x 28.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Mercury and Argus, Io and Juno, Engraving, sheet: 6 7/8 x 9 15/16 in. (17.5 x 25.3 cm), Prints, Possibly by Robert Willemsz de Baudous (Netherlandish, 1574/5–1659), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Amnon Violating Tamar, 1540, Engraving; second state of two, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Amnon, seen from behind, grabs Tamar at left. At right, a

Title Page: Le Code Louis XIV, 1667, Engraving; third state of three (BN), sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 7), February 1725–26, Engraving; second state of three, sheet: 10 9/16 x 20 in. (26.9 x 50.8 cm), Prints, William Hogarth (British, London

Prudence (Prudentia) from The Virtues, ca. 1559–60, Engraving; first state of two, Sheet: 10 1/4 x 13 3/16 in. (26.1 x 33.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder

The Persecution of Job, Engraving, Sheet: 2 1/2 × 3 3/8 in. (6.3 × 8.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11), 1725–68, Etching and engraving; fourth state of four, plate: 10 7/8 x 20 1/4 in. (27.7 x 51.4 cm), Prints, William Hogarth (British, London

An allegory of sickness, man laying prostrate on a bed surrounded by figures, ca. 1540, Engraving (only state), sheet: 11 3/4 x 8 7/16 in. (29.8 x 21.4 cm) trimmed within platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca.

Banknote vignette showing woodsmen felling trees in a snowy forest, ca. 1824–37, Engraving and etching, plate: 2 3/8 x 4 1/2 in. (6.1 x 11.5 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

David Tearing His Clothes in Grief, 1540, Engraving; second state of two (New Hollstein), Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), David, seated on a throne at

Design for a Pendant with IHS Monogram, 1609, Engraving and blackwork, Plate: 5 1/4 x 3 11/16 in. (13.3 x 9.3 cm), Master P.R.K (Dutch, ca. 1609–1617), This finely wrought pendant was designed by the Dutch goldsmith known as the Master P.R.K.

Knight with Bread and Wine, Engraving, Sheet: 3 1/2 × 1 7/8 in. (8.9 × 4.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Two Fauns Carrying a Child, ca. 1513–15, Engraving, 6 1/4 x 7 3/16 in. (15.8 x 18.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti, 1781, Etching and engraving; first state of two (Bocher), Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris),

Ornament with a Wild Man, 15th century, Engraving; second state of two, Sheet: 3 9/16 × 2 9/16 in. (9 × 6.5 cm), Master ES (German, active ca. 1450–67

Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet, May 1, 1796, Stipple engraving and etching; early state, sheet: 8 3/4 x 5 3/8 in. (22.2 x 13.7 cm) (clipped impression, inlaid), Prints, After Charles Shirreff (British,

Cormorant Fishing, ca. 1742, Etching and engraving, Sheet (trimmed): 11 7/8 × 9 5/16 in. (30.1 × 23.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Three Cupids, mid to late 18th century, Etching and engraving, Sheet (trimmed): 10 1/16 × 6 15/16 in. (25.5 × 17.7 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Before, 1790–1810, Engraving, Sheet: 2 15/16 x 2 7/16 in. (7.5 x 6.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

Hudubras and Ralpho Disputing (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 8), 1721–26, Etching and engraving, sheet: 4 3/4 x 2 7/8 in. (12 x 7.3 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants, early 16th century, Engraving, sheet: 6 7/8 x 11 in. (17.5 x 28 cm), Prints, Anonymous, After Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Basile Fouquet, 1658, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 11/16 × 9 13/16 in. (32.3 × 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Ecce Homo, from The Passion of Christ, 1597, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve

Copy of Leaf Ornament with Lilies of the Valley, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.1 cm), after Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, Sheet: 16 15/16 x 11 15/16 in. (43 x 30.3 cm), Prints, After William

First View of the Environs of Antwerp (Premiere Vue des Environs d'Anvers), Etching and engraving, Sheet: 11 7/8 x 14 3/16 in. (30.2 x 36 cm), Prints, Maria Fr. Ozanne (French, active 18th c.), After Jan Brueghel the Elder (Netherlandish,

Joseph in the centre being sold by his brothers standing above a well, camels at the right, 1533, Engraving, sheet: 8 1/4 x 11 1/4 in. (21 x 28.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello

The Virgin and Child with the Skull (copy), 16th century, Engraving printed on blue paper, Sheet: 2 3/4 x 3 7/8 in. (7 x 9.8 cm), Prints, After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy), Nikolaus Wilborn (German, active ca.

John M. Mason, D.D. S.T.P. (1770–1829), 1822, Engraving; only state, image: 12 5/16 x 9 13/16 in. (31.3 x 24.9 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Wesley Jarvis

The Triumph of Death on Time, from The Triumph of Petrarch, Engraving, Sheet: 5 7/8 × 8 1/4 in. (14.9 × 21 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Path over a Valley, Engraving, Sheet: 8 15/16 x 12 13/16 in. (22.7 x 32.6 cm), Prints, Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637 Utrecht), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame, 1621, Etching and engraving, sheet: 5 9/16 x 4 5/16 in. (14.1 x 11 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome), Late in

Banknote vignette with a blacksmith and forge, ca. 1824–37, Engraving and etching on chine collé, plate: 1 7/8 x 3 1/8 in. (4.7 x 8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New

Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 7 1/2 x 9 5/8 in.

Speculum Romanae Magnificentiae: Temple of Janus, 1550, Engraving, sheet: 22 1/8 x 16 3/4 in. (56.2 x 42.6 cm), Prints, Anonymous

Saint Jerome Hearing the Trumpet of the Last Judgment, ca. 1621, Etching and engraving, sheet: 12 7/16 x 9 5/16 in. (31.6 x 23.7 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples

Portrait of J. Louis David, 1814, Engraving, sheet: 13 x 9 1/4 in. (33 x 23.5 cm), Prints, Eugène Bourgeois (French, Paris 1855–1909

Nude woman viewed from behind holding fabric which blows behind her, looking at male nude standing in contrapposto in front of her., ca. 1500–1534, Engraving; only state, Sheet: 2 13/16 × 1 13/16 in. (7.2 × 4.6 cm), Prints, Marcantonio

The Golden Age, 1620, Engraving, sheet: 12 3/16 x 16 3/4 in. (30.9 x 42.6 cm), Prints, Adriaen Matham (Dutch, ca. 1599–1660), Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Maison antique a Nymmes, 16th century, Engraving, shadows added with brush, mount: 10 9/16 x 16 3/4 in. (26.8 x 42.5 cm), Prints, Anonymous

The Sixth Day (Dies VI), from the series The Creation of the World, ca. 1598, Engraving; third state of three, Diameter: 10 5/16 in. (26.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

Head of a Man, mid-18th century, Crayon-manner engraving, Sheet: 19 3/8 x 14 in. (49.2 x 35.5 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Triumph of Time on Fame, from The Triumphs of Petrarch, Engraving, Sheet: 5 15/16 × 8 5/16 in. (15.1 × 21.1 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina, 1565, Engraving, sheet: 16 1/8 x 12 5/8 in. (41 x 32 cm), Prints, Anonymous

Hercules and the Nemean Lion: Hercules grasps the shoulders and chest of the lion, which is viewed from the back, beside a rocky outcrop, ca. 1530–87, Engraving, plate: 8 5/16 x 5 1/2 in. (21.1 x 14 cm), Prints, Adamo (Ghisi) Scultori

Denis Talon, ca. 1656, Engraving, Sheet: 14 3/16 × 11 1/8 in. (36 × 28.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Death (from the series A Love), 1887–1903, Etching, engraving, and aquatint; third edition; state seven of nine, Plate: 12 3/8 × 17 15/16 in. (31.4 × 45.5 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Henri II d'Orléans, Duc de Longueville, ca. 1655, Engraving; first state of three (Petitjean & Wickert), sheet: 10 5/16 x 7 1/4 in. (26.2 x 18.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Louis Hesselin, 1658, Engraving; first state of two (Petitjean & Wickert), Sheet: 13 1/8 × 10 1/4 in. (33.3 × 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Saint Peter Nolasque, 1627, Engraving; second state of two (BN), sheet: 18 15/16 x 13 9/16 in. (48.1 x 34.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Stage Coach, or Country Inn Yard, June 1747, Etching and engraving; third (?) state of four, plate: 8 1/2 x 12 1/8 in. (21.6 x 30.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Entablatures from Santa Pudenziana and the Arch of Camigliano, 1537, Engraving, sheet: 7 1/2 x 4 15/16 in. (19 x 12.5 cm), Prints, Master PS (Italian or French, active 1530s

Speculum Romanae Magnificentiae: The Nile, mid-16th century, Engraving; first state of three, sheet: 13 x 21 1/16 in. (33 x 53.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

The Repository of Arts, Literature, Fashions, Manufactuers, 2nd series, volume 12, July–December 1821, Illustrations: etching, engraving, aquatint, lithography, hand-coloring, 9 7/16 in. × 6 in. × 1 9/16 in. (24 × 15.3 × 4 cm

Pierre Poncet, 1650, Engraving; third state of four (Petitjean & Wickert), Sheet: 13 9/16 × 10 11/16 in. (34.4 × 27.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Dancing Couple, from The Large Wedding Dancers, 1538, Engraving, Sheet: 4 11/16 × 3 1/8 in. (11.9 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Designed by Hans Schäufelein (German, Nuremberg ca.

Habitus Lusitanorum Peculiaris, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 8 7/8 x 6 in. (22.6 x 15.2 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen Vrancx

Speculum Romanae Magnificentiae: The upper portion of Trajan's Column, showing arabesque work on the crowning turret, 16th century, Engraving, sheet: 12 3/16 x 8 1/16 in. (31 x 20.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Sophocles (after Rubens), 1638, Engraving, plate: 12 1/16 x 8 11/16 in. (30.6 x 22 cm), Prints, Paulus Pontius (Flemish, Antwerp 1603–1658 Antwerp), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Saint Simon, a saw in his lowered left hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.2 x 5.0 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

St. James the Major at the Battle of Clavigo, 15th century, Engraving; first state, Prints, Attributed to Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

St. Andrew, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

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