Images at Librifly

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Aer' in a Decorative Border with Birds, from a Series of Circular Designs with the Four Elements, 1590–1612, Engraving, Sheet: 4 7/8 × 4 15/16 in. (12.4 × 12.5 cm), Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637

The brave man from Gaudalajara facing a tiger, ca. 1900, Metal-plate engraving, Sheet: 3 1/4 × 4 15/16 in. (8.2 × 12.5 cm), Prints, José Guadalupe Posada (Mexican, 1851–1913), According to note on mount sheet, this proof was printed by

Speculum Romanae Magnificentiae: The Colosseum, 1581, Etching and engraving, sheet: 16 1/16 x 21 in. (40.8 x 53.3 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Ionic Capital, Engraving, sheet: 4 3/4 x 7 1/16 in. (12 x 18 cm), Master G.A. (Italian, active ca. 1535

The Barber, 1737, Etching with some engraving, image: 9 1/8 x 7 1/4 in. (23.1 x 18.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Speculum Romanae Magnificentiae: Emperor Commodus as Hercules, 1582, Engraving, sheet: 17 15/16 x 11 13/16 in. (45.6 x 30 cm), Prints, Attributed to Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition, ca. 1610, Engraving, Sheet: 2 1/2 x 1 15/16 in. (6.3 x 5 cm), Prints, Hendrick

Marie Jeanne Baptiste de Savoie-Nemours, 1678, Engraving; first state of three (Petitjean & Wickert), Sheet: 9 15/16 × 11 15/16 in. (25.2 × 30.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Laurent du Sour (French

Le Père Charles de Condren, Engraving; first state of two (BN), sheet: 7 3/16 x 4 15/16 in. (18.2 x 12.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Pleasures of Occupation, Etching and engraving, sheet: 4 3/16 x 5 15/16 in. (10.6 x 15.1 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Double Goblet with Oval Medallions, 1530, Engraving, Sheet: 3 5/8 x 2 1/8 in. (9.2 x 5.4 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for a double goblet with oval medallions of knights. The knight in the central

Charity personified by a woman with three children, ca. 1520–40, Engraving, 5 7/16 x 3 1/4 in. (13.8 x 8.3 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), The print has a French

Three Stags, sitting in the ground, buildings in background, ca. 1500–1510, Engraving, sheet: 5 11/16 x 4 1/8 in. (14.5 x 10.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Bust of the Virgin, 1650, Engraving, sheet: 17 x 12 9/16 in. (43.2 x 31.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Hamlet on the Mountainside, Engraving; fourth state of four, Sheet: 4 3/16 × 4 1/4 in. (10.7 × 10.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Adoration of the Shepherds, ca. 1599, Engraving and drypoint; first state of six, sheet: 8 1/2 x 6 1/8 in. (21.6 x 15.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

View of ruins, possibly the Baths of Caracalla, from the series 'The Small book of Roman ruins and buildings' (Operum antiquorum romanorum), 1561, Etching and engraving, sheet: 9 1/4 x 12 13/16 in. (23.5 x 32.5 cm), After Hieronymus Cock

Young Woman in Antique Dress, 1540, Engraving, Sheet (trimmed): 6 5/8 × 4 5/8 in. (16.8 × 11.8 cm), Prints, Léon Davent (French, active 1540–56), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Shadow and Substance (from Wayside Posies: Original Poems of the Country Life), 1867, Wood engraving, Image: 6 1/2 × 4 13/16 in. (16.5 × 12.3 cm), Prints, After George John Pinwell (British, London 1842–1875 London

Conbat d'une Pantere et d'un Cheval, Engraving, image: 8 1/8 x 9 5/16 in. (20.7 x 23.7 cm), Prints, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

Ecce Homo, from The Passion of Christ, 1597, Engraving, sheet: 8 1/8 x 5 3/8 in. (20.7 x 13.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve

The Brook in the Wood, Engraving; fifth state of seven, Sheet: 4 3/4 × 5 3/16 in. (12.1 × 13.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Calling of the Apostles St. James and St. John, 1839, Engraving, sheet: 26 3/8 x 21 7/8 in. (67 x 55.6 cm), Prints, Friedrich August Pflugfelder (German, Bremen 1809–after 1856 Düsseldorf), After Johann Friedrich Overbeck (German,

The Three Graces sitting on clouds, cupid at the left, after Raphael's fresco in the Chigi Gallery of the Villa Farnesina in Rome, ca. 1517–20, Engraving, 12 3/16 x 8 3/8 in. (31.0 x 21.3 cm), Prints, Marcantonio Raimondi (Italian, Argini

Blackwork Print with Four Ring Bezel Combined with C-Scrolls and Insects, 1592–1604, Blackwork engraving, Sheet: 2 3/16 × 2 15/16 in. (5.5 × 7.4 cm), Hans de Bull (German, active 1592–1604), Blackwork print with a large bezel at center,

A monkey holding a bound putto standing on a garland in front of which are two winged putti, from a series of tapestries made for Leo X, 1530–60, Engraving, second state of two, sheet: 8 1/4 x 11 1/4 in. (21 x 28.5 cm), Prints, Master of the

Woodland scene with marshy banks, two men and a dog in profile at left, two-long-necked birds at right, from the series 'Six landscapes in Tyrol' after Roelandt Savery, ca. 1600, Engraving, sheet: 6 1/2 x 8 11/16 in. (16.5 x 22.1 cm), Prints,

Vase with Lid, Decorated with a Mask and Garlands, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.2 cm), Depiction of a vase or ewer. The vase is covered by a lid and has one handle, shaped like a hybrid bird-like creature.

Frederick de Vries, 1597, Engraving; second state, 14 3/16 x 10 1/2 in. (36.1 x 26.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Travelers Visiting Ruins, mid-17th century, Engraving, sheet: 9 9/16 x 12 3/8 in. (24.3 x 31.4 cm), Prints, Gabriel Perrelle (French, ca. 1603–1677

Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), 1794, Engraving, Image: 9 9/16 × 7 7/8 in. (24.3 × 20 cm), Prints, After William Hamilton (British, London 1751–1801 London

Plate 22: Venus ordering Psyche to Sosort a heap of grain, from the 'Fable of Psyche', 1530–60, Engraving, sheet: 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Samson and Delilah, Engraving, Sheet: 1 7/8 × 3 1/16 in. (4.8 × 7.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Hudibras Catechized (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 9), 1725–68, Etching and engraving; third state of three, plate: 10 3/4 x 13 7/8 in. (27.3 x 35.3 cm), Prints, William Hogarth (British, London 1697–1764

Portrait of Louis-Philippe, duc d'Orléans, 1778, Etching and engraving; fourth state of four (Bocher), Sheet: 13 7/8 × 9 1/2 in. (35.3 × 24.1 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas

An allegorical scene; a young woman at centre holding a wreath above her head, at left is a old man leaning on a stick, a younger man at right who holds a small dragon, ca. 1515–27, Engraving, 10 1/2 x 7 1/2 in. (26.6 x 19.0 cm), Prints,

The Capture of Valencia in Italy (La Prise de Valence en Italie), n.d., Engraving, Image: 12 9/16 x 8 1/4 in. (31.9 x 21 cm), Prints, Ludovicus Simonneau (French), After Jean Berain (French, Saint-Mihiel 1640–1711 Paris

Speculum Romanae Magnificentiae: The Septizodium, 1556, Etching and engraving, sheet: 18 11/16 x 12 5/8 in. (47.5 x 32.1 cm), Prints, Anonymous

The Idle 'Prentice Turned Away and Sent to Sea: Industry and Idleness, plate 5, September 30, 1747, Etching and engraving; first state of three, sheet: 10 3/8 x 13 11/16 in. (26.4 x 34.8 cm), Prints, William Hogarth (British, London

Venus attended by cupids, ca. 1500–1534, Engraving, 3 3/16 × 1 15/16 in. (8.1 × 5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Emmanuel-Théodose de La Tour d'Auvergne, duc d'Albret et cardinal de Bouillon, 1673, Engraving, sheet: 14 x 9 3/8 in. (35.6 x 23.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of P. A. Caron de Beaumarchais, 1773, Etching and engraving; second state of two (Bocher), Mount: 10 3/16 × 6 13/16 in. (25.8 × 17.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas

The Millstone near the Cask, Engraving; first state of three, Sheet: 5 1/16 × 4 5/16 in. (12.8 × 10.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Headband: Two Infants with the Arms of France and Navarre, Engraving, sheet: 1 7/8 x 6 3/4 in. (4.8 x 17.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Christ crucified surrounded by mourning angels, 1575–79, Engraving, sheet: 12 5/8 x 8 5/8 in. (32 x 21.9 cm); trimmed, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Speculum Romanae Magnificentiae: The Column of Trajan, 16th century, Engraving, mount: 26 5/16 x 19 1/2 in. (66.8 x 49.6 cm), Prints, Anonymous, Italian, 16th century, After Antonio da Labacco (Italian, near Vigevano ca. 1495–after 1567

Christ standing at left indicating to a flock of sheep, before him kneels St. Peter holding the keys to the church, behind him to the left stand the Apostles, 1530–60, Engraving, plate: 6 1/8 x 11 1/4 in. (15.5 x 28.5 cm), Prints, Master of

Hagar in the Desert Consoled by an Angel, ca. 1610, Engraving; third state of three, 6 13/16 × 8 1/4 in. (17.3 × 21 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Renard Goes with the Badger to Court to Appease the Lion's Anger from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Panoramic View of New York Taken from the East River, 1844, Engraving and aquatint with watercolor, image: 8 15/16 x 31 7/8 in. (22.7 x 81 cm), Prints, Vessels drawn by James Fulton Pringle (British, 1788–1847), This view is typical of the

Design for a Sword or Dagger Handle, 1592–93, Engraving and blackwork, Sheet: 3 3/4 × 3 1/4 in. (9.5 × 8.3 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a handle with an oval at center containing an armored

Coat of Arms of a Cardinal of the Sampieri Family, 1590–95, Engraving, 5 1/2 x 4 1/8 in. (14 x 10.5 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma

Jean-Baptiste Colbert, 1662, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 12 1/2 × 9 3/4 in. (31.7 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

The Enraged Musician, November 30, 1741, Etching and engraving; second or third state of three, Plate: 14 3/16 x 14 3/16 in. (36 x 36 cm), Prints, William Hogarth (British, London 1697–1764 London

Saint Matthew, from The Four Evangelists, 1539, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

A plague scene at right, a man at left holding a torch illuminating part of the scene at left, ill people at the right, ca. 1515–16, Engraving (heavily reworked), Sheet: 7 13/16 × 9 3/4 in. (19.9 × 24.7 cm), Prints, Marcantonio Raimondi

Vase with a monster at center, two cornucopias, and two flanking winged female figures, 1565–1615, Engraving, Sheet: 9 3/16 × 6 1/4 in. (23.3 × 15.8 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615

The Hidden Treasure (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London),

The Pillars of Hercules, from The Labors of Hercules, 1550, Engraving, Sheet: 4 5/16 × 2 3/4 in. (10.9 × 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Young Hercules Killing the Snakes, Engraving, Sheet: 1 × 1 in. (2.6 × 2.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

A Mask on an Escutcheon Supported by Two Genii, 1544, Engraving; second state of two (Pauli), Sheet: 1 7/8 x 2 3/4 in. (4.8 x 7 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At center, mask on an escutcheon, supported by two

Christ in Limbo, after Raphael, 1541, Engraving, Sheet (trimmed): 11 3/16 × 6 11/16 in. (28.4 × 17 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Drawings and Prints, Print, The cardinal virtue of Prudence represented by a seated woman holding a snake in her right hand(possibly a modern impression), Artist, Anonymous, ca. 1480–1520, 1475, 1485, Engraving, printed from a plate

Second View of the Environs of Antwerp (Seconde Vue des Environs d'Anvers), Etching and engraving, Sheet: 11 7/8 x 14 1/8 in. (30.1 x 35.9 cm), Prints, After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp), Joanna Fr.

Albert van der Helle, 1538, Engraving; first state of two, Sheet: 7 7/8 × 5 in. (20 × 12.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Ornament with Jewelry Design as Decorative Floral Arrangement, 17th century, Engraving, Sheet: 6 1/4 × 4 1/2 in. (15.9 × 11.5 cm), Anonymous, 17th century (in the style of Gédéon Légaré), Decorative floral arrangement in an oval shape

The Wife, 1830, Steel engraving, image: 3 11/16 x 2 7/8 in. (9.4 x 7.3 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Samuel F. B. Morse (American, Charlestown, Massachusetts

Portrait of Guillaume-Thomas Raynal, 1773, Etching and engraving; second state of two (Bocher), Sheet: 11 × 8 1/8 in. (28 × 20.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

The Idle 'Prentice Betrayed by his Whore and Taken into a Night Cellar with his Accomplice: Industry and Idleness, plate 9, September 30, 1747, Etching and engraving; second state of four, sheet: 10 1/4 x 13 5/8 in. (26.1 x 34.6 cm), Prints,

Conversatio sancta, Engraving printed on vellum, sheet: 2 5/8 x 3 5/8 in. (6.6 x 9.2 cm), Prints, Cornelis Galle I (Netherlandish, Antwerp 1576–1650 Antwerp

Speculum Romanae Magnificentiae: Decorated capital and base in the Temple of Jupiter, Rome, ca. 1537, Engraving, mount: 17 11/16 x 13 1/8 in. (44.9 x 33.3 cm), Prints, Attributed to Master G.A. (Italian, active ca. 1535

The Virgin with the Blessing Child in a Landscape, Engraving, Sheet: 6 7/8 × 4 11/16 in. (17.5 × 11.9 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Benefit Ticket for Milward, 1788, Etching and engraving, plate: 5 3/4 x 4 5/16 in. (14.6 x 11 cm), Prints, After William Hogarth (British, London 1697–1764 London

Rest on the Flight into Egypt, 1650–59, Engraving, second state, sheet: 17 3/8 x 22 7/16 in. (44.2 x 57 cm), Prints, Schelte Adams à Bolswert (Dutch, 1581–1659), After Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Horizontal Panel with Design for a Thimble with the Annuciation Below a Frieze with Three Figures in Ovals, 1580–1600, Engraving and blackwork, Sheet: 2 1/2 × 1 5/8 in. (6.3 × 4.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Sleeping Congregation, October 26, 1736, Etching and engraving; third state of four, sheet: 10 5/16 x 7 7/8 in. (26.2 x 20 cm), Prints, William Hogarth (British, London 1697–1764 London

Nobilium in Belgio Utriusque Sexus Ornatus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 8 7/8 x 6 in. (22.6 x 15.2 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After

Trois Amours dont un tient une flèche (Three Loves, one of which holds an arrow), from Premiere Livre de Groupes d'Enfans (First Book of Groups of Children), Etching and engraving, sheet: 9 5/16 x 11 11/16 in. (23.6 x 29.7 cm), Pierre Alexandre

Christ at Emmaus, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/8 × 3 7/8 in. (13 × 9.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht Dürer (German,

Banknote motif: the number 5 set against a scallop-edged circle of ornamental lathe work, within a rectangle with cut off corners, the top adorned with a vase and swans, the bottom with fruit and grain, ca. 1824–42, Engraving and etching,

Women spinning, weaving and sewing, mid-16th century, Engraving, sheet: 7 11/16 x 6 1/2 in. (19.6 x 16.5 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Veritas, from Proposopographia, ca. 1585–90, Engraving, plate: 6 1/16 x 3 5/8 in. (15.4 x 9.2 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

L'Arivée du Courier (The Arrival of the Messenger), 18th century, Etching and engraving, Sheet: 19 1/16 x 15 7/16 in. (48.4 x 39.2 cm), Prints, Jacques Firmin Beauvarlet (French, Abbeville 1731–1797), After François Boucher (French, Paris

La pesche chinoise (Chinese Fishing), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 3/4 x 22 1/16 in. (42.6 x 56 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), Gabriel Huquier (French, Orléans

Hercules Fighting the Nemean Lion, Engraving, Sheet: 1 15/16 × 1 5/8 in. (5 × 4.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Riverscape with Boats, Engraving; second state, Sheet: 7 5/8 x 11 9/16 in. (19.4 x 29.4 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Absyrtus' limbs presented in a wrapped cloth to his father, from: Histoire de Jason et de la conquête de la toison d'or, 1563, Engraving, Plate: 6 5/16 x 9 1/8 in. (16 x 23.2 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)),

Omer Talon, Engraving; second state of three, sheet: 10 11/16 x 7 13/16 in. (27.2 x 19.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: View of the Back of the Statues of the Dioscuri at the Quirinal, 1550, Engraving, sheet: 13 11/16 x 19 5/16 in. (34.7 x 49 cm), Prints, Anonymous

John Henderson, in the Character of Iago (Shakespeare's Othello), 1786, Stipple engraving and etching; third state of three, sheet: 9 1/8 x 5 3/4 in. (23.2 x 14.6 cm) (clipped impression), Prints, After Gilbert Stuart (American, North

The Crucifixion, 1585, Engraving; second state of two, sheet: 8 13/16 × 6 1/8 in. (22.4 × 15.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Two Fencers, from Fencers, plate 7, 1552, Etching and engraving., Sheet: 9 13/16 x 7 1/2 in. (25 x 19 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda), Cornelis Bos (Netherlandish, Hertogenbosch ca.

Saint Luke, dated 1518, Engraving, 8 3/16 x 5 11/16 in. (20.8 x 14.5 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Two Cupids, One Holding Torches, mid to late 18th century, Etching and engraving, Sheet: 17 13/16 x 11 15/16 in. (45.3 x 30.3 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Ecce Homo, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 5/8 × 4 15/16 in. (19.4 × 12.5 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Minerva in a Decorative Frame with Grotesques, from the Judgment of Paris, ca. 1580–1600, Engraving, Sheet: 5 7/16 × 3 1/2 in. (13.8 × 8.9 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Plate 3 from a series of six

The Nymph of Immortality, Attended by the Loves, Crowning the Bust of Shakespeare, September 1784, Stipple engraving and etching, hand colored; fifth state of five, plate: 13 3/4 x 10 1/4 in. (34.9 x 26 cm), Prints, Francesco Bartolozzi

Jesus Christ, 1726, Etching and engraving, Sheet (trimmed): 13 9/16 × 8 9/16 in. (34.4 × 21.7 cm), Prints, Simon Vallée (French, born ca. 1700), After François Boucher (French, Paris 1703–1770 Paris

Little girl holding grapes with a basket of them by her side, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France), after 1757,

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